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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
8 Ball
Sheetmusicplus
Non classifié
273
Piano & claviers
Piano seul
146
Piano, Voix
95
Piano, Voix et Guitare
49
Piano Facile
20
2 Pianos, 8 mains
5
1 Piano, 4 mains
5
Orgue
4
Accompagnement Piano
3
Instruments en Do
3
Accordéon
3
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
17
Guitare
17
Ligne De Mélodie, (Paroles) et Accords
6
Dulcimer
3
Basse electrique
3
4 Guitares (Quatuor)
3
Banjo
3
Piano, Guitare (duo)
2
2 Guitares (duo)
2
Mandoline
1
Ukulele
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
149
Chorale 3 parties
59
Chorale TTBB
39
Chorale 2 parties
32
Chorale SSAA
22
Voix duo
11
Chorale Unison
10
Voix duo, Piano
7
Voix Soprano, Piano
4
Chorale
2
Voix Baryton, Piano
2
Chorale SSAATTBB
1
Voix basse
1
Voix Alto, Piano
1
Pack Instrumental pour Chorale
1
Voix moyenne, Piano
1
Voix Tenor, Piano
1
Voix haute
1
Voix Mezzo-Soprano, Piano
1
Voix d'Enfants
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
30
Quatuor de Saxophones: 4 saxophones
28
Hautbois, Piano (duo)
26
Clarinette et Piano
26
Flûte, Hautbois, Clarinette, Basson
22
Saxophone Alto et Piano
21
Saxophone Tenor et Piano
19
Quatuor de Clarinettes: 4 clarinettes
17
Saxophone Soprano et Piano
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Saxophone Baryton, Piano
12
Clarinette
7
3 Clarinettes (trio)
7
Clarinette Basse, Piano
7
2 Clarinettes (duo)
6
2 Saxophones (duo)
6
Flûte traversière
5
2 Flûtes traversières (duo)
5
Saxophone (partie séparée)
4
Hautbois (partie séparée)
4
Clarinette (partie séparée)
4
3 Saxophones (trio)
4
Trio de Flûtes: 3 flûtes
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Clarinette (duo)
3
Cor anglais, Piano
3
Ensemble de Flûtes
2
Flûte, Violon et Violoncelle
2
Hautbois
2
Flûte à Bec
2
Clarinette, Guitare (duo)
2
2 Clarinettes, Piano
2
Flûte, Violon
2
Flûte, Violon, Piano
2
Flûte, Violoncelle
2
Saxophone Alto
2
Hautbois, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
Saxophone Tenor
1
Clarinette, Violoncelle (duo)
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Harmonica
1
Saxophone et Piano
1
Flûte et Guitare
1
Clarinette, Basson (duo)
1
Hautbois, Basson (duo)
1
Saxophone, Clarinette (duo)
1
Flute (partie séparée)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette et Basson
1
Clarinette, Harpe (duo)
1
Quintette de Saxophone: 5 saxophones
1
Saxophone Soprano
1
Ensemble de saxophones
1
Quatuor de Flûtes à bec
1
+ 51 instrumentations
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Cuivres
Trombone et Piano
24
Cor et Piano
21
Trompette, Piano
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Tuba et Piano
7
Trombone (partie séparée)
6
2 Euphoniums et 2 Tubas
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Cor (partie séparée)
5
Trompette (partie séparée)
5
Trombone
5
Trompette
5
Euphonium, Piano (duo)
4
Quatuor de Cuivres
3
2 Trombones (duo)
3
Cor anglais, Piano
3
2 Cors (duo)
2
Cornet A Pistons
2
Cor
2
Trompette, violon (duo)
2
Quatuor de cuivres: 4 trombones
2
2 Trompettes (duo)
1
Trompette, Harpe
1
Ensemble de Cors
1
Tuba (partie séparée)
1
Trompette, Trombone (duo)
1
Trompette, Cor (duo)
1
Tuba
1
2 Euphoniums (duo)
1
Cor et Harpe
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
59
Violon et Piano
41
Violoncelle, Piano
34
Alto, Piano
27
Violon, Violoncelle (duo)
22
Trio à Cordes: violon, alto, violoncelle
20
Contrebasse, Piano (duo)
12
Violon
8
Violon, Alto (duo)
6
2 Violons (duo)
5
Violon (partie séparée)
5
Violoncelle
5
Trio à Cordes: 2 violons, violoncelle
4
2 Violoncelles (duo)
4
Harpe
4
Alto seul
3
Contre Basse
2
Alto (partie séparée)
2
Violon, Guitare (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violoncelle , Guitare (duo)
2
4 Violoncelles
2
2 Harpes (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle (partie séparée)
1
Violon, Basson (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Alto et Harpe
1
Alto, Guitare (duo)
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
101
Orchestre
23
Orchestre à Cordes
22
Cloches
21
Ensemble Jazz
19
Ensemble de cuivres
7
Orchestre de chambre
4
Fanfare
4
Ensemble de Percussions
3
Batterie
3
Vibraphone
2
Percussion (partie séparée)
2
Jazz combo
1
+ 8 instrumentations
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Instruments
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CLARINETTE
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DULCIMER
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
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VIOLONCELLE
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OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
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RAGTIME
REGGAE
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Partitions à imprimer
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1
Ballet of the Butterflies
Harpe
Harp - Level 2 - Digital Download SKU: A0.797455 Composed by Louise Trotter. Concer…
(+)
Harp - Level 2 - Digital Download SKU: A0.797455 Composed by Louise Trotter. Concert,World. Score. 14 pages. Afghan Press Music for the Harp #4852659. Published by Afghan Press Music for the Harp (A0.797455). A sweet waltz with a 6/8 introduction has a lovely and music-box like melody. Easy to intermediate, great for ensembles. Key of G, only one accidental for lever change in harp 1. Harp 1 can be played as a solo, or with the second harp accompaniment. Both parts are included. Chord symbols are printed for optional guitar/autoharp accompaniment. This composition was inspired by the live butterfly exhibit at the Museum of Natural Sciences in Houston.
$7.00
6.45 €
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Harpe
#
Louise Trotter
#
Ballet of the Butterflies
#
Afghan Press Music for the Harp
#
SheetMusicPlus
Maid on the Shore (Harp solo)
Harpe
Harp - Level 3 - Digital Download SKU: A0.794245 Composed by Traditional Irish. Arr…
(+)
Harp - Level 3 - Digital Download SKU: A0.794245 Composed by Traditional Irish. Arranged by Stephanie Claussen. Celtic,Children,Folk,Renaissance,World. Score. 8 pages. Stephanie Claussen #6430959. Published by Stephanie Claussen (A0.794245). This traditional Irish ballad tells the story of a young maiden who is kidnapped by pirates but cleverly extricates herself.
$5.99
5.52 €
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Harpe
#
Traditional Irish
#
Stephanie Claussen
#
Maid on the Shore
#
Stephanie Claussen
#
SheetMusicPlus
Don't Stop Believin' (Journey) for Double-strung Harp
Harpe
By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Publis…
(+)
By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson
Your audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believinYour audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin
$6.99
6.44 €
#
Harpe
#
Journey
#
Karen Peterson
#
Don't Stop Believin'
#
SheetMusicPlus
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