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TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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AUTOHARPE
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FORMATION MUSI…
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12
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3
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2
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1
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38
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37
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36
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35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
Saxophone Tenor et Piano
30
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25
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25
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24
Quintette de Saxophone: 5 saxophones
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22
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21
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19
3 Clarinettes (trio)
14
Hautbois
14
Flûte à bec Soprano
13
Hautbois (partie séparée)
13
Saxophone Soprano
11
Saxophone Baryton
11
Flûte, Trombone (duo)
10
2 Clarinettes (duo)
10
2 Flûtes traversières (duo)
10
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9
Quatuor de Clarinettes: 4 clarinettes
9
Flûte à bec Alto
8
Flûte à bec Tenor
8
2 Hautbois (duo)
8
Flute (partie séparée)
5
Cor anglais, Piano
5
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5
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5
Clarinette (partie séparée)
4
Clarinette, Trompette (duo)
4
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3
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3
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3
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2
Clarinette, Guitare (duo)
2
Trio de Flûtes: 3 flûtes
2
Saxophone
2
Flûte, Alto (duo)
2
Hautbois, Clarinette (duo)
2
Flûte, Trompette (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette et Alto
2
Ensemble de saxophones
2
Ensemble de Clarinettes
1
Flûte à bec Alto, Basse continue
1
Quatuor de Flûtes à bec
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois, Basson
1
Hautbois, Basson (duo)
1
Flûte à bec Alto, Piano
1
Flûte irlandaise
1
Quintette de Clarinettes: 5 clarinettes
1
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CUIVRES
Trompette
47
Trombone et Piano
40
Trompette, Piano
39
Trombone
32
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Cor et Piano
26
Tuba et Piano
24
Cor
23
Tuba
21
Trombone (partie séparée)
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Trompette (partie séparée)
14
2 Trompettes (duo)
10
Quatuor de Cuivres
9
2 Trombones (duo)
8
Cor (partie séparée)
8
2 Cors (duo)
7
Cor anglais, Piano
5
Tuba (partie séparée)
5
Quatuor de cuivres: 4 trombones
5
2 Tubas (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette, Trombone (duo)
3
Euphonium
2
Ensemble de Trombones
1
Trompette, Saxophone (duo)
1
Bass Clef Instruments
1
Euphonium, Piano (duo)
1
Ensemble de Tubas
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
58
Violon
45
Violoncelle
41
Violon et Piano
40
Violoncelle, Piano
35
Alto, Piano
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
27
Alto seul
24
Contre Basse
22
Contrebasse, Piano (duo)
22
2 Violons (duo)
20
Violon, Violoncelle (duo)
19
2 Violoncelles (duo)
16
2 Altos (duo)
14
Alto (partie séparée)
12
Trio à Cordes: 2 violons, violoncelle
10
Violon, Alto (duo)
9
Contrebasse (partie séparée)
9
Violon (partie séparée)
9
Harpe
5
Trio à Cordes: violon, alto, violoncelle
4
Violoncelle (partie séparée)
2
4 Violoncelles
1
Violoncelle , Guitare (duo)
1
Alto, Guitare (duo)
1
2 Harpes (duo)
1
Violon, Guitare (duo)
1
2 Violons, Piano
1
2 Contrebasses (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
70
Fanfare
51
Orchestre à Cordes
25
Orchestre
16
Cloches
16
Ensemble Jazz
15
Ensemble de cuivres
10
Ensemble de Percussions
8
Batterie
6
Ensemble d'École
6
Piano et Orchestre
4
Percussion (partie séparée)
4
Batterie (partie séparée)
4
Jazz combo
2
Percussion
2
Instrumentations suivantes
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AUTRES
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Ich Will Easy
Harpe
Partitions à imprimer
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1
It Came Upon the Midnight Clear, Easy Harp Solo
Harpe
Harp - Digital Download SKU: A0.1058371 Composed by Richard Storrs Willis. Arranged…
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Harp - Digital Download SKU: A0.1058371 Composed by Richard Storrs Willis. Arranged by Cindy Blevins. Christmas. Full Performance. Duration 113. Cindy Blevins #3098451. Published by Cindy Blevins (A0.1058371). This mp3 was recorded playing my Blevins harp. The sheet music is Item # S0.232079 here on Sheet Music Plus. This piece is from my harp book Easy Favorites, Seasonal.The Item # for the book is S0.315993.My website: https://www.blevinsmusic.comMy YouTube Channel: https://www.youtube.com/channel/UCuTv5LTRQW-uI_pIxg94IkQ?
$1.99
1.8 €
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Harpe
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Richard Storrs Willis
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Cindy Blevins
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It Came Upon the Midnight Clear, Easy Harp Solo
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Cindy Blevins
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SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)-Easy Harp 5 part only
Harpe
Celtic Harp,Folk Harp,Pedal Harp - Level 1 - Digital Download SKU: A0.1264883 By La…
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Celtic Harp,Folk Harp,Pedal Harp - Level 1 - Digital Download SKU: A0.1264883 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Folk,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #857722. Published by Blue Steer Studios (A0.1264883). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
1.8 €
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Harpe
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn for Harp Ensemble
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Blue Steer Studios
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SheetMusicPlus
Old French Song
Harpe
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
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Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br> The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.52 €
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Harpe
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Pyotr Ilich Tchaikovsky
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Luis Anjos Teixeira
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Old French Song
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Luis Anjos Teixeira
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SheetMusicPlus
It Came Upon the Midnight Clear, - Easy Harp (Lap Harp Friendly), from my book Easy Favorites
Harpe
Composed by Richard Storrs Willis. Arranged by Cindy Blevins. Christmas. Sheet Music Singl…
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Composed by Richard Storrs Willis. Arranged by Cindy Blevins. Christmas. Sheet Music Single. 3 pages. Published by Cindy Blevins (S0.232079). - Sheet Music Single - Christmas - Cindy Blevins
$4.99
4.52 €
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Harpe
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Richard Storrs Willis
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Cindy Blevins
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It Came Upon the Midnight Clear, - Easy Harp
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Cindy Blevins
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SheetMusicPlus
Crazy
Harpe
Harp - Level 3 - Digital Download SKU: A0.928332 By Patsy Cline. By Willie Nelson. …
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Harp - Level 3 - Digital Download SKU: A0.928332 By Patsy Cline. By Willie Nelson. Arranged by Karen Peterson. Country. Score. 3 pages. Karen Peterson #5993773. Published by Karen Peterson (A0.928332). WATCH THE Bb VERSION: You are viewing the arrangement for lap harp, which is in the key of F. To hear the Bb version played on a larger harp, go to https://www.youtube.com/watch?v=s8WfrwixqGkOverview: This Countrypolitan song made famous by Patsy Cline was written by a not-yet-famous Willie Nelson. The attitude of the protagonist has been described as variously bemused, bittersweet, and cathartic. What is it to you, and how can you bring that emotion into your playing?My double-strung arrangement sets accidentals in the LH prior to playing, allowing the song to proceed without lever flips. The optional lever flip at the very end can be easily eliminated, making this song a great opportunity to practice flipping on the right with an easy recovery if you can’t get it in time.Key and range: F major (one flat). 21x2 strings. G below middle C through F. Preset F#, G#, B natural, and C#. (LARGER HARPS: For harps with C below middle C or lower, get the Bb version here: www.sheetmusicplus.com/title/crazy-patsy-cline-for-double-strung-harp-digital-sheet-music/21815694)Lever changes: One optional lever change on the right. Set four accidentals on the left before playing.Good for: Parties, performance.Double-strung effects: Preset accidentals on the left allow for jazzy chords without lever flips. If you’ve been hesitant about moving your LH into the melody area, this is your chance to learn. You can gently move out of your comfort zone by only switching hands for these accidentals, or you can take it a step further with optional echoed notes and an optional RH lever flip.Characteristics: The LH and RH usually play together, but with several held notes and a melody that doesn’t always strike on the downbeat, the hands play separately at least 25% of the time. There are a few instances that call for wider than an octave spread. Most chords are LH 1-5-8, 1-5-7, or 1-3-5-8. The RH has almost no chords. There are very few sixteenth notes. The most complicated placements are in the introduction with one slide and one cross-over.Finger placement: Finger number suggestions are provided for key phrases with bolded L/R for levered accidentals. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff).Notation: Chord symbols are provided; lyrics are included separately. Treble clef used in both staves.Length: 2 pages. 40 measures. 2:30 minutes.Page turns: None if you print.
$5.99
5.43 €
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Harpe
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Patsy Cline
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Karen Peterson
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Crazy
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Karen Peterson
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SheetMusicPlus
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