François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

ISBN 9781619117570.

The Harpsicle Harp method book is an excellent tool for learning to play the Harpsicle Harp or any size harp from the very beginning. No musical knowledge is necessary to use this method. All the music is written in the keys of C Major and A minor, so no sharping levers or pedals are needed. The guitar chords are displayed above the staff, so the students can add to the written music, or other instruments can accompany the harp. The music is graduated from two fingers to playing with both hands. The music is labeled to allow the students to gradually learn the notes and fingering without stress or frustration. The method contains lessons on the parts of the harp, tuning, stringing, and taking care of your instrument. Also included in the method are reading music, time signatures and counting, placing and bracketing, finger drills, and much more. There are also eighteen songs, starting from very easy and continuing to add to the music, as the student progresses. All songs have labeled notes, to help the students learn notes and fingering. Online video compliments the book, and follows up the written instructions, with video footage, so the student can visually see the method. Includes access to online video.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.