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57
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27
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27
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26
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25
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7
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7
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6
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5
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3
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2
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2
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2
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1
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46
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37
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35
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30
2 Saxophones (duo)
30
Saxophone Tenor et Piano
29
Quintette de Saxophone: 5 saxophones
27
Clarinette
26
Flûte traversière
26
Ensemble De Flûte à bec
26
Saxophone Alto
21
Saxophone Soprano et Piano
20
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19
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17
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17
2 Flûtes traversières (duo)
16
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15
2 Clarinettes (duo)
15
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13
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13
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12
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10
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9
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9
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8
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7
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7
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7
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6
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6
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6
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6
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5
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5
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4
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4
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4
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4
Harmonica
4
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4
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4
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4
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3
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
Flûte à bec Alto, Basse continue
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
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1
Cor anglais et Harpe (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
82
Trombone et Piano
45
Trompette
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trompette, Piano
30
Cor et Piano
27
Trombone
20
Quatuor de cuivres: 4 trombones
16
Cor
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Euphonium, Piano (duo)
15
Tuba
14
Tuba et Piano
11
Cor anglais, Piano
10
2 Trompettes (duo)
9
Trompette, Trombone (duo)
8
Trompette (partie séparée)
7
Quatuor de Cuivres
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Trombone (partie séparée)
6
2 Trombones (duo)
5
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4
Bass Clef Instruments
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4
Cor (partie séparée)
3
Tuba (partie séparée)
3
2 Cors (duo)
3
Ensemble de Trompettes
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Trombone, Tuba (duo)
2
Quatuor de cuivres: 4 trompettes
2
Instruments en Fa
2
Instruments en Sib
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Cor et Basson (duo)
1
Ensemble de Tubas
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Cor, Tuba (duo)
1
Cor, Violoncelle (duo)
1
Trompette, Violoncelle (duo)
1
Cor anglais, Guitare (duo)
1
Euphonium
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 cors
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone basse et Piano
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Trompette, Trombone, Piano
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Cor anglais et Harpe (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
189
Violon et Piano
98
Violon, Violoncelle (duo)
56
Violoncelle, Piano
55
Violon
52
Trio à Cordes: violon, alto, violoncelle
47
Alto, Piano
44
Harpe
25
Violoncelle
25
2 Violons (duo)
22
Trio à Cordes: 2 violons, violoncelle
21
Alto seul
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
2 Violoncelles (duo)
11
Contrebasse, Piano (duo)
10
Violon (partie séparée)
8
Violon, Alto (duo)
8
Alto (partie séparée)
8
2 Altos (duo)
8
Contre Basse
5
Alto, Violoncelle (duo)
4
Contrebasse (partie séparée)
3
Harpe, Flûte (duo)
3
Harpe, Voix
3
Violoncelle, Contrebasse (duo)
3
Trio à cordes: 3 altos
2
4 Violoncelles
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 violins
2
2 Harpes (duo)
2
Ensemble de Violons
1
Alto et Basson
1
Alto et Harpe
1
Violon, Basson (duo)
1
Violoncelle, Orgue
1
2 Contrebasses (duo)
1
Violon, Orgue
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
4 Harpes
1
Ensemble de Violoncelles
1
Ensemble d'Altos
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
360
Orchestre à Cordes
104
Orchestre
97
Ensemble de cuivres
43
Orchestre de chambre
37
Cloches
23
Ensemble Jazz
14
Ensemble de Percussions
12
Fanfare
10
Batterie
8
Jazz combo
8
Marimba
7
Percussion (partie séparée)
5
Percussion
2
Vibraphone
2
2 Marimbas
1
Xylophone, Piano
1
Xylophone
1
Orchestre, Violon
1
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AUTRES
Vous avez sélectionné:
Old Ned
Harpe
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1
Old French Song
Harpe
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
(+)
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br> The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.56 €
#
Harpe
#
Pyotr Ilich Tchaikovsky
#
Luis Anjos Teixeira
#
Old French Song
#
Luis Anjos Teixeira
#
SheetMusicPlus
Old Gospel Hymns & Spirituals
Harpe
Harp - Intermediate - Digital Download Arranged by Louise Trotter. Christian, Spiritu…
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Harp - Intermediate - Digital Download Arranged by Louise Trotter. Christian, Spiritual, General Worship, Folk. 21 pages. Published by Afghan Press Music for the Harp
This is a unique book, because the arrangements are distinctly gospel and are delightfully accurate in their feel. Lyrics are included, as well as personal notes from the arranger.Please note that there are two versions of Amazing Grace; gospel version and a modern pedal harp version with embellished chords. Lever harps need to be tuned in Eb, C or F. Lever changes are indicated by diamond shapes placed exactly where the left hand needs to change the lever. Pedal changes are placed below the staff. Vertical brackets are indicated where all fingers are played at once, rather than rolled as most harp chords are played. Harmonics are marked where they are played, not where they sound.<br> Contains: Down by the Riverside, Just a Closer Walk with Thee, Shall we Gather by the River, Lord I want to be Christian, Little Church in the Wildwood, Amazing Grace. Please note that there are two versions of Amazing Grace; gospel version and a modern pedal harp version with embellished chords.This is a unique book, because the arrangements are distinctly gospel and are delightfully accurate in their feel. Lyrics are included, as well as personal notes from the arranger.Please note that there are two versions of Amazing Grace; gospel version and a modern pedal harp version with embellished chords. Lever harps need to be tuned in Eb, C or F. Lever changes are indicated by diamond shapes placed exactly where the left hand needs to change the lever. Pedal changes are placed below the staff. Vertical brackets are indicated where all fingers are played at once, rather than rolled as most harp chords are played. Harmonics are marked where they are played, not where they sound.<br> Contains: Down by the Riverside, Just a Closer Walk with Thee, Shall we Gather by the River, Lord I want to be Christian, Little Church in the Wildwood, Amazing Grace. Please note that there are two versions of Amazing Grace; gospel version and a modern pedal harp version with embellished chords.
$12.00
10.98 €
#
Harpe
#
Louise Trotter
#
Old Gospel Hymns & Spirituals
#
Afghan Press Music for the Harp
#
SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)- Full Ensemble performance
Harpe
Celtic Harp,Folk Harp,Pedal Harp - Level 4 - Digital Download SKU: A0.1264873 By La…
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Celtic Harp,Folk Harp,Pedal Harp - Level 4 - Digital Download SKU: A0.1264873 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full Performance. Duration 277. Blue Steer Studios #857711. Published by Blue Steer Studios (A0.1264873). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
1.82 €
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Harpe
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn for Harp Ensemble
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Blue Steer Studios
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SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)-Harp 2 part
Harpe
Harp - Level 3 - Digital Download SKU: A0.1026509 By Laura Olson. By Laura Olson. A…
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Harp - Level 3 - Digital Download SKU: A0.1026509 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 8 pages. Blue Steer Studios #6206579. Published by Blue Steer Studios (A0.1026509). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players. Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies. A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it. About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************Â
$3.99
3.65 €
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Harpe
#
Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn for Harp Ensemble
#
Blue Steer Studios
#
SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)-Harp 3 part
Harpe
Harp - Level 3 - Digital Download SKU: A0.1026507 By Laura Olson. By Laura Olson. A…
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Harp - Level 3 - Digital Download SKU: A0.1026507 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #6206583. Published by Blue Steer Studios (A0.1026507). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players. Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies. A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it. About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************Â
$3.99
3.65 €
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Harpe
#
Laura Olson
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Laura Olson
#
Black Hounds of Cŵn Annwn for Harp Ensemble
#
Blue Steer Studios
#
SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)-Harp 3 part only
Harpe
Celtic Harp,Folk Harp,Pedal Harp - Level 4 - Digital Download SKU: A0.1264880 By La…
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Celtic Harp,Folk Harp,Pedal Harp - Level 4 - Digital Download SKU: A0.1264880 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Folk,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #857718. Published by Blue Steer Studios (A0.1264880). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
1.82 €
#
Harpe
#
Laura Olson
#
Laura Olson
#
Black Hounds of Cŵn Annwn for Harp Ensemble
#
Blue Steer Studios
#
SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)-Easy Harp 5 part only
Harpe
Celtic Harp,Folk Harp,Pedal Harp - Level 1 - Digital Download SKU: A0.1264883 By La…
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Celtic Harp,Folk Harp,Pedal Harp - Level 1 - Digital Download SKU: A0.1264883 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Folk,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #857722. Published by Blue Steer Studios (A0.1264883). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
1.82 €
#
Harpe
#
Laura Olson
#
Laura Olson
#
Black Hounds of Cŵn Annwn for Harp Ensemble
#
Blue Steer Studios
#
SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)- Full Ensemble performance
Harpe
Harp - Level 4 - Digital Download SKU: A0.1267054 By Laura Olson. By Laura Olson. A…
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Harp - Level 4 - Digital Download SKU: A0.1267054 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full Performance. Duration 279. Blue Steer Studios #859689. Published by Blue Steer Studios (A0.1267054). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
1.82 €
#
Harpe
#
Laura Olson
#
Laura Olson
#
Black Hounds of Cŵn Annwn for Harp Ensemble
#
Blue Steer Studios
#
SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)-Harp 1 part
Harpe
Harp - Level 4 - Digital Download SKU: A0.1026506 By Laura Olson. By Laura Olson. A…
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Harp - Level 4 - Digital Download SKU: A0.1026506 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #6206575. Published by Blue Steer Studios (A0.1026506). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players. Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies. A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it. About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************Â
$3.99
3.65 €
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Harpe
#
Laura Olson
#
Laura Olson
#
Black Hounds of Cŵn Annwn for Harp Ensemble
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Blue Steer Studios
#
SheetMusicPlus
Christ Was Born on Christmas Day
Harpe
Harp - Level 3 - Digital Download SKU: A0.827940 Composed by Anonymous German. Arra…
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Harp - Level 3 - Digital Download SKU: A0.827940 Composed by Anonymous German. Arranged by Sharon Hanjian Rondeau. Christmas,Classical,World. Score. 2 pages. Sharon Hanjian Rondeau #3663271. Published by Sharon Hanjian Rondeau (A0.827940). Pedal harp arrangement of a festive German Carol. Song is contained in my larger work of arrangements from The Cowley Carol Book, also sold at SMP. https://www.sheetmusicplus.com/title/something-old-something-new-for-christmas-digital-sheet-music/2.... Watch: https://www.youtube.com/watch?v=ItpD5ve9DHA
$3.99
3.65 €
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Harpe
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Anonymous German
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Sharon Hanjian Rondeau
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Christ Was Born on Christmas Day
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Sharon Hanjian Rondeau
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SheetMusicPlus
Four Folksong Ensembles
Harpe
Harp - Level 3 - Digital Download SKU: A0.797444 Arranged by Mary Muckle. Classical…
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Harp - Level 3 - Digital Download SKU: A0.797444 Arranged by Mary Muckle. Classical,Folk. Score. 25 pages. Afghan Press Music for the Harp #4848271. Published by Afghan Press Music for the Harp (A0.797444). Four exquisite ensembles. Three are for duo, one is a trio. This wonderful and diverse collection has interesting parts for all players. BRANSLE: Claude Gervaise, ( 1535-1565) was an important figure in the French secular music of his time. The Bransle is a 16th century French dance performed by couples in either a line or a circle.EN ROULANT MA BOULE: The voyageurs and coureurs- de- bois traversed by canoe the rivers and lakes of New France in search of furs for the European market. They sang continuously to the rhythm of their paddles, usually old ballads they had learned in France. The very popular En roulant ma boule ( While Rolling My Ball), tells the story of a prince who shoots a white duck from whose eyes bright diamonds fall and from whose bill drops gold for all.MERRY WIDOW WALTZ: The Merry Widow Waltz is from the operetta The Merry Widow by the Austro-Hungarian composer Franz Lehar ( 1870-1948).MAMA GONE A’MOUNTAIN: Mama Gone A’Mountain is a variation of the lullaby Bye Baby Bunting. In this West Indian version, the mother has gone to the mountain and the father has gone shooting to catch a robin bird so that he can, in the words of the chorus, buy me baby ribbon bam, buy me baby ribbon .
$11.00
10.06 €
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Harpe
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Mary Muckle
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Four Folksong Ensembles
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Afghan Press Music for the Harp
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SheetMusicPlus
A Virginia Sampler
Harpe
Harp - Level 3 - Digital Download SKU: A0.797416 Arranged by Ray Pool. Folk,Traditi…
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Harp - Level 3 - Digital Download SKU: A0.797416 Arranged by Ray Pool. Folk,Traditional. Score. 19 pages. Afghan Press Music for the Harp #4835855. Published by Afghan Press Music for the Harp (A0.797416). A combined arrangement for harp trio of the American folk songs Shenandoah and Old Virginia (a reel whose melody is very similar to Flowers of Edinburgh). The melodies are each stated in solo versions in a medley and then combined in an overlay. The entire arrangement is in the key of C major with no accidentals. Harp 1 (advanced) plays the melody of Shenandoah in octaves along with other harmonic additions, also carrying the fast paced melody line of Old Virginia in a single solo line divided between the hands. Harp 2 (intermediate) plays the accompaniment for both tunes using various patterns of both triad and seventh chord harmony. Harp 3 (introductory) plays a harmonic reinforcement to Harp 2 in quarter, half, dotted half and whole note intervals. While Harp 3 is optional, it is still an important part of the arrangement. The set includes individual parts for Harp 1, 2 and 3 and a full score for the conductor.Table of Contents:Shenandoah and Old Virginia
$12.00
10.98 €
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Harpe
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Ray Pool
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A Virginia Sampler
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Afghan Press Music for the Harp
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SheetMusicPlus
Perfect
Harpe
Lever Harp - Level 3 - Digital Download SKU: A0.1393953 By Ed Sheeran. By Ed Sheera…
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Lever Harp - Level 3 - Digital Download SKU: A0.1393953 By Ed Sheeran. By Ed Sheeran. Arranged by Shoshanna Godber. Celtic,Irish,Pop,Praise & Worship,Wedding. Score. 7 pages. Shoshanna Godber #977406. Published by Shoshanna Godber (A0.1393953). As one of the most requested song for weddings, Perfect by Ed Sheeran holds a special place in the hearts of couples around the world. Designed to highlight the beauty of the harp, this arrangement fits comfortably under the hands of harpists of varying skill levels. Whether you're a seasoned musician or a newcomer to the harp, you'll find the arrangement intuitive and approachable, allowing you to bring the magic of this timeless song to life with ease.
$6.99
6.39 €
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Harpe
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Ed Sheeran
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Shoshanna Godber
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Perfect
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Shoshanna Godber
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SheetMusicPlus
Passacaglia For Harp
Harpe
Harp - Level 5 - Digital Download SKU: A0.889432 Composed by Johann Sebastian Bach.…
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Harp - Level 5 - Digital Download SKU: A0.889432 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. Score. 10 pages. Luis Anjos Teixeira #4736137. Published by Luis Anjos Teixeira (A0.889432). I found this Passacaglia from Bach among some of my own handwritten manuscripts. It is a phenomenal piece. Bach was definitive a great artist, a Genius. Passacaglia is an Italian word. This music form was originated in early 17th-century Spain as a strummed interlude between instrumentally accompanied dances or songs. In this piece we can clearly experience this „Spanish strumming between „Bars 137 and 145. The passacaglia was redefined in the late 1620s by Italian composer Girolamo Frescobaldi, who transformed it into a series of continuous variations over an ostinato bass pattern (which itself may be varied). I added to this piece some interpretation symbols and rearranged it for the harp but every single note was left as it would be found in the original version. The piece is appropriate for advanced performers. Most of the score is left to the interpretation of the artists involved, particularly the use of fingering. The piece is difficult but very Human. It requires focused endurance and some practice on certain passages. Once learned you will also be playing much better. Feel Free to apply in this piece the Art and technic that expresses entirely your individual skills and taste. Have fun! It is a piece that can be used in many different kinds of situations, from a serious concert hall to a marriage, it is perfect for Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file is the version in D minor for a concert harp, it was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$7.55
6.91 €
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Harpe
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Passacaglia For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
This is My Father's World
Harpe
Harp - Level 3 - Digital Download SKU: A0.797486 Arranged by Pam Ohms. Christian,Sa…
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Harp - Level 3 - Digital Download SKU: A0.797486 Arranged by Pam Ohms. Christian,Sacred. Score. 5 pages. Afghan Press Music for the Harp #4886151. Published by Afghan Press Music for the Harp (A0.797486). A very beautiful three-page improvisational version of this tune, Terra Beata, an old English melody. Unusual minor chords make this unique and compelling. Right hand has some improv passages and sustained notes. Arpeggiated left hand presents six bar introduction to the first verse. A short interlude precedes verse two, which is taken up an octave and filled in with chords. Running sixteenth figures round out the third variation that smooths out into eighths and a gorgeous rolled chord to finish.
$5.00
4.57 €
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Harpe
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Pam Ohms
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This is My Father's World
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Afghan Press Music for the Harp
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SheetMusicPlus
Flight of the Star Owls Harp Arrangement- Full score and parts (E minor)
Harpe
Harp - Level 5 - Digital Download SKU: A0.1212021 By Laura Olson. By Laura Olson. A…
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Harp - Level 5 - Digital Download SKU: A0.1212021 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. 27 pages. Blue Steer Studios #807217. Published by Blue Steer Studios (A0.1212021). Dark and mysterious with 6/8 double jig Celtic energy, the mythical owls guide you to the edge of the forest.  Enjoy this first track from the orchestral album A Grimm-ly Lit Forest in a setting for 4 or more harps.  Great cinematic writing gives all harps interesting and challenging parts and builds a sense of drama, tension, and excitement. You can listen to the original song that this arrangment is from at www.BlueSteerStudios.comMelodies are chord based with fast moving obligato parts in the background showcasing a breathtaking display of technique, energy, and artistry.  Wide dynamic range, highly rhythmic and engaging, this piece is destined to be a show stopper with opportunities for all players to shine!Available in the original key of F minor it is also available in E minor, a key more suitable for lever harps. Note range for E minor version is D1 through B6 and has a D# lever change.   Note range for F minor version is E1 through C6.  If necessary your ensemble may choose to alter the parts as needed to accommodate different harp size ranges without affecting the overall effect of the piece.Audio tracks are available for each part as well as the full arrangment so that you can hear how your part sounds.  Also available are music minus one tracks for each part so that you can play your part with the full ensemble for added fun and excitment or extra practice opportunities.*************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$9.99
9.14 €
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Harpe
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Laura Olson
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Laura Olson
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href=https://www
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Flight of the Star Owls Harp Arrangement- Full score and parts
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Blue Steer Studios
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SheetMusicPlus
Flight of the Star Owls Harp Arrangement- Full score and parts (F minor)
Harpe
Harp - Level 4 - Digital Download SKU: A0.1212320 By Laura Olson. By Laura Olson. A…
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Harp - Level 4 - Digital Download SKU: A0.1212320 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Irish,Multicultural,New Age,World. 27 pages. Blue Steer Studios #809584. Published by Blue Steer Studios (A0.1212320). Dark and mysterious with 6/8 double jig Celtic energy, the mythical owls guide you to the edge of the forest.  Enjoy this first track from the orchestral album A Grimm-ly Lit Forest in a setting for 4 or more harps.  Great cinematic writing gives all harps interesting and challenging parts and builds a sense of drama, tension, and excitement.  You can listen to the original song that this arrangment is from at www.BlueSteerStudios.comMelodies are chord based with fast moving obligato parts in the background showcasing a breathtaking display of technique, energy, and artistry.  Wide dynamic range, highly rhythmic and engaging, this piece is destined to be a show stopper with opportunities for all players to shine!Available in the original key of F minor it is also available in E minor, a key more suitable for lever harps. Note range for E minor version is D1 through B6 and has a D# lever change.   Note range for F minor version is E1 through C6.  If necessary your ensemble may choose to alter the parts as needed to accommodate different harp size ranges without affecting the overall effect of the piece.Audio tracks are available for each part as well as the full arrangment so that you can hear how your part sounds.  Also available are music minus one tracks for each part so that you can play your part with the full ensemble for added fun and excitment or extra practice opportunities.*************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$9.99
9.14 €
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Harpe
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Laura Olson
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Laura Olson
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Flight of the Star Owls Harp Arrangement- Full score and parts
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Blue Steer Studios
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SheetMusicPlus
Si bheag si mhor
Harpe
Harp - Level 3 - Digital Download SKU: A0.912196 Composed by Turlough O'carolan. Ar…
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Harp - Level 3 - Digital Download SKU: A0.912196 Composed by Turlough O'carolan. Arranged by Harpoline. Celtic,Folk,Irish. Score. 2 pages. Harpoline #4888301. Published by Harpoline (A0.912196). This is an Irish traditional tune. It is claimed O'Carolan wrote it but it is based on an old Irish air so it may not have been just him who wrote it. I have played this tune in many different arrangements and keys but I quite like this one. It has suggested fingering written in. This tune can be learned by any harpist of intermediate standard with a lever harp . From grade 3 upwards. If another key is desired I can upload it as well. When I upload more tunes I fully intend to sell 3 tunes for the price of 2 if that is possible. This tune can also be played on the piano with different fingering.
$4.00
3.66 €
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Harpe
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Turlough O'carolan
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Harpoline
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Si bheag si mhor
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Harpoline
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SheetMusicPlus
Scarborough Fair - solo harp
Harpe
Harp - Level 1 - Digital Download SKU: A0.849949 Composed by Trad. English. Arrange…
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Harp - Level 1 - Digital Download SKU: A0.849949 Composed by Trad. English. Arranged by Marilyn Rummel. Celtic,Concert,Folk,Standards,World. Score. 3 pages. Demand Music #4282289. Published by Demand Music (A0.849949). This well -known and beautiful old English folk song has been arranged for solo harp. It features beautiful harpy arpeggios that are easy to do, and a wonderful way to learn to connect notes in long phrases between hands. Playable by beginners, it sounds rich enough for anyone. In fact it was written when one of my students complained that the version I gave didn't sound like the harp she had in her head - so I wrote this one for her.
$3.99
3.65 €
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Harpe
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Trad
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Marilyn Rummel
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Scarborough Fair - solo harp
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Demand Music
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SheetMusicPlus
Renaissance Songs for the Small Harp
Harpe
Harp - Level 3 - Digital Download SKU: A0.973776 Arranged by Deborah Dahl Shanks. R…
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Harp - Level 3 - Digital Download SKU: A0.973776 Arranged by Deborah Dahl Shanks. Renaissance,World. Score. 66 pages. Deborah Dahl Shanks #6275175. Published by Deborah Dahl Shanks (A0.973776). Renaissance Songs for the Small Harp is a collection of 20 pieces from Renaissance and older folk traditions from various European traditions including ballads, lute pieces, madrigals and folk songs. The arrangements are appropriate for a small lever harp with 1 octave below middle C and tuned to Eb or C. Songs in both tunings are noted with an * in Contents. The songs are very accessible and appropriate for mid-beginner to intermediate players with limited or easy lever changes.
$20.00
18.29 €
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Harpe
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Deborah Dahl Shanks
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Renaissance Songs for the Small Harp
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Deborah Dahl Shanks
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SheetMusicPlus
The Princess Of Sintra For Harp
Harpe
Harp - Level 3 - Digital Download SKU: A0.889430 Composed by Luis Anjos Teixeira. C…
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Harp - Level 3 - Digital Download SKU: A0.889430 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 23 pages. Luis Anjos Teixeira #4731895. Published by Luis Anjos Teixeira (A0.889430). The Princess Of Sintra Although not a beginners choice, it is a very flexible piece and very useful for all kinds of events. It is relatively easy to perform and once thoroughly learned and played „Live you will experience a great rewarding feed back of its magical power upon the public. There are 3 versions on this file. One in F for the pedal or chromatic Harp, one in Eb for a diatonic harp and one in F for a little 3 octave gothic harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left to the interpretation of the artists involved, particularly the use of fingering. Feel Free to apply in this piece the Art and technic that expresses entirely your individual skills. Have fun! The score was written on Finale. The sound file is the chromatic version in F, it was produced with samplers from Garrison and conceived merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Stray Dog Nina, this work is dedicated to her. And to Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever.
$7.95
7.27 €
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Harpe
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Luis Anjos Teixeira
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The Princess Of Sintra For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
1, 2, 3 - Play!
Harpe
Harp - Easy/Beginner - Digital Download Arranged by Ray Pool. Method, Technique Training…
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Harp - Easy/Beginner - Digital Download Arranged by Ray Pool. Method, Technique Training. 90 pages. Published by Afghan Press Music for the Harp
This is a study of ear training through melodic development. Small melodic fragments from familiar nursery rhymes, folk, patriotic and hymns tunes are used. The numbers 1 through 7 are used instead of using ?Do, Re, Mi?? to identify the notes in the scale. Melodies are categorized by range, beginning with a range of only three notes, progressing through a total of nine categories. Skills in ear training are highly useful to musicians who might be asked to take requests at hotels, parties and restaurants, or those involved in harp therapy. With the melodic fragments that are the focus of study, performance by ear can be highly strengthened and developed. Table of Contents: All Through the Night, Amazing Grace, America, Angels from the Realms of Glory, Angels We Have Heard on High, Au Clare de la Lune, Away in a Manger, Be Thou My Vision, Billy Boy, Cindy, Clementine, Day is Done (Taps), Down in the Valley, Drink to Me Only with Thine Eyes, For He's a Jolly Good Fellow, Frere Jacques, Go Tell Aunt Rhody, Go Tell It On the Mountain, Goin' Home, Good King Wenceslas, He's Got the Whole World in His Hands, Here We Come A'Wassailing, Home on the Range, Home Sweet Home, Hot Cross Buns, I'm a Little Teapot, Jingle Bells, Joy to the World, Kumbayah, Lightly Row, London Bridge, Lonesome Valley, Mary Had a Little Lamb, Michael Row the Boat Ashore, Morning Has Broken, My Bonnie Lies Over the Ocean, Ode to Joy, Oh Susanna, Oh How Lovely is the Evening, Old Folks at Home, Old Hundredth, On Top of Old Smokey, Over the River and Through the Woods, Row Row Row Your Boat, Shenandoah, Silent Night, Skip to my Lou, Swing Low Sweet Chariot, The Farmer in the Dell, The First Nowell, The Harp that Once Thro' Tara's Halls, The Star Spangled Banner, This Old Man, Three Blind Mice, Twinkle Twinkle Little Star, We Wish You Merry Christmas, When the Saints Go Marching In.This is a study of ear training through melodic development. Small melodic fragments from familiar nursery rhymes, folk, patriotic and hymns tunes are used. The numbers 1 through 7 are used instead of using ?Do, Re, Mi?? to identify the notes in the scale. Melodies are categorized by range, beginning with a range of only three notes, progressing through a total of nine categories. Skills in ear training are highly useful to musicians who might be asked to take requests at hotels, parties and restaurants, or those involved in harp therapy. With the melodic fragments that are the focus of study, performance by ear can be highly strengthened and developed.
Table of Contents:
All Through the Night, Amazing Grace, America, Angels from the Realms of Glory, Angels We Have Heard on High, Au Clare de la Lune, Away in a Manger, Be Thou My Vision, Billy Boy, Cindy, Clementine, Day is Done (Taps), Down in the Valley, Drink to Me Only with Thine Eyes, For He's a Jolly Good Fellow, Frere Jacques, Go Tell Aunt Rhody, Go Tell It On the Mountain, Goin' Home, Good King Wenceslas, He's Got the Whole World in His Hands, Here We Come A'Wassailing, Home on the Range, Home Sweet Home, Hot Cross Buns, I'm a Little Teapot, Jingle Bells, Joy to the World, Kumbayah, Lightly Row, London Bridge, Lonesome Valley, Mary Had a Little Lamb, Michael Row the Boat Ashore, Morning Has Broken, My Bonnie Lies Over the Ocean, Ode to Joy, Oh Susanna, Oh How Lovely is the Evening, Old Folks at Home, Old Hundredth, On Top of Old Smokey, Over the River and Through the Woods, Row Row Row Your Boat, Shenandoah, Silent Night, Skip to my Lou, Swing Low Sweet Chariot, The Farmer in the Dell, The First Nowell, The Harp that Once Thro' Tara's Halls, The Star Spangled Banner, This Old Man, Three Blind Mice, Twinkle Twinkle Little Star, We Wish You Merry Christmas, When the Saints Go Marching In.
$25.00
22.87 €
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Harpe
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Ray Pool
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1, 2, 3 - Play!
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Afghan Press Music for the Harp
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SheetMusicPlus
Leith Glass
Harpe
Nine Traditional Tunes from Ireland, Scotland and England Arranged for Lever Harp. C…
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Nine Traditional Tunes from Ireland, Scotland and England Arranged for Lever Harp. Composed by Frances Thiele. Harp: Folk and Pedal. Celtic / Irish. E-book. Mel Bay Publications - Digital Sheet Music #30745EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118560.<br> <br> At the end of the eighteenth century, Edward Bunting published a major work of Irish music called A General Collection of the Ancient Music of Ireland (1797). He followed this publication with two more collections in 1809 and 1840. Many of the tunes in these books came from the harpers he heard performing at the Belfast Harp Festival in 1792. In the first part of his 1840 collection, Bunting described the anatural keya of the harp used by the Irish harpers as leith glass or leithghlas. The Irish harpers tuned their instrument in this key, which we would recognize as G major because it had an F sharp. Frances Thieleas Leith Glass explores the musical possibilities and sounds achievable with a single tuning on the lever harp. The collection includes nine traditional tunes from Ireland, Scotland and England that together give a sense of the many musical colors that can be produced from the leith glass tuning if we think modally like the harpers of old. Suitable for intermediate lever harp players, the arrangements are all playable on a 34-string lever harp with sharping levers on F and C (C# is only required for one of the pieces with accidentals a aMy Lagan Lovea). The lowest note used is C, two octaves below middle C.ISBN 9781619118560.<br> <br> At the end of the eighteenth century, Edward Bunting published a major work of Irish music called A General Collection of the Ancient Music of Ireland (1797). He followed this publication with two more collections in 1809 and 1840. Many of the tunes in these books came from the harpers he heard performing at the Belfast Harp Festival in 1792. In the first part of his 1840 collection, Bunting described the anatural keya of the harp used by the Irish harpers as leith glass or leithghlas. The Irish harpers tuned their instrument in this key, which we would recognize as G major because it had an F sharp. Frances Thieleas Leith Glass explores the musical possibilities and sounds achievable with a single tuning on the lever harp. The collection includes nine traditional tunes from Ireland, Scotland and England that together give a sense of the many musical colors that can be produced from the leith glass tuning if we think modally like the harpers of old. Suitable for intermediate lever harp players, the arrangements are all playable on a 34-string lever harp with sharping levers on F and C (C# is only required for one of the pieces with accidentals a aMy Lagan Lovea). The lowest note used is C, two octaves below middle C.
$9.99
9.14 €
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Harpe
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Frances Thiele
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Leith Glass
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
A Big Cat Hug
Harpe
Harp, Pedal Harp - Digital Download Composed by Stephanie Bennett. 20th Century, Im…
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Harp, Pedal Harp - Digital Download Composed by Stephanie Bennett. 20th Century, Impressionistic, Neo- Classical, Recital. 8 pages. Published by Harpworld Music Co.
A lyrical and beautiful pedal harp solo, advanced-intermediate level. As heard on Stephanie Bennett's CD "Stories Seldom Told", available on iTunes, CDBaby.com and harpworld.com. The style moves from a peaceful folk-music feel to flowing impressionism and back again The composer says "I composed this piece one afternoon while watching my beloved cat sleeping. At the end of the recording, I had the engineer add the sound of a cat purring; so I recommend that for full effect, you purr at the conclusion of the piece. Or ask your audience to purr, as I usually do." Fingerings are included, and notations are explained in footnotes at the bottom of each page. If you print it out on paper, make sure the ODD numbered pages are on the RIGHT and the EVEN numbered pages are on the LEFT, which makes the page-turns doable (you turn the page after the right, ODD numbered pages).A lyrical and beautiful pedal harp solo, advanced-intermediate level. As heard on Stephanie Bennett's CD "Stories Seldom Told", available on iTunes, CDBaby.com and harpworld.com. The style moves from a peaceful folk-music feel to flowing impressionism and back again The composer says "I composed this piece one afternoon while watching my beloved cat sleeping. At the end of the recording, I had the engineer add the sound of a cat purring; so I recommend that for full effect, you purr at the conclusion of the piece. Or ask your audience to purr, as I usually do." Fingerings are included, and notations are explained in footnotes at the bottom of each page. If you print it out on paper, make sure the ODD numbered pages are on the RIGHT and the EVEN numbered pages are on the LEFT, which makes the page-turns doable (you turn the page after the right, ODD numbered pages).
$7.00
6.4 €
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Harpe
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Stephanie Bennett
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A Big Cat Hug
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Harpworld Music Co.
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SheetMusicPlus
Folk Harp for the Young Beginner
Harpe
Composed by Laurie Star Edwards. Harp: Folk and Pedal. Young Beginner. Classical. E- …
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Composed by Laurie Star Edwards. Harp: Folk and Pedal. Young Beginner. Classical. E- book and online audio. Mel Bay Publications - Digital Sheet Music #30616MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118331.<br> <br> Folk Harp for the Young Beginner is designed for beginning harpists with no prior musical experience. The book presents two new methods for reading notation built around recognizing common musical patterns over traditional single note reading. Each group of songs has fun, engaging exercises that will build the studentas coordination and confidence. The material draws from timeless melodies from classical, Renaissance, Celtic, English, old-time and traditional folk repertoire.Topics covered in this method include: aC/ How to tune the harp aC/ Reading music notation and counting rhythm, including two methods for reading ledger lines aC/ Recognizing basic fingering and bass patterns aC/ Changing keys with sharping levers aC/ Using brackets to help see note patterns aC/ Chord inversions Additional resources include rhythm practice and workout pages to test your musical knowledge. Helpful reference photos can also be found inside. Includes access to online audio.ISBN 9781619118331.<br> <br> Folk Harp for the Young Beginner is designed for beginning harpists with no prior musical experience. The book presents two new methods for reading notation built around recognizing common musical patterns over traditional single note reading. Each group of songs has fun, engaging exercises that will build the studentas coordination and confidence. The material draws from timeless melodies from classical, Renaissance, Celtic, English, old-time and traditional folk repertoire.Topics covered in this method include: aC/ How to tune the harp aC/ Reading music notation and counting rhythm, including two methods for reading ledger lines aC/ Recognizing basic fingering and bass patterns aC/ Changing keys with sharping levers aC/ Using brackets to help see note patterns aC/ Chord inversions Additional resources include rhythm practice and workout pages to test your musical knowledge. Helpful reference photos can also be found inside. Includes access to online audio.
$17.99
16.46 €
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Harpe
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Laurie Star Edwards
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Folk Harp for the Young Beginner
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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