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2
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1
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1
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29
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11
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14
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2 Trompettes (duo)
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2 Cors (duo)
7
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5
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Quatuor de cuivres: 4 cors
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Tuba
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Quatuor de cuivres: 4 trompettes
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Clarinette, Cor (duo)
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1
Quatuor de cuivres: 4 trombones
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Tuba (partie séparée)
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Euphonium, Tuba (duo)
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Cornet et Piano
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
113
Violon et Piano
92
Violoncelle, Piano
54
Trio à Cordes: violon, alto, violoncelle
35
Alto, Piano
33
Violon
25
2 Violons (duo)
22
Violon, Violoncelle (duo)
20
Violoncelle
19
2 Violoncelles (duo)
17
Harpe
12
Contrebasse, Piano (duo)
9
Alto seul
8
Violon, Alto (duo)
8
2 Altos (duo)
8
Trio à cordes: 3 violins
6
Trio à Cordes: 2 violons, violoncelle
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violon (partie séparée)
6
Violon, Guitare (duo)
6
Contre Basse
5
2 Contrebasses (duo)
4
Alto, Guitare (duo)
3
Violoncelle (partie séparée)
3
Violoncelle , Guitare (duo)
3
Quatuor à cordes: 4 violons
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4 Violoncelles
2
Alto, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
Alto (partie séparée)
1
Harpe, Violon (duo)
1
Trio à cordes: 3 altos
1
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orchestre
1
2 Altos, Piano
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3 Harpes
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Violon, Basson (duo)
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PERCUSSIONS & ORCHESTRES
Cloches
95
Orchestre d'harmonie
61
Orchestre à Cordes
48
Orchestre
31
Ensemble de cuivres
21
Orchestre de chambre
10
Ensemble de Percussions
9
Ensemble Jazz
7
Jazz combo
4
Percussion (partie séparée)
3
Marimba
2
Batterie
2
Percussion
2
Fanfare
1
Timbales
1
Xylophone, Piano
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AUTRES
Théorie de la musique
1
Formation musicale - Solfège
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Papeterie
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1
10,000 Reasons (Bless The Lord) - 12 String Harp
Harpe
By Matt Redman. Arranged by Kitty M. Y. Leung. Score, Sheet Music Single, Solo Part.…
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By Matt Redman. Arranged by Kitty M. Y. Leung. Score, Sheet Music Single, Solo Part. 6 pages. Published by Kitty M.Y.Leung
10,000 Reasons (Bless The Lord) - 12 String Harp<br> https://youtu.be/V21Q5w_vkbM10,000 Reasons (Bless The Lord) - 12 String Harp<br> https://youtu.be/V21Q5w_vkbM
$5.99
5.45 €
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Harpe
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Matt Redman
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Kitty M
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10,000 Reasons
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Kitty M.Y.Leung
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SheetMusicPlus
Vivaldi: Sonata No. 6 for Harp & Piano
Harpe
Harp,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.550541 Composed b…
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Harp,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.550541 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and individual part. 23 pages. Jmsgu3 #4727317. Published by jmsgu3 (A0.550541). Sonata da Chiesa No. 6 in Bb Major for Harp & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages.
$32.95
30 €
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Harpe
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Harp & Piano
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jmsgu3
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SheetMusicPlus
10 Solo Pieces for 12 String Harp, Book 2
Harpe
Composed by Offenbach, Strauss, Hook, Verdi, Bochsa, Grieg, Clement, Mozart, Schubert. …
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Composed by Offenbach, Strauss, Hook, Verdi, Bochsa, Grieg, Clement, Mozart, Schubert. Arranged by Corinna Wong. Romantic Period, Classical Period, Baroque Period, Musicals, Repertoire. 27 pages. Published by Corinna Wong
Arranged by Corinna Wong. 10 songs for 12 string harp range from F4 - C6, in which 6 songs needs no lever. Also suitable for 15 string harp or bigger harps. Beginning to advanced levels. Songs are in C major, F major, B flat major and E flat major. Please read Corinna's Note on the cover page before playing. Designs are kept in the basic for easy printing, to save ink and the environment. Black and white colour only. Total 27 pages. Pdf format. Barcarolle by Jacques Offenbach Blue Danube Waltz by Johann Strauss English Dance by James Hook La Donna E Mobile by Guiseppi Verdi Rondo: "Le Garcon Volage" by Robert Bochsa Solvejg's Song by Edvard Grieg Sonatina in C Op.35 No.1 by Muzio Clementi The Baby Chicks Theme of Sonata No.11 by Wolfgang Mozart Wiegenlied D.498 by Franz Schubert.Arranged by Corinna Wong. 10 songs for 12 string harp range from F4 - C6, in which 6 songs needs no lever. Also suitable for 15 string harp or bigger harps. Beginning to advanced levels. Songs are in C major, F major, B flat major and E flat major. Please read Corinna's Note on the cover page before playing. Designs are kept in the basic for easy printing, to save ink and the environment. Black and white colour only. Total 27 pages. Pdf format.
Barcarolle by Jacques Offenbach
Blue Danube Waltz by Johann Strauss
English Dance by James Hook
La Donna E Mobile by Guiseppi Verdi
Rondo: "Le Garcon Volage" by Robert Bochsa
Solvejg's Song by Edvard Grieg
Sonatina in C Op.35 No.1 by Muzio Clementi
The Baby Chicks
Theme of Sonata No.11 by Wolfgang Mozart
Wiegenlied D.498 by Franz Schubert.
$9.99
9.1 €
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Harpe
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Offenbach, Strauss, Hook, Verdi, Bochsa, Grieg, Clement, Mozart, Schubert
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Corinna Wong
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10 Solo Pieces for 12 String Harp, Book 2
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Corinna Wong
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SheetMusicPlus
Silent Night for Beginner lever or pedal Harp
Harpe
Harp - Level 1 - Digital Download SKU: A0.849966 Composed by Franz Xaver Gruber. Ar…
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Harp - Level 1 - Digital Download SKU: A0.849966 Composed by Franz Xaver Gruber. Arranged by Marilyn Rummel. Christmas,Sacred,Standards,World. Score. 4 pages. Demand Music #5002065. Published by Demand Music (A0.849966). This is an ideal tune for the beginning harpist. The melody has fingerings where needed, and is the same for all three verses. No lever or pedal changes. The left hand uses 3 different techniques I teach to beginners in the first 6 - 10 months, which sound great with this melody. A video lesson is also available for those who don't have a teacher.
$4.50
4.1 €
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Harpe
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Franz Xaver Gruber
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Marilyn Rummel
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Silent Night for Beginner lever or pedal Harp
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Demand Music
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SheetMusicPlus
Don't Stop Believin' (Journey) for Double-strung Harp
Harpe
By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Publis…
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By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson
Your audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believinYour audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin
$6.99
6.36 €
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Harpe
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Journey
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Karen Peterson
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Don't Stop Believin'
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SheetMusicPlus
Old French Song
Harpe
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
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Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br> The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.54 €
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Harpe
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Pyotr Ilich Tchaikovsky
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Luis Anjos Teixeira
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Old French Song
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Luis Anjos Teixeira
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SheetMusicPlus
HARPING THROUGH PACHELBEL’S CANON - a comprehensive method for the harp - VOL. 3 ADVANCED LEVEL
Harpe
Lever Harp - Level 5 - Digital Download SKU: A0.1319584 Composed by Alessandro Pala…
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Lever Harp - Level 5 - Digital Download SKU: A0.1319584 Composed by Alessandro Palazzani. Baroque,Instructional,Standards,Traditional,Wedding. Score. 276 pages. A work by Alessandro Palazzani #908143. Published by A work by Alessandro Palazzani (A0.1319584). Alessandro Palazzani:HARPING THROUGH PACHELBEL’S CANON a comprehensive method for the harp VOL. 3 ADVANCED LEVELOver 770 technical exercises based on Pachelbel’s Canon harmonic progression collected in four volumes ordered by level of difficulty  and containing all the topics of harp techniqueFOR EVERY KIND OF HARP This book has been written with the intention of providing harpists with a valuable study tool, combining what is useful but often not enjoyable (technical exercises) with what everyone loves to play (Pachelbel's Canon in D).We are so proud to present to you this extensive collection of over 770 exercises based on the harmony of Pachelbel's Canon. These exercises cover all aspects of playing the harp and are published in four volumes the first three are organized into three difficulty levels (basic, intermediate, and advanced). In each volume, thirteen different topics are explored, each with three levels of complexity. The fourth volume (miscellanea) completes the range of subjects with ten additional chapters.Vol. 1 BASIC LEVEL - Vol. 2 INTERMEDIATE LEVEL - Vol. 3 ADVANCED LEVELTopics of each volume 1. Articulation - 2. Scales - 3. Slides - 4. Glissandos - 5. Parallel Intervals - 6. Chords - 7. Arpeggios - 8. Batteries - 9. Thumb Extension & Melody - 10. Harmonics - 11. Mufflings - 12. Cross Fingering - 13. Trills, Tremolos & BisbigliandoVol. 4 MISCELLANEATopics of vol. 4 1. Ornaments - 2. Timbral Alterations - 3. Polyrythms - 4. Accompaniment Patterns  - 5. Polyphony - 6. Lever Changes - 7. Pedal Changes - 8. Various Etudes - 9. Warm-up Routine - 10. Pachelbel’s CanonWe hope that this work can become a reference point in your daily practice and warm-up routine, making even those moments in your practice session that are often dry and musically uninteresting more enjoyable and satisfying.
$35.00
31.87 €
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Harpe
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Alessandro Palazzani
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Melody - 10
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HARPING THROUGH PACHELBEL’S CANON - a comprehensive method for the harp - VOL. 3 ADVANCED LEVEL
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A work by Alessandro Palazzani
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SheetMusicPlus
HARPING THROUGH PACHELBEL’S CANON - a comprehensive method for the harp - VOL. 1 BASIC LEVEL
Harpe
Lever Harp - Level 1 - Digital Download SKU: A0.1319575 Composed by Alessandro Pala…
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Lever Harp - Level 1 - Digital Download SKU: A0.1319575 Composed by Alessandro Palazzani. Baroque,Instructional,Standards,Traditional,Wedding. Score. 248 pages. A work by Alessandro Palazzani #908133. Published by A work by Alessandro Palazzani (A0.1319575). Alessandro Palazzani:HARPING THROUGH PACHELBEL’S CANON a comprehensive method for the harp VOL. 1 BASIC LEVELOver 770 technical exercises based on Pachelbel’s Canon harmonic progression collected in four volumes ordered by level of difficulty  and containing all the topics of harp techniqueFOR EVERY KIND OF HARP This book has been written with the intention of providing harpists with a valuable study tool, combining what is useful but often not enjoyable (technical exercises) with what everyone loves to play (Pachelbel's Canon in D).We are so proud to present to you this extensive collection of over 770 exercises based on the harmony of Pachelbel's Canon. These exercises cover all aspects of playing the harp and are published in four volumes the first three are organized into three difficulty levels (basic, intermediate, and advanced). In each volume, thirteen different topics are explored, each with three levels of complexity. The fourth volume (miscellanea) completes the range of subjects with ten additional chapters.Vol. 1 BASIC LEVEL - Vol. 2 INTERMEDIATE LEVEL - Vol. 3 ADVANCED LEVELTopics of each volume 1. Articulation - 2. Scales - 3. Slides - 4. Glissandos - 5. Parallel Intervals - 6. Chords - 7. Arpeggios - 8. Batteries - 9. Thumb Extension & Melody - 10. Harmonics - 11. Mufflings - 12. Cross Fingering - 13. Trills, Tremolos & BisbigliandoVol. 4 MISCELLANEATopics of vol. 4 1. Ornaments - 2. Timbral Alterations - 3. Polyrythms - 4. Accompaniment Patterns  - 5. Polyphony - 6. Lever Changes - 7. Pedal Changes - 8. Various Etudes - 9. Warm-up Routine - 10. Pachelbel’s CanonWe hope that this work can become a reference point in your daily practice and warm-up routine, making even those moments in your practice session that are often dry and musically uninteresting more enjoyable and satisfying.
$35.00
31.87 €
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Harpe
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Alessandro Palazzani
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Melody - 10
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HARPING THROUGH PACHELBEL’S CANON - a comprehensive method for the harp - VOL. 1 BASIC LEVEL
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A work by Alessandro Palazzani
#
SheetMusicPlus
HARPING THROUGH PACHELBEL’S CANON - a comprehensive method for the harp - VOL. 4 MISCELLANEA
Harpe
Pedal Harp - Level 3 - Digital Download SKU: A0.1319588 Composed by Alessandro Pala…
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Pedal Harp - Level 3 - Digital Download SKU: A0.1319588 Composed by Alessandro Palazzani. Baroque,Instructional,Standards,Traditional,Wedding. Score. 252 pages. A work by Alessandro Palazzani #908147. Published by A work by Alessandro Palazzani (A0.1319588). Alessandro Palazzani:HARPING THROUGH PACHELBEL’S CANON a comprehensive method for the harp Vol. 4 MISCELLANEAOver 770 technical exercises based on Pachelbel’s Canon harmonic progression collected in four volumes ordered by level of difficulty  and containing all the topics of harp techniqueFOR EVERY KIND OF HARP This book has been written with the intention of providing harpists with a valuable study tool, combining what is useful but often not enjoyable (technical exercises) with what everyone loves to play (Pachelbel's Canon in D).We are so proud to present to you this extensive collection of over 770 exercises based on the harmony of Pachelbel's Canon. These exercises cover all aspects of playing the harp and are published in four volumes the first three are organized into three difficulty levels (basic, intermediate, and advanced). In each volume, thirteen different topics are explored, each with three levels of complexity. The fourth volume (miscellanea) completes the range of subjects with ten additional chapters.Vol. 1 BASIC LEVEL - Vol. 2 INTERMEDIATE LEVEL - Vol. 3 ADVANCED LEVELTopics of each volume 1. Articulation - 2. Scales - 3. Slides - 4. Glissandos - 5. Parallel Intervals - 6. Chords - 7. Arpeggios - 8. Batteries - 9. Thumb Extension & Melody - 10. Harmonics - 11. Mufflings - 12. Cross Fingering - 13. Trills, Tremolos & BisbigliandoVol. 4 MISCELLANEATopics of vol. 4 1. Ornaments - 2. Timbral Alterations - 3. Polyrythms - 4. Accompaniment Patterns  - 5. Polyphony - 6. Lever Changes - 7. Pedal Changes - 8. Various Etudes - 9. Warm-up Routine - 10. Pachelbel’s CanonWe hope that this work can become a reference point in your daily practice and warm-up routine, making even those moments in your practice session that are often dry and musically uninteresting more enjoyable and satisfying.
$35.00
31.87 €
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Harpe
#
Alessandro Palazzani
#
Melody - 10
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HARPING THROUGH PACHELBEL’S CANON - a comprehensive method for the harp - VOL. 4 MISCELLANEA
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A work by Alessandro Palazzani
#
SheetMusicPlus
HARPING THROUGH PACHELBEL’S CANON - a comprehensive method for the harp - VOL. 2 INTERMEDIATE LEVEL
Harpe
Pedal Harp - Level 3 - Digital Download SKU: A0.1319579 Composed by Alessandro Pala…
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Pedal Harp - Level 3 - Digital Download SKU: A0.1319579 Composed by Alessandro Palazzani. Baroque,Instructional,Standards,Traditional,Wedding. Score. 290 pages. A work by Alessandro Palazzani #908138. Published by A work by Alessandro Palazzani (A0.1319579). Alessandro Palazzani:HARPING THROUGH PACHELBEL’S CANON a comprehensive method for the harp VOL. 2 INTERMEDIATE LEVELOver 770 technical exercises based on Pachelbel’s Canon harmonic progression collected in four volumes ordered by level of difficulty  and containing all the topics of harp techniqueFOR EVERY KIND OF HARP This book has been written with the intention of providing harpists with a valuable study tool, combining what is useful but often not enjoyable (technical exercises) with what everyone loves to play (Pachelbel's Canon in D).We are so proud to present to you this extensive collection of over 770 exercises based on the harmony of Pachelbel's Canon. These exercises cover all aspects of playing the harp and are published in four volumes the first three are organized into three difficulty levels (basic, intermediate, and advanced). In each volume, thirteen different topics are explored, each with three levels of complexity. The fourth volume (miscellanea) completes the range of subjects with ten additional chapters.Vol. 1 BASIC LEVEL - Vol. 2 INTERMEDIATE LEVEL - Vol. 3 ADVANCED LEVELTopics of each volume 1. Articulation - 2. Scales - 3. Slides - 4. Glissandos - 5. Parallel Intervals - 6. Chords - 7. Arpeggios - 8. Batteries - 9. Thumb Extension & Melody - 10. Harmonics - 11. Mufflings - 12. Cross Fingering - 13. Trills, Tremolos & BisbigliandoVol. 4 MISCELLANEATopics of vol. 4 1. Ornaments - 2. Timbral Alterations - 3. Polyrythms - 4. Accompaniment Patterns  - 5. Polyphony - 6. Lever Changes - 7. Pedal Changes - 8. Various Etudes - 9. Warm-up Routine - 10. Pachelbel’s CanonWe hope that this work can become a reference point in your daily practice and warm-up routine, making even those moments in your practice session that are often dry and musically uninteresting more enjoyable and satisfying.
$35.00
31.87 €
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Harpe
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Alessandro Palazzani
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Melody - 10
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HARPING THROUGH PACHELBEL’S CANON - a comprehensive method for the harp - VOL. 2 INTERMEDIATE LEVEL
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A work by Alessandro Palazzani
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SheetMusicPlus
A Night-Blooming Jasmine
Harpe
Harp - Level 3 - Digital Download SKU: A0.998634 Composed by Laura JH Ball. 20th Ce…
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Harp - Level 3 - Digital Download SKU: A0.998634 Composed by Laura JH Ball. 20th Century,Contemporary,Standards. Score. 10 pages. Laura Jean Heintschel Ball #6136109. Published by Laura Jean Heintschel Ball (A0.998634). A contemplative and deeply evocative piece for harp solo. A Night-Blooming Jasmine is a extraordinarily fun-to-play piece for an experienced harpist and will be loved by all audiences. It is about 4 1/2 - 6 1/2 minutes long, depending on pacing.Review by Danielle Kuntz, Harpist: The delicate writing in this miniature beautifully fits the harp. Laura masterfully uses a variety of textures and colors to create a sparkling musical collage that imitates the petite beauty of the night-blooming jasmine flower. This piece is well-suited to an intermediate level harpist.The composer can be found on YouTube - Laura JH Ball, FB - Laura JH Ball (Composer).
$5.99
5.45 €
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Harpe
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Laura JH Ball
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A Night-Blooming Jasmine
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Laura Jean Heintschel Ball
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SheetMusicPlus
2021 Christmas Collection for Lever Harp - beginner to intermediate & 27/34 String Harp | McTelenn H
Harpe
Harp - Level 1 - Digital Download SKU: A0.779334 Composed by Trad from Celtic world…
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Harp - Level 1 - Digital Download SKU: A0.779334 Composed by Trad from Celtic world. Arranged by Eve McTelenn. Celtic,Christian,Christmas,Folk. Score. 105 pages. Eve Rodolfi-McTelenn #6657871. Published by Eve Rodolfi-McTelenn (A0.779334). Sheet Tune PDF - Instant Access -2021 Collectionwith fingerings & Left hand Help and No Fingering version avec doigtés et balises et version sans annotation 1- We Are Three Kings - 27 Strings Harp Version2- The First Noël - 34 Strings Harp Version3- Carol Of Bells - 27 Strings Harp Version4- In The Bleak Midwinter - 27 Strings Harp Version 5- Jingle Bell - 27 Strings Harp Version6- Pe trouz War an Douar - Breton Carol - 27 Strings Harp Version 7- The Christ Child Lullaby/Taladh Chriosda- 27 Strings Harp Version8- Noël Nouvelet - French Carol - 27 Strings Harp Version 9- The Holly & The Ivy - 27 Strings Harp Version Hildegard of Bingen’s Collection10- O Pastor Animarum - 27 Strings Harp Version 11- O Eterna Deus - 27 Strings Harp Version Bonus 12- Fleurs de Noël/Christmas Flower- Breton Carol -- 27 Strings Harp Version - Free Tutorial -English Link : https://youtu.be/ZrRPfJKrD-w Apprendre gratuitementLien en Français : https://youtu.be/3lBWp_B1k48122021 © Let’s Play Lever Harp Edition//////////////////////////////////////////////////Subscribe My youtube channel : https://www.youtube.com/user/evemctelennDo you want to learn Celtic harp from your home? Visit my new platform website et E-Shop - Breizh Harp SHop - Click Now !https://www.mctelennharpcenter.com//////////////////////////////////////////////////
$30.00
27.32 €
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Harpe
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Trad from Celtic world
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Eve McTelenn
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2021 Christmas Collection for Lever Harp - beginner to intermediate & 27/34 String Harp | McTelenn H
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Eve Rodolfi-McTelenn
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SheetMusicPlus
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