These beloved melodies have been arranged in progressive key order so that the book can be played as a continuous set of background music at a gig. However, individual tunes may be selected as separate musical renditions and selections omitted as desired. Wonderful repertoire that your audience will LOVE! Fully edited with fingerings, dynamics, lever and pedal changes.
Contains: Grand March from ?Norma?, Gavotte, Doretta?s Song from ?La Rondine?, Che farò senza Euridice?, Allegretto, Emperor Waltz Themes, O Sole Mio, Laughing Song from ?Die Fledermaus?, Papageno?s Aria from ?Magic Flute?, Première Gymnopédie, Nessun Dorma from ?Turandot?, Spring Dance, Waltz from ?Coppelia?, March of the Priests from ?Magic Flute?, Traümerei, La Ci Darem La Mano from ?Don Giovanni?, Morning from ?Peer Gynt?, Cradle Song, Moonlight Sonata Theme.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

This book includes 4 famous classical music arranged for 8 String Harp. Each piece has two arrangements.

Version 1: For one hand (Right hand or Left hand) without fingerings, teacher can give some performance suggestions for the students, it is suitable for the harp beginner or young harpist.

Version 2: For both hand with fingerings. It is suitable for the progressing harpist.

Contents:

1. Cielito Lindo - C. Fermamdez

2. Lullaby - Johannes Brahms

3. Largo (New World Symphony) - Antonio Dvorak

4. Santa Lucia - Teodoro Cottrau

This book includes 4 famous classical music arranged for 8 String Harp. Each piece has two arrangements.

Version 1: For one hand (Right hand or Left hand) without fingerings, teacher can give some performance suggestions for the students, it is suitable for the harp beginner or young harpist.

Version 2: For both hand with fingerings. It is suitable for the progressing harpist.

Contents:

1. Barcarolle (from The Tales of Hoffmann) [Jacques Offenbach]
2. Can Can (from Orpheus in the Underworld) [Jacques Offenbach]
3. Caro Mio Ben [Giuseppe Giordani]
4. St. Anthony Chorale [Franz Joseph Haydn]