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HARPING THROUGH PACHELBEL’S CANON - a comprehensive method for the harp - VOL. 4 MISCELLANEA
Harpe
Pedal Harp - Level 3 - Digital Download SKU: A0.1319588 Composed by Alessandro Pala…
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Pedal Harp - Level 3 - Digital Download SKU: A0.1319588 Composed by Alessandro Palazzani. Baroque,Instructional,Standards,Traditional,Wedding. Score. 252 pages. A work by Alessandro Palazzani #908147. Published by A work by Alessandro Palazzani (A0.1319588). Alessandro Palazzani:HARPING THROUGH PACHELBEL’S CANON a comprehensive method for the harp Vol. 4 MISCELLANEAOver 770 technical exercises based on Pachelbel’s Canon harmonic progression collected in four volumes ordered by level of difficulty  and containing all the topics of harp techniqueFOR EVERY KIND OF HARP This book has been written with the intention of providing harpists with a valuable study tool, combining what is useful but often not enjoyable (technical exercises) with what everyone loves to play (Pachelbel's Canon in D).We are so proud to present to you this extensive collection of over 770 exercises based on the harmony of Pachelbel's Canon. These exercises cover all aspects of playing the harp and are published in four volumes the first three are organized into three difficulty levels (basic, intermediate, and advanced). In each volume, thirteen different topics are explored, each with three levels of complexity. The fourth volume (miscellanea) completes the range of subjects with ten additional chapters.Vol. 1 BASIC LEVEL - Vol. 2 INTERMEDIATE LEVEL - Vol. 3 ADVANCED LEVELTopics of each volume 1. Articulation - 2. Scales - 3. Slides - 4. Glissandos - 5. Parallel Intervals - 6. Chords - 7. Arpeggios - 8. Batteries - 9. Thumb Extension & Melody - 10. Harmonics - 11. Mufflings - 12. Cross Fingering - 13. Trills, Tremolos & BisbigliandoVol. 4 MISCELLANEATopics of vol. 4 1. Ornaments - 2. Timbral Alterations - 3. Polyrythms - 4. Accompaniment Patterns  - 5. Polyphony - 6. Lever Changes - 7. Pedal Changes - 8. Various Etudes - 9. Warm-up Routine - 10. Pachelbel’s CanonWe hope that this work can become a reference point in your daily practice and warm-up routine, making even those moments in your practice session that are often dry and musically uninteresting more enjoyable and satisfying.
$35.00
32 €
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Harpe
#
Alessandro Palazzani
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Melody - 10
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HARPING THROUGH PACHELBEL’S CANON - a comprehensive method for the harp - VOL. 4 MISCELLANEA
#
A work by Alessandro Palazzani
#
SheetMusicPlus
HARPING THROUGH PACHELBEL’S CANON - a comprehensive method for the harp - VOL. 2 INTERMEDIATE LEVEL
Harpe
Pedal Harp - Level 3 - Digital Download SKU: A0.1319579 Composed by Alessandro Pala…
(+)
Pedal Harp - Level 3 - Digital Download SKU: A0.1319579 Composed by Alessandro Palazzani. Baroque,Instructional,Standards,Traditional,Wedding. Score. 290 pages. A work by Alessandro Palazzani #908138. Published by A work by Alessandro Palazzani (A0.1319579). Alessandro Palazzani:HARPING THROUGH PACHELBEL’S CANON a comprehensive method for the harp VOL. 2 INTERMEDIATE LEVELOver 770 technical exercises based on Pachelbel’s Canon harmonic progression collected in four volumes ordered by level of difficulty  and containing all the topics of harp techniqueFOR EVERY KIND OF HARP This book has been written with the intention of providing harpists with a valuable study tool, combining what is useful but often not enjoyable (technical exercises) with what everyone loves to play (Pachelbel's Canon in D).We are so proud to present to you this extensive collection of over 770 exercises based on the harmony of Pachelbel's Canon. These exercises cover all aspects of playing the harp and are published in four volumes the first three are organized into three difficulty levels (basic, intermediate, and advanced). In each volume, thirteen different topics are explored, each with three levels of complexity. The fourth volume (miscellanea) completes the range of subjects with ten additional chapters.Vol. 1 BASIC LEVEL - Vol. 2 INTERMEDIATE LEVEL - Vol. 3 ADVANCED LEVELTopics of each volume 1. Articulation - 2. Scales - 3. Slides - 4. Glissandos - 5. Parallel Intervals - 6. Chords - 7. Arpeggios - 8. Batteries - 9. Thumb Extension & Melody - 10. Harmonics - 11. Mufflings - 12. Cross Fingering - 13. Trills, Tremolos & BisbigliandoVol. 4 MISCELLANEATopics of vol. 4 1. Ornaments - 2. Timbral Alterations - 3. Polyrythms - 4. Accompaniment Patterns  - 5. Polyphony - 6. Lever Changes - 7. Pedal Changes - 8. Various Etudes - 9. Warm-up Routine - 10. Pachelbel’s CanonWe hope that this work can become a reference point in your daily practice and warm-up routine, making even those moments in your practice session that are often dry and musically uninteresting more enjoyable and satisfying.
$35.00
32 €
#
Harpe
#
Alessandro Palazzani
#
Melody - 10
#
HARPING THROUGH PACHELBEL’S CANON - a comprehensive method for the harp - VOL. 2 INTERMEDIATE LEVEL
#
A work by Alessandro Palazzani
#
SheetMusicPlus
Carolan's Receipt for Drinking
Harpe
Harp - Level 3 - Digital Download SKU: A0.948776 Composed by Turlough O'carolan. Ar…
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Harp - Level 3 - Digital Download SKU: A0.948776 Composed by Turlough O'carolan. Arranged by Darren Raleigh. Baroque,Celtic,Folk,Standards. Score. 2 pages. Darren Raleigh #4346199. Published by Darren Raleigh (A0.948776). This is the second-to-last song composed in 1738 by the greatest composer of music for the Celtic harp: Turlough O'Carolan. The story goes that when Turlough was quite old he went to his doctor, who told him that if he didn't give up the whiskey he couldn't be assured of seeing another year. So Turlough did what any sane man would do: he got a second opinion. He consulted Dr. John Stafford who wrote him a prescription (in those days it was called a receipt) for whiskey, and it return O'Carolan wrote this. .
$5.00
4.57 €
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Harpe
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Turlough O'carolan
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Darren Raleigh
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Carolan's Receipt for Drinking
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Darren Raleigh
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SheetMusicPlus
Greensleeves
Harpe
Harp - Intermediate - Digital Download Arranged by Meg Robinson. Repertoire, Celtic, …
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Harp - Intermediate - Digital Download Arranged by Meg Robinson. Repertoire, Celtic, Christmas, St. Patrick's Day. 9 pages. Published by Afghan Press Music for the Harp
Arranged for 26-string harp, although easily playable on larger harps, this version of the famous and greatly requested tune is like a theme and variations. It is well edited with some fingerings, brackets, and dynamic markings, and in the key of E minor. Theme is in 3/4 time and is played through once. Five following variations are in more of a driving 6/8 time. Depending on how fast it's taken, this song can easily fill up a nice segment of set with something very pleasant and not too difficult. The tune is also used as "What Child is This" so could be played at a Christmas gig!Arranged for 26-string harp, although easily playable on larger harps, this version of the famous and greatly requested tune is like a theme and variations. It is well edited with some fingerings, brackets, and dynamic markings, and in the key of E minor. Theme is in 3/4 time and is played through once. Five following variations are in more of a driving 6/8 time. Depending on how fast it's taken, this song can easily fill up a nice segment of set with something very pleasant and not too difficult. The tune is also used as "What Child is This" so could be played at a Christmas gig!
$6.00
5.49 €
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Harpe
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Meg Robinson
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Greensleeves
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Afghan Press Music for the Harp
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SheetMusicPlus
Don't Stop Believin' (Journey) for Double-strung Harp
Harpe
By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Publis…
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By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson
Your audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believinYour audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin
$6.99
6.39 €
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Harpe
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Journey
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Karen Peterson
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Don't Stop Believin'
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SheetMusicPlus
Christmas Day
Harpe
Harp - Intermediate - Digital Download Arranged by Sunita Staneslow. Christian, Gener…
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Harp - Intermediate - Digital Download Arranged by Sunita Staneslow. Christian, General Worship, Celtic, Christmas. 51 pages. Published by Afghan Press Music for the Harp
Item Number: S0.645573<br> <br> Unusual Celtic carol with an improvisatory feel. Few lever changes and awkward passages make these beautiful songs quick to work up for busy harpists who don't have time to start learning Christmas repertoire in July! One tune is in a key with three flats, four carols require one flat. Seven our of ten pieces require NO lever or pedal changes.<br> Titles: Christ Child’s Lullaby, Lullaby of the Virgin Mary (Manx), Away in the Manger (Scottish melody), Deck the Hall, The Virgin’s Lullaby, Christmas Day is Come, Blessed Mary, That Night in Bethlehem, Baloo Lammy, and What Child is This?. .Item Number: S0.645573<br> <br> Unusual Celtic carol with an improvisatory feel. Few lever changes and awkward passages make these beautiful songs quick to work up for busy harpists who don't have time to start learning Christmas repertoire in July! One tune is in a key with three flats, four carols require one flat. Seven our of ten pieces require NO lever or pedal changes.<br> Titles: Christ Child’s Lullaby, Lullaby of the Virgin Mary (Manx), Away in the Manger (Scottish melody), Deck the Hall, The Virgin’s Lullaby, Christmas Day is Come, Blessed Mary, That Night in Bethlehem, Baloo Lammy, and What Child is This?. .
$16.00
14.63 €
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Harpe
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Sunita Staneslow
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Christmas Day
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Afghan Press Music for the Harp
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SheetMusicPlus
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