Partitions Numériques de 4 little Pieces pour Harpe

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TRI ET FILTRES

Tri et filtres :

avec audio

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avec play-along

Non classifié 56

PIANO & CLAVIERS

Piano seul 115 Piano, Voix 96 Piano Facile 29 2 Pianos, 4 mains 27 1 Piano, 4 mains 16

Orgue 13 Piano, Voix et Guitare 5 Instruments en Do 4 Accordéon 2 Piano Trio: piano, violon, violoncelle 1

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GUITARES

Guitare 11 Guitare notes et tablatures 3 Piano, Guitare (duo) 2 2 Guitares (duo) 2 4 Guitares (Quatuor) 1

VOIX

Chorale SATB 65 Voix duo, Orgue 1 Chorale TTBB 1 Chorale 3 parties 1 Chorale Unison 1

Voix duo 1

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VENTS

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 9 Quatuor de Clarinettes: 4 clarinettes 9 Flûte traversière et Piano 9 Saxophone Alto et Piano 9 Quatuor de Flûtes : 4 flûtes 8

Hautbois, Piano (duo) 8 Quatuor de Saxophones: 4 saxophones 8 Clarinette et Piano 8 2 Flûtes traversières (duo) 7 Flûte traversière 6 2 Clarinettes (duo) 6 Flûte, Hautbois, Clarinette, Basson 6 Saxophone Tenor et Piano 5 Ensemble de Clarinettes 4 2 Saxophones (duo) 3 Saxophone Alto 2 Clarinette 2 Ensemble de Flûtes 1 2 Hautbois (duo) 1 Flûte, Hautbois, Clarinette (trio) 1 Quatuor de Flûtes à bec 1 Flûte à bec Soprano, Piano 1 Saxophone Tenor 1 Quintette de Saxophone: 5 saxophones 1 2 Flûte à bec (duo) 1 Saxophone Soprano et Piano 1 Hautbois (partie séparée) 1 Quintette de Flûte : 5 flûtes 1

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CUIVRES

Quatuor de cuivres: 4 trombones 27 Trombone et Piano 7 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 6 Tuba et Piano 6 Trompette 3

Trompette, Piano 3 Quatuor de Cuivres : 2 trompettes, trombone, tuba 3 Quatuor de cuivres: 4 cors 2 2 Euphoniums (duo) 1 Trompette, Cor (duo) 1 Cor et Piano 1 Euphonium, Piano (duo) 1 Trompette, Trombone (duo) 1 2 Trompettes (duo) 1 4 Tubas 1 Ensemble de Trombones 1 2 Cors (duo) 1 2 Trombones (duo) 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 12 Violon, Violoncelle (duo) 9 Violon et Piano 8 Alto, Piano 5 Trio à Cordes: 2 violons, violoncelle 4 2 Altos (duo) 4 Violoncelle, Piano 4 2 Violoncelles (duo) 4 2 Violons (duo) 3 Harpe 3

Violoncelle 2 Violon (partie séparée) 2 Trio à Cordes: violon, alto, violoncelle 2 Violon 2 Contrebasse, Piano (duo) 2 Violon, Alto (duo) 2 4 Violoncelles 2 Violoncelle, Orchestre 1 Alto (partie séparée) 1 Harpe, Flûte (duo) 1

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PERCUSSIONS & ORCHESTRES

Orchestre à Cordes 5 Orchestre de chambre 5 Orchestre d'harmonie 4 Marimba 3 Orchestre 3

Ensemble de cuivres 1 Ensemble Jazz 1 Vibraphone 1 Cloches 1 Xylophone, Piano 1

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AUTRES

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4 little Pieces

Harpe

Partitions à imprimer

3 partitions trouvées

Little Winny Wilkins

Harpe

Piano and voice; flute/harp - Digital Download SKU: LV.16540 Composed by Mr. Whitak…(+)

Piano and voice; flute/harp - Digital Download SKU: LV.16540 Composed by Mr. Whitaker. Courtship & love, Mothers & children. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16540). Little Winny Wilkins. Written by Mr. A. Cherry. Composed with an Accompaniment for the Fute & Piano Forte or Harp by Mr. Whitaker. Published [n.d.] by G.E. Blake in Philadelphia. Composition of strophic with chorus with piano and voice; flute/harp instrumentation. Subject headings for this piece include Courtship & love, Mothers & children. First line reads 'Twas Monmouth fair the sun shone bright, The bells did merry jingle.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

$5.99 5.49 € #Harpe #Mr #Little Winny Wilkins #Johns Hopkins University Sheridan Libraries #SheetMusicPlus

Mozart's London Sketchbook K.15 - pedal harp

Harpe

Harp - Level 4 - Digital Download SKU: A0.1022862 Composed by Wolfgang Amadeus Moza…(+)

Harp - Level 4 - Digital Download SKU: A0.1022862 Composed by Wolfgang Amadeus Mozart. Arranged by Megan Reeve. Classical. Score. 44 pages. Melbourne Harp Music #6794937. Published by Melbourne Harp Music (A0.1022862). Arranged for the first time for pedal harp, the London Sketchbook is a collection of 12 musical gems from the 8 year old Mozart. All the pieces are drawn from Koechel 15, which is quite literally a sketchbook of the 8-year-old Mozartâ€™s compositions and ideas at the time of his 1764 stay in London. Each piece offers a little gem of classical inspiration with challenges for levers and hands alike. Suitable for intermediate level harpists (Grades 3-6).

$25.00 22.9 € #Harpe #Wolfgang Amadeus Mozart #Megan Reeve #Mozart's London Sketchbook K.15 - pedal harp #Melbourne Harp Music #SheetMusicPlus

Old French Song

Harpe

Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…(+)

Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“. In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s. Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children". On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July. By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom. On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published. P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback. A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. May be the staccatos suites you best, and you should try it. The score was written on Finale. The sound file was produced with samplers from Garritan, intended as an audio support for the presentation of the score. A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“. In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s. Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children". On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July. By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom. On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published. P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback. A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. May be the staccatos suites you best, and you should try it. The score was written on Finale. The sound file was produced with samplers from Garritan, intended as an audio support for the presentation of the score. A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music.

$4.99 4.57 € #Harpe #Pyotr Ilich Tchaikovsky #Luis Anjos Teixeira #Old French Song #Luis Anjos Teixeira #SheetMusicPlus