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TRI ET FILTRES
Tri et filtres :
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117
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4
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11
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9
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Harmonica
8
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6
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6
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5
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4
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4
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4
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4
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4
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3
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3
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3
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3
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
Hautbois
1
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Piccolo
1
Hautbois, Guitare (duo)
1
Flûte, Violon, Piano
1
Flûte, Hautbois, Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Trombone (duo)
1
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1
2 Clarinettes, Piano
1
Quatuor de Flûtes à bec
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1
Hautbois (partie séparée)
1
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Trombone
51
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22
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22
Trombone et Piano
12
Quatuor de Cuivres
10
Cor et Piano
7
Trompette
6
2 Trombones (duo)
6
Trompette, Piano
5
Trompette (partie séparée)
5
Quatuor de cuivres: 4 trombones
4
Trompette, Saxophone (duo)
4
Cor
3
Cor (partie séparée)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Ensemble de Trombones
3
Euphonium, Piano (duo)
2
2 Euphoniums et 2 Tubas
2
Trompette, Trombone (duo)
2
Tuba
1
Trombone basse et Piano
1
Trombone basse
1
Trompette, Euphonium (duo)
1
Cor et Orgue
1
Tuba et Piano
1
2 Tubas (duo)
1
Tuba (partie séparée)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
31
Violon
11
Violoncelle
11
Violon, Violoncelle (duo)
9
Violon et Piano
8
Harpe
7
Alto, Piano
5
Violoncelle, Piano
5
Violon (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
3
Alto seul
3
Trio à Cordes: violon, alto, violoncelle
2
Violoncelle (partie séparée)
2
Contre Basse
2
Harpe, Flûte (duo)
2
Violon, Alto (duo)
2
Contrebasse (partie séparée)
2
Violoncelle, Contrebasse (duo)
1
Alto (partie séparée)
1
Violoncelle, Orchestre
1
2 Violons (duo)
1
Violoncelle , Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Voix
1
Contrebasse, Piano (duo)
1
Harpe, Violon (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
239
Ensemble Jazz
47
Batterie
35
Orchestre
30
Ensemble de cuivres
25
Fanfare
25
Orchestre à Cordes
19
Orchestre de chambre
10
Cloches
7
Jazz combo
7
Ensemble de Percussions
3
Batterie (partie séparée)
3
Quintette de Cuivres: autres combinaisons
2
Vibraphone
1
Xylophone
1
Big band
1
Xylophone (partie séparée)
1
Percussion
1
Xylophone, Piano
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AUTRES
Vous avez sélectionné:
Break One
Harpe
Partitions à imprimer
7 partitions trouvées
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1
Alone Again
Harpe
Harp - Level 3 - Digital Download SKU: A0.899505 Composed by JulieAnn Smith. Concer…
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Harp - Level 3 - Digital Download SKU: A0.899505 Composed by JulieAnn Smith. Concert,Graduation,Instructional,Jazz. Score. 6 pages. JulieAnn Smith Music #4806633. Published by JulieAnn Smith Music (A0.899505). Alone Again, a slow & somewhat sombre jazz piece. Written after a break up there I was...... Alone Again. The melody is hauntingly beautiful & there are nice chords in both hands plus other harp sounds like glissando. Included is a lead chart for improvising &/or playing with others. You will NOT want to stop playing this beautiful piece. For Pedal Harp. Works for parties, recitals, gigs, maybe a funeral if jazz is appropriate. .
$3.99
3.63 €
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Harpe
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JulieAnn Smith
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somewhat sombre jazz piece
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Alone Again
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JulieAnn Smith Music
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SheetMusicPlus
Sun Breaks Through, Solo Harp, Melodic Study
Harpe
Harp - Digital Download SKU: A0.1058846 Composed by Cindy Blevins. Contemporary,Ins…
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Harp - Digital Download SKU: A0.1058846 Composed by Cindy Blevins. Contemporary,Instructional,New Age. Full Performance. Duration 36. Cindy Blevins #3124059. Published by Cindy Blevins (A0.1058846). This mp3 was recorded playing my Blevins harp. It is one of the pieces from my harp book 60 Melodic Studies for lever or pedal harp. The eBook is available here on SMP. The individual studies are not.
$1.99
1.81 €
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Harpe
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Cindy Blevins
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Sun Breaks Through, Solo Harp, Melodic Study
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Cindy Blevins
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SheetMusicPlus
Hands Together! (Practical Practice and Sight Reading For Harp)
Harpe
Harp - Level 3 - Digital Download SKU: A0.543679 Composed by Cindy Blevins. Instruc…
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Harp - Level 3 - Digital Download SKU: A0.543679 Composed by Cindy Blevins. Instructional. Educational Method. 88 pages. Cindy Blevins #3483785. Published by Cindy Blevins (A0.543679). This book is for beginner through intermediate, and anyone else who wants to brush up on fingering skills and sight reading. 80 pages of music and skill-building!This book takes the practice of learning a harp piece one hand at a time literally. Each of the 20 etudes in the book has a companion page where the parts are broken down, one for right hand, one for left hand. These pages include fingerings and brackets, which will aid you in learning the parts, and help to develop good placing and fingering habits. Breaking it down by the hand means you can concentrate fully on the issues presented, without worrying about putting it all together.The second half of the book is 20 solos. These solos are designed to work with the like-numbered etudes. Lots of sight reading practice!The book also includes several pages of text with examples, to help you discover how best to use the book. 87 pages total.If you have C below middle C and about 24 strings or larger, you can use this book.My website: https://www.blevinsmusic.com
$29.95
27.27 €
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Harpe
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Cindy Blevins
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Hands Together!
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Cindy Blevins
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SheetMusicPlus
The Creative Harpist
Harpe
Harp - Level 3 - Digital Download SKU: A0.797465 Composed by Louise Trotter. Instru…
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Harp - Level 3 - Digital Download SKU: A0.797465 Composed by Louise Trotter. Instructional. Score. 67 pages. Afghan Press Music for the Harp #4855295. Published by Afghan Press Music for the Harp (A0.797465). This revised book combines three of Ms. Trotter's popular books: Getting Started in Pop Harp, The Creative Folk Harpist, and Let's Play Country Harp.Included are compilations from workshop presentations into this book which contains repertoire suggestions, ways to tune your harp, scales and chords, intervals, seventh chords and minor scales, diminished chords, voicing, inversions, bass patterns, chord progressions, steps in making an arrangement , introductions, endings, and how to play variations on the melody. To be a creative and versatile pop harpist, classic training is valuable and necessary. However, the habit of playing every note as written is sometimes hard to break when learning to improvise. The act of playing notes spontaneously may be overwhelming to the classically trained harpist. There are more and more written arrangements for popular music available to buy, but is satisfying to have the skills to arrange one's own pieces. It is possible to play popular music from a fake book or by ear, with training. The suggestions in this book should help bridge the gap from classical to pop, and hopefully provide some tools for the improvisation necessary for playing popular music. These ideas come from Louise's own experience, and from workshops with nationally knows pop and jazz harpists. It is hoped that the material presented will open up new avenues for the harpist to arrange and improvise in order to widen opportunities to perform.With simple melodies and uncomplicated harmonies, this book also instructs the harpist on the basics of achieving that country-western sound, as well as techniques on imitating such traditional country western instruments as guitar, banjo, fiddle, string bass, and piano. A good book for any harpist wishing to enlarge their repertoire to include this style of music.
$20.00
18.21 €
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Harpe
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Louise Trotter
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The Creative Harpist
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Afghan Press Music for the Harp
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SheetMusicPlus
Break Into Song - Harp
Harpe
By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary…
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By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary; Sacred. EPak. 3 pages. Duration 3:25. Published by Hal Leonard - Digital Sheet Music
$7.00
6.37 €
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Harpe
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Randy Cox and Regi Stone
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J
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Contemporary
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Break Into Song - Harp
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Don't Stop Believin' (Journey) for Double-strung Harp
Harpe
By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Publis…
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By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson
Your audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believinYour audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin
$6.99
6.36 €
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Harpe
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Journey
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Karen Peterson
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Don't Stop Believin'
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SheetMusicPlus
The Wandering Folk Harp
Harpe
Flute, Violin, Harp - Intermediate - Digital Download Arranged by Beth Kolle. Folk, …
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Flute, Violin, Harp - Intermediate - Digital Download Arranged by Beth Kolle. Folk, Celtic, Recital. 122 pages. Published by Afghan Press Music for the Harp
Solos and duets from Celtic lands with additional flute or fiddle parts. Some selections are for duets. <br> <br> Table of Contents:<br> A Bruxa, (The Sorceress) by Anton Seoane, Glaicia, Spain with flute/fiddle parts; Bianco Fiore, an Italian piece, with flute/fiddle parts; The Earl of Essex Galliard, by J. Dowland; Summer Morn, by B. Kolle; Summer Night by Geirr Lystrup and Aslaug L. Lygre; The Streams of Bunclody, traditional Irish with flute/fiddle parts; When Morning is Breaking, traditional Welsh, with flute/fiddle parts; Have You Been to Carrick?, traditional Irish; Hardiman the Fiddler, traditional Irish slip-jig; Los Bilbilicos (The Nightingales), traditional Sephardic with flute/fiddle parts; Sheba’s Bellybutton, by B. Kolle with flute/fiddle parts; Bonnie at Morn, traditional Northumberland lullaby with flute /fiddle parts; Voyage South, by B. Kolle; The Lass of Aughrim, traditional Irish ballad with separate solo, duet score, and harp one and two; The Humours of Ballyloughlin, traditional Irish; Saguaro by L. Riley & M. MacBean, harp one and two parts.Solos and duets from Celtic lands with additional flute or fiddle parts. Some selections are for duets. <br> <br> Table of Contents:<br> A Bruxa, (The Sorceress) by Anton Seoane, Glaicia, Spain with flute/fiddle parts; Bianco Fiore, an Italian piece, with flute/fiddle parts; The Earl of Essex Galliard, by J. Dowland; Summer Morn, by B. Kolle; Summer Night by Geirr Lystrup and Aslaug L. Lygre; The Streams of Bunclody, traditional Irish with flute/fiddle parts; When Morning is Breaking, traditional Welsh, with flute/fiddle parts; Have You Been to Carrick?, traditional Irish; Hardiman the Fiddler, traditional Irish slip-jig; Los Bilbilicos (The Nightingales), traditional Sephardic with flute/fiddle parts; Sheba’s Bellybutton, by B. Kolle with flute/fiddle parts; Bonnie at Morn, traditional Northumberland lullaby with flute /fiddle parts; Voyage South, by B. Kolle; The Lass of Aughrim, traditional Irish ballad with separate solo, duet score, and harp one and two; The Humours of Ballyloughlin, traditional Irish; Saguaro by L. Riley & M. MacBean, harp one and two parts.
$25.00
22.76 €
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Harpe
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Beth Kolle
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The Wandering Folk Harp
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Afghan Press Music for the Harp
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SheetMusicPlus
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