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AUTRES
Vous avez sélectionné:
Good Times
Harpe
Partitions à imprimer
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Remembering Home
Harpe
Harp - Level 3 - Digital Download SKU: A0.797374 Composed by William Mahan. 20th Ce…
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Harp - Level 3 - Digital Download SKU: A0.797374 Composed by William Mahan. 20th Century,Folk. Score. 28 pages. Afghan Press Music for the Harp #4830551. Published by Afghan Press Music for the Harp (A0.797374). Beautiful melodies reminiscent of good times and childhood memories.Contents: Remembering Home, Holiday, October Waltz, Moon Shadows, Indian Summer, Country Church, Dandelions Dancing, Moonlight Remembered, Going Home from Dvorak's New World Symphony
$16.00
14.78 €
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Harpe
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William Mahan
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Remembering Home
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Afghan Press Music for the Harp
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SheetMusicPlus
The Creative Harpist
Harpe
Harp - Level 3 - Digital Download SKU: A0.797465 Composed by Louise Trotter. Instru…
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Harp - Level 3 - Digital Download SKU: A0.797465 Composed by Louise Trotter. Instructional. Score. 67 pages. Afghan Press Music for the Harp #4855295. Published by Afghan Press Music for the Harp (A0.797465). This revised book combines three of Ms. Trotter's popular books: Getting Started in Pop Harp, The Creative Folk Harpist, and Let's Play Country Harp.Included are compilations from workshop presentations into this book which contains repertoire suggestions, ways to tune your harp, scales and chords, intervals, seventh chords and minor scales, diminished chords, voicing, inversions, bass patterns, chord progressions, steps in making an arrangement , introductions, endings, and how to play variations on the melody. To be a creative and versatile pop harpist, classic training is valuable and necessary. However, the habit of playing every note as written is sometimes hard to break when learning to improvise. The act of playing notes spontaneously may be overwhelming to the classically trained harpist. There are more and more written arrangements for popular music available to buy, but is satisfying to have the skills to arrange one's own pieces. It is possible to play popular music from a fake book or by ear, with training. The suggestions in this book should help bridge the gap from classical to pop, and hopefully provide some tools for the improvisation necessary for playing popular music. These ideas come from Louise's own experience, and from workshops with nationally knows pop and jazz harpists. It is hoped that the material presented will open up new avenues for the harpist to arrange and improvise in order to widen opportunities to perform.With simple melodies and uncomplicated harmonies, this book also instructs the harpist on the basics of achieving that country-western sound, as well as techniques on imitating such traditional country western instruments as guitar, banjo, fiddle, string bass, and piano. A good book for any harpist wishing to enlarge their repertoire to include this style of music.
$20.00
18.48 €
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Harpe
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Louise Trotter
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The Creative Harpist
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Afghan Press Music for the Harp
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SheetMusicPlus
Don't Stop Believin' (Journey) for Double-strung Harp
Harpe
By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Publis…
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By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson
Your audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin
$6.99
6.46 €
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Harpe
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Journey
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Karen Peterson
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Don't Stop Believin'
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SheetMusicPlus
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