This volume combines Louise Trotter's "Three Favorite Hymns" and "Four Hymns Plain and Fancy". Each arrangement is two to three pages in length with easy-to-read notation. Some fingerings are included. The use of harmonics, glissandos and arpeggios to make these arrangements interesting and "harpy".
Table of Contents: Amazing Grace, In the Garden, Jesus Loves Me, Be Thou My Vision, Sweet Hour of Prayer, Softly and Tenderly, and Fairest Lord Jesus

Fifteen arrangements and three original compositions for lever harp. This collection includes music from all over the world, including a special arrangement of a hymn from New Zealand, by Maori composer Richard Puanaki. The music includes a few lever pre-sets, and some lever changes, plus some harmonic effects. This music ranges from early to late intermediate and is all playable on a lever harp.Contents:Baloo Lammy (Scotland)Ma\'oz Tzur (Jewish)Twinkling Lights (original)Jul, Jul Stralande Jul (G Nordqvist)Ka Waiata Ki a Maria (R Puanaki)O, Little Town of Bethlehem (English version)I Heard the Bells on Christmas Day (American)The Seven Joys of Mary (Irish)Seashells, Christmas Bells (original)Christ Child\'s Lullaby (Hebridean)Let\'s Celebrate (original)Oh Come, Oh Come Emmanuel (12th Century)Zion\'s Daughter (G.F Handel)Watts\' Cradle Song (Isaac Watts)In The Bleak Midwinter (Rossetti/Holst)Mitt Hjerte Alltid Vanker (Brorson/Danish)The Cherry Tree Carol (English)See Amid the Winter\'s Snow (Caswell/Goss).

Fran�ois Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

Fran�ois Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

Fran�ois Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

Item Number: S0.645573

Unusual Celtic carol with an improvisatory feel. Few lever changes and awkward passages make these beautiful songs quick to work up for busy harpists who don't have time to start learning Christmas repertoire in July! One tune is in a key with three flats, four carols require one flat. Seven our of ten pieces require NO lever or pedal changes.
Titles: Christ Child?s Lullaby, Lullaby of the Virgin Mary (Manx), Away in the Manger (Scottish melody), Deck the Hall, The Virgin?s Lullaby, Christmas Day is Come, Blessed Mary, That Night in Bethlehem, Baloo Lammy, and What Child is This?. .

Folk dance and music are a large part of everyday life in parts of Scandinavia. This is a collection of seventeen Nordic songs, ballads and dance melodies,arranged with as few lever changes as possible. Scandinavian music reflects a rich tradition dating back to Viking times, with ballads, songs, song-dances, couple-dances, and set-dances.
Table of Contents:
The Willow Flute Song, Dance from Nes, Ri�um, Ri�um (Riding, Riding), Tantoli, Polska from S�fn�s, Young �slaug, Schottis, Dance from Asker, �ppelbo Walking Tune (includes flute part), The Woodlands Wanderer, Josefin's Waltz, Frisell's Walking Tune, Springpols, Springleik, Reinlendar from Dovre, Nidelven, and Trollmother's Lullaby.