Eleven original arrangements of seasonal songs. These arrangements are clever, delightful and unusual. Ranging from the keys of F to E. There are interesting interludes and introductions, and a few meter changes, too. Not difficult, these arrangements will keep your interest throughout the entire holiday season!

Table of Contents: Angels on High, Entre le boeuf et l?ane gris, O Tannenbaum, Come Leave Your Sheep, Dormi Dormi, Come Shepherds Rise, Infant Holy, Bring a Torch, Three Norwegian Carols, How Far is it to Bethlehem, Masters in this Hall.

Nine arrangements, some familiar and some new. Excellent repertoire for those who play parties, receptions and other public venues. Fingerings are judiciously provided for ease in sight reading or for study purposes in teaching. A set of lead sheets is included at the back of the collection, complete with rehearsal letters, repeat signs, interludes and multi-measure rests. These can be used by any other instrumentalist such as flute, violin, cello, guitar or keyboard. Permission is given to copy the lead sheets for additional instruments.

Titles: The Huron Carol (Canada), Good Christian Men Rejoice, O Christmas Tree (Germany), Tu Scendi Dalle Stelle (Italy), The Sleep of the Infant Jesus, Bring a Torch Jeannette Isabelle, March of the Three Kings, Pat-a-pan (France), The Icy December (Spain).

Your audience?s memory of this Eighties rock anthem by Journey will be playing along in their head?from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they?ve never heard it before on a harp.

This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.

Range and key: F major (one flat). 23x2 strings. C below middle C through D.
Lever changes: None.

Good for: Weddings, parties, performance, therapeutic settings.

Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it?s a great piece to learn this technique on.

Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.

Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with ?R? or ?R#? when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with ?L? or ?L#? when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in ?Don?t Stop Believin?: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf

Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what?s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don?t worry: it?s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.

Length: 6 pages. 106 measures. 4:00?5:00 minutes, depending on tempo.

Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.

Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin

This is a nice, sweet, medium-tempo song for lever harp or pedal harp in the key of C major. Intermediate level with only 2 lever/pedal changes (G-sharp and back to G-natural) that are marked. Lyrics are also included in the music!

I arranged this for double-strung lap harp but it can be played on most single-strung harps as well. You'll receive this popular song by Sting in 2 keys: E-flat Major and D Major. I did not include the bridge which goes into a different key. So there are no lever changes in either key arrangement!

Two arrangements included, one for pedal harp and one for lever harp! Both are early-intermediate level and have only 2 pedal/lever changes near the beginning. Great song and sounds awesome on the harp!

Delightful arrangements that will come in handy for that St. Patrick's Day program. Intermediate difficulty, compelling repertoire. Most of the tunes are in the key of G, a few in D, one in A, and one in F. There are a few lever changes here and there.

Table of Contents:
Ballydesmond Polka #2, Blackbird, Butterfly, Cuckoo's Nest, Flowers of Edinburgh, Katie's Rambles, Lanagan's Ball, Trip to Sligo, Leitrim Fancy, Maggie in the Woods, Mist on the Mountain, Nancy McDermott, O'Farrell's Welcome to Limerick, Sally Gardens Reel, Sally in the Garden, Swallowtail Jig, Out on the Ocean, Ship in Full Sail.