François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

Humoresque by Dvorak arranged especially for 12 String Harp without levers, pre-tune the harp to G major before playing.

Tuning: F# G A B C D E F# G A B C.

This is a piece arranged for double strung harps. It's in the key of F, and requires B, C, G, and F levers, including mid song lever changes on the right hand side. The lowest note is F below middle C. This arrangement showcases the beauty of overlapping double strung sound.

This is an arrangement for pedal or lever harp solo. It is in the key of C with one B flat preset lever. The lowest note is C below middle C. It is suitable for early intermediate players.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

Solos and duets from Celtic lands with additional flute or fiddle parts. Some selections are for duets.

Table of Contents:
A Bruxa, (The Sorceress) by Anton Seoane, Glaicia, Spain with flute/fiddle parts; Bianco Fiore, an Italian piece, with flute/fiddle parts; The Earl of Essex Galliard, by J. Dowland; Summer Morn, by B. Kolle; Summer Night by Geirr Lystrup and Aslaug L. Lygre; The Streams of Bunclody, traditional Irish with flute/fiddle parts; When Morning is Breaking, traditional Welsh, with flute/fiddle parts; Have You Been to Carrick?, traditional Irish; Hardiman the Fiddler, traditional Irish slip-jig; Los Bilbilicos (The Nightingales), traditional Sephardic with flute/fiddle parts; Sheba?s Bellybutton, by B. Kolle with flute/fiddle parts; Bonnie at Morn, traditional Northumberland lullaby with flute /fiddle parts; Voyage South, by B. Kolle; The Lass of Aughrim, traditional Irish ballad with separate solo, duet score, and harp one and two; The Humours of Ballyloughlin, traditional Irish; Saguaro by L. Riley & M. MacBean, harp one and two parts.

Beautiful lullaby from the album 'Earthsongs' by Secret Garden. The song was composed by Rolf Lovland. The piece does not contain pedal or lever changes and can be played by both harps. The range from A below the small C (C3) to the high F on the treble staff (A2-F5). The piece is therefore suitable for small harps down to 20 strings. In my youtube video, I play the song in the order A - B - C - D - A' - B - C - A' - A'. .

This beautiful piece from the 1968 movie of the same name was absolutely made for the harp! It's in A Minor, moderate tempo, intermediate level and can be played by either lever or pedal harp. It has a few lever/pedal changes (B-natural to B-flat and back again). Gorgeous!!

This is an arrangement of Mad World for zither or lap harp. Just slip the sheet music under the strings and follow the notes which are connected by lines, easily showing you which strings to pluck.

This sheet music works on T.K. O'Brien Lap Harps, Music Makers, or Melody Harps. To use with a First Act instrument, you might need to trim farther inside the guidelines, and you may possibly lose a note at the beginning or end. Typical zither tuning, from bottom to top, is G A B C D E F# G A B C D E F# G..... which is the tuning I used for this particular arrangement.

Printing Instructions:
Print onto letter-sized paper. Select "Print Actual Size", and NOT "Scale to Fit". Landscape Orientation

When you're sure you have it printing correctly, you may want to print onto card stock for added durability.

21 arrangements from many lands. These have been groomed and expertly honed during many tours to Denmark led by Beth Kolle.

Song List: Emma's Waltz, Finland, Norra Råda, Sweden, Harpa Vals, B. Kollé, Polonaise, Sweden (duet), Gråtarevalsen, A. Lindel (Sweden), Who Can Say?, K. Holsinger, Crossing the Divide, C. Roe, Harpa Pols, B. Kollé, Oh Shenandoah, America, On the Way to Stavanger, F. Aalto (USA), The Rights of Man, Ireland, Fanny Po'er, O Carolan (Ireland), Amerikaturen, Norway, Blind-Olav Reinlendar, Norway, Walking Tune, Sweden, Schottis, Sweden, J'ai Passé, Cajun (USA), Cornish Dance, Cornwall (Great Britain), Waltz for Kuisma, L. Keskinen (Finland), Kari Trestakk, Norway, Nordsetervalsen, Norway

Arranged by Corinna Wong. 10 songs for 12 string harp range from F4 - C6, in which 6 songs needs no lever. Also suitable for 15 string harp or bigger harps. Beginning to advanced levels. Songs are in C major, F major, B flat major and E flat major. Please read Corinna's Note on the cover page before playing. Designs are kept in the basic for easy printing, to save ink and the environment. Black and white colour only. Total 27 pages. Pdf format.

Barcarolle by Jacques Offenbach
Blue Danube Waltz by Johann Strauss
English Dance by James Hook
La Donna E Mobile by Guiseppi Verdi
Rondo: "Le Garcon Volage" by Robert Bochsa
Solvejg's Song by Edvard Grieg
Sonatina in C Op.35 No.1 by Muzio Clementi
The Baby Chicks
Theme of Sonata No.11 by Wolfgang Mozart
Wiegenlied D.498 by Franz Schubert.

Early-intermediate for big and small harps. The song was written by Simon and Garfunkel in 1964, but it's become a meme in recent years, so it?s still very relevant today! Christy-Lyn?s intermediate arrangement is reminiscent of the finger-picking guitar in the original version of the song, with broken chords and some harmonies in the left hand and a right hand melody that's been adapted to sound best on the harp. If you learn this piece from the Video Course, you?ll get essential practice tips on how to make the piece flow and sound musical, much faster than learning on your own!..........DIFFICULTY LEVEL and SKILLS REQUIRED: Early-intermediate. This piece has a simple melody in the right hand, with a left hand accompaniment that is a step up in complexity and variation from late-beginner pieces. There are parts of the piece where the two hands play the same notes straight after each other, which can be a challenge for placing without buzzing. There is quite a lot of syncopation ? a rhythmic challenge! The left hand jumps around a fair bit, and the right hand has to place some tricky 4 finger chords. ..........TYPE OF HARP: Big and small harps, including 22 string (C to C) and bigger. ..........RANGE: Lowest note is C an octave below middle C, highest note is B almost 2 octaves above middle C...........LEVERS/PEDALS: It is in the key of G major, with no lever changes. Harps without levers can tune their F strings to F sharps. ..........WHAT'S INCLUDED: PDF download of 4 pages. Fingering and bracketing are included.

This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.

Item Number: H0.855929-SC004622114

Harp arrangement of exile by Taylor Swift feat. Bon Iver. The piece can be played on both lever and pedal harps. It contains no pedal or lever changes. The original key was changed so that it can be played on a lever harp. The ottava bassa indications (8va b) are optional.