English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
4
Partitions
Numériques
2
Librairie
Musicale
0
Matériel
de Musique
236
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
106
PIANO & CLAVIERS
Piano seul
698
Piano Facile
423
Piano, Voix et Guitare
40
Piano, Voix
31
Instruments en Do
9
Accompagnement Piano
3
1 Piano, 4 mains
1
Orgue, Piano (duo)
1
Orgue
1
Accordéon
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
7
Guitare
7
Paroles et Accords
6
4 Guitares (Quatuor)
4
2 Guitares (duo)
2
3 Guitares (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
23
Chorale 2 parties
6
Chorale 3 parties
6
Chorale TTBB
3
Voix Soprano, Piano
2
Chorale Unison
1
Chorale SSAA
1
Voix Alto, Piano
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
26
Hautbois, Piano (duo)
16
Hautbois (partie séparée)
16
Saxophone Baryton, Piano
14
Saxophone Alto et Piano
14
Saxophone Tenor et Piano
14
Flûte traversière et Piano
14
Flûte traversière
14
Saxophone Soprano et Piano
13
Clarinette et Piano
13
Saxophone Alto
13
Clarinette
13
Saxophone Tenor
13
Quatuor de Saxophones: 4 saxophones
13
Cor Anglais
11
Cor anglais, Piano
8
2 Saxophones (duo)
8
Quintette de Saxophone: 5 saxophones
8
2 Flûtes traversières (duo)
6
2 Clarinettes (duo)
5
2 Hautbois (duo)
4
3 Saxophones (trio)
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Quatuor de Clarinettes: 4 clarinettes
4
Flûte, Hautbois, Clarinette, Basson
4
2 Flûte à bec (duo)
3
Clarinette (partie séparée)
3
Quintette de Flûte : 5 flûtes
2
Quatuor de Flûtes à bec
2
Quatuor de Flûtes : 4 flûtes
2
3 Flûtes à bec (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à Bec
1
Clarinette, Basson (duo)
1
2 Flûtes à bec, Guitare
1
Ensemble de Clarinettes
1
Flûte à bec Soprano
1
3 Clarinettes (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte irlandaise
1
Ensemble de Flûtes
1
Ensemble de saxophones
1
5 Flûtes à bec
1
Flute (partie séparée)
1
Flûte, Clarinette (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette, Piano
15
Cor
14
Cor et Piano
13
Tuba
12
Trombone
12
Trompette
11
Cor Anglais
11
Trombone et Piano
11
Tuba et Piano
10
Cor anglais, Piano
8
Trompette (partie séparée)
6
2 Tubas (duo)
4
2 Cors (duo)
4
2 Trompettes (duo)
4
Trombone (partie séparée)
4
Ensemble de Trompettes
3
2 Trombones (duo)
3
Cor (partie séparée)
2
Quatuor de cuivres: 4 trompettes
2
Quatuor de cuivres: 4 trombones
2
4 Tubas
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres
1
Ensemble de Cors
1
Tuba (partie séparée)
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
21
Violon
21
Quatuor à cordes: 2 violons, alto, violoncelle
18
Alto, Piano
15
Violoncelle
15
Contre Basse
13
Contrebasse, Piano (duo)
13
Violoncelle, Piano
13
Alto (partie séparée)
9
2 Violoncelles (duo)
6
2 Violons (duo)
6
Alto seul
6
2 Altos (duo)
5
Violon, Violoncelle (duo)
4
Trio à Cordes: violon, alto, violoncelle
3
Violon, Alto (duo)
3
Harpe
2
Violon (partie séparée)
2
4 Violoncelles
1
Trio à cordes: 3 violins
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quatuor à cordes : 4 altos
1
Ensemble de Violoncelles
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
Contrebasse (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre
12
Orchestre d'harmonie
9
Ensemble Jazz
4
Orchestre à Cordes
3
Jazz combo
2
Ensemble de Percussions
2
Cloches
2
Percussion (partie séparée)
1
Fanfare
1
Batterie
1
Ensemble de cuivres
1
Orchestre de chambre
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Make It Better
Harpe
Partitions à imprimer
2 partitions trouvées
<
1
Garden Of Magic
Harpe
Lever Harp - Level 3 - Digital Download SKU: A0.1301524 Composed by Edgar Allan Poe…
(+)
Lever Harp - Level 3 - Digital Download SKU: A0.1301524 Composed by Edgar Allan Poe and James Horner. Arranged by Laurie Peterson. Film/TV,Halloween,Holiday. Score. 5 pages. Laurie Peterson #891153. Published by Laurie Peterson (A0.1301524). Great for Halloween! This song from Hocus Pocus (1993) is better known as COME, LITTLE CHILDREN. It's arranged for intermediate lever harp with lots of lever flips mainly on F's and G's. It is also arranged for pedal harp in a separate edition. After I practiced the lever changes a few times, it came together quickly.I also added Chim Chim Cher-ee from Mary Poppins (1964) in the middle because they have similar melodies and harmonies. It matches the eerie feeling of the title song and makes for a fun arrangement! The 30 second audio excerpt is taken from the end of Come, Little Children to the beginning of Chim Chim Cher-ee so you can hear the transition.
$5.99
5.48 €
#
Harpe
#
Edgar Allan Poe and James Horner
#
Laurie Peterson
#
Garden Of Magic
#
Laurie Peterson
#
SheetMusicPlus
Old French Song
Harpe
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
(+)
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br> The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.56 €
#
Harpe
#
Pyotr Ilich Tchaikovsky
#
Luis Anjos Teixeira
#
Old French Song
#
Luis Anjos Teixeira
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale