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9
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AUTRES
Vous avez sélectionné:
So Done
Harpe
Partitions à imprimer
9 partitions trouvées
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1
So This Is Love
Harpe
Harp - Level 1 - Digital Download SKU: A0.896743 By James Ingram. By Al Hoffman, Je…
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Harp - Level 1 - Digital Download SKU: A0.896743 By James Ingram. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Janice Eckworth. Contemporary,Soul. Score. 5 pages. Janice Eckworth (aka Sanisi) #6589575. Published by Janice Eckworth (aka Sanisi) (A0.896743). This is a lovely Disney melody. I hope I have done it justice and you enjoy playing it! Arranged for lever harp; one measure has lever changes. (If you would like to play this song without changes levers, the note with the accidental can be omitted.)One version with brackets and finger numbers. One version without.Key: F major (needs Bâ™ )Lowest Note: Bass CHighest Note: F above treble CDifficulty: Late beginner (SMP doesn't have this option, so to make it extra clear: You will need to be confident reading the full music staff, a variety of hand placings, rolled chords, and lever changes.).
$5.50
5.03 €
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Harpe
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James Ingram
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Janice Eckworth
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one measure has lever changes
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So This Is Love
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Janice Eckworth
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SheetMusicPlus
On The Lake (harp)
Harpe
Harp - Level 4 - Digital Download SKU: A0.942891 Composed by James W. Knox. Contemp…
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Harp - Level 4 - Digital Download SKU: A0.942891 Composed by James W. Knox. Contemporary,World. Score. 9 pages. Knox Music #6599795. Published by Knox Music (A0.942891). On the Lake written for advanced SSAA divisi and harp. Fannie Isabelle Sherrick was an American poet who wrote songs and poems throughout the 1860's that captured hearts and minds. I Can Not Say the Sad Good-Bye was one of her notable songs published in 1873. She was both influenced and encouraged by Ella Wheeler Wilcox who she attributed her success to. Her most popular poetry volume entitled Love or Fame and Other Poems was published in 1880 by W.S Bryan of St Louis and she continued writing for many years. ON THE LAKE There's a beautiful lake where the sun lies low, And the skies are warm with their summer glow; And a beautiful picture there I see Where the winds are warm and the waves are free, And the waves lie still in the sun As the flowers at night, when the day is done. You may sing of your silvery seas by night When the moon looks down with a dreamy light; And the stars shine out in the skies above Like the warm sweet gaze of the eyes of love; But the glow on the lake to-day Is a glory that never will fade away. The beautiful lake is a sea of gold And the beauty it wears will never grow old; The trees bend down in the sun's warm glow Till their branches meet in the waves below, And the clouds in the far-off skies Are mirrored anew where the sunlight lies. I love to float where the shadows lie 'Neath the matchless glow of the summer sky; And I love to dream that these waves of light Will never fade in the gloomy night: But I know that the things I love Are as far from my reach as the clouds above. Oh, the beautiful lake is a sea of gold And the beauty it wears will never grow old; The cloudlets of Heaven are mirrored there In a golden splendor so bright and fair That the soul is dazzled for aye By the beautiful light of this summer's day. Oh, I love to dream when this life is o'er We shall moor our boats near the golden shore; And our sorrows shall drift from us far away As the leaves that float in their idle play, And the waves shall smile in the sun When the night is over and life is done. Fannie Isabelle Sherrick.
$10.00
9.14 €
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Harpe
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the beautiful light of this summer's day
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James W
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On The Lake
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Knox Music
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SheetMusicPlus
Traumerei by Robert Schumann for solo lever harp
Harpe
Harp - Level 5 - Digital Download SKU: A0.849960 Composed by Robert Schumann. Arran…
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Harp - Level 5 - Digital Download SKU: A0.849960 Composed by Robert Schumann. Arranged by Marilyn Rummel. Classical,Contemporary,Romantic Period,Standards. Score. 4 pages. Demand Music #4762147. Published by Demand Music (A0.849960). This beautiful piece by Robert Schumann is beloved by fine pianists everywhere, but works very well on the harp with its overlapping harmonies and ringing strings. The lever flipping to realize all of his accidentals are well marked, and well thought out so they can be done with no interruption in the flow of the music. But some do need to be done quickly. Some fingering is marked, and attention to the slurs will help with the smooth quality.
$4.99
4.56 €
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Harpe
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Robert Schumann
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Marilyn Rummel
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Traumerei by Robert Schumann for solo lever harp
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Demand Music
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SheetMusicPlus
Joueur de harpe Opus 34 No. 8
Harpe
Lever Harp - Level 4 - Digital Download SKU: A0.1452396 By Eleanor Turner. By Jean …
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Lever Harp - Level 4 - Digital Download SKU: A0.1452396 By Eleanor Turner. By Jean Sibelius. Arranged by Eleanor Turner. Classical,Romantic Period. Score. 2 pages. Arts In Fusion #1031727. Published by Arts In Fusion (A0.1452396). This is a difficult intermediate arrangement of the piano Bagatelle by Jean Sibelius, simply called 'The harpist'. It can be played very freely so the lever changes are done at leisure.
$2.99
2.73 €
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Harpe
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Eleanor Turner
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Eleanor Turner
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Joueur de harpe Opus 34 No. 8
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Arts In Fusion
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SheetMusicPlus
Three Trios Volume 2
Harpe
Small Ensemble Dulcimer,Flute,Harp - Level 3 - Digital Download SKU: A0.963938 Arra…
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Small Ensemble Dulcimer,Flute,Harp - Level 3 - Digital Download SKU: A0.963938 Arranged by Reba Lunsford. Celtic,Concert,Folk,Sacred. Score and parts. 53 pages. Reba Lunsford #4844837. Published by Reba Lunsford (A0.963938). Three beautiful and mostly familiar tunes in ensemble combination. Play them with all of the different instruments or as few as you want. The harp parts can be played on piano, as well, and the hammered dulcimer and flute lines can be used for other concert pitch C instruments. Mountain dulcimer parts are written in notation and tablature. Tunings are D-A-D and D-G-D, no capo required. There are no tricky rhythms or techniques, so busy musicians can work these songs up with little preparation. The harp part has two formats: medium difficulty level for full range lever or pedal harp and easy or lap harp. The lap harp parts are suitable for 22-string instruments ranging from G-G. All songs are written in the harp-friendly key of G. Words for each song are included as well as interesting facts about the music and writers. Guitar chords are also included. Notation, done in Finale software, is clean and easy to read. Table of Contents:Manx Lullaby, Simple Gifts, There is a Balm in Gilead
$15.00
13.71 €
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Harpe
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Reba Lunsford
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Three Trios Volume 2
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Reba Lunsford
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SheetMusicPlus
Nativity Carols
Harpe
Harp - Level 3 - Digital Download SKU: A0.797423 Arranged by Barbara Semmann. Chris…
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Harp - Level 3 - Digital Download SKU: A0.797423 Arranged by Barbara Semmann. Christian,Christmas,Sacred. Score. 33 pages. Afghan Press Music for the Harp #4840087. Published by Afghan Press Music for the Harp (A0.797423). A collection of familiar carols and some not so familiar, thoughtfully and interestingly arranged in a very playable manner for intermediate harpists, or for advanced harpists to sight read. All done in sharp keys (G, D, A, E). Table of Contents:The First Noel, God Rest Ye Merry Gentlemen, Joseph Dearest, Joseph Mine, Good Christian Men Rejoice, The Holly and the Ivy, When Christmas Morn is Dawning, Jesus, Jesus Rest Your Head, What Shall I Give?, Twas in the Moon of Wintertime, Ding, Dong Merrily on High, and Silent Night.
$15.00
13.71 €
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Harpe
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Barbara Semmann
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Nativity Carols
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Afghan Press Music for the Harp
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SheetMusicPlus
The King's Bard
Harpe
Harp - Level 3 - Digital Download SKU: A0.797294 Arranged by Darhon Rees-Rohrbacher…
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Harp - Level 3 - Digital Download SKU: A0.797294 Arranged by Darhon Rees-Rohrbacher. Celtic,Classical,Folk. Score. 35 pages. Afghan Press Music for the Harp #4800674. Published by Afghan Press Music for the Harp (A0.797294). Welsh airs used in this publication were collected by Edward Jones (1751-1824), harper to King George IV. Jones was born in North Wales and in about 1775 moved to London where he enjoyed a nearly 50-year career as composer, arranger, performer and teacher.This delightful collection of arrangements is a real treat and something a little bit different for your repertoire. As usual, Darhon's arrangements are wonderfully playable with enough complexity to be interesting. Each of the melodies stands alone but, as she has done with other collections, Darhon has arranged them in a progressive key order so that they can be played together en-suite. Several of the tunes would make wonderful wedding processionals and others are perfect for a prelude.Table of Contents: Hob y Deri Danno (Away to the Oaken Grove), Cwynfan Brydain (The Lamentation of Britain), Ysgin Aur (The Golden Robe), Dewis Meinwen (The Fair One’s Choice), Triban Gwŷr Morganwg (War Song of the Men of Glamorgan), Ruban Morfydd (Morvydd’s Ribband), Pen Rhaw (The Spade’s Head), Serch Hudol (The Allurement of Love), Castell Tywyn (Towyn Castle), Toriad y Dydd (The Dawn of Day), Croeso’r Wenynen (Welcome the Bee), Galon Drom (The Heavy Heart), Gil y Fwyalch (The Blackbird’s Retreat), Mwynen Môn (The Melody of Mona), Mantell Siani (Jenny’s Mantle)
$18.00
16.46 €
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Harpe
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Darhon Rees-Rohrbacher
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The King's Bard
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Afghan Press Music for the Harp
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SheetMusicPlus
Old French Song
Harpe
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
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Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br> The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.56 €
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Harpe
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Pyotr Ilich Tchaikovsky
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Luis Anjos Teixeira
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Old French Song
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Luis Anjos Teixeira
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SheetMusicPlus
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