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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I\'m Late
Non classifié
163
Piano & claviers
Piano seul
93
Piano, Voix et Guitare
43
Piano, Voix
25
Piano Facile
16
Piano grosses notes
8
Instruments en Do
5
1 Piano, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue
2
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
1
+ 6 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
46
Ukulele
6
Guitare
5
Basse electrique
3
Guitare notes et tablatures
3
Voix
Chorale SATB
35
Chorale 2 parties
7
Chorale TTBB
5
Chorale 3 parties
3
Voix Soprano
1
Voix duo
1
Voix duo, Piano
1
Voix haute
1
Chorale SSAA
1
+ 4 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
17
2 Saxophones (duo)
16
Flûte traversière et Piano
12
2 Clarinettes (duo)
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Clarinette
9
Saxophone Alto
8
Ensemble de Clarinettes
7
Flûte traversière
7
Quatuor de Saxophones: 4 saxophones
6
2 Flûtes traversières (duo)
6
Ensemble de saxophones
6
Hautbois, Piano (duo)
6
Saxophone Tenor
6
Clarinette et Piano
6
2 Hautbois (duo)
4
Ensemble de Flûtes
4
Saxophone Tenor et Piano
4
Quintette de Flûte : 5 flûtes
4
Flûte, Hautbois, Clarinette, Basson
4
Saxophone Soprano et Piano
3
Saxophone, Clarinette (duo)
3
Saxophone Baryton, Piano
3
Saxophone Alto et Piano
3
Cor anglais, Piano
3
Harmonica
2
Hautbois, Clarinette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Violon et Violoncelle
2
Flûte et Guitare
2
Flûte, Violon
2
Clarinette, Violoncelle (duo)
2
Hautbois, Basson (duo)
2
Hautbois, Violoncelle
2
Clarinette, Trompette (duo)
2
Clarinette, Violon (duo)
2
Clarinette Basse, Piano
2
Clarinette et Alto
2
Quatuor de Clarinettes: 4 clarinettes
2
Hautbois (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violoncelle, Guitare
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Alto (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois
1
Saxophone et Orgue
1
Flûte, Violoncelle
1
2 Cors Anglais Et Pianoforte
1
Hautbois et alto (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à Bec
1
Saxophone (partie séparée)
1
Hautbois, Flûte
1
+ 50 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Trompette
8
Ensemble de Trombones
7
Trombone
6
Cor
5
Ensemble de Trompettes
5
2 Trombones (duo)
5
Cor et Piano
4
2 Tubas (duo)
4
2 Trompettes (duo)
4
Trombone et Piano
4
2 Cors (duo)
4
Trompette, Trombone (duo)
3
Quatuor de Cuivres
3
2 Euphoniums (duo)
3
Trio de Cuivres
3
Cor anglais, Piano
3
Trompette (partie séparée)
2
Tuba et Piano
2
Tuba et Orgue
2
Trompette, Saxophone (duo)
2
Trompette, Piano
2
Euphonium, Piano (duo)
2
Quatuor de cuivres: 4 trombones
1
Tuba
1
Euphonium, Tuba (duo)
1
Ensemble de Cors
1
2 Cors Anglais Et Pianoforte
1
+ 25 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon
10
Violon et Piano
10
Violoncelle
9
Alto, Piano
8
Alto seul
6
Violon, Violoncelle (duo)
5
Ensemble d'Altos
4
Violoncelle, Piano
4
2 Violoncelles (duo)
4
2 Violons (duo)
4
Harpe
4
2 Altos (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Ensemble de Violons
3
4 Violoncelles
2
2 Contrebasses (duo)
2
Violon, Alto (duo)
2
Violoncelle, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
Trio à Cordes: 2 violons, violoncelle
1
Contre Basse
1
Alto, Violoncelle (duo)
1
Violon, Basson (duo)
1
Quatuor à cordes: 4 violons
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
11
Jazz combo
9
Cloches
8
Orchestre d'harmonie
8
Orchestre de chambre
4
Orchestre
4
Ensemble de cuivres
2
Ensemble de Percussions
2
Ensemble Jazz
2
Marimba
1
+ 5 instrumentations
Retracter
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ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
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BUGLE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
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MARIMBA
ORCHESTRE
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PERCU. ORCH…
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PIANO
SAXOPHONE
SYNTHE
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VIELLE A RO…
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VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
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OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
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PUNK
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REGGAE
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Vous avez sélectionné:
I\'m Late
Harpe
Partitions à imprimer
4 partitions trouvées
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Le Taulier
Harpe
Lever Harp - Level 2 - Digital Download SKU: A0.1455787 By Brigitte Bonin. By Brigi…
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Lever Harp - Level 2 - Digital Download SKU: A0.1455787 By Brigitte Bonin. By Brigitte Bonin. Folk,Singer/Songwriter. Score. 3 pages. Brigitte Bonin #1034885. Published by Brigitte Bonin (A0.1455787). Here are the score of Le Taulier It's a late beginner piece with the left hand playing always in the same order the bass part and the right hand having a little more fun. I play this piece on a 38 strings harp tuned in Eb, the lowest note is B0 and the highest is D6. But music is not rigid, you can adapt it to your harp (and send me a video I want to see !!) Advices :- for the A and C : as you repeat the measure, to avoid buzzing, place fingers 432 and then 1, not the 4 fingers at once.- don't worry about the original tempo, if you play it without singing it, you can accelerate, but if you also learn the singing part, 132 is optimum.Note : it's a love song, you will know that you're playing it well when you'll feel love playing it ;) Lyrics (french)Il m’a dit au revoir Ce vieux briscard Il a dit au revoirRaconte pas d’histoiresOn a vécu tous les joursSur le fil de l’amourOn a vécu tous ces joursOn s’aimera toujoursT’as régies ma vieMon cœur est mes enviesTu m’as apprisL’alchimie Le Taulier Loge et nourritContre un peu d’or
$4.99
4.59 €
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Harpe
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Brigitte Bonin
#
Le Taulier
#
Brigitte Bonin
#
SheetMusicPlus
Old French Song
Harpe
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
(+)
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br> The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.59 €
#
Harpe
#
Pyotr Ilich Tchaikovsky
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Luis Anjos Teixeira
#
Old French Song
#
Luis Anjos Teixeira
#
SheetMusicPlus
March of the king of Laois
Harpe
Harp - Digital Download SKU: A0.912242 Composed by Irish Traditional. Arranged by H…
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Harp - Digital Download SKU: A0.912242 Composed by Irish Traditional. Arranged by Harpoline. Celtic,Concert,Holiday. Score. 2 pages. Harpoline #6348611. Published by Harpoline (A0.912242). An old Irish tune probably in praise of another Irish rebel Ruairà Óg Ó Mórdha (Rory O'More). This tune first appeared in one of Bunting's collections. It obviously existed a good while before then. This tune needs an F sharp and does not need lever changes. I have added fingering and dynamics which are optional, but I would highly recommend the 432 fingering on the repetitive notes. If you can get used to them in this tune, you can use them later in triplets in the faster tunes. .
$4.00
3.68 €
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Harpe
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Irish Traditional
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Harpoline
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March of the king of Laois
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Harpoline
#
SheetMusicPlus
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