Partitions Numériques de French Old Song pour Harpe

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TRI ET FILTRES

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Non classifié 129

PIANO & CLAVIERS

Piano, Voix 63
Piano Facile 45
Piano seul 42
Accompagnement Piano 7
Piano, Voix et Guitare 4

2 Pianos, 4 mains 2
Accordéon 2
1 Piano, 4 mains 1
Piano, Voix 63 Piano Facile 45 Piano seul 42 Accompagnement Piano 7 Piano, Voix et Guitare 4

2 Pianos, 4 mains 2 Accordéon 2 1 Piano, 4 mains 1

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GUITARES

Guitare 17
Guitare notes et tablatures 3
Ligne De Mélodie, (Paroles) et Accords 3
Basse electrique 2
Ukulele 2

Piano, Guitare (duo) 2
2 Guitares (duo) 1
Guitare 17 Guitare notes et tablatures 3 Ligne De Mélodie, (Paroles) et Accords 3 Basse electrique 2 Ukulele 2

Piano, Guitare (duo) 2 2 Guitares (duo) 1

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VOIX

Chorale SATB 14
Chorale 3 parties 5
Chorale TTBB 3
Voix seule 2
Chorale 2 parties 2

Chorale Unison 2
Voix duo 1
Voix Soprano, Piano 1
Voix duo, Piano 1
Chorale SSAA 1
Chorale SATB 14 Chorale 3 parties 5 Chorale TTBB 3 Voix seule 2 Chorale 2 parties 2

Chorale Unison 2 Voix duo 1 Voix Soprano, Piano 1 Voix duo, Piano 1 Chorale SSAA 1

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VENTS

Flûte traversière et Piano 12
Clarinette et Piano 12
Saxophone 11
Clarinette 11
Saxophone Tenor et Piano 10

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 10
Hautbois, Piano (duo) 9
Saxophone Alto et Piano 9
Flûte traversière 9
Saxophone Alto 8
Quatuor de Saxophones: 4 saxophones 7
Saxophone (partie séparée) 7
Saxophone Tenor 6
Saxophone Soprano et Piano 6
Quatuor de Clarinettes: 4 clarinettes 4
3 Saxophones (trio) 4
2 Flûtes traversières (duo) 4
Flûte, Hautbois, Clarinette, Basson 4
Hautbois (partie séparée) 3
Flûte et Guitare 3
Clarinette, Guitare (duo) 3
Quintette de Clarinettes: 5 clarinettes 3
Quatuor de Flûtes : 4 flûtes 3
Cor anglais, Guitare (duo) 2
Flute, Cor (duo) 2
Flûte, Hautbois, Clarinette (trio) 2
Flûte, Clarinette (duo) 1
Quintette de Saxophone: 5 saxophones 1
2 Saxophones (duo) 1
Trio de Flûtes: 3 flûtes 1
3 Clarinettes (trio) 1
Cor anglais, Piano 1
Flûte, Hautbois, Basson 1
2 Flûte à bec (duo) 1
Clarinette, Basson (duo) 1
Quatuor de Flûtes à bec 1
Saxophone et Guitare 1
Flûte à Bec 1
Ensemble de saxophones 1
Ensemble de Clarinettes 1
Flûte traversière et Piano 12 Clarinette et Piano 12 Saxophone 11 Clarinette 11 Saxophone Tenor et Piano 10

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 10 Hautbois, Piano (duo) 9 Saxophone Alto et Piano 9 Flûte traversière 9 Saxophone Alto 8 Quatuor de Saxophones: 4 saxophones 7 Saxophone (partie séparée) 7 Saxophone Tenor 6 Saxophone Soprano et Piano 6 Quatuor de Clarinettes: 4 clarinettes 4 3 Saxophones (trio) 4 2 Flûtes traversières (duo) 4 Flûte, Hautbois, Clarinette, Basson 4 Hautbois (partie séparée) 3 Flûte et Guitare 3 Clarinette, Guitare (duo) 3 Quintette de Clarinettes: 5 clarinettes 3 Quatuor de Flûtes : 4 flûtes 3 Cor anglais, Guitare (duo) 2 Flute, Cor (duo) 2 Flûte, Hautbois, Clarinette (trio) 2 Flûte, Clarinette (duo) 1 Quintette de Saxophone: 5 saxophones 1 2 Saxophones (duo) 1 Trio de Flûtes: 3 flûtes 1 3 Clarinettes (trio) 1 Cor anglais, Piano 1 Flûte, Hautbois, Basson 1 2 Flûte à bec (duo) 1 Clarinette, Basson (duo) 1 Quatuor de Flûtes à bec 1 Saxophone et Guitare 1 Flûte à Bec 1 Ensemble de saxophones 1 Ensemble de Clarinettes 1

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CUIVRES

Cor et Piano 106
Cor 69
2 Cors (duo) 28
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 14
Cor (partie séparée) 10

Trompette 9
Quatuor de Cuivres : 2 trompettes, trombone, tuba 9
Trompette, Cor (duo) 8
Trombone et Piano 7
Trombone 7
Quatuor de Cuivres: 2 trompettes, Cor, trombone 6
Quatuor de cuivres: 4 cors 5
Trompette, Piano 3
Cor anglais, Guitare (duo) 2
3 Trompettes (trio) 2
Quatuor de Cuivres 2
2 Cors, Piano 1
Clarinette, Cor (duo) 1
Cor, Violoncelle (duo) 1
Cor anglais, Piano 1
Quatuor de cuivres: 4 trombones 1
Quatuor de cuivres: 2 trompettes, 2 trombones 1
Tuba 1
Ensemble de Cors 1
Quatuor de cuivres: 4 trompettes 1
Euphonium, Piano (duo) 1
Cor et Piano 106 Cor 69 2 Cors (duo) 28 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 14 Cor (partie séparée) 10

Trompette 9 Quatuor de Cuivres : 2 trompettes, trombone, tuba 9 Trompette, Cor (duo) 8 Trombone et Piano 7 Trombone 7 Quatuor de Cuivres: 2 trompettes, Cor, trombone 6 Quatuor de cuivres: 4 cors 5 Trompette, Piano 3 Cor anglais, Guitare (duo) 2 3 Trompettes (trio) 2 Quatuor de Cuivres 2 2 Cors, Piano 1 Clarinette, Cor (duo) 1 Cor, Violoncelle (duo) 1 Cor anglais, Piano 1 Quatuor de cuivres: 4 trombones 1 Quatuor de cuivres: 2 trompettes, 2 trombones 1 Tuba 1 Ensemble de Cors 1 Quatuor de cuivres: 4 trompettes 1 Euphonium, Piano (duo) 1

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CORDES

Violon et Piano 15
Violoncelle, Piano 10
Alto, Piano 10
Violon 9
Quatuor à cordes: 2 violons, alto, violoncelle 8

Violoncelle 5
Harpe 4

4 Violoncelles 4
2 Violoncelles (duo) 3
Violon, Guitare (duo) 2
Trio à Cordes: 2 violons, violoncelle 2
Alto seul 2
Quatuor à cordes : 4 altos 1
Trio à cordes: 3 violins 1
2 Violons (duo) 1
Trio à Cordes: violon, alto, violoncelle 1
Violon et Piano 15 Violoncelle, Piano 10 Alto, Piano 10 Violon 9 Quatuor à cordes: 2 violons, alto, violoncelle 8 Violoncelle 5 Harpe 4

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 48
Ensemble de cuivres 15
Batterie 8
Orchestre 5
Orchestre de chambre 5

Ensemble de Percussions 2
Marimba 1
Orchestre à Cordes 1
Cloches 1
Ensemble Jazz 1
Fanfare 1
Orchestre d'harmonie 48 Ensemble de cuivres 15 Batterie 8 Orchestre 5 Orchestre de chambre 5

Ensemble de Percussions 2 Marimba 1 Orchestre à Cordes 1 Cloches 1 Ensemble Jazz 1 Fanfare 1

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AUTRES

Vous avez sélectionné:

French Old Song

Harpe

Partitions à imprimer

4 partitions trouvées

Four Folksong Ensembles

Harpe

Harp - Level 3 - Digital Download SKU: A0.797444 Arranged by Mary Muckle. Classical…(+)

Harp - Level 3 - Digital Download SKU: A0.797444 Arranged by Mary Muckle. Classical,Folk. Score. 25 pages. Afghan Press Music for the Harp #4848271. Published by Afghan Press Music for the Harp (A0.797444). Four exquisite ensembles. Three are for duo, one is a trio. This wonderful and diverse collection has interesting parts for all players. BRANSLE: Claude Gervaise, ( 1535-1565) was an important figure in the French secular music of his time. The Bransle is a 16th century French dance performed by couples in either a line or a circle.EN ROULANT MA BOULE: The voyageurs and coureurs- de- bois traversed by canoe the rivers and lakes of New France in search of furs for the European market. They sang continuously to the rhythm of their paddles, usually old ballads they had learned in France. The very popular En roulant ma boule ( While Rolling My Ball), tells the story of a prince who shoots a white duck from whose eyes bright diamonds fall and from whose bill drops gold for all.MERRY WIDOW WALTZ: The Merry Widow Waltz is from the operetta The Merry Widow by the Austro-Hungarian composer Franz Lehar ( 1870-1948).MAMA GONE Aâ€™MOUNTAIN: Mama Gone Aâ€™Mountain is a variation of the lullaby Bye Baby Bunting. In this West Indian version, the mother has gone to the mountain and the father has gone shooting to catch a robin bird so that he can, in the words of the chorus, buy me baby ribbon bam, buy me baby ribbon .

$11.00 10.09 € #Harpe #Mary Muckle #Four Folksong Ensembles #Afghan Press Music for the Harp #SheetMusicPlus

Old Song (Vieille Chanson) for lever harp

Harpe

Composed by Jules Massenet (1842-1912). Arranged by Alessandro Palazzani. Romantic P…(+)

Composed by Jules Massenet (1842-1912). Arranged by Alessandro Palazzani. Romantic Period, Technique Training, European, Wedding, Recital. Individual Part, Score, Sheet Music Single. 11 pages. Published by A work by Alessandro Palazzani
Old Songs is a small lovely piece from Pièces de Genre op.10 by Jules Massenet this edition for lever harp include two different arrangements The score is taken from the book Four Romantic French Songs (Quatre Chansons Romantiques) arranged for lever harp This book contains four pieces of music from late French Romanticism, arranged for lever harp. In all the pieces the timbre resources of the instrument are exploited to the maximum, with the use of harmonics sounds, notes at the soundboard, glissandos etc. Nevertheless, the arrangements are of intermediate difficulty, accessible to non-professional instrumentalists and students.Old Songs is a small lovely piece from Pièces de Genre op.10 by Jules Massenet this edition for lever harp include two different arrangements The score is taken from the book Four Romantic French Songs (Quatre Chansons Romantiques) arranged for lever harp This book contains four pieces of music from late French Romanticism, arranged for lever harp. In all the pieces the timbre resources of the instrument are exploited to the maximum, with the use of harmonics sounds, notes at the soundboard, glissandos etc. Nevertheless, the arrangements are of intermediate difficulty, accessible to non-professional instrumentalists and students.

$7.00 6.42 € #Harpe #Jules Massenet (1842-1912) # Alessandro Palazzani #Old Song #A work by Alessandro Palazzani #SheetMusicPlus

Old French Song

Harpe

Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…(+)

Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“. In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s. Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children". On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July. By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom. On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published. P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback. A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. May be the staccatos suites you best, and you should try it. The score was written on Finale. The sound file was produced with samplers from Garritan, intended as an audio support for the presentation of the score. A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“. In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s. Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children". On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July. By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom. On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published. P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback. A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. May be the staccatos suites you best, and you should try it. The score was written on Finale. The sound file was produced with samplers from Garritan, intended as an audio support for the presentation of the score. A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music.

$4.99 4.58 € #Harpe #Pyotr Ilich Tchaikovsky #Luis Anjos Teixeira #Old French Song #Luis Anjos Teixeira #SheetMusicPlus

Patrem Parit Filia

Harpe

Harp - Level 3 - Digital Download SKU: A0.827942 Composed by 13th Century French. A…(+)

Harp - Level 3 - Digital Download SKU: A0.827942 Composed by 13th Century French. Arranged by Sharon Hanjian Rondeau. Christmas,Classical,Sacred,World. Score. 2 pages. Sharon Hanjian Rondeau #3687619. Published by Sharon Hanjian Rondeau (A0.827942). Lovely plainsong chant arranged for four voices, then for solo harp. A great addition to your Christmas Eve and meditative repertoire. Key of G-flat, no accidentals; can be played on lever harp with some adaptations. From my Christmas collection, Something Old, Something New for Christmas, also at SheetMusicPlus: https://www.sheetmusicplus.com/title/something-old-something-new-for-christmas-digital-sheet-music/2...

$3.99 3.66 € #Harpe #13th Century French #Sharon Hanjian Rondeau #Patrem Parit Filia #Sharon Hanjian Rondeau #SheetMusicPlus