Fifteen arrangements and three original compositions for lever harp. This collection includes music from all over the world, including a special arrangement of a hymn from New Zealand, by Maori composer Richard Puanaki. The music includes a few lever pre-sets, and some lever changes, plus some harmonic effects. This music ranges from early to late intermediate and is all playable on a lever harp.Contents:Baloo Lammy (Scotland)Ma\'oz Tzur (Jewish)Twinkling Lights (original)Jul, Jul Stralande Jul (G Nordqvist)Ka Waiata Ki a Maria (R Puanaki)O, Little Town of Bethlehem (English version)I Heard the Bells on Christmas Day (American)The Seven Joys of Mary (Irish)Seashells, Christmas Bells (original)Christ Child\'s Lullaby (Hebridean)Let\'s Celebrate (original)Oh Come, Oh Come Emmanuel (12th Century)Zion\'s Daughter (G.F Handel)Watts\' Cradle Song (Isaac Watts)In The Bleak Midwinter (Rossetti/Holst)Mitt Hjerte Alltid Vanker (Brorson/Danish)The Cherry Tree Carol (English)See Amid the Winter\'s Snow (Caswell/Goss).

ISBN 9781619118560.

At the end of the eighteenth century, Edward Bunting published a major work of Irish music called A General Collection of the Ancient Music of Ireland (1797). He followed this publication with two more collections in 1809 and 1840. Many of the tunes in these books came from the harpers he heard performing at the Belfast Harp Festival in 1792. In the first part of his 1840 collection, Bunting described the anatural keya of the harp used by the Irish harpers as leith glass or leithghlas. The Irish harpers tuned their instrument in this key, which we would recognize as G major because it had an F sharp. Frances Thieleas Leith Glass explores the musical possibilities and sounds achievable with a single tuning on the lever harp. The collection includes nine traditional tunes from Ireland, Scotland and England that together give a sense of the many musical colors that can be produced from the leith glass tuning if we think modally like the harpers of old. Suitable for intermediate lever harp players, the arrangements are all playable on a 34-string lever harp with sharping levers on F and C (C# is only required for one of the pieces with accidentals a aMy Lagan Lovea). The lowest note used is C, two octaves below middle C.

A collection of Scottish tunes from the nineteenth century and earlier have been carefully selected for their suitability on harp. They lay well under the fingers, are enhanced by the rhythmic and tonal properties of the plucked string and its overtones, and are musically interesting. Airs were chosen for their melodic beauty. Arrangements are traditional in style with ornamented melodies, open chords, and spare harmonies. Tunes are given in two keys, one in all naturals or one sharp, the other in one or two flats. Suggestions for fingering are given, levers or pedals need to be set only at the beginning of each piece, except for the Boat Songs, which require one lever or pedal change. Finally, historical and performance notes on the music are provided, together with a list of sources that are available from U.S. or Scottish distributors.
Table of Contents:
Highland Boat Song and Arran Boat Song (medley), MacDonald Lord of the Isles, Mary Young and Fair, Soldier?s Joy, Garthlands, Niel Gow?s Lament for the Death of His Second Wife, Cradle Song, and St. Mungo?s Welcome to Scott Skinner.

Clair de lune by Debussy arranged for 15 String Harp range from Middle C.

Key: Eb
Suitable for Small Harp with or without levers.
For the Harp without levers, pre-tune in Eb major (C, D, Eb, F, G, Ab, Bb, C).