This song is one of Freddie Mercury's most popular ballads. The melody is tender and deeply moving. And the lyrics really tugs at the heart strings. This arrangement is in the key of F suitable for pedal and lever harps. For lever harp players, this arrangement requires numerous rapid lever changes, but it's certainly doable with practice. Hope you enjoy the piece!

An original composition
In dorian mode. Very much in folk song style
Inspired by animal welfare
Lovely arrangement. Quite easy.
Has impovised section in middle
The original lyrics are:

The Horse of Beckmann?s Mill



Pray, have you seen that chestnut foal o'er there uponthe hill?

The finest foal you've ever seen was born at Beckmann'sMill.

They let her play within her yard, tie ribbons in hermane,

They train her to the grinding stone that crushes up thegrain.

Now many times I've thought about that foal at Beckmann'sMill,

And many times I've wondered how that man can do so ill.

They use you up, they throw you out and turn their backsin scorn.

All because by chance it came to be the place where youwere born.





Pray, have you seen that chestnut filly o'er there besidethe hill?

The finest filly you're ever seen was worked at Beckmann'sMill.

They drive her from the morning sun until it's very late,

They thrash her hard to pull the wheel that's bonded toher fate.

Now many times I've passed her by and oft I've turned myface.

Yet many times I've wondered what if I were in her place.

They take advantage of the young and those without avoice.

And it seems to me that nowhere did she really have achoice.





Pray, have you seen that chestnut mare o'er there underthe hill?

The finest mare you've ever seen has died at Beckmann'sMill.

One day she fell upon her kness, the man he brought hisknife.

The tread mill won the battle, and the miller took herlife.

Now many times I've thought about the mare at Beckman'sMill,

And many times I've wondered how that man can do so ill.

They use you up, they throw you out and train anotherfoal,

Yet every death they cause will leave a stain upon theirsoul.

This book is for a 12 string lever harp range from F4 - C6. Also for 15-47 strings lever/pedal harp. It contains 24 songs. Every song has an easy version with fingering and a full version. Easy version is for beginners. Full version is for advanced players. Please read Corinna's note before you play. 103 pages. 16MB.

Song list:
A charge to keep I have
And can it be that I should gain
Arise, my soul, arise!
Blow ye the trumpet, blow!
Christ the Lord is risen today
Christ, whose glory fills the skies
Come, Holy Ghost
Come, let us anew
Come, let us with our Lord arise
Come, thou long-expected Jesus
Depth of mercy! Can there be
Forth in Thy name, O lord, I go
Hail the day that sees Him rise
Jesus, lover of my soul
Jesus, Thine all victorious love
Life
Lo, He comes with clouds descending
Love divine, All loves excelling
O for a heart to Praise my God
O for a thousand tongues to sing
O love divine, how sweet thou art
Rejoice, the Lord is King!
Thou hidden source of calm repose

Sample of videos are on Youtube channel @ babyharp x corinna. All corinna's 30 mins non stop harp music videos are samples of these hymns.

Spring is such a magic time of the year. There's excitement in the air as flowers start blooming and bright new leaves decorate the bare tree branches. The birds sing their joyous tunes and the forest is once again teeming with life. Everything is awakening to a fresh new start. This melody is inspired by all the beautiful nature in springtime. There are two keys provided: C and Eb. Please choose whichever key sounds the best on your harp.

Eight original compositions for harp, all two pages in length. This edition contains an eighth interlude found in Mrs. Semman's files after her passing. Some people have told us that Number Eight is the loveliest of all. The pieces in this collection are a representation of the various moods and colors of daily experiences, which inserted in the fabric of gifts and challenges, weave together the essence of life itself. 1 in F in ¾. 2 in Bb, 6/8 rhythm. 3 in 4, key of G minor, 4 in ¾, key of Bb, 5 key of G minor, in 4, 6 in G major, mostly single notes with some parallel 3rds. 7 in G minor-ish.