Beautiful song from the Quinlan Road album 'An Ancient Muse' by Loreena Mckennitt. The piece does not contain pedal or lever changes and can be played by both harps. The range from A below the small C (C3) to the high D on the treble staff (A2-D5). The piece is therefore suitable for small harps down to 18 strings. In my youtube video, I play the song both on my pedal harp in the order as written.

A revised collection of Jewish melodies from around the Mediterranean and Celtic music from the British Isles, woven together to celebrate the unique role harp has played in folklore and music from both traditions. Intermediate level, harmonics, well-marked accidentals, guitar chords, keys of C, Bb, G, F, and D. The accompaniment is very "harpistic" in nature with nice arpeggiated chords and flowing lines.

Table of Contents: Adio Querida, Árvoles Lloran, Carolan's Draught, Carolan's Farewell, Eleanor Plunkett, Garfalia, Jerusalem, La Rosa Enflorece, The banks of the Suir, Scarborough Fair, Ya Ribon (two versions), Yo m'enamori d'un aire.

Captain O'Kane, traditional Irish air arranged for early intermediate and late intermediate lever harp. These two arrangements (one page each) may be played one after the other for a more varied arrangement, or either one may be played twice through to suit the level of the player.

The early intermediate arrangement will fit on a small harp of 26 strings.

Chord symbols are provided in both versions. Ample fingering suggestions are in the easy arrangement, and a few in the more advanced arrangement. Video tutorials for these arrangements may be downloaded at patreon.com/tiffanyharpandsong.

Harp arrangement of Shepherd Moons, written by Enya and Nicky Ryan. The music was inspired by the imagery of two moons orbiting a ring of Saturn. It is a beautiful, delicate piece.

This piece can be played on any harp. The range is from the small C (C3) to F above the treble staff (C3-F5). It can be played from 19- or 20-string harps onward. .

The Skye Boat Song was arranged for harp and can be played on small (22-string) harps.
This arrangement consists of four different variations (easy, early intermediate, intermediate and advanced intermediate level) and with an easy ending. This piece contains no pedal or lever changes. The range is from A below the small C (C3) to A above the treble staff (A2-A5).

The Skye Boat Song consists of a beautiful Scottish melody and was popularised by the \'Outlander\' series.

Ten popular Irish tunes arranged for flute (or violin) and harp. All tunes are in C or sharp keys, with fingerings and chord symbols. There are no lever changes within the tunes.
Table of Contents:
Danny Boy, Carrickfergus, Star of the County Down, The Rights of Man, The Butterfly, Garret Barry's Jig, Tripping Up the Stairs, Larry O'Gaff, The Wind that Shakes the Barley, Ships Are Sailing.

A collection of Scottish tunes from the nineteenth century and earlier have been carefully selected for their suitability on harp. They lay well under the fingers, are enhanced by the rhythmic and tonal properties of the plucked string and its overtones, and are musically interesting. Airs were chosen for their melodic beauty. Arrangements are traditional in style with ornamented melodies, open chords, and spare harmonies. Tunes are given in two keys, one in all naturals or one sharp, the other in one or two flats. Suggestions for fingering are given, levers or pedals need to be set only at the beginning of each piece, except for the Boat Songs, which require one lever or pedal change. Finally, historical and performance notes on the music are provided, together with a list of sources that are available from U.S. or Scottish distributors.
Table of Contents:
Highland Boat Song and Arran Boat Song (medley), MacDonald Lord of the Isles, Mary Young and Fair, Soldier?s Joy, Garthlands, Niel Gow?s Lament for the Death of His Second Wife, Cradle Song, and St. Mungo?s Welcome to Scott Skinner.

Greensleeves arranged for small harp, range from middle C

Key: F
Lever Change: No
Skill Level: Easy.

Originally composed by the Norwegian-Irish duo Secret Garden, and became famous by Josh Groban.

This arrangement is for Celtic / Lever harp solo.

A really nice set list of unusual selections. Most tunes can be played on a harp with less than 26 strings with levers on B, E, F, and C. The level of difficulty ranges from very easy to intermediate. Derry Air and High Road are more challenging, having octaves and full left hand patterns. Helpful hints on how to accommodate a small harp are included.
Titles are: Play with Ideas, The Last Rose of Summer, She Is Always Cheerful, A Woman?s Lament for the Death of Her Hen, The High Road to Fort Augustus, Dr. Joe, Lament for Owen Roe O?Neill, Auld Lang Syne (not the standard melody), Mother?s Lullaby, Derry Air, Avila, Sagudana, Honey Harp, Bonnie George Campbell, Eleanor Plunkett, Carolan?s Receipt, Thy Delicate Rosy Lips, Banish Misfortune, The Morning Dream, Carolan?s Concerto, Lovely Stornaway.

Solos and duets from Celtic lands with additional flute or fiddle parts. Some selections are for duets.

Table of Contents:
A Bruxa, (The Sorceress) by Anton Seoane, Glaicia, Spain with flute/fiddle parts; Bianco Fiore, an Italian piece, with flute/fiddle parts; The Earl of Essex Galliard, by J. Dowland; Summer Morn, by B. Kolle; Summer Night by Geirr Lystrup and Aslaug L. Lygre; The Streams of Bunclody, traditional Irish with flute/fiddle parts; When Morning is Breaking, traditional Welsh, with flute/fiddle parts; Have You Been to Carrick?, traditional Irish; Hardiman the Fiddler, traditional Irish slip-jig; Los Bilbilicos (The Nightingales), traditional Sephardic with flute/fiddle parts; Sheba?s Bellybutton, by B. Kolle with flute/fiddle parts; Bonnie at Morn, traditional Northumberland lullaby with flute /fiddle parts; Voyage South, by B. Kolle; The Lass of Aughrim, traditional Irish ballad with separate solo, duet score, and harp one and two; The Humours of Ballyloughlin, traditional Irish; Saguaro by L. Riley & M. MacBean, harp one and two parts.

Harp arrangement of \'Down by the Salley Gardens\'. Also known as \'The Moorlough Shore\' or \'The Maids of Mourne Shore\', as the William Butler Yeats\' verses were set by Herbert Hughes to the music of the traditional air The Moorlough Shore. This harp solo piece was arranged for the small lever harp and has a range from the A below the small C (A3) to A above the treble staff (A3-A5). The arrangement does not contain any lever changes.

This book commemorates the 25th anniversary of the Scottish Harp Society of America. It is a comprehensive collection of excellent Scottish tunes. Included are 70 arrangements with extensive liner notes on each tune. Some of the contributors are Cynthia Cathcart, Nancy Bick Clark, Judith Peacock Cummings, Corrina Hewat, Ann Heymann, Nancy Hurrell, William Jackson, Alison Kinnaird, Jo Morrison, Jennifer Pratt-Walter, Mary Radspinner, Christine Fraser Ramsey, Sue Richards, Cynthia Shelhart, Wendy Stewart, and Evelyn Tiffany-Castiglioni. Each arrangement has been carefully edited with careful attention to fingerings and placing brackets. There is history on each tune, biographical information on the artists, and extensive harp information with suggested study material. This book is a fabulous resource for anybody interested in Scottish harp music. A bonus is the original artwork by Renata Myers. This work will provide you with a lifetime of information, enjoyment, and repertoire!

Harp arrangement of Only Time, written by Roma Ryan, Nicky Ryan, Enya. The piece was specifically arranged for a small 22-string travel harp. The piece included lever changes that are indicated by diamond notes. The piece is written in the key of C (original is D). The range is from A below the small C (C3) to A above the treble staff (A2-A5). This beautiful song by Enya sounds very soothing.

Harp arrangement of Only Time, written by Roma Ryan, Nicky Ryan, Enya. The piece was specifically arranged for pedal harp and contains pedal changes. These pedal changes are indicated. The piece is written in the key of Eb (original is D).

This is an original composition for the double strung harp. The imaginary is that of a mother saying goodbye to her son by the river. The story takes place in the ancient days when people travel by boats to faraway lands and it would probably be years before seeing loved ones again. The mother silently watches the flowing river take away her son until he is no longer in sight . . .

The song is in aeolian mode in the key of G. The range is low A (1.5 octave below middle C) to E (2 octaves above middle C). It requires one mid song D# lever change on the right.