Partitions Numériques de August Air pour Harpe

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TRI ET FILTRES

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Non classifié 26

PIANO & CLAVIERS

Piano seul 72 Piano Facile 11 Piano, Voix et Guitare 5 Piano, Voix 4 Piano grosses notes 2

Piano Trio: piano, violon, violoncelle 1 1 Piano, 4 mains 1 Orgue 1 Piano Quintette: piano, 2 violons, alto, violoncelle 1 Accompagnement Piano 1

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GUITARES

Guitare 7 Ligne De Mélodie, (Paroles) et Accords 5 2 Mandolines (duo) 2 Guitare notes et tablatures 1 2 Guitares (duo) 1

Ukulele 1

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VOIX

Chorale SATB 15 Chorale 2 parties 1 Voix seule 1 Voix Baryton, Piano 1

VENTS

Flûte traversière et Piano 11 Hautbois, Piano (duo) 5 Flûte traversière 5 Saxophone Alto 3 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3

Saxophone Baryton, Piano 3 Saxophone Alto et Piano 3 Saxophone Tenor et Piano 3 Saxophone Tenor 2 Quatuor de Saxophones: 4 saxophones 2 Hautbois, Harpe 1 Clarinette 1 Clarinette Basse, Piano 1 Clarinette, Harpe (duo) 1 Harmonica 1 2 Flûtes traversières (duo) 1 Clarinette et Piano 1 Quintette de Clarinettes: 5 clarinettes 1

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CUIVRES

Trompette 7 Trompette, Piano 5 Trombone et Piano 4 Trombone 3 Cor et Piano 2

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2 4 Tubas 2 Quatuor de Cuivres : 2 trompettes, trombone, tuba 2 Cor 1 2 Trombones (duo) 1

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CORDES

Violon et Piano 15 Quatuor à cordes: 2 violons, alto, violoncelle 8 Violon 5 Harpe 4 Alto, Piano 3

Violoncelle 3 Violoncelle, Piano 3 Contrebasse, Piano (duo) 2 Harpe, Flûte (duo) 2 Violoncelle , Guitare (duo) 1 Violon, Guitare (duo) 1 2 Violons (duo) 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 8 Ensemble de cuivres 7 Orchestre à Cordes 6 Orchestre de chambre 4 Orchestre 2

Cloches 1 Ensemble de Percussions 1

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AUTRES

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August Air

Harpe

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4 partitions trouvées

The Constellation. Popular Airs, founded on the same Harmonies

Harpe

Piano; harp - Digital Download SKU: LV.13522 Composed by J. F. Hance. Harps. Lester…(+)

Piano; harp - Digital Download SKU: LV.13522 Composed by J. F. Hance. Harps. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13522). The Constellation. Popular Airs, founded on the same Harmonies. Selected, Composed & arranged for the Piano Forte or Harp by J.F. Hance. Published 1826 by n.p. in New York. Composition of sectional, introduction and arrangements of five airs (1) Hungarian air; (2) Tyrolese air; (3) Ach du Lieber Augustine; (4) Vienna Waltz; (5) Sequel to the Vienna Waltz with piano; harp instrumentation. Subject headings for this piece include Harps. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

$5.99 5.49 € #Harpe #J #The Constellation. Popular Airs, founded on the same Harmonies #Johns Hopkins University Sheridan Libraries #SheetMusicPlus

Old French Song

Harpe

Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…(+)

Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“. In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s. Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children". On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July. By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom. On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published. P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback. A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. May be the staccatos suites you best, and you should try it. The score was written on Finale. The sound file was produced with samplers from Garritan, intended as an audio support for the presentation of the score. A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“. In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s. Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children". On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July. By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom. On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published. P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback. A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. May be the staccatos suites you best, and you should try it. The score was written on Finale. The sound file was produced with samplers from Garritan, intended as an audio support for the presentation of the score. A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music.

$4.99 4.57 € #Harpe #Pyotr Ilich Tchaikovsky #Luis Anjos Teixeira #Old French Song #Luis Anjos Teixeira #SheetMusicPlus

Songs for the Small Harp

Harpe

Harp - Intermediate - Digital Download Arranged by Patricia Rushton. Folk, Celtic, St…(+)

Harp - Intermediate - Digital Download Arranged by Patricia Rushton. Folk, Celtic, St. Patrick's Day. 53 pages. Published by Afghan Press Music for the Harp
A really nice set list of unusual selections. Most tunes can be played on a harp with less than 26 strings with levers on B, E, F, and C. The level of difficulty ranges from very easy to intermediate. Derry Air and High Road are more challenging, having octaves and full left hand patterns. Helpful hints on how to accommodate a small harp are included. Titles are: Play with Ideas, The Last Rose of Summer, She Is Always Cheerful, A Woman’s Lament for the Death of Her Hen, The High Road to Fort Augustus, Dr. Joe, Lament for Owen Roe O’Neill, Auld Lang Syne (not the standard melody), Mother’s Lullaby, Derry Air, Avila, Sagudana, Honey Harp, Bonnie George Campbell, Eleanor Plunkett, Carolan’s Receipt, Thy Delicate Rosy Lips, Banish Misfortune, The Morning Dream, Carolan’s Concerto, Lovely Stornaway.A really nice set list of unusual selections. Most tunes can be played on a harp with less than 26 strings with levers on B, E, F, and C. The level of difficulty ranges from very easy to intermediate. Derry Air and High Road are more challenging, having octaves and full left hand patterns. Helpful hints on how to accommodate a small harp are included. Titles are: Play with Ideas, The Last Rose of Summer, She Is Always Cheerful, A Woman’s Lament for the Death of Her Hen, The High Road to Fort Augustus, Dr. Joe, Lament for Owen Roe O’Neill, Auld Lang Syne (not the standard melody), Mother’s Lullaby, Derry Air, Avila, Sagudana, Honey Harp, Bonnie George Campbell, Eleanor Plunkett, Carolan’s Receipt, Thy Delicate Rosy Lips, Banish Misfortune, The Morning Dream, Carolan’s Concerto, Lovely Stornaway.

$18.00 16.49 € #Harpe #Patricia Rushton #Songs for the Small Harp # Afghan Press Music for the Harp #SheetMusicPlus