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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Still The One
Non classifié
374
Piano & claviers
Piano seul
129
Piano, Voix
41
Piano, Voix et Guitare
23
Orgue
11
Instruments en Do
6
Piano Facile
3
Accompagnement Piano
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 4 mains
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
20
Guitare
17
Ligne De Mélodie, (Paroles) et Accords
8
Piano, Guitare (duo)
6
Basse electrique
4
Paroles et Accords
3
Ukulele
2
4 Guitares (Quatuor)
2
2 Guitares (duo)
1
3 Guitares (trio)
1
Mandoline
1
Dulcimer
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
87
Chorale SSAA
20
Chorale TTBB
20
Chorale 3 parties
18
Chorale 2 parties
6
Voix basse, Piano
5
Voix duo
5
Voix haute
3
Voix moyenne, Piano
3
Voix duo, Piano
1
Chorale Unison
1
Soli, choeur mixte et accompagnement
1
Voix basse
1
Chorale SSATTB
1
Voix Alto, Piano
1
Voix Baryton, Piano
1
+ 11 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
44
Saxophone Alto et Piano
35
3 Saxophones (trio)
29
2 Saxophones (duo)
28
Flûte traversière et Piano
27
Clarinette et Piano
23
Saxophone Tenor et Piano
22
Saxophone Soprano et Piano
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Ensemble de saxophones
17
Ensemble de Flûtes
17
Quintette de Saxophone: 5 saxophones
17
Flûte, Hautbois, Clarinette, Basson
13
Saxophone Baryton, Piano
12
Saxophone, Clarinette (duo)
11
2 Flûtes traversières (duo)
11
Quatuor de Clarinettes: 4 clarinettes
11
Hautbois, Piano (duo)
10
Quatuor de Flûtes : 4 flûtes
10
Saxophone Alto
9
Ensemble de Clarinettes
9
Saxophone Tenor
9
2 Clarinettes (duo)
8
Clarinette, Trompette (duo)
7
Cor anglais, Piano
7
Flûte, Saxophone (duo)
6
Saxophone
6
Clarinette, Violon (duo)
6
Clarinette
5
Quintette de Clarinettes: 5 clarinettes
4
Clarinette Basse, Piano
4
Flûte, Clarinette (duo)
4
Flûte, Violon
4
Flûte traversière
4
Hautbois, Clarinette (duo)
4
Hautbois, Flûte
4
Flûte, Alto (duo)
3
Hautbois (partie séparée)
3
Clarinette et Alto
3
Flûte, Trompette (duo)
3
Hautbois, Basson (duo)
3
Ensemble à vent
3
Flute, harpe et violon
2
2 Hautbois (duo)
2
Saxophone (partie séparée)
2
Ocarina
2
Clarinette, Harpe (duo)
2
Flûte à bec Soprano
2
Quintette de Flûte : 5 flûtes
2
Clarinette, Violoncelle (duo)
2
Piccolo, Piano
2
5 Flûtes à bec
1
Flûte à bec Alto
1
Flûte et Guitare
1
Flûte, Hautbois, Clarinette (trio)
1
2 Clarinettes, Basson
1
Flûte, Trombone (duo)
1
3 Clarinettes (trio)
1
Cor anglais, Guitare (duo)
1
+ 54 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trombone et Piano
24
Ensemble de Trompettes
16
Euphonium, Piano (duo)
12
Trompette, Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trombone
9
Trompette, Saxophone (duo)
8
Cor et Piano
7
Cor anglais, Piano
7
2 Trombones (duo)
7
Ensemble de Trombones
6
Quatuor de Cuivres
6
Trompette
5
Quatuor de cuivres: 4 trombones
5
2 Trompettes (duo)
5
Trombone (partie séparée)
4
Trompette, Trombone (duo)
4
Trio de Cuivres
3
Quatuor de cuivres: 4 cors
3
2 Euphoniums et 2 Tubas
3
2 Trompettes, Clavier (piano ou orgue)
1
3 Trombones (trio)
1
Tuba
1
Trombone, Tuba (duo)
1
4 Tubas
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Cors
1
Tuba et Piano
1
Cor
1
Cor anglais, Guitare (duo)
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
50
Violon et Piano
22
Violoncelle, Piano
18
Alto, Piano
16
Trio à Cordes: violon, alto, violoncelle
15
2 Violons (duo)
10
Violon, Violoncelle (duo)
10
Harpe
7
Violoncelle
5
Trio à Cordes: 2 violons, violoncelle
4
2 Violoncelles (duo)
4
4 Violoncelles
3
Harpe, Flûte (duo)
3
Violon, Alto (duo)
3
Violon
3
2 Harpes (duo)
2
2 Altos (duo)
2
Violon (partie séparée)
2
Alto (partie séparée)
2
Alto, Guitare (duo)
1
Violoncelle (partie séparée)
1
Violon, Guitare (duo)
1
Contre Basse
1
Ensemble de Violons
1
Contrebasse, Piano (duo)
1
Alto seul
1
Ensemble d'Altos
1
Trio à cordes: 3 violins
1
Harpe, Violoncelle (duo)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre
36
Orchestre d'harmonie
35
Orchestre à Cordes
23
Ensemble de cuivres
16
Fanfare
12
Orchestre de chambre
11
Cloches
10
Ensemble Jazz
8
Jazz combo
5
Xylophone, Piano
1
Marimba
1
+ 6 instrumentations
Retracter
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ACCORDEON
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CITHARE
CLAIRON
CLARINETTE
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CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
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VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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THANKSGIVING
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Vous avez sélectionné:
Still The One
intermédiaire
Harpe
Partitions à imprimer
7 partitions trouvées
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1
Still, Still, Still, for Two Harps Plus Flute
Harpe
Flute,Harp - Level 3 - Digital Download SKU: A0.542333 Composed by Traditional Germ…
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Flute,Harp - Level 3 - Digital Download SKU: A0.542333 Composed by Traditional German. Arranged by Cindy Blevins. Christmas. 10 pages. Cindy Blevins #3362237. Published by Cindy Blevins (A0.542333). This is beautifully arranged for two harps and one flute. With this download, you receive the score, the Harp I part, the Harp II part and the Flute part. The Harp I part is for lever harp, and of course can also be played on pedal harp. The Harp II part is lap harp friendly, and generally easier than the Harp I part. There is no levering or pedaling within the piece. The flute adds a delightful voice, adding melody, harmony, and counter-melody to the harp parts. My website: https://www.blevinsmusic.com
$4.99
4.6 €
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Harpe
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Traditional German
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Cindy Blevins
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Still, Still, Still, for Two Harps Plus Flute
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Cindy Blevins
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SheetMusicPlus
Vivaldi: Sonata No. 3 for Harp & Piano
Harpe
Harp,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.550465 Composed b…
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Harp,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.550465 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and individual part. 21 pages. Jmsgu3 #4638613. Published by jmsgu3 (A0.550465). Sonata da Chiesa No. 3 in A Minor for Harp & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.38 €
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Harpe
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Harp & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 1 for Harp & Piano
Harpe
Harp,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.550467 Composed b…
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Harp,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.550467 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and individual part. 20 pages. Jmsgu3 #4638679. Published by jmsgu3 (A0.550467). Sonata da Chiesa in Bb for Harp & Piano by Antonio Vivaldi in Four Movements. Duration: ca. 11:45. Score: 14 pages. 205 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.38 €
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Harpe
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Harp & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 2 for Harp & Piano
Harpe
Harp,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.550434 Composed b…
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Harp,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.550434 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and individual part. 18 pages. Jmsgu3 #4633993. Published by jmsgu3 (A0.550434). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.38 €
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Harpe
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Harp & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 5 for Harp & Piano
Harpe
Harp,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.550516 Composed b…
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Harp,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.550516 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and individual part. 21 pages. Jmsgu3 #4717749. Published by jmsgu3 (A0.550516). Sonata da Chiesa No. 5 in E Minor for Harp & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.38 €
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Harpe
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Harp & Piano
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jmsgu3
#
SheetMusicPlus
Vivaldi: Sonata No. 4 for Harp & Piano
Harpe
Harp,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.550491 Composed b…
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Harp,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.550491 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and individual part. 21 pages. Jmsgu3 #4642173. Published by jmsgu3 (A0.550491). Sonata da Chiesa No. 4 in Bb Major for Harp & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.38 €
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Harpe
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Harp & Piano
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jmsgu3
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SheetMusicPlus
Don't Stop Believin' (Journey) for Double-strung Harp
Harpe
By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Publis…
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By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson
Your audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believinYour audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin
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Harpe
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Journey
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Karen Peterson
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Don't Stop Believin'
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SheetMusicPlus
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