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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Better Than
Non classifié
223
Piano & claviers
Piano, Voix et Guitare
118
Piano Facile
103
Piano seul
91
Piano, Voix
67
Piano grosses notes
14
Orgue
11
Instruments en Do
9
1 Piano, 4 mains
8
2 Pianos, 4 mains
6
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
2
Clavier
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
1
Ligne De Mélodie, Piano
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
53
Guitare
23
Ukulele
18
Ligne De Mélodie, (Paroles) et Accords
17
Paroles et Accords
10
Guitare (partie séparée)
4
4 Guitares (Quatuor)
3
Basse electrique
3
Banjo
1
2 Guitares (duo)
1
Mandoline
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
47
Chorale Unison
14
Chorale 3 parties
13
Chorale TTBB
7
Chorale 2 parties
6
Pack Instrumental pour Chorale
6
Chorale SSAA
6
Voix seule
3
Voix duo
2
Voix duo, Piano
1
Voix moyenne, Piano
1
Voix Soprano, Piano
1
+ 7 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
18
Quintette de Saxophone: 5 saxophones
11
Saxophone (partie séparée)
10
Flûte, Hautbois, Clarinette, Basson
10
Clarinette
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Hautbois, Piano (duo)
6
Flûte traversière et Piano
6
3 Saxophones (trio)
5
Ocarina
5
Saxophone Tenor et Piano
5
2 Saxophones (duo)
4
Flûte traversière
4
Clarinette et Piano
4
Ensemble de Flûtes
4
3 Clarinettes (trio)
3
2 Flûte à bec (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
Quintette de Clarinettes: 5 clarinettes
3
Quintette de Flûte : 5 flûtes
3
Saxophone Baryton, Piano
2
Quatuor de Flûtes à bec
2
Ensemble de Clarinettes
2
Hautbois
2
Quatuor de Flûtes : 4 flûtes
2
2 Flûtes traversières (duo)
2
Clarinette, Guitare (duo)
2
Trio de Flûtes: 3 flûtes
2
Saxophone Tenor
2
Flûte et Guitare
1
Hautbois (partie séparée)
1
Clarinette, Basson (duo)
1
Saxophone Alto et Piano
1
Ensemble de saxophones
1
5 Flûtes à bec
1
3 Flûtes à bec (trio)
1
Cor anglais, Piano
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à Bec
1
2 Clarinettes (duo)
1
Saxophone Alto
1
Flûte à bec Soprano
1
Flûte irlandaise
1
+ 39 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
8
Trompette (partie séparée)
7
Trompette
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Cor et Piano
5
Trombone et Piano
4
Cor
4
Tuba et Piano
4
Ensemble de Trompettes
4
Trombone
4
Quatuor de cuivres: 4 trombones
3
4 Tubas
2
Quatuor de Cuivres
2
Trompette, Piano
2
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 cors
1
Cor anglais, Piano
1
Ensemble de Trombones
1
Ensemble de Cors
1
Euphonium
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
41
Trio à Cordes: violon, alto, violoncelle
12
Violon
12
Violon et Piano
8
Violoncelle
7
Violon (partie séparée)
4
Alto, Piano
4
Harpe
4
Violon, Violoncelle (duo)
4
Alto seul
3
Violoncelle, Piano
3
Contrebasse (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
2
Contre Basse
2
4 Violoncelles
2
Trio à Cordes: 3 violoncelles
2
Harpe, Flûte (duo)
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
Ensemble de Violoncelles
1
2 Altos (duo)
1
Trio à cordes: 3 violins
1
Contrebasse, Piano (duo)
1
2 Violoncelles (duo)
1
Violon, Alto (duo)
1
Alto, Violoncelle (duo)
1
Violon, Guitare (duo)
1
2 Violons (duo)
1
Quatuor à cordes : 4 altos
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
105
Orchestre
20
Orchestre à Cordes
19
Ensemble Jazz
16
Jazz combo
8
Orchestre de chambre
5
Fanfare
5
Ensemble de cuivres
3
Batterie (partie séparée)
2
Cloches
2
Batterie
2
Ensemble de Percussions
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Vibraphone
1
+ 9 instrumentations
Retracter
Autres
Théorie de la musique
1
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ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
BASSON
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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FOLK ROCK
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Harpe
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Passacaglia For Harp
Harpe
Harp - Level 5 - Digital Download SKU: A0.889432 Composed by Johann Sebastian Bach.…
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Harp - Level 5 - Digital Download SKU: A0.889432 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. Score. 10 pages. Luis Anjos Teixeira #4736137. Published by Luis Anjos Teixeira (A0.889432). I found this Passacaglia from Bach among some of my own handwritten manuscripts. It is a phenomenal piece. Bach was definitive a great artist, a Genius. Passacaglia is an Italian word. This music form was originated in early 17th-century Spain as a strummed interlude between instrumentally accompanied dances or songs. In this piece we can clearly experience this „Spanish strumming between „Bars 137 and 145. The passacaglia was redefined in the late 1620s by Italian composer Girolamo Frescobaldi, who transformed it into a series of continuous variations over an ostinato bass pattern (which itself may be varied). I added to this piece some interpretation symbols and rearranged it for the harp but every single note was left as it would be found in the original version. The piece is appropriate for advanced performers. Most of the score is left to the interpretation of the artists involved, particularly the use of fingering. The piece is difficult but very Human. It requires focused endurance and some practice on certain passages. Once learned you will also be playing much better. Feel Free to apply in this piece the Art and technic that expresses entirely your individual skills and taste. Have fun! It is a piece that can be used in many different kinds of situations, from a serious concert hall to a marriage, it is perfect for Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file is the version in D minor for a concert harp, it was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$7.55
6.95 €
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Harpe
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Passacaglia For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Pure Imagination
Harpe
Lever Harp - Level 3 - Digital Download SKU: A0.1352847 By Mormon Tabernacle Choir.…
(+)
Lever Harp - Level 3 - Digital Download SKU: A0.1352847 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Rachael Acheson. 20th Century,Broadway,Film/TV,Musical/Show,Pop. Score. 4 pages. TheHarpLibrarian #937661. Published by TheHarpLibrarian (A0.1352847). This beautiful arrangement of Pure Imagination from the film Willy Wonka and the Chocolate Factory -- debuted by Gene Wilder but more recently covered by Timothée Chalamet -- taps both into the sense of childhood innocence and wonder encapsulated by the song's lyrics, as well as into the quirky nature of the character of Wonka.The arrangement is two-and-a-half pages long and fitted specifically to small, 26-string lever harp, like Rees Harpsicle or Dusty Strings Ravenna. It could also easily be modified for 24-string harp models, like Harp-E, if measures 22-25 were played an octave lower than written and the high F in measure 48 were omitted.Skillwise, the arrangement it sits solidly at an intermediate level and contains only two quick lever changes, both on the same string. If you are an experienced harpist, you can probably sight-read it without too much difficulty. You will, however, need to be comfortable with playing harmonics to play it as written. If you are not comfortable playing harmonics, you could absolutely modify the piece by simply plucking each note written as a harmonic an octave higher than notated. It will sound better, however, with harmonics played as written.Please note that the preview cuts off after the first half-page of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.
$5.99
5.51 €
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Harpe
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Mormon Tabernacle Choir
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Rachael Acheson
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Pure Imagination
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TheHarpLibrarian
#
SheetMusicPlus
Ricordi di Napoli No.1 Serenade, op. 83
Harpe
Harp - Advanced - Digital Download Composed by Elias Parish Alvars. Romantic Period. Sc…
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Harp - Advanced - Digital Download Composed by Elias Parish Alvars. Romantic Period. Score. 9 pages. Published by Amadeus Arte Editions
SÉRÉNADE / composée pour la / HARPE / et dédiée à son Élève / madame la comtesse / ESTERHAZYby Parish AlvarsThe outstanding characteristic of the Serenade is its extensive use of harmonics.The transition to the coda is brought about by a descending chromatic scale produced by sliding the metallic part of the tuning key on the fourth octave A string, an effect invented by Parish Alavars and almost always (and inexplicably) dispensed with today. This scale terminates in a trill and an ascending scale fragment that ends with a pedal slide. Berlioz? impression of Parish Alvars? playing ? ?This is the music of another world? ? can hardly be illustrated better than by this passage. An outstanding solo piece composed as all the Souvenir de Neaples in one of the happiest time of Parish Alvars life.SÉRÉNADE / composée pour la / HARPE / et dédiée à son Élève / madame la comtesse / ESTERHAZYby Parish AlvarsThe outstanding characteristic of the Serenade is its extensive use of harmonics.The transition to the coda is brought about by a descending chromatic scale produced by sliding the metallic part of the tuning key on the fourth octave A string, an effect invented by Parish Alavars and almost always (and inexplicably) dispensed with today. This scale terminates in a trill and an ascending scale fragment that ends with a pedal slide. Berlioz? impression of Parish Alvars? playing ? ?This is the music of another world? ? can hardly be illustrated better than by this passage. An outstanding solo piece composed as all the Souvenir de Neaples in one of the happiest time of Parish Alvars life.
$6.00
5.52 €
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Harpe
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Elias Parish Alvars
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Ricordi di Napoli No.1 Serenade, op. 83
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Amadeus Arte Editions
#
SheetMusicPlus
Old French Song
Harpe
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
(+)
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br> The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.59 €
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Harpe
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Pyotr Ilich Tchaikovsky
#
Luis Anjos Teixeira
#
Old French Song
#
Luis Anjos Teixeira
#
SheetMusicPlus
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