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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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AFRICAIN
AMERICANA
ASIE
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
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COUNTRY
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Non classifié
439
PIANO & CLAVIERS
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892
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24
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17
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14
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4
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4
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2
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1
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GUITARES
Guitare
104
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42
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11
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8
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3
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2
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2
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1
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1
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1
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1
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1
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Voix seule
448
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73
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17
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11
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8
Pack Instrumental pour Chorale
5
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4
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4
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3
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2
Voix haute
2
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1
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1
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1
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VENTS
Clarinette
122
Flûte traversière
106
Quatuor de Saxophones: 4 saxophones
83
Hautbois
67
2 Saxophones (duo)
47
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42
2 Flûtes traversières (duo)
39
3 Saxophones (trio)
37
Flûte, Hautbois, Clarinette, Basson
35
Quintette de Saxophone: 5 saxophones
34
Flûte traversière et Piano
34
Clarinette et Piano
32
Saxophone Alto
25
Quatuor de Clarinettes: 4 clarinettes
23
Saxophone Tenor
23
Hautbois, Piano (duo)
22
2 Clarinettes (duo)
21
Saxophone (partie séparée)
19
Saxophone Alto et Piano
18
Hautbois (partie séparée)
17
Flûte à Bec
16
Saxophone Tenor et Piano
16
Quintette de Clarinettes: 5 clarinettes
15
Saxophone Baryton, Piano
14
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14
Ensemble de saxophones
13
Quatuor de Flûtes : 4 flûtes
12
2 Flûte à bec (duo)
12
2 Hautbois (duo)
12
Hautbois, Clarinette, Basson (trio d'anches)
10
Saxophone
9
Flûte à bec Soprano
9
Flûte à bec Alto
9
Saxophone Soprano
9
Flûte, Hautbois, Clarinette (trio)
8
Flûte, Clarinette (duo)
8
Saxophone Baryton
8
Hautbois, Clarinette (duo)
8
Quintette de Flûte : 5 flûtes
7
Hautbois, Flûte
6
Flûte et Guitare
6
Cor anglais, Piano
6
Ensemble de Clarinettes
6
Trio de Flûtes: 3 flûtes
6
Ensemble de Flûtes
6
Saxophone, Clarinette (duo)
5
3 Clarinettes (trio)
5
Flûte, Hautbois, Basson
4
Flûte, Hautbois, Piano (trio)
4
Cor Anglais
4
Flute (partie séparée)
4
Clarinette (partie séparée)
3
Quatuor de Flûtes à bec
3
Hautbois, Basson (duo)
3
Clarinette Basse, Piano
3
Flûte, Saxophone (duo)
2
Flûte irlandaise
2
Clarinette, Trompette (duo)
2
Ocarina
2
Flûte à bec Alto, Piano
2
Flûte, Trompette (duo)
2
Clarinette, Basson (duo)
2
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Alto (duo)
1
Clarinette et Alto
1
Saxophone et Orgue
1
Instruments en Mib
1
Harmonica
1
Ensemble De Flûte à bec
1
3 Flûtes à bec (trio)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
69
Trompette
43
Quatuor de Cuivres : 2 trompettes, trombone, tuba
34
Trompette, Piano
30
Trombone et Piano
23
Trombone
22
Cor
22
Ensemble de Trompettes
18
Cor et Piano
18
2 Trombones (duo)
16
Tuba et Piano
16
Tuba
15
2 Trompettes (duo)
15
Quatuor de Cuivres
12
2 Cors (duo)
12
Trombone (partie séparée)
11
Trompette (partie séparée)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trompette, Trombone (duo)
8
Quatuor de cuivres: 4 cors
8
Euphonium, Piano (duo)
7
Quatuor de cuivres: 4 trombones
7
Cor anglais, Piano
6
Euphonium
5
Trombone basse
5
3 Trombones (trio)
4
Quatuor de cuivres: 4 trompettes
4
Cor Anglais
4
Trombone basse et Piano
4
Trombone, Cor (duo)
4
3 Tubas (trio)
4
Trio de Cuivres
4
Trompette, Saxophone (duo)
4
Ensemble de Trombones
4
4 Tubas
3
Trompette, Cor (duo)
2
Ensemble de Cors
2
Cor (partie séparée)
2
Bass Clef Instruments
2
Ensemble de Tubas
1
Instruments en Sib
1
2 Tubas (duo)
1
Tuba (partie séparée)
1
Instrumentations suivantes
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CORDES
Violoncelle
41
Violoncelle, Piano
41
Alto seul
28
Alto, Piano
26
2 Violoncelles (duo)
19
Harpe
13
2 Altos (duo)
12
Contre Basse
11
Alto, Violoncelle (duo)
9
Contrebasse, Piano (duo)
7
Trio à Cordes: 3 violoncelles
6
4 Violoncelles
6
Quatuor à cordes : 4 altos
5
Alto (partie séparée)
3
Harpe, Voix
1
4 Contrebasses
1
Ensemble d'Altos
1
2 Violoncelles, Piano
1
Ensemble de Violoncelles
1
Contrebasse (partie séparée)
1
Trio à cordes: 3 altos
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
49
Fanfare
33
Ensemble Jazz
27
Orchestre
26
Ensemble de cuivres
25
Orchestre à Cordes
22
Ensemble de Percussions
7
Orchestre de chambre
6
Marimba
6
Jazz combo
3
Batterie
2
Xylophone, Piano
2
Percussion (partie séparée)
2
Cloches
1
Timbales (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
Batterie (partie séparée)
1
Percussion
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
No Time to Die - Violin
Harpe
Partitions à imprimer
13 partitions trouvées
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1
The Medieval Castle: A Composition for Small or Beginner Harp
Harpe
Lever Harp - Level 1 - Digital Download SKU: A0.1468124 Composed by Rachael Acheson…
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Lever Harp - Level 1 - Digital Download SKU: A0.1468124 Composed by Rachael Acheson. Celtic,Irish,Medieval,New Age,Renaissance,Video Game. Score. 3 pages. TheHarpLibrarian #1046434. Published by TheHarpLibrarian (A0.1468124). This is an original composition for small or beginner harp. I wrote it on a 26-string lap harp, but the range (from the C below middle C to the C above middle C) would fit a harp as small as 22 strings. It is written in A minor, with no sharps, flats, or other lever changes. As such, this piece should be playable on pretty much any standard small or lap harp, regardless of whether it has levers.Suggested harp models include Harpsicle Harps, Dusty Strings Ravenna 26, Musicmakers Sonnet 29, Fireside Harps, Marini Made lap harp models, Roosebeck Pakistani harps, Heartland Harps Air Serenity, Harp-E harps, and so on.The piece was composed to cheer up a fellow harpist who is still at the beginning of their harp journey. It is meant to invoke a medieval castle, and, as such, could be the perfect piece to take to a renaissance fair, an outdoor wedding, a larp-ing event, or perhaps on vacation with you, if you plan on touring any old castles with your small/lap harp in tow and trying out the acoustics.The song is appropriate for beginner harpists. You may need to practice replacing in a few places to avoid buzzing. But the piece only ever requires you to place in one direction at a time and minimizes the amount of time both hands play simultaneously. You can play it slower than I do in the recording, if you choose, and it should still sound nice.Please note that the preview cuts off after the first few measures of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.
$5.99
5.48 €
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Harpe
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Rachael Acheson
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The Medieval Castle: A Composition for Small or Beginner Harp
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TheHarpLibrarian
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SheetMusicPlus
The Horse of Beckmann's Mill for solo harp - no levers required
Harpe
Composed by Kim Kirkman. Arranged by Kim Kirkman. 21st Century, World, Folk, Recital. …
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Composed by Kim Kirkman. Arranged by Kim Kirkman. 21st Century, World, Folk, Recital. Score. 3 pages. Published by Kim Kirkman
An original composition<br> In dorian mode. Very much in folk song style<br> Inspired by animal welfare<br> Lovely arrangement. Quite easy.<br> Has impovised section in middle<br> The original lyrics are:<br> <br> The Horse of Beckmann’s Mill<br> <br> <br> <br> Pray, have you seen that chestnut foal o'er there uponthe hill?<br> <br> The finest foal you've ever seen was born at Beckmann'sMill.<br> <br> They let her play within her yard, tie ribbons in hermane,<br> <br> They train her to the grinding stone that crushes up thegrain.<br> <br> Now many times I've thought about that foal at Beckmann'sMill,<br> <br> And many times I've wondered how that man can do so ill.<br> <br> They use you up, they throw you out and turn their backsin scorn.<br> <br> All because by chance it came to be the place where youwere born.<br> <br> <br> <br> <br> <br> Pray, have you seen that chestnut filly o'er there besidethe hill?<br> <br> The finest filly you're ever seen was worked at Beckmann'sMill.<br> <br> They drive her from the morning sun until it's very late,<br> <br> They thrash her hard to pull the wheel that's bonded toher fate.<br> <br> Now many times I've passed her by and oft I've turned myface.<br> <br> Yet many times I've wondered what if I were in her place.<br> <br> They take advantage of the young and those without avoice.<br> <br> And it seems to me that nowhere did she really have achoice.<br> <br> <br> <br> <br> <br> Pray, have you seen that chestnut mare o'er there underthe hill?<br> <br> The finest mare you've ever seen has died at Beckmann'sMill.<br> <br> One day she fell upon her kness, the man he brought hisknife.<br> <br> The tread mill won the battle, and the miller took herlife.<br> <br> Now many times I've thought about the mare at Beckman'sMill,<br> <br> And many times I've wondered how that man can do so ill.<br> <br> They use you up, they throw you out and train anotherfoal,<br> <br> Yet every death they cause will leave a stain upon theirsoul.An original composition<br> In dorian mode. Very much in folk song style<br> Inspired by animal welfare<br> Lovely arrangement. Quite easy.<br> Has impovised section in middle<br> The original lyrics are:<br> <br> The Horse of Beckmann’s Mill<br> <br> <br> <br> Pray, have you seen that chestnut foal o'er there uponthe hill?<br> <br> The finest foal you've ever seen was born at Beckmann'sMill.<br> <br> They let her play within her yard, tie ribbons in hermane,<br> <br> They train her to the grinding stone that crushes up thegrain.<br> <br> Now many times I've thought about that foal at Beckmann'sMill,<br> <br> And many times I've wondered how that man can do so ill.<br> <br> They use you up, they throw you out and turn their backsin scorn.<br> <br> All because by chance it came to be the place where youwere born.<br> <br> <br> <br> <br> <br> Pray, have you seen that chestnut filly o'er there besidethe hill?<br> <br> The finest filly you're ever seen was worked at Beckmann'sMill.<br> <br> They drive her from the morning sun until it's very late,<br> <br> They thrash her hard to pull the wheel that's bonded toher fate.<br> <br> Now many times I've passed her by and oft I've turned myface.<br> <br> Yet many times I've wondered what if I were in her place.<br> <br> They take advantage of the young and those without avoice.<br> <br> And it seems to me that nowhere did she really have achoice.<br> <br> <br> <br> <br> <br> Pray, have you seen that chestnut mare o'er there underthe hill?<br> <br> The finest mare you've ever seen has died at Beckmann'sMill.<br> <br> One day she fell upon her kness, the man he brought hisknife.<br> <br> The tread mill won the battle, and the miller took herlife.<br> <br> Now many times I've thought about the mare at Beckman'sMill,<br> <br> And many times I've wondered how that man can do so ill.<br> <br> They use you up, they throw you out and train anotherfoal,<br> <br> Yet every death they cause will leave a stain upon theirsoul.
$1.99
1.82 €
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Harpe
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Kim Kirkman
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Kim Kirkman
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The Horse of Beckmann's Mill for solo harp - no levers required
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Kim Kirkman
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SheetMusicPlus
Whimsical Witches' Waltz: A Composition for Small or Beginner Harp
Harpe
Lever Harp - Level 2 - Digital Download SKU: A0.1380924 Composed by Rachael Acheson…
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Lever Harp - Level 2 - Digital Download SKU: A0.1380924 Composed by Rachael Acheson. Classical,Film/TV,Halloween,Medieval,Spiritual. Score. 3 pages. TheHarpLibrarian #965699. Published by TheHarpLibrarian (A0.1380924). This is my first original composition for small solo harp. I like to think it gives spooky filmscore / Wednesday Addams vibes, with a neoclassical air, while still remaining very accessible to a less-experienced musician with a small, simple, or budget instrument.It is in the key of A minor (i.e. no sharps or flats) with no lever changes. It should also already fit the range of most common small harp models, including Harpsicle harps (even if your model has no levers!), Roosebeck Pakistani harps (it goes no lower than the F below middle C), Harp-E harps (it goes no higher than your high E), Dusty Strings Ravenna, Musicmakers Sonnet Lap Harp, and others. It can also, obviously, be played on any and all larger harp models.Played at full-speed, some of the turn-arounds in the right-hand, as well as the octave jump in the middle, can prove tricky (as you can see from my own playing in the video!). But played under tempo and more expressively, it could be accessible even to beginner/early-intermediate harpists, so long as you are learning to replace fingers and change directions.Please note that the preview cuts off after the first half-page of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.Also note: If the preview shows a 4/4 timing, this is a software rendering error. I have already uploaded a new pdf with the correct preview, in 3/4 waltz time. But know, in the meantime, that the actual, full score itself is, and has always been, rendered correctly in 3/4 timing.
$5.99
5.48 €
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Harpe
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Rachael Acheson
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Whimsical Witches' Waltz: A Composition for Small or Beginner Harp
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TheHarpLibrarian
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SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)- Full Ensemble performance
Harpe
Celtic Harp,Folk Harp,Pedal Harp - Level 4 - Digital Download SKU: A0.1264873 By La…
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Celtic Harp,Folk Harp,Pedal Harp - Level 4 - Digital Download SKU: A0.1264873 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full Performance. Duration 277. Blue Steer Studios #857711. Published by Blue Steer Studios (A0.1264873). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
1.82 €
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Harpe
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn for Harp Ensemble
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Blue Steer Studios
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SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)-Harp 2 part
Harpe
Harp - Level 3 - Digital Download SKU: A0.1026509 By Laura Olson. By Laura Olson. A…
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Harp - Level 3 - Digital Download SKU: A0.1026509 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 8 pages. Blue Steer Studios #6206579. Published by Blue Steer Studios (A0.1026509). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players. Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies. A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it. About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************Â
$3.99
3.65 €
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Harpe
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn for Harp Ensemble
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Blue Steer Studios
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SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)-Harp 3 part
Harpe
Harp - Level 3 - Digital Download SKU: A0.1026507 By Laura Olson. By Laura Olson. A…
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Harp - Level 3 - Digital Download SKU: A0.1026507 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #6206583. Published by Blue Steer Studios (A0.1026507). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players. Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies. A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it. About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************Â
$3.99
3.65 €
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Harpe
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Laura Olson
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Laura Olson
#
Black Hounds of Cŵn Annwn for Harp Ensemble
#
Blue Steer Studios
#
SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)-Harp 3 part only
Harpe
Celtic Harp,Folk Harp,Pedal Harp - Level 4 - Digital Download SKU: A0.1264880 By La…
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Celtic Harp,Folk Harp,Pedal Harp - Level 4 - Digital Download SKU: A0.1264880 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Folk,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #857718. Published by Blue Steer Studios (A0.1264880). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
1.82 €
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Harpe
#
Laura Olson
#
Laura Olson
#
Black Hounds of Cŵn Annwn for Harp Ensemble
#
Blue Steer Studios
#
SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)-Easy Harp 5 part only
Harpe
Celtic Harp,Folk Harp,Pedal Harp - Level 1 - Digital Download SKU: A0.1264883 By La…
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Celtic Harp,Folk Harp,Pedal Harp - Level 1 - Digital Download SKU: A0.1264883 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Folk,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #857722. Published by Blue Steer Studios (A0.1264883). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
1.82 €
#
Harpe
#
Laura Olson
#
Laura Olson
#
Black Hounds of Cŵn Annwn for Harp Ensemble
#
Blue Steer Studios
#
SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)- Full Ensemble performance
Harpe
Harp - Level 4 - Digital Download SKU: A0.1267054 By Laura Olson. By Laura Olson. A…
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Harp - Level 4 - Digital Download SKU: A0.1267054 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full Performance. Duration 279. Blue Steer Studios #859689. Published by Blue Steer Studios (A0.1267054). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
1.82 €
#
Harpe
#
Laura Olson
#
Laura Olson
#
Black Hounds of Cŵn Annwn for Harp Ensemble
#
Blue Steer Studios
#
SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)-Harp 1 part
Harpe
Harp - Level 4 - Digital Download SKU: A0.1026506 By Laura Olson. By Laura Olson. A…
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Harp - Level 4 - Digital Download SKU: A0.1026506 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #6206575. Published by Blue Steer Studios (A0.1026506). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players. Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies. A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it. About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************Â
$3.99
3.65 €
#
Harpe
#
Laura Olson
#
Laura Olson
#
Black Hounds of Cŵn Annwn for Harp Ensemble
#
Blue Steer Studios
#
SheetMusicPlus
Dhá le Duine--harp solo
Harpe
Lever Harp - Level 3 - Digital Download SKU: A0.1465283 By Beka Wilson. By Beka Wil…
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Lever Harp - Level 3 - Digital Download SKU: A0.1465283 By Beka Wilson. By Beka Wilson. Arranged by Beka Wilson. Celtic,Contemporary,Irish,Medieval. Score. 3 pages. Beka Wilson #1043982. Published by Beka Wilson (A0.1465283). I had a burr under my saddle to write a Celtic-sounding wedding song using the familiar fourth interval we hear at the beginning of Here Comes the Bride. Of course, playing with this in Dorian produced a lovely, rich melody and harmony, but further experimentation led me to a lighter-toned version of that same melody in Mixolydian. Thus, the idea of separating the song into Groom and Bride sections was born. Each section is ABA format, with the same A part in the respective modes, but their B part differs slightly. The third section (the Couple) utilizes the Groom's A part and the Bride's B part, symbolizing how a man and woman unite their lives as part of their wedding vows. Level: intermediate (12/8 time signature, no lever/pedal changes)Length: approximately 3 to 3.5 minutes, depending on tempo
$7.99
7.3 €
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Harpe
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Beka Wilson
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Beka Wilson
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Dhá le Duine--harp solo
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Beka Wilson
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SheetMusicPlus
Folk Harp for the Young Beginner
Harpe
Composed by Laurie Star Edwards. Harp: Folk and Pedal. Young Beginner. Classical. E- …
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Composed by Laurie Star Edwards. Harp: Folk and Pedal. Young Beginner. Classical. E- book and online audio. Mel Bay Publications - Digital Sheet Music #30616MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118331.<br> <br> Folk Harp for the Young Beginner is designed for beginning harpists with no prior musical experience. The book presents two new methods for reading notation built around recognizing common musical patterns over traditional single note reading. Each group of songs has fun, engaging exercises that will build the studentas coordination and confidence. The material draws from timeless melodies from classical, Renaissance, Celtic, English, old-time and traditional folk repertoire.Topics covered in this method include: aC/ How to tune the harp aC/ Reading music notation and counting rhythm, including two methods for reading ledger lines aC/ Recognizing basic fingering and bass patterns aC/ Changing keys with sharping levers aC/ Using brackets to help see note patterns aC/ Chord inversions Additional resources include rhythm practice and workout pages to test your musical knowledge. Helpful reference photos can also be found inside. Includes access to online audio.ISBN 9781619118331.<br> <br> Folk Harp for the Young Beginner is designed for beginning harpists with no prior musical experience. The book presents two new methods for reading notation built around recognizing common musical patterns over traditional single note reading. Each group of songs has fun, engaging exercises that will build the studentas coordination and confidence. The material draws from timeless melodies from classical, Renaissance, Celtic, English, old-time and traditional folk repertoire.Topics covered in this method include: aC/ How to tune the harp aC/ Reading music notation and counting rhythm, including two methods for reading ledger lines aC/ Recognizing basic fingering and bass patterns aC/ Changing keys with sharping levers aC/ Using brackets to help see note patterns aC/ Chord inversions Additional resources include rhythm practice and workout pages to test your musical knowledge. Helpful reference photos can also be found inside. Includes access to online audio.
$17.99
16.45 €
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Harpe
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Laurie Star Edwards
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Folk Harp for the Young Beginner
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Don't Stop Believin' (Journey) for Double-strung Harp
Harpe
By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Publis…
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By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson
Your audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believinYour audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin
$6.99
6.39 €
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Harpe
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Journey
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Karen Peterson
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Don't Stop Believin'
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SheetMusicPlus
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