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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rondo - Viola part
Non classifié
303
Piano & claviers
Piano seul
220
Orgue
21
Piano Trio: piano, violon, violoncelle
7
Piano Facile
5
Accompagnement Piano
3
1 Piano, 4 mains
2
Accordéon
2
2 Pianos, 8 mains
1
Ensemble d'Accordéons
1
Orgue, Piano (duo)
1
Piano, Voix
1
Instruments en Do
1
Fake Book
1
+ 8 instrumentations
Retracter
Guitares
Guitare
36
2 Guitares (duo)
9
Guitare notes et tablatures
5
Guitare (partie séparée)
4
4 Guitares (Quatuor)
3
Piano, Guitare (duo)
2
3 Guitares (trio)
1
Ukulele
1
Guitare, Flûte, Clarinette
1
+ 4 instrumentations
Retracter
Voix
Chorale 3 parties
13
Chorale SATB
5
Chorale 2 parties
2
Voix haute
1
Chorale
1
Voix Tenor, Piano
1
Chorale Unison
1
+ 2 instrumentations
Retracter
Vents
Flûte traversière et Piano
47
Flûte traversière
45
Clarinette
38
Clarinette et Piano
28
Saxophone Alto et Piano
28
2 Clarinettes (duo)
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
2 Flûtes traversières (duo)
23
Hautbois, Piano (duo)
22
Saxophone (partie séparée)
21
2 Saxophones (duo)
17
Saxophone Soprano et Piano
17
Quatuor de Clarinettes: 4 clarinettes
14
Saxophone Tenor et Piano
14
Quatuor de Saxophones: 4 saxophones
11
Clarinette (partie séparée)
9
Flûte, Hautbois, Clarinette, Basson
9
Flute (partie séparée)
8
3 Clarinettes (trio)
8
Flûte et Guitare
7
Saxophone Alto
7
Ensemble de Clarinettes
7
Clarinette Basse, Piano
7
Saxophone Tenor
6
Ensemble de Flûtes
6
Saxophone Baryton, Piano
6
Flûte, Clarinette (duo)
5
Trio de Flûtes: 3 flûtes
5
Hautbois, Basson (duo)
5
Hautbois (partie séparée)
4
Quatuor de Flûtes à bec
4
2 Hautbois (duo)
4
Flûte à bec Alto, Piano
3
Flûte à bec Tenor
3
Quatuor de Flûtes : 4 flûtes
3
3 Saxophones (trio)
3
Piccolo, Piano
3
Clarinette, Violoncelle (duo)
3
Hautbois
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte à Bec, Piano
3
Ensemble de saxophones
2
Flûte traversière, Orgue (duo)
2
Quintette de Saxophone: 5 saxophones
2
Clarinette, Guitare (duo)
2
Saxophone, Clarinette (duo)
2
Piccolo
2
Flûte, Violoncelle
2
Cor anglais, Piano
2
Flûte à bec Soprano, Piano
2
Hautbois, Clarinette (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Harpe
1
Flûte, Saxophone (duo)
1
Clarinette, Harpe (duo)
1
Saxophone Soprano
1
Clarinette Basse
1
Saxophone et Harpe
1
Clarinette, Basson (duo)
1
Flûte, Basson et Piano
1
Flûte, Violon et Violoncelle
1
Flûte à bec Soprano
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Basson, Piano (trio)
1
Ensemble à vent
1
Hautbois, Guitare (duo)
1
2 Saxophones, Piano
1
Flûte, Violon, Guitare
1
Ensemble De Flûte à bec
1
+ 64 instrumentations
Retracter
Cuivres
Trombone et Piano
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Cor et Piano
15
Trompette, Piano
15
Trombone (partie séparée)
14
Euphonium, Piano (duo)
13
Cor
13
Trompette
11
Trompette (partie séparée)
11
Tuba et Piano
9
Trombone
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
2 Cors (duo)
7
Trombone basse et Piano
6
2 Trombones (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Cornet A Pistons
3
2 Tubas (duo)
3
2 Euphoniums (duo)
3
4 Tubas
2
Cor (partie séparée)
2
Trombone, violoncelle (duo)
2
Tuba
2
Tuba (partie séparée)
2
2 Trompettes (duo)
2
Cor, Violoncelle (duo)
2
Quatuor de Cuivres
2
Cor anglais, Piano
2
Ensemble de Trombones
1
Trombone, Tuba (duo)
1
Euphonium, Tuba (duo)
1
3 Trombones (trio)
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trombones
1
Trompette, Harpe
1
Trompette, Violoncelle (duo)
1
+ 31 instrumentations
Retracter
Cordes
Violon
40
Violon (partie séparée)
37
Violoncelle, Piano
29
Violoncelle
26
Violon et Piano
22
Contrebasse (partie séparée)
17
Violoncelle (partie séparée)
13
2 Violoncelles (duo)
11
2 Violons (duo)
10
Violon, Violoncelle (duo)
8
Violon, Guitare (duo)
6
Harpe
5
Contre Basse
4
Contrebasse, Piano (duo)
4
4 Violoncelles
3
Violoncelle , Guitare (duo)
3
Harpe, Flûte (duo)
3
Violoncelle, Contrebasse (duo)
2
Ensemble de Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Trio à Cordes: 2 violons, violoncelle
1
2 Contrebasses (duo)
1
Harpe, Violon (duo)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
186
Orchestre à Cordes
67
Orchestre
66
Orchestre de chambre
17
Ensemble de cuivres
14
Ensemble de Percussions
5
Percussion (partie séparée)
5
Batterie (partie séparée)
3
Piano et Orchestre
2
Percussion
2
Quintette à Vent
2
Orchestre, Violon
2
Xylophone
1
Timbales (partie séparée)
1
Cloches
1
Timbales
1
Marimba
1
Ensemble Jazz
1
+ 13 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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CORNET
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HARPE
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LUTH
MANDOLINE
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Vous avez sélectionné:
Rondo - Viola part
Harpe
Partitions à imprimer
5 partitions trouvées
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Three Rondos from op.92 arr. for lever harp
Harpe
Composed by François Joseph Naderman. Arranged by Alessandro Palazzani. Classical Peri…
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Composed by François Joseph Naderman. Arranged by Alessandro Palazzani. Classical Period, Repertoire, Technique Training, European, Recital. Score, Sheet Music Single, Solo Part. 22 pages. Published by A work by Alessandro Palazzani
François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.
$11.50
10.6 €
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Harpe
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François Joseph Naderman
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Alessandro Palazzani
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Three Rondos from op.92 arr. for lever harp
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A work by Alessandro Palazzani
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SheetMusicPlus
Alla Turca Jazz
Harpe
Harp - Digital Download Fantasia on the Rondo from the Piano Sonata in A major K. 331 by…
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Harp - Digital Download Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: single sheet. Eingangsmelodie, Handy- Klingelton, Mozart. Downloadable. Op. 5b. Duration 4 minutes. Schott Music - Digital #Q46259. Published by Schott Music - Digital
The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say\'s arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work\'s improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart\'s interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. The very popular piece was now arranged for harp by Ekaterina Afanasieva.The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone.
Fazil Say\'s arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work\'s improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra.
It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart\'s interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation.
The very popular piece was now arranged for harp by Ekaterina Afanasieva.
$6.99
6.44 €
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Harpe
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Fazil Say
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Ekaterina Afanasieva
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Alla Turca Jazz
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Schott Music - Digital
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SheetMusicPlus
Serenata malinconica
Harpe
Clarinet in A and harp - Digital Download SKU: S9.Q21333 Composed by Stefan Heucke.…
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Clarinet in A and harp - Digital Download SKU: S9.Q21333 Composed by Stefan Heucke. This edition: score and part. Clarinet Library. Downloadable, Score and part. Op. 67. Duration 15 minutes. Schott Music - Digital #Q21333. Published by Schott Music - Digital (S9.Q21333). Im Frühjahr 2012 schrieb ich für das Duo Imaginaire ein knapp viertelstündiges Werk für die ganz ungewöhnliche, aber umso reizvollere Duobesetzung von Klarinette und Harfe. Der romantisch-ironische Titel einer melancholischen Serenade gibt den semantischen Inhalt des Stückes recht genau wieder. Musikalisch formal handelt es sich um ein großformatiges rondoartiges Gebilde, in dem sich zahlreiche melodische und virtuose Episoden um ein schwebend-synkopisches Thema gruppieren, das sich zwar verändert, aber als roter Faden trotzdem deutlich wiederzuerkennen ist. Das Stück besitzt einen tonalen Rahmen, der auf siebentönigen Skalen basiert, die die Gegebenheiten der Harfe als diatonisches Instrument nutzen, ohne ein einziges Mal als echte Dur- oder Mollskalen in Erscheinung zu treten. Der serenadenhafte Charakter des Stückes wird unterstrichen durch die Charakterisierung der Klarinette als lineares Gesangsinstrument und die Harfe als akkordisch geführtes Zupfinstrument. Selbstverständlich verlassen beide Instrumente immer wieder den ihnen angestammten Bereich (die Harfe beginnt zu singen, während sich die Klarinette in üppigen Figurationen ergeht), wodurch ein kammermusikalisch dichtes und klanglich reizvolles Gewebe entsteht. - Stefan Heucke.
$22.99
21.19 €
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Harpe
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Stefan Heucke
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Serenata malinconica
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Schott Music - Digital
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SheetMusicPlus
More Easy Classical Pieces
Harpe
Harp - Early Intermediate - Digital Download Arranged by Steve Hill. Classical Period…
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Harp - Early Intermediate - Digital Download Arranged by Steve Hill. Classical Period, Repertoire, Recital. 30 pages. Published by Afghan Press Music for the Harp
Well thought out arrangements, easy and interesting to play. They are creative and work very well on the harp. Simple yet effective, retaining the correct harmonies. This collection is desirable for many types of occasions: teaching, weddings, therapy, recital, and many more. Classical music is acceptable in any situation, and these arrangements are a most welcome addition to the harp repertoire. Well edited with dynamic marks and fingerings.<br> Contains:Saraband by Speer, Miniature Rondo by Türk, Menuet by Dieupart, Scotch Dance by Beethoven, Minuet by Händel, La Garde by Phalese,Caprice by Gluck, Air (Anon), Sarabande (Anon), Dance by A. Scarlatti, A Happy Song by Mendelssohn, Allegro by Händel, Harmonious Blacksmith by Händel, Menuet by Marchand, Grand Waltz by Chopin, and Rondeau by Rameau.Well thought out arrangements, easy and interesting to play. They are creative and work very well on the harp. Simple yet effective, retaining the correct harmonies. This collection is desirable for many types of occasions: teaching, weddings, therapy, recital, and many more. Classical music is acceptable in any situation, and these arrangements are a most welcome addition to the harp repertoire. Well edited with dynamic marks and fingerings.<br> Contains:Saraband by Speer, Miniature Rondo by Türk, Menuet by Dieupart, Scotch Dance by Beethoven, Minuet by Händel, La Garde by Phalese,Caprice by Gluck, Air (Anon), Sarabande (Anon), Dance by A. Scarlatti, A Happy Song by Mendelssohn, Allegro by Händel, Harmonious Blacksmith by Händel, Menuet by Marchand, Grand Waltz by Chopin, and Rondeau by Rameau.
$15.00
13.83 €
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Harpe
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Steve Hill
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More Easy Classical Pieces
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SheetMusicPlus
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Rondo - Viola part
