As recorded on his CD The Crystal Spring, Ray Pool brings us these six Celtic hymns in print. Each hymn is arranged in two keys, one for harps tuned in flats and one for harps tuned in C. Beautiful arrangements, improvisatory in nature and each is at least three pages long, utilizing the harp's full range. Intermediate level, with lush ringing harmonies.

Contents: Hyfrydol (Come Thou Long Expected Jesus), Ar hyd y nos (All Through the Night), St. Columba (The King of Love my Shepherd Is), Ebenezer (Once to Every Man and Nation / O, The Deep, Deep Love of Jesus), Slane (Be Thou My Vision), Amazing Grace

Your audience?s memory of this Eighties rock anthem by Journey will be playing along in their head?from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they?ve never heard it before on a harp.

This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.

Range and key: F major (one flat). 23x2 strings. C below middle C through D.
Lever changes: None.

Good for: Weddings, parties, performance, therapeutic settings.

Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it?s a great piece to learn this technique on.

Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.

Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with ?R? or ?R#? when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with ?L? or ?L#? when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in ?Don?t Stop Believin?: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf

Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what?s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don?t worry: it?s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.

Length: 6 pages. 106 measures. 4:00?5:00 minutes, depending on tempo.

Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.

Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin

The French Romantic composer Charles Gounod added a beautiful melody to the Prelude in C by Baroque master Johann Sebastian Bach, to create this beloved and inspiring Ave Maria.

This pedal harp solo arranged by Stephanie Bennett (ASCAP) has been meticulously notated with fingerings, as well as tempo and dynamics markings.

Great for any classical-music setting, & for any Christian occasion (weddings, funerals, christenings, Christmas, etc.)

If you print it out on paper, remember that the ODD numbered pages go on your LEFT and the EVEN numbered pages go on your right. Laid out this way, there will be only one easy page turn (from page 3 to page 4).

If you take the repeat, it?s about 4 minutes long. If you skip the repeat (go directly to 2nd ending), it?s about 2 minutes & 15 seconds.

Eine Kleine Nachtmusik (Serenade No. 13 for strings in G major) is one of Mozart?s most beloved works. Written in 1787, it was scored for two violins, viola, and cello with optional double bass. The German title means ?a little serenade,? though it is often translated more literally as ?a little night music.?

In this arrangement of the second movement (?Romanza,? meaning ?Romance?), I have omitted the frenetic middle section of the movement, so that what is left is uniformly gracious, calm and romantic - lovely for concerts, for background music or for wedding processionals.

Meticulously notated with fingerings, muffles and pedal changes.

There are 3 pages of music, plus a page explaining all the notations & techniques.

CD is available on CDBaby.com (?A Beautiful Classic Wedding? by Lace & Roses Music). MP3 is available on CDBaby.com or on iTunes (search for ?Lace & Roses Music?).

Eine Kleine Nachtmusik (Serenade No. 13 for strings in G major) is one of Mozart?s most beloved works. Written in 1787, it was scored for two violins, viola, and cello with optional double bass. The German title means ?a little serenade,? though it is often translated more literally as ?a little night music.?

In this arrangement of the second movement (?Romanza,? meaning ?Romance?), I have omitted two sections that were too chromatic to work well on lever harp. What is left is uniformly gracious, calm and romantic - lovely for concerts, for background music or for wedding processionals.

Meticulously notated with fingerings and muffles. Lever changes are indicated by diamond-shaped notes.

There are 3 pages of music, plus a page explaining all the notations.

For an easier version, you could play just the first section (the first page of music), in which there are NO lever changes. For advanced lever harpers wishing to play the entire arrangement, there are 21 lever changes (not counting the repeats). Full levers needed (there are Bb?s, F#s, C#?s and D#?s.)

Range of harp needed: at least down to the G at the bottom of the bass clef.

Harp solo of Hallelujah by Leonard Cohen. 5 pages, also available in easy version and Harp & Voice.

Janne-Minke is a Popharpist who plays the electrical DHC. She's taken lessons at Deborah Henson Conant and she has specialized herself in playing Popharp. She has made many arrangements of Popsongs.

This is my second original composition for solo harp. I wanted to write a piece that is calm, peaceful, and reflective, but, like our lives, also has moments of uncertainty or sadness. This piece is soothing to play and listen to and is perfect for many different situations including weddings, church services, or harp therapy situations.
This PDF includes two copies of this song, one in the key of Eb and one in the key of D. It is playable on both pedal and lever harps and has no pedal or lever changes. (each version is 2 pages)

This song is dedicated to my oldest daughter, my Aicardi Syndrome warrior, Annie Michelle. I am so blessed and humbled that Heavenly Father has entrusted you to me, and I am truly grateful for each day that I have to be ?here with you.?

Harp solo version of All of me - John Legend, 6 pages.
Also available in easy version and Harp & Voice.

On www.popharpsheetmusic.com you can find all Popsongs arranged for harp.

Harp solo of Hall of Fame - The Script, arranged by Janne-Minke. 6 pages.

Janne-Minke is a Popharpist who plays the electrical DHC. She's taken lessons at Deborah Henson Conant and she has specialized herself in playing Popharp. She has made many arrangements of Popsongs.

You can find all arrangements of Popsongs for harp on www.popharpsheetmusic.com. The complete audio is also available on the website.

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