The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone.
Fazil Say\'s arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work\'s improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra.

It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart\'s interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation.

The very popular piece was now arranged for harp by Ekaterina Afanasieva.

?Anthology? is a collection of fifty themes and melodies in a smart format developed by Ray Pool. It is in ?enhanced lead sheet? format that includes fully fingered melody lines, and in-depth liner notes, unlike traditional fake books. Conveniently indexed according to topic (folk, Celtic, children, hymns, spirituals, plainsong, Jewish, Christmas, opera, and classical), alphabet, and level so that no matter what, the harpist may always find his/her music. It includes four pages of basic chord progressions, and helpful performance notes. Perfect for the harpist of any type or level!
Includes: Air (?Water Music?), All Through the Night, Amazing Grace, Angels We Have Heard on High, Aura Lee, Away in a Manger, Barcarolle, Blest Be the Tie That Binds, Candle Blessing, Chanuka Chag Ya?fe, Cockles and Mussels, Creator of the Stars of Night, Down By the Salley Gardens, Eine Kleine Nacht Musik, Erev Shel Shoshanim, Fairest Lord Jesus, Hinnei Mah Tov, Humbly I Adore Thee, I Gave My Love a Cherry, I Know Where I?m Goin?, I?m a Little Teapot, Intermezzo, Jacob?s Ladder, Kum Ba Yah, Let All Mortal Flesh Keep Silence, Let Us Break Bread Together, Loch Lomond, London Bridge, Lord, I Want To Be a Christian, Lullaby (Brahms), Morning, Musetta?s Song, O! mio babbino caro, Old Hundredth, Polovetzian Dance #1, Rondo in C (Clementi), Shalom Chaverim, Sheep May Safely Graze, Shenandoah, Silent Night, Sonata in C (Haydn), Swing Low, Sweet Chariot, The Farmer in the Dell, The Harp That Once, The King of Love, This Old Man, To a Wild Rose, Traumerei, Un bel di vedremo.

Everyone enjoys Celtic Folk Songs and Folk Hymns but not all realize that often they can be one and the same. A hymn text has often found its home in a folk song and a secular text sometimes finds a home in a hymn tune. This collection has a little of both. All but one of the tunes in this collection are of Celtic origin. The exception, ?Amazing Grace,? is a folk hymn of unknown origin that has all the markings of a Celtic Tune, including a pentatonic harmonic foundation.
For the harpists who also like to understand the history of a tune or even sing along, a variety of texts along with information about the tune and the lyrics can be found in the back of this book in the ?Notes on the Tunes.?

Titles: Ad Hyd y nos, Annie Laurie, Auld Lang Syne, Bunessan, Brother James' Air, Down By the Salley Gardens, Greensleeves, Iona Boat Song, Rorate (Rorate Coeli Desuper), Londonderry Air, New Britain, O Waly Waly, Slane, Scots W' Hae, The Ash Grove, Royal Oak, The Twenty-Ninth of May, St. Denio, Skye Boat Song, The Bard of Armagh, The Streets of Laredo, The Caledonian Hunt's Delight, St. Columba, The Road and the Miles to Dundee, The Rowan Tree, Ye Banks and Braes O' Bonnie Doon

One of the nicest things about this book is that each song has a short but lovely introduction!

This is my second original composition for solo harp. I wanted to write a piece that is calm, peaceful, and reflective, but, like our lives, also has moments of uncertainty or sadness. This piece is soothing to play and listen to and is perfect for many different situations including weddings, church services, or harp therapy situations.
This PDF includes two copies of this song, one in the key of Eb and one in the key of D. It is playable on both pedal and lever harps and has no pedal or lever changes. (each version is 2 pages)

This song is dedicated to my oldest daughter, my Aicardi Syndrome warrior, Annie Michelle. I am so blessed and humbled that Heavenly Father has entrusted you to me, and I am truly grateful for each day that I have to be ?here with you.?

Christmas Present is a must-have for the Holiday Season!!! Miss Dobyns has put together an exciting book filled with Christmas favorites with a twist. These ultra cool arrangements are filled with unique rhythms and harmonies that are quite unlike the standard versions heard all season long. Set yourself apart from all the other harpists in town with the tunes in this book, but be ready to practice a little bit! We feel these are intermediate to upper intermediate due to the rhythms. Great for gigging harpists!!

Titles: In the Bleak Midwinter, Silent Night, The First Noel, O Come, O Come Emmanuel, Still, Still, Still, The Holly and the Ivy.

This beautiful tune is a traditional Welsh lullaby. This arrangement begins in the higher octaves with a music box-like quality, then becomes richer and fuller in the second and third verses. It is a calm and tender piece that falls easily under the fingers.This piece is playable on both pedal and lever harps and has no pedal or lever changes. Two versions of this piece are included: one in the key of Eb and one in the key of D. (Each version is 3 pages.)

Beautiful darkish harmonies, played mostly in the lower register of the instrument with a repeated rhythmic pattern that is almost like lulling waves. This unusual arrangement is written in the key of Eb. The hymn tune "Slane" and "Lasst Uns Erfreuen" are woven into the melody.

Everything you ever wanted to know about how to play the Blues on your PEDAL or LEVER HARP! Beginner to intermediate level. Five new tunes, blues history, improvisation, wonderful and clever illustrations, hands on training, the four special scales! Everything you ever wanted to know about how to play the Blues on your PEDAL or LEVER HARP!

The Four Special Scales used by blues players
How to improvise your own solo
Special exercises to "see" the Blues Strings
Lots of blues licks to use in your improv
How to comp using shuffle, syncopation, riffs
Learn the secret BLUES TUNING

From Carol Robbins, jazz harpist with many TV credits: "Congratulations on a book that is creative, well researched, and beautifully illustrated"

From Louise Trotter, "A book on blues for harpists is long overdue, since the subject has been sorely neglected. I. Mac Perry has given us a practical workbook to appeal to classical and pop harpists alike. A valuable contribution."