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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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PIANO & CLAVIERS
Piano seul
166
Piano Facile
45
Piano, Voix
40
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34
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16
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13
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
4
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2
2 Pianos, 4 mains
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1 Piano, 4 mains
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20
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Chorale SATB
109
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33
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22
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8
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5
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5
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3
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3
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2
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2
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1
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1
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1
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VENTS
Saxophone
119
Quatuor de Clarinettes: 4 clarinettes
101
Quatuor de Saxophones: 4 saxophones
90
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54
Clarinette
47
Flûte, Hautbois, Clarinette, Basson
42
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36
Saxophone (partie séparée)
35
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31
Saxophone Alto et Piano
28
Ensemble de saxophones
27
Saxophone Alto
24
Quintette de Saxophone: 5 saxophones
21
Hautbois, Piano (duo)
19
Saxophone Tenor et Piano
19
Clarinette et Piano
17
2 Flûtes traversières (duo)
15
Ensemble de Clarinettes
8
Saxophone Tenor
8
Saxophone Soprano
6
Hautbois (partie séparée)
6
Ensemble de Flûtes
6
Saxophone Soprano et Piano
6
Saxophone Baryton, Piano
5
2 Saxophones (duo)
5
Flûte et Guitare
4
Quintette de Flûte : 5 flûtes
4
3 Clarinettes (trio)
4
Clarinette, Guitare (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Flute (partie séparée)
3
Clarinette, Basson (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Violon et Violoncelle
2
Clarinette (partie séparée)
2
Quatuor de Flûtes : 4 flûtes
2
Cor anglais, Guitare (duo)
2
3 Saxophones (trio)
2
Clarinette Basse, Piano
2
Trio de Flûtes: 3 flûtes
2
Flûte à Bec
2
Flûte, Clarinette et Basson
2
Clarinette, Violoncelle, Piano (trio)
1
Ensemble De Flûte à bec
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Violon (duo)
1
5 Flûtes à bec
1
Flûte, Violoncelle
1
Piccolo, Piano
1
Flûte, Clarinette, Piano (trio)
1
Saxophone et Guitare
1
Clarinette, Violoncelle (duo)
1
2 Clarinettes (duo)
1
Flûte, Hautbois (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Harpe et Violoncelle
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
56
Trompette
51
Trombone
41
Ensemble de Trompettes
29
Trombone et Piano
18
Trompette (partie séparée)
14
Trompette, Piano
14
Trombone (partie séparée)
12
Cor et Piano
12
Quatuor de Cuivres
11
Euphonium, Piano (duo)
7
Ensemble de Trombones
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Tuba
6
Ensemble de Cors
5
Trompette, Trombone (duo)
5
Tuba et Piano
4
Cor
4
Cor (partie séparée)
4
Tuba (partie séparée)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trio de Cuivres
2
Cor anglais, Guitare (duo)
2
Quatuor de cuivres: 4 trombones
2
2 Trompettes (duo)
2
Trombone basse et Piano
1
2 Euphoniums et 2 Tubas
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 4 cors
1
Trombone basse
1
2 Trombones (duo)
1
4 Tubas
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
314
Violon, Violoncelle (duo)
221
Violon
190
Trio à Cordes: violon, alto, violoncelle
189
Quintette à cordes: 2 violons, alto, violoncelle, basse
80
Violon et Piano
38
Alto, Piano
24
Violoncelle, Piano
22
Violon, Alto (duo)
19
2 Violons (duo)
18
Violoncelle (partie séparée)
15
Alto seul
15
Alto, Violoncelle (duo)
11
Harpe
11
Alto (partie séparée)
7
Violoncelle
5
Contrebasse (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Contrebasse, Piano (duo)
3
2 Violoncelles (duo)
3
Violon, Guitare (duo)
2
4 Violoncelles
2
Contre Basse
2
Harpe, Flûte (duo)
2
2 Altos (duo)
2
Ensemble de Violons
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orchestre
1
4 Contrebasses
1
Trio à Cordes: 3 violoncelles
1
Ensemble d'Altos
1
Piano Trio: Violon, Alto, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
165
Orchestre à Cordes
141
Orchestre
46
Ensemble Jazz
46
Ensemble de cuivres
33
Orchestre de chambre
18
Cloches
8
Ensemble de Percussions
5
Xylophone, Piano
2
Orchestre, Violon
2
Fanfare
2
Jazz combo
2
Vibraphone et Marimba
1
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AUTRES
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Back to work - drums
Harpe
Partitions à imprimer
11 partitions trouvées
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1
The Princess Of Sintra For Harp
Harpe
Harp - Level 3 - Digital Download SKU: A0.889430 Composed by Luis Anjos Teixeira. C…
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Harp - Level 3 - Digital Download SKU: A0.889430 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 23 pages. Luis Anjos Teixeira #4731895. Published by Luis Anjos Teixeira (A0.889430). The Princess Of Sintra Although not a beginners choice, it is a very flexible piece and very useful for all kinds of events. It is relatively easy to perform and once thoroughly learned and played „Live you will experience a great rewarding feed back of its magical power upon the public. There are 3 versions on this file. One in F for the pedal or chromatic Harp, one in Eb for a diatonic harp and one in F for a little 3 octave gothic harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left to the interpretation of the artists involved, particularly the use of fingering. Feel Free to apply in this piece the Art and technic that expresses entirely your individual skills. Have fun! The score was written on Finale. The sound file is the chromatic version in F, it was produced with samplers from Garrison and conceived merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Stray Dog Nina, this work is dedicated to her. And to Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever.
$7.95
7.41 €
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Harpe
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Luis Anjos Teixeira
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The Princess Of Sintra For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
The Rights of Man, The Butterfly
Harpe
Harp - Digital Download SKU: A0.912226 Composed by Irish Traditional. Arranged by H…
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Harp - Digital Download SKU: A0.912226 Composed by Irish Traditional. Arranged by Harpoline. Celtic,Folk,World. Score. 3 pages. Harpoline #6204183. Published by Harpoline (A0.912226). This is an Irish traditional hornpipe and slip jig. A hornpipe is in a 4/4 time but with a different beat and swing from a reel. A slip jig is in 9/8 time so it feels like a 3 time. I have joined them together as they work well but one can play them separately from each other. The rights of man just has one relatively easy lever change (and a change back). One needs to be of an intermediate level to play these tunes well. The key is E-minor and with the small key change that means one needs levers on F and C. Piano players can also play these but will need to change the fingering.
$5.00
4.66 €
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Harpe
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Irish Traditional
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Harpoline
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The Rights of Man, The Butterfly
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Harpoline
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SheetMusicPlus
Molly Malone (Cockles and Mussels): Small Harp
Harpe
Lever Harp - Level 2 - Digital Download SKU: A0.1203071 Composed by Irish Tradition…
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Lever Harp - Level 2 - Digital Download SKU: A0.1203071 Composed by Irish Traditional. Arranged by Tiffany Schaefer. Celtic,Folk,Irish,Multicultural,World. Score. 3 pages. Tiffany Schaefer #801741. Published by Tiffany Schaefer (A0.1203071). This popular Irish song has been arranged for late elementary/early intermediate small harp (26 strings or larger). 2 pages, key of D, no lever changes.If you'd like to watch Tiffany arrange this tune and learn it plus the arrangement along with her, download the full workshop video here: https://www.patreon.com/posts/molly-malone-now-80270625. Backlogs of sheet music available as well.
$4.49
4.18 €
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Harpe
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Irish Traditional
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Tiffany Schaefer
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Molly Malone
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Tiffany Schaefer
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SheetMusicPlus
Wildest Dreams
Harpe
Lever Harp - Level 2 - Digital Download SKU: A0.1422092 By Taylor Swift. By Johan S…
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Lever Harp - Level 2 - Digital Download SKU: A0.1422092 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Kim Kirkman. 21st Century,Pop,Singer/Songwriter. Score. 3 pages. Kim Kirkman #1003437. Published by Kim Kirkman (A0.1422092). Wildest Dreams - arranged for lever harp - no levers requiredAll the song is there over three pages.I have modified some aspects to make it work easier for harp.Playable on large or smallish harps.
$4.99
4.65 €
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Harpe
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Taylor Swift
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Kim Kirkman
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Wildest Dreams
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Kim Kirkman
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SheetMusicPlus
Emma - Main Title Theme
Harpe
Pedal Harp - Level 4 - Digital Download SKU: A0.1214475 Composed by David Aubrey Sc…
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Pedal Harp - Level 4 - Digital Download SKU: A0.1214475 Composed by David Aubrey Schweitzer and Isobel Waller-Bridge. Arranged by Stephanie Claussen. Classical,Contemporary,Film/TV. Score. 3 pages. Stephanie Claussen #811461. Published by Stephanie Claussen (A0.1214475). The triumphant and saucy main theme from the 2020 film Emma works brilliantly on the harp. Rather brief but catchy, this piece ought to be played with gusto. It makes a lovely backdrop for tea parties and cocktail hours and can be followed directly by We Shall Have Our Ball from the same film, also arranged by Stephanie Claussen. For pedal harpSome fingerings included.Upper intermediate level✦Sign up for my newsletter - https://www.stephanieclaussen.com/albums/free-mp3/✦Join me on Facebook - https://www.facebook.com/stephanieclaussenharpist/✦And Instagram - https://www.instagram.com/stephanieclaussenharp/✦Send me a tip - https://www.buymeacoffee.com/StephanieHarp.
$5.99
5.58 €
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Harpe
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David Aubrey Schweitzer and Isobel Waller-Bridge
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Stephanie Claussen
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Emma - Main Title Theme
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Stephanie Claussen
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SheetMusicPlus
Old French Song
Harpe
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
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Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.65 €
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Harpe
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Pyotr Ilich Tchaikovsky
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Luis Anjos Teixeira
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Old French Song
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Luis Anjos Teixeira
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SheetMusicPlus
Alla Turca Jazz
Harpe
Harp - Digital Download Fantasia on the Rondo from the Piano Sonata in A major K. 331 by…
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Harp - Digital Download Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: single sheet. Eingangsmelodie, Handy- Klingelton, Mozart. Downloadable. Op. 5b. Duration 4 minutes. Schott Music - Digital #Q46259. Published by Schott Music - Digital
The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say\'s arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work\'s improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart\'s interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. The very popular piece was now arranged for harp by Ekaterina Afanasieva.
$6.99
6.51 €
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Harpe
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Fazil Say
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Ekaterina Afanasieva
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Alla Turca Jazz
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Schott Music - Digital
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SheetMusicPlus
The Horse of Beckmann's Mill for solo harp - no levers required
Harpe
Composed by Kim Kirkman. Arranged by Kim Kirkman. 21st Century, World, Folk, Recital. …
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Composed by Kim Kirkman. Arranged by Kim Kirkman. 21st Century, World, Folk, Recital. Score. 3 pages. Published by Kim Kirkman
An original composition<br> In dorian mode. Very much in folk song style<br> Inspired by animal welfare<br> Lovely arrangement. Quite easy.<br> Has impovised section in middle<br> The original lyrics are:<br> <br> The Horse of Beckmann’s Mill<br> <br> <br> <br> Pray, have you seen that chestnut foal o'er there uponthe hill?<br> <br> The finest foal you've ever seen was born at Beckmann'sMill.<br> <br> They let her play within her yard, tie ribbons in hermane,<br> <br> They train her to the grinding stone that crushes up thegrain.<br> <br> Now many times I've thought about that foal at Beckmann'sMill,<br> <br> And many times I've wondered how that man can do so ill.<br> <br> They use you up, they throw you out and turn their backsin scorn.<br> <br> All because by chance it came to be the place where youwere born.<br> <br> <br> <br> <br> <br> Pray, have you seen that chestnut filly o'er there besidethe hill?<br> <br> The finest filly you're ever seen was worked at Beckmann'sMill.<br> <br> They drive her from the morning sun until it's very late,<br> <br> They thrash her hard to pull the wheel that's bonded toher fate.<br> <br> Now many times I've passed her by and oft I've turned myface.<br> <br> Yet many times I've wondered what if I were in her place.<br> <br> They take advantage of the young and those without avoice.<br> <br> And it seems to me that nowhere did she really have achoice.<br> <br> <br> <br> <br> <br> Pray, have you seen that chestnut mare o'er there underthe hill?<br> <br> The finest mare you've ever seen has died at Beckmann'sMill.<br> <br> One day she fell upon her kness, the man he brought hisknife.<br> <br> The tread mill won the battle, and the miller took herlife.<br> <br> Now many times I've thought about the mare at Beckman'sMill,<br> <br> And many times I've wondered how that man can do so ill.<br> <br> They use you up, they throw you out and train anotherfoal,<br> <br> Yet every death they cause will leave a stain upon theirsoul.
$1.99
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Harpe
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Kim Kirkman
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Kim Kirkman
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The Horse of Beckmann's Mill for solo harp - no levers required
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Kim Kirkman
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SheetMusicPlus
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