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2 Trompettes (duo)
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Trompette
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trombone
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor et Piano
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Trompette, Piano
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Trombone et Piano
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Trio de Cuivres
2
2 Euphoniums et 2 Tubas
2
Tuba et Orgue
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2 Tubas (duo)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Quatuor de cuivres: 4 trombones
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2 Cors, Piano
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2 Cors (duo)
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 cors
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Euphonium
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
181
Violon, Violoncelle (duo)
153
Violon
114
Trio à Cordes: violon, alto, violoncelle
114
Violon et Piano
36
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Harpe
19
Alto, Piano
17
Violon, Alto (duo)
17
Violoncelle, Piano
16
2 Violoncelles (duo)
15
2 Altos (duo)
13
2 Violons (duo)
12
Violoncelle
8
Trio à Cordes: 2 violons, violoncelle
6
Alto seul
3
4 Violoncelles
3
Contrebasse, Piano (duo)
2
Violon (partie séparée)
2
Alto (partie séparée)
2
2 Harpes (duo)
2
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Guitare (duo)
1
Violoncelle (partie séparée)
1
Alto et Basson
1
Alto, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Violon (duo)
1
Contre Basse
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, alto
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
105
Orchestre d'harmonie
73
Ensemble Jazz
28
Orchestre
16
Orchestre de chambre
13
Ensemble de cuivres
11
Jazz combo
8
Cloches
6
Fanfare
3
Ensemble de Percussions
2
Marimba
2
Piano et Orchestre
1
Ensemble d'École
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AUTRES
Vous avez sélectionné:
Always There
Harpe
Partitions à imprimer
19 partitions trouvées
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1
The Sun Always Rises, original solo for Lap Harp
Harpe
Instrumental Solo,Lap Harp - Level 3 - Digital Download SKU: A0.541213 Composed by …
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Instrumental Solo,Lap Harp - Level 3 - Digital Download SKU: A0.541213 Composed by Cindy Blevins. Contemporary,New Age. Individual part. 3 pages. Cindy Blevins #3103689. Published by Cindy Blevins (A0.541213). This original song is from the lap harp version of my harp book Melodic Meditations II, which contains 20 pages of beautiful original harp solos, in the approximate range of intermediate. There are 10 songs in the book. The book is for lap harp. You need C below Middle C and 24-26 strings to play this piece. The Sheet Music Plus Item # for the book is S0.235899.
$3.99
3.63 €
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Harpe
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Cindy Blevins
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The Sun Always Rises, original solo for Lap Harp
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Cindy Blevins
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SheetMusicPlus
The Sun Always Rises, original solo for Lever or Pedal Harp
Harpe
Harp - Level 3 - Digital Download SKU: A0.541203 Composed by Cindy Blevins. Contemp…
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Harp - Level 3 - Digital Download SKU: A0.541203 Composed by Cindy Blevins. Contemporary,New Age. Score. 3 pages. Cindy Blevins #3103571. Published by Cindy Blevins (A0.541203). This original song is from my harp book Melodic Meditations II, which contains 20 pages of beautiful original harp solos, in the approximate range of intermediate. There are 10 songs in the book. The book is for lever or pedal harp.The harp recording (mp3) of this song is here on Sheet Music Plus, Item # S0.234401.The book Melodic Meditations II is also here, Item # S0.235893.My website: https://www.blevinsmusic.comMy YouTube Channel: https://www.youtube.com/channel/UCuTv5LTRQW-uI_pIxg94IkQ?
$3.99
3.63 €
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Harpe
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Cindy Blevins
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The Sun Always Rises, original solo for Lever or Pedal Harp
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Cindy Blevins
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SheetMusicPlus
Rorie Dall's Sister's Lament for Double-strung Lap Harp
Harpe
Harp - Level 2 - Digital Download SKU: A0.928333 Composed by Rory Dall. Arranged by…
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Harp - Level 2 - Digital Download SKU: A0.928333 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5993785. Published by Karen Peterson (A0.928333). WATCH THE D DORIAN VERSION: You are viewing the arrangement for lap harp, which is in the key of A dorian. To hear the D dorian version played on a larger harp, go to www.youtube.com/watch?v=l0-Kg0LifaUOverview: This tune was published by Daniel Dow in the 1770s and was probably composed by Roderick Morison (~1656-1713). My double-strung harp arrangement in the dorian mode has rolled, echoed chords, highlighting the depth of sound we can get from having two sets of strings. The accompaniment hand traverses the entire range of the harp, often overlapping the melody hand.Key and range: A dorian (one sharp). 21x2 strings. G below middle C through F. (LARGER HARPS: For harps with C below middle C or lower, get the D dorian version here: www.sheetmusicplus.com/title/rorie-lament-for-double-strung-harp-digital-sheet-music/21815669)Lever changes: None.Good for: Performance, memorials, therapeutic settings.Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Rolled accompaniment chords often contain the same note as the melody, creating a rolled echo. Some chords that aren’t rolled have doubled notes in both hands, creating depth. The repetition of LH patterns makes this a great piece to learn overlapping hands with.Characteristics: Neither hand needs to place more than an octave spread. There are some four-note chords (always LH 1-3-5-8). The RH has almost no chords. Few of the chords are inversions. There are very few sixteenth notes; no more than three played together with one hand. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has a few cross-overs/unders.Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff).Notation: Chord symbols are provided. Treble clef is used for both staves, with 8va for very high notes. Length: 4 pages. 60 measures, plus 12 if you take the repeat. 4 minutes.Page turns: If you are printing, double-side pages 2 and 3 so that there is only one page turn. The RH can be used on all notes of page 2’s last measure, so that the LH can turn the page. If you are using single pages on a tablet, you can do something similar at the end of page 3. Page 1’s turn is manageable. Contact me after purchase if you’d like a version that fits on two pages: EnjoyTheHarp@gmail.com
$4.99
4.54 €
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Harpe
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Rory Dall
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Karen Peterson
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Rorie Dall's Sister's Lament for Double-strung Lap Harp
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Karen Peterson
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SheetMusicPlus
Rorie Dall's Sister's Lament for Double-strung Harp
Harpe
Harp - Level 2 - Digital Download SKU: A0.928320 Composed by Rory Dall. Arranged by…
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Harp - Level 2 - Digital Download SKU: A0.928320 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5955365. Published by Karen Peterson (A0.928320). This tune was published by Daniel Dow in the 1770s and was probably composed by Roderick Morison (~1656-1713). My double-strung harp arrangement in the dorian mode has rolled, echoed chords, highlighting the depth of sound we can get from having two sets of strings. The accompaniment hand traverses the entire range of the harp, often overlapping the melody hand.Range and key: D dorian (all naturals). 24x2 strings. C below middle C through E.Lever changes: None.Good for: Performance, memorials, therapeutic settings.Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Rolled accompaniment chords often contain the same note as the melody, creating a rolled echo. Some chords that aren’t rolled have doubled notes in both hands, creating depth. The repetition of LH patterns makes this a great piece to learn overlapping hands with.Characteristics: Neither hand needs to place more than an octave spread. There are some four-note chords (always LH 1-3-5-8). The RH has almost no chords. Few of the chords are inversions. There are very few sixteenth notes; no more than three played together with one hand. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has a few cross-overs/unders.Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in Rorie Dall's Sister's Lament: www.EnjoyTheHarp.com/s/rorie-dalls-sisters-lament-notes-enjoy-the-harp.pdfNotation: Chord symbols are provided. Treble clef is used for both staves, with 8vb for the low notes. Length: 4 pages. 60 measures, plus 12 if you take the repeat. 4 minutes.Page turns: If you are printing, double-side pages 2 and 3 so that there is only one page turn. The RH can be used on all notes of page 2’s last measure, so that the LH can turn the page. If you are using single pages on a tablet, you can do something similar at the end of page 3. Page 1’s turn is manageable. Contact me after purchase if you’d like a version that fits on two pages: EnjoyTheHarp@gmail.comPerformance notes and history at www.EnjoyTheHarp.com/rorie-dalls-sisters-lament
$4.99
4.54 €
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Harpe
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Rory Dall
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Karen Peterson
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Rorie Dall's Sister's Lament for Double-strung Harp
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Karen Peterson
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SheetMusicPlus
The Volcano`s Lake
Harpe
Harp - Level 2 - Digital Download SKU: A0.889438 Composed by Luis Anjos Teixeira. C…
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Harp - Level 2 - Digital Download SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665. Published by Luis Anjos Teixeira (A0.889438). The piece is thou very simple and easy to perform. It is appropriate for the harp and it sounds great on any kind of harp. When using a little lap harp, one can easily transpose the bass voice an octave higher. It is a flexible piece, you can play it slower or a little faster and even the arpeggio in the end that becomes quite easy after some practice could be replaced by a simple glissando. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Your Soul. It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira „Now comes the Little Story The Volcano`s Lake was composed on a volcano called Pico that stands out about 2000 meters above see level right in the middle of the Atlantic ocean. From the bottom of the ocean to its pick it is higher than mount Everest. I like to know that there are an enormous amount of different species of whales that live in this area and many others that go there strictly for romance. I went there to perform with the harp but was at the same time deeply morning the death of my Dear Cat Mary Jane that tragically passed away the day before the flight. In this isle I was having at night strange dreams of epic battles and fights between flying Angels and Demons. In one of these dreams „Time and Matter were a byproduct of „Music itself. The wind was blowing, the volcano was dancing and the water on the lake was whispering enchanting melodies. As soon as I woke up I wrote some notes before they vanished away, just a fragment of an idea of what I was listening in the dream. I named it „The Volcano`s Lake, because the „Lake was comforting me with its melodies, I realized that my tears were also becoming the lake itself and in this lake I was becoming one with Mary Jane and all the rest of the Universe. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Mary Jane, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score.
$6.79
6.18 €
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Harpe
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Luis Anjos Teixeira
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The Volcano`s Lake
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Luis Anjos Teixeira
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SheetMusicPlus
Amazing Grace, for Harp Trio
Harpe
Celtic Harp,Lap Harp,Pedal Harp - Level 3 - Digital Download SKU: A0.1314266 Compos…
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Celtic Harp,Lap Harp,Pedal Harp - Level 3 - Digital Download SKU: A0.1314266 Composed by American. Arranged by Cindy Blevins. Christian,Praise & Worship,Sacred. 12 pages. Cindy Blevins #903008. Published by Cindy Blevins (A0.1314266). This is a beautiful, playable arrangement for three harps. You receive the score and the separate parts. Suitable for pedal or lever harps. There is no pedaling or levering within the arrangement.Harp trios are great fun for you and your harp friends, or your entire harp circle. Three parts of varying difficulty levels give everyone something to play. Part 1 is always the most difficult. Part 3 is always the easiest, and lap-harp-friendly. Part 2 is in the middle of the mix.
$5.99
5.45 €
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Harpe
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American
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Cindy Blevins
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Amazing Grace, for Harp Trio
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Cindy Blevins
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SheetMusicPlus
Crazy
Harpe
Harp - Level 3 - Digital Download SKU: A0.928332 By Patsy Cline. By Willie Nelson. …
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Harp - Level 3 - Digital Download SKU: A0.928332 By Patsy Cline. By Willie Nelson. Arranged by Karen Peterson. Country. Score. 3 pages. Karen Peterson #5993773. Published by Karen Peterson (A0.928332). WATCH THE Bb VERSION: You are viewing the arrangement for lap harp, which is in the key of F. To hear the Bb version played on a larger harp, go to https://www.youtube.com/watch?v=s8WfrwixqGkOverview: This Countrypolitan song made famous by Patsy Cline was written by a not-yet-famous Willie Nelson. The attitude of the protagonist has been described as variously bemused, bittersweet, and cathartic. What is it to you, and how can you bring that emotion into your playing?My double-strung arrangement sets accidentals in the LH prior to playing, allowing the song to proceed without lever flips. The optional lever flip at the very end can be easily eliminated, making this song a great opportunity to practice flipping on the right with an easy recovery if you can’t get it in time.Key and range: F major (one flat). 21x2 strings. G below middle C through F. Preset F#, G#, B natural, and C#. (LARGER HARPS: For harps with C below middle C or lower, get the Bb version here: www.sheetmusicplus.com/title/crazy-patsy-cline-for-double-strung-harp-digital-sheet-music/21815694)Lever changes: One optional lever change on the right. Set four accidentals on the left before playing.Good for: Parties, performance.Double-strung effects: Preset accidentals on the left allow for jazzy chords without lever flips. If you’ve been hesitant about moving your LH into the melody area, this is your chance to learn. You can gently move out of your comfort zone by only switching hands for these accidentals, or you can take it a step further with optional echoed notes and an optional RH lever flip.Characteristics: The LH and RH usually play together, but with several held notes and a melody that doesn’t always strike on the downbeat, the hands play separately at least 25% of the time. There are a few instances that call for wider than an octave spread. Most chords are LH 1-5-8, 1-5-7, or 1-3-5-8. The RH has almost no chords. There are very few sixteenth notes. The most complicated placements are in the introduction with one slide and one cross-over.Finger placement: Finger number suggestions are provided for key phrases with bolded L/R for levered accidentals. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff).Notation: Chord symbols are provided; lyrics are included separately. Treble clef used in both staves.Length: 2 pages. 40 measures. 2:30 minutes.Page turns: None if you print.
$5.99
5.45 €
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Harpe
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Patsy Cline
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Karen Peterson
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Crazy
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Karen Peterson
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SheetMusicPlus
De Sul Vyttyn
Harpe
Lever Harp - Level 2 - Digital Download SKU: A0.1500807 Composed by Traditional Cor…
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Lever Harp - Level 2 - Digital Download SKU: A0.1500807 Composed by Traditional Cornish. Arranged by Harpoline. Celtic,Folk,Irish,Traditional,Wedding. Score. 4 pages. Harpoline #1076876. Published by Harpoline (A0.1500807). This traditional Cornish tune has been arranged for lever harp. The key is E-minor so you will only need an F sharp. At the end there is a lever change which can be omitted. The first section is advanced beginner level. The second section is a little harder. But one could learn the first arrangement first and still have a complete tune. Fingerings have been added but are always optional.
$6.00
5.46 €
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Harpe
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Traditional Cornish
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Harpoline
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De Sul Vyttyn
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Harpoline
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SheetMusicPlus
The Coolin
Harpe
Harp - Digital Download SKU: A0.912213 Composed by Traditional Irish. Arranged by H…
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Harp - Digital Download SKU: A0.912213 Composed by Traditional Irish. Arranged by Harpoline. Celtic,Concert,Contemporary,Folk,Sacred. Score. 1 pages. Harpoline #5871387. Published by Harpoline (A0.912213). This well known Irish air has been arranged for lever harp. It needs a lever change in the B-section. There are tenths in the left hand that can also be played as octaves. It is fully fingered, but as always changes can be made. .
$3.00
2.73 €
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Harpe
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Traditional Irish
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Harpoline
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The Coolin
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Harpoline
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SheetMusicPlus
Jane The Virgin
Harpe
Lever Harp - Level 3 - Digital Download SKU: A0.1240828 Composed by Gustavo Santaol…
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Lever Harp - Level 3 - Digital Download SKU: A0.1240828 Composed by Gustavo Santaolalla and Kevin Kiner. Arranged by Laurie Peterson. 21st Century,Film/TV,Pop. Score. 5 pages. Laurie Peterson #836220. Published by Laurie Peterson (A0.1240828). This song from the TV hit show, Jane the Virgin is also known as Jane's Love Theme since it's always played (by guitar) when Jane's in love. This is an intermediate level piece for lever or pedal harp. It is in the key of C and should be played moderately slow and tenderly. There are several lever/pedal changes that are clearly marked. You'll receive 2 editions: one for lever harp and one for pedal harp.
$5.99
5.45 €
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Harpe
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Gustavo Santaolalla and Kevin Kiner
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Laurie Peterson
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Jane The Virgin
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Laurie Peterson
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SheetMusicPlus
Departure - Harp Solo
Harpe
Harp - Level 2 - Digital Download SKU: A0.865621 Composed by Samantha Ballard. Conc…
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Harp - Level 2 - Digital Download SKU: A0.865621 Composed by Samantha Ballard. Concert,Contemporary,Film/TV,Romantic Period. Score. 2 pages. Samantha Ballard #4362755. Published by Samantha Ballard (A0.865621). Departure by Samantha Ballard is an original piece for harp suitable for lever or pedal harp. I always compose with a scene in mind, with a specific mood to capture. The story behind Departure is that of a hero, who suddenly has to leave their home in pursuit of some quest that has been thrust upon them. They may not have even been able to say goodbye. The hero looks back at their home one last time, as the sun goes down.Departure is written in the key of C, there are no accidentals, and the range is D2 to C6. The piece as written is suitable for the intermediate player, but the accompaniment could be simplified to make it easier.Listen to this song here: https://youtu.be/H-YRmrDr6bc.
$4.99
4.54 €
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Harpe
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Samantha Ballard
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Departure - Harp Solo
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Samantha Ballard
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SheetMusicPlus
SOUTHWIND IN C for Harp trio
Harpe
Harp - Level 2 - Digital Download SKU: A0.912232 Composed by Traditional Irish. Arr…
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Harp - Level 2 - Digital Download SKU: A0.912232 Composed by Traditional Irish. Arranged by Harpoline. Celtic,Folk. Score. 6 pages. Harpoline #6217669. Published by Harpoline (A0.912232). This is a well known and well-loved Irish traditional tune. I played this at countless events. The first harp part is a complete solo part and the other two parts are optional. When playing as a duo one can choose the second or third part to play with the first. When a melody instrument plays the tune one can play the third part as an accompaniment. I always loved this in C but I will also upload this in the key of D.There are no lever changes and because the first part is quite high some smaller harps may be able to play this. The lowest note is C below middle C. Pianos can play this with different fingering.
$4.00
3.64 €
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Harpe
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Traditional Irish
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Harpoline
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SOUTHWIND IN C for Harp trio
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Harpoline
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SheetMusicPlus
Blind Mary For Harp
Harpe
Harp - Level 1 - Digital Download SKU: A0.889431 Composed by Turlough O'carolan. Ar…
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Harp - Level 1 - Digital Download SKU: A0.889431 Composed by Turlough O'carolan. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. Score. 8 pages. Luis Anjos Teixeira #4731959. Published by Luis Anjos Teixeira (A0.889431). Blind Mary was composed by O`Carolan, it is an irresistible enchanting little piece. In this file there are 3 versions for 3 different sizes of harps. One in F for a big harp, one in Eb for medium size and the one in F for a little 3 oct. lap harp a very similar one to the one that usually O`Carolan used to perform. The melodic bass played with the left hand demands a little bit of coordination but the arrangement is focused in the main melody and is very easy to perform in all this 3 versions. The piece is so beautiful that I recommend it to be played always twice in a row. Some interpretation symbols are used as a performance suggestion. Most of the score is left to the interpretation of the artists involved, particularly the use of fingering. Feel Free to apply in this piece the Art and technic that expresses entirely your individual skills and taste. Have fun! The score was written on Finale. The sound file is the version in Eb for a medium size diatonic harp, it was produced with samplers from Garritan and conceived merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Slanja! Luis Anjos Teixeira O` Carolan lived in the 17 century. Known as „The Last Irish Bard, he is an Honored and Beloved Irish composer. He became an itinerante harpist after losing his eyesight to smallpox. Extremely talented, he composed a vast repertoire of music and left also a well known number of real good stories to tell due to his rich temperament, social caracter and spicy sense of humor. Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to O`Carolan, this arrangement is dedicated to him. And to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever.
$4.99
4.54 €
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Harpe
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Turlough O'carolan
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Luis Anjos Teixeira
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Blind Mary For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
15 Solos for Harp Volume 1
Harpe
Composed by Monika Mandelartz. Book. 24 pages. Published by Mel Bay Publications - Digital…
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Composed by Monika Mandelartz. Book. 24 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30403EB). - book - - Mel Bay Publications - Digital Sheet Music
ISBN 9781619114586. This book for the Celtic harp encompasses diverse songs and tunes from the British Isles, commonly described as Celtic Music. This type of music is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance).Author Monika Mandelartz, a specialist in historical performance practice, follows Playford's tradition by arranging parts of the collection for Celtic harp. Thereby, Mandelartz points out that her arrangements constitute a snapshot in time. Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as The Duke of Lorraine's March, Nonesuch, Black and Grey, Virgin Queen, I Will Give My Love an Apple, The Scots Rant, Duke of Grafton's March, Kettle Drum, Nobody's Jig, Spanish Jig, Sidh Beag Agus Sidh Mor, She Rose and Let Me In, Oranges and Lemons, and The Scotish Gigg.ISBN 9781619114586. This book for the Celtic harp encompasses diverse songs and tunes from the British Isles, commonly described as Celtic Music. This type of music is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance).Author Monika Mandelartz, a specialist in historical performance practice, follows Playford's tradition by arranging parts of the collection for Celtic harp. Thereby, Mandelartz points out that her arrangements constitute a snapshot in time. Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as The Duke of Lorraine's March, Nonesuch, Black and Grey, Virgin Queen, I Will Give My Love an Apple, The Scots Rant, Duke of Grafton's March, Kettle Drum, Nobody's Jig, Spanish Jig, Sidh Beag Agus Sidh Mor, She Rose and Let Me In, Oranges and Lemons, and The Scotish Gigg.
$9.99
9.1 €
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Harpe
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Monika Mandelartz
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15 Solos for Harp Volume 1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Old French Song
Harpe
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
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Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br> The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.54 €
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Harpe
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Pyotr Ilich Tchaikovsky
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Luis Anjos Teixeira
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Old French Song
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Luis Anjos Teixeira
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SheetMusicPlus
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