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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
October - Full Score
Sheetmusicplus
Non classifié
136
Piano & claviers
Piano seul
383
Piano, Voix et Guitare
33
Piano Facile
29
Orgue
26
Piano, Voix
24
Accordéon
12
2 Pianos, 4 mains
2
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Instruments en Do
1
Orgue, Trompette (duo)
1
+ 10 instrumentations
Retracter
Guitares
2 Guitares (duo)
5
Guitare
3
Ukulele
2
Mandoline
1
Guitare notes et tablatures
1
Voix
Chorale SATB
7
Chorale 3 parties
2
Chorale Unison
1
Chorale SSAA
1
Voix Baryton, Piano
1
Chorale 2 parties
1
+ 1 instrumentations
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Vents
Flûte, Violon, Piano
30
Flûte traversière et Piano
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Quatuor de Clarinettes: 4 clarinettes
8
Saxophone Alto et Piano
7
Hautbois, Piano (duo)
6
2 Flûtes traversières (duo)
5
Clarinette et Piano
5
Ensemble de Clarinettes
4
Flûte et Guitare
4
Quatuor de Saxophones: 4 saxophones
4
Saxophone Soprano et Piano
4
Flûte, Hautbois, Clarinette, Basson
4
Hautbois, Guitare (duo)
3
Clarinette
3
2 Flûte à bec (duo)
3
Saxophone Tenor et Piano
2
Quatuor de Flûtes : 4 flûtes
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Clarinette (duo)
2
Clarinette, Guitare (duo)
2
Cor anglais, Piano
2
Quintette de Saxophone: 5 saxophones
2
Ensemble de saxophones
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois (partie séparée)
1
Clarinette Basse, Piano
1
Flûte, Basson et Piano
1
Flûte, Violoncelle
1
Flûte, Alto et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone Tenor
1
Flûte traversière
1
Ensemble De Flûte à bec
1
Flûte et Trio à cordes
1
2 Saxophones (duo)
1
Clarinette, Basson (duo)
1
Flûte, alto et harpe
1
+ 33 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette, Piano
8
2 Euphoniums et 2 Tubas
7
Trombone et Piano
7
Trompette (partie séparée)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor et Piano
2
Cor anglais, Piano
2
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 4 trombones
1
Tuba et Orgue
1
2 Trompettes (duo)
1
Euphonium, Piano (duo)
1
2 Trombones (duo)
1
+ 10 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
32
Violon et Piano
13
Violoncelle, Piano
12
Alto, Piano
5
2 Violoncelles (duo)
5
Violon, Guitare (duo)
4
Violoncelle , Guitare (duo)
4
Trio à Cordes: violon, alto, violoncelle
3
Harpe
2
Violon (partie séparée)
2
2 Violons (duo)
2
2 Altos (duo)
2
Alto, Guitare (duo)
2
4 Violoncelles
1
Violon, Alto (duo)
1
3 Harpes
1
Contre Basse
1
Harpe, Violoncelle (duo)
1
Violon, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Piano Trio: Violon, Alto, Piano
1
Alto (partie séparée)
1
Violon
1
Violoncelle
1
Contrebasse, Piano (duo)
1
Alto, Violoncelle (duo)
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
48
Orchestre d'harmonie
30
Orchestre de chambre
22
Ensemble de cuivres
17
Ensemble Jazz
5
Ensemble de Percussions
3
Orchestre
2
Jazz combo
2
Fanfare
1
Piano et Orchestre
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
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TROMPETTE
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Vous avez sélectionné:
October - Full Score
SheetMusicPlus
Partitions à imprimer
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Remembering Home
Harpe
Harp - Level 3 - Digital Download SKU: A0.797374 Composed by William Mahan. 20th Ce…
(+)
Harp - Level 3 - Digital Download SKU: A0.797374 Composed by William Mahan. 20th Century,Folk. Score. 28 pages. Afghan Press Music for the Harp #4830551. Published by Afghan Press Music for the Harp (A0.797374). Beautiful melodies reminiscent of good times and childhood memories.Contents: Remembering Home, Holiday, October Waltz, Moon Shadows, Indian Summer, Country Church, Dandelions Dancing, Moonlight Remembered, Going Home from Dvorak's New World Symphony
$16.00
14.75 €
#
Harpe
#
William Mahan
#
Remembering Home
#
Afghan Press Music for the Harp
#
SheetMusicPlus
Old French Song
Harpe
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
(+)
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br> The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.6 €
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Harpe
#
Pyotr Ilich Tchaikovsky
#
Luis Anjos Teixeira
#
Old French Song
#
Luis Anjos Teixeira
#
SheetMusicPlus
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