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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
He is my friend
Non classifié
144
Piano & claviers
Piano seul
42
Piano, Voix
17
Piano, Voix et Guitare
8
Instruments en Do
6
Orgue
5
1 Piano, 4 mains
2
2 Pianos, 4 mains
1
Piano Facile
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Guitare
23
Guitare notes et tablatures
8
Ligne De Mélodie, (Paroles) et Accords
1
2 Guitares (duo)
1
Mandoline
1
Voix
Chorale SATB
32
Chorale 3 parties
4
Chorale Unison
1
Chorale TTBB
1
Voix duo
1
Voix duo, Piano
1
Chorale 2 parties
1
Chorale SSAA
1
Voix haute
1
+ 4 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
49
Quintette de Saxophone: 5 saxophones
44
2 Clarinettes (duo)
5
2 Flûtes traversières (duo)
5
Ensemble de Clarinettes
5
Clarinette et Piano
4
Clarinette
3
Saxophone Alto
3
Flûte, Clarinette (duo)
3
Quintette de Flûte : 5 flûtes
3
Saxophone Alto et Piano
3
2 Saxophones (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Flûte traversière et Piano
3
3 Clarinettes (trio)
2
Flûte traversière
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Alto et Piano
2
Hautbois, Piano (duo)
1
Hautbois, Clarinette (duo)
1
Saxophone Tenor et Piano
1
3 Saxophones (trio)
1
Clarinette, Basson (duo)
1
Clarinette, Guitare (duo)
1
Saxophone Tenor
1
Hautbois, Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Violoncelle (duo)
1
Flûte, Clarinette et Basson
1
Flûte, Violoncelle
1
Flûte, Alto (duo)
1
Flûte, Tuba (duo)
1
Quatuor de Flûtes à bec
1
Hautbois, Basson (duo)
1
Clarinette et Alto
1
Clarinette, Tuba
1
Quatuor de Clarinettes: 4 clarinettes
1
Saxophone
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Violon (duo)
1
Ensemble de saxophones
1
Hautbois et alto (duo)
1
Flûte, Trombone (duo)
1
+ 38 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Ensemble de Trombones
4
Trombone
3
Trombone et Piano
3
Trompette
3
2 Trombones (duo)
2
2 Trompettes (duo)
2
Trompette, Piano
2
Ensemble de Trompettes
2
2 Tubas (duo)
1
Trombone, Tuba (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone, Violon (duo)
1
+ 9 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
2 Violons (duo)
5
Ensemble d'Altos
4
Ensemble de Violons
4
Trio à Cordes: violon, alto, violoncelle
3
Violon, Alto (duo)
3
Violon et Piano
3
2 Altos (duo)
3
Violon
2
Harpe
2
Harpe, Voix
2
Alto seul
2
Violon, Violoncelle (duo)
2
Alto, Piano
2
Piano Trio: Violon, Alto, Piano
1
Violon, Basson (duo)
1
Violon, Tuba (duo)
1
2 Violoncelles (duo)
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
10
Orchestre de chambre
4
Ensemble Jazz
2
Orchestre
2
Cloches
1
Orchestre, Violon
1
Orchestre à Cordes
1
Fanfare
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Ensemble de cuivres
1
Marimba
1
+ 6 instrumentations
Retracter
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CLAIRON
CLARINETTE
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
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PERCU. ORCH…
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SAXOPHONE
SYNTHE
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TROMPETTE
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VIELLE A RO…
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VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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Vous avez sélectionné:
He is my friend
Harpe
Partitions à imprimer
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Baroque Feeling For Harp
Harpe
Harp - Level 2 - Digital Download SKU: A0.889410 Composed by Luis Anjos Teixeira. C…
(+)
Harp - Level 2 - Digital Download SKU: A0.889410 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score. 4 pages. Luis Anjos Teixeira #3388873. Published by Luis Anjos Teixeira (A0.889410). Baroque Feeling is for my Father. The one who never knew that I was born! One time I visited him because he was a great artist and a close friend of my Grandpa. I just wanted to be a bit closer to my Grandpa, and had no idea either that this man was actually real my Father. Now that I know this, and they are all gone! I feel sad, very sad, I would have hugged him if I knew it. My Father was called Pedro Augusto Franco Dos Anjos Teixeira, and music helps me to feel him very close, even to communicate with him.
$7.99
7.37 €
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Harpe
#
Luis Anjos Teixeira
#
Baroque Feeling For Harp
#
Luis Anjos Teixeira
#
SheetMusicPlus
Old French Song
Harpe
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
(+)
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br> The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.6 €
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Harpe
#
Pyotr Ilich Tchaikovsky
#
Luis Anjos Teixeira
#
Old French Song
#
Luis Anjos Teixeira
#
SheetMusicPlus
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