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29
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7
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Orchestre à Cordes
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22
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I\'m Not The One
Harpe
Partitions à imprimer
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1
Classical Themes (Vol. 1) - 8 String Harp
Harpe
Harp, 8 String Harp - Easy/Beginner - Digital Download Composed by Bach, Vivaldi, B…
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Harp, 8 String Harp - Easy/Beginner - Digital Download Composed by Bach, Vivaldi, Beethoven. Arranged by Kitty M. Y. Leung. Classical Period, Baroque Period, Etudes and Exercises, Repertoire, Classroom. Score, Solo Part. 16 pages. Published by Kitty M.Y.Leung
This book includes 4 famous classical music arranged for 8 String Harp. Each piece has two arrangements.<br> <br> Version 1: For one hand (Right hand or Left hand) without fingerings, teacher can give some performance suggestions for the students, it is suitable for the harp beginner or young harpist.<br> <br> Version 2: For both hand with fingerings. It is suitable for the progressing harpist.<br> <br> Contents:<br> <br> 1. Minuet I (from “Notebook for Anna Magdalena Bach”) [Johann Sebastian Bach]<br> <br> 2. Minuet II (from “Notebook for Anna Magdalena Bach”) [Johann Sebastian Bach]<br> <br> 3. Spring (from The Four Seasons) [Antonio Vivaldi]<br> <br> 4. Ode to Joy (from The Symphony No.9) [Ludwig van Beethoven]This book includes 4 famous classical music arranged for 8 String Harp. Each piece has two arrangements.<br> <br> Version 1: For one hand (Right hand or Left hand) without fingerings, teacher can give some performance suggestions for the students, it is suitable for the harp beginner or young harpist.<br> <br> Version 2: For both hand with fingerings. It is suitable for the progressing harpist.<br> <br> Contents:<br> <br> 1. Minuet I (from “Notebook for Anna Magdalena Bach”) [Johann Sebastian Bach]<br> <br> 2. Minuet II (from “Notebook for Anna Magdalena Bach”) [Johann Sebastian Bach]<br> <br> 3. Spring (from The Four Seasons) [Antonio Vivaldi]<br> <br> 4. Ode to Joy (from The Symphony No.9) [Ludwig van Beethoven]
$6.99
6.39 €
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Harpe
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Bach, Vivaldi, Beethoven
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Kitty M
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Classical Themes
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Kitty M.Y.Leung
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SheetMusicPlus
I'm Sorry
Harpe
Instrumental Solo,Lap Harp - Level 2 - Digital Download SKU: A0.544107 By John Denv…
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Instrumental Solo,Lap Harp - Level 2 - Digital Download SKU: A0.544107 By John Denver. By John Denver. Arranged by Cindy Blevins. Rock. Individual part. 5 pages. Cindy Blevins #3547653. Published by Cindy Blevins (A0.544107). This is a beautiful arrangement for easy lap harp. You need a harp with C below middle C and 24-26 strings.Keep in mind that easy for one, is not easy for another. This is not a beginner arrangement. It is an arrangement with less notes in it than the regular arrangement, and easier rhythms where applicable. There is no levering within the arrangement. My website: https://www.blevinsmusic.com
$4.99
4.56 €
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Harpe
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John Denver
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Cindy Blevins
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I'm Sorry
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Cindy Blevins
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SheetMusicPlus
I'm Sorry
Harpe
Harp - Level 2 - Digital Download SKU: A0.544106 By John Denver. By John Denver. Ar…
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Harp - Level 2 - Digital Download SKU: A0.544106 By John Denver. By John Denver. Arranged by Cindy Blevins. Rock. Score. 5 pages. Cindy Blevins #3547649. Published by Cindy Blevins (A0.544106). This is a beautiful arrangement for easy harp. Keep in mind that easy for one is not easy for another. This is not a beginner arrangement. It is an arrangement with less notes in it than the regular arrangement, and easier rhythms where applicable. There is no levering or pedaling within the arrangement.My website: https://www.blevinsmusic.com
$4.99
4.56 €
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Harpe
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John Denver
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Cindy Blevins
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I'm Sorry
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Cindy Blevins
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SheetMusicPlus
March of the king of Laois
Harpe
Harp - Digital Download SKU: A0.912242 Composed by Irish Traditional. Arranged by H…
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Harp - Digital Download SKU: A0.912242 Composed by Irish Traditional. Arranged by Harpoline. Celtic,Concert,Holiday. Score. 2 pages. Harpoline #6348611. Published by Harpoline (A0.912242). An old Irish tune probably in praise of another Irish rebel Ruairà Óg Ó Mórdha (Rory O'More). This tune first appeared in one of Bunting's collections. It obviously existed a good while before then. This tune needs an F sharp and does not need lever changes. I have added fingering and dynamics which are optional, but I would highly recommend the 432 fingering on the repetitive notes. If you can get used to them in this tune, you can use them later in triplets in the faster tunes. .
$4.00
3.66 €
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Harpe
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Irish Traditional
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Harpoline
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March of the king of Laois
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Harpoline
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SheetMusicPlus
1, 2, 3 - Play!
Harpe
Harp - Easy/Beginner - Digital Download Arranged by Ray Pool. Method, Technique Training…
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Harp - Easy/Beginner - Digital Download Arranged by Ray Pool. Method, Technique Training. 90 pages. Published by Afghan Press Music for the Harp
This is a study of ear training through melodic development. Small melodic fragments from familiar nursery rhymes, folk, patriotic and hymns tunes are used. The numbers 1 through 7 are used instead of using ?Do, Re, Mi?? to identify the notes in the scale. Melodies are categorized by range, beginning with a range of only three notes, progressing through a total of nine categories. Skills in ear training are highly useful to musicians who might be asked to take requests at hotels, parties and restaurants, or those involved in harp therapy. With the melodic fragments that are the focus of study, performance by ear can be highly strengthened and developed. Table of Contents: All Through the Night, Amazing Grace, America, Angels from the Realms of Glory, Angels We Have Heard on High, Au Clare de la Lune, Away in a Manger, Be Thou My Vision, Billy Boy, Cindy, Clementine, Day is Done (Taps), Down in the Valley, Drink to Me Only with Thine Eyes, For He's a Jolly Good Fellow, Frere Jacques, Go Tell Aunt Rhody, Go Tell It On the Mountain, Goin' Home, Good King Wenceslas, He's Got the Whole World in His Hands, Here We Come A'Wassailing, Home on the Range, Home Sweet Home, Hot Cross Buns, I'm a Little Teapot, Jingle Bells, Joy to the World, Kumbayah, Lightly Row, London Bridge, Lonesome Valley, Mary Had a Little Lamb, Michael Row the Boat Ashore, Morning Has Broken, My Bonnie Lies Over the Ocean, Ode to Joy, Oh Susanna, Oh How Lovely is the Evening, Old Folks at Home, Old Hundredth, On Top of Old Smokey, Over the River and Through the Woods, Row Row Row Your Boat, Shenandoah, Silent Night, Skip to my Lou, Swing Low Sweet Chariot, The Farmer in the Dell, The First Nowell, The Harp that Once Thro' Tara's Halls, The Star Spangled Banner, This Old Man, Three Blind Mice, Twinkle Twinkle Little Star, We Wish You Merry Christmas, When the Saints Go Marching In.This is a study of ear training through melodic development. Small melodic fragments from familiar nursery rhymes, folk, patriotic and hymns tunes are used. The numbers 1 through 7 are used instead of using ?Do, Re, Mi?? to identify the notes in the scale. Melodies are categorized by range, beginning with a range of only three notes, progressing through a total of nine categories. Skills in ear training are highly useful to musicians who might be asked to take requests at hotels, parties and restaurants, or those involved in harp therapy. With the melodic fragments that are the focus of study, performance by ear can be highly strengthened and developed.
Table of Contents:
All Through the Night, Amazing Grace, America, Angels from the Realms of Glory, Angels We Have Heard on High, Au Clare de la Lune, Away in a Manger, Be Thou My Vision, Billy Boy, Cindy, Clementine, Day is Done (Taps), Down in the Valley, Drink to Me Only with Thine Eyes, For He's a Jolly Good Fellow, Frere Jacques, Go Tell Aunt Rhody, Go Tell It On the Mountain, Goin' Home, Good King Wenceslas, He's Got the Whole World in His Hands, Here We Come A'Wassailing, Home on the Range, Home Sweet Home, Hot Cross Buns, I'm a Little Teapot, Jingle Bells, Joy to the World, Kumbayah, Lightly Row, London Bridge, Lonesome Valley, Mary Had a Little Lamb, Michael Row the Boat Ashore, Morning Has Broken, My Bonnie Lies Over the Ocean, Ode to Joy, Oh Susanna, Oh How Lovely is the Evening, Old Folks at Home, Old Hundredth, On Top of Old Smokey, Over the River and Through the Woods, Row Row Row Your Boat, Shenandoah, Silent Night, Skip to my Lou, Swing Low Sweet Chariot, The Farmer in the Dell, The First Nowell, The Harp that Once Thro' Tara's Halls, The Star Spangled Banner, This Old Man, Three Blind Mice, Twinkle Twinkle Little Star, We Wish You Merry Christmas, When the Saints Go Marching In.
$25.00
22.86 €
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Harpe
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Ray Pool
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1, 2, 3 - Play!
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Afghan Press Music for the Harp
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SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)- Full Ensemble performance
Harpe
Celtic Harp,Folk Harp,Pedal Harp - Level 4 - Digital Download SKU: A0.1264873 By La…
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Celtic Harp,Folk Harp,Pedal Harp - Level 4 - Digital Download SKU: A0.1264873 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full Performance. Duration 277. Blue Steer Studios #857711. Published by Blue Steer Studios (A0.1264873). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
1.82 €
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Harpe
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn for Harp Ensemble
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Blue Steer Studios
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SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)-Harp 2 part
Harpe
Harp - Level 3 - Digital Download SKU: A0.1026509 By Laura Olson. By Laura Olson. A…
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Harp - Level 3 - Digital Download SKU: A0.1026509 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 8 pages. Blue Steer Studios #6206579. Published by Blue Steer Studios (A0.1026509). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players. Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies. A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it. About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************Â
$3.99
3.65 €
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Harpe
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn for Harp Ensemble
#
Blue Steer Studios
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SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)-Harp 3 part
Harpe
Harp - Level 3 - Digital Download SKU: A0.1026507 By Laura Olson. By Laura Olson. A…
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Harp - Level 3 - Digital Download SKU: A0.1026507 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #6206583. Published by Blue Steer Studios (A0.1026507). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players. Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies. A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it. About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************Â
$3.99
3.65 €
#
Harpe
#
Laura Olson
#
Laura Olson
#
Black Hounds of Cŵn Annwn for Harp Ensemble
#
Blue Steer Studios
#
SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)-Harp 3 part only
Harpe
Celtic Harp,Folk Harp,Pedal Harp - Level 4 - Digital Download SKU: A0.1264880 By La…
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Celtic Harp,Folk Harp,Pedal Harp - Level 4 - Digital Download SKU: A0.1264880 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Folk,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #857718. Published by Blue Steer Studios (A0.1264880). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
1.82 €
#
Harpe
#
Laura Olson
#
Laura Olson
#
Black Hounds of Cŵn Annwn for Harp Ensemble
#
Blue Steer Studios
#
SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)-Easy Harp 5 part only
Harpe
Celtic Harp,Folk Harp,Pedal Harp - Level 1 - Digital Download SKU: A0.1264883 By La…
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Celtic Harp,Folk Harp,Pedal Harp - Level 1 - Digital Download SKU: A0.1264883 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Folk,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #857722. Published by Blue Steer Studios (A0.1264883). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
1.82 €
#
Harpe
#
Laura Olson
#
Laura Olson
#
Black Hounds of Cŵn Annwn for Harp Ensemble
#
Blue Steer Studios
#
SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)- Full Ensemble performance
Harpe
Harp - Level 4 - Digital Download SKU: A0.1267054 By Laura Olson. By Laura Olson. A…
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Harp - Level 4 - Digital Download SKU: A0.1267054 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full Performance. Duration 279. Blue Steer Studios #859689. Published by Blue Steer Studios (A0.1267054). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
1.82 €
#
Harpe
#
Laura Olson
#
Laura Olson
#
Black Hounds of Cŵn Annwn for Harp Ensemble
#
Blue Steer Studios
#
SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)-Harp 1 part
Harpe
Harp - Level 4 - Digital Download SKU: A0.1026506 By Laura Olson. By Laura Olson. A…
(+)
Harp - Level 4 - Digital Download SKU: A0.1026506 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #6206575. Published by Blue Steer Studios (A0.1026506). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players. Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies. A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it. About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************Â
$3.99
3.65 €
#
Harpe
#
Laura Olson
#
Laura Olson
#
Black Hounds of Cŵn Annwn for Harp Ensemble
#
Blue Steer Studios
#
SheetMusicPlus
Old French Song
Harpe
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
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Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br> The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.56 €
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Harpe
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Pyotr Ilich Tchaikovsky
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Luis Anjos Teixeira
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Old French Song
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Luis Anjos Teixeira
#
SheetMusicPlus
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