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27
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8
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AUTRES
Vous avez sélectionné:
Stay With You
Harpe
Partitions à imprimer
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Let Me Stay | With All My Love (Medley) 能ä¸èƒ½ | 一生愛祢 (Harp accompaniment 豎ç´ä¼´å¥)
Harpe
Harp - Level 2 - Digital Download SKU: A0.1041183 Composed by Stream of Praise. Arr…
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Harp - Level 2 - Digital Download SKU: A0.1041183 Composed by Stream of Praise. Arranged by Yeelam (Elam) LAI. Pop,Praise & Worship,Sacred,Spiritual,Wedding. Score. 3 pages. Harp of Worship #645915. Published by Harp of Worship (A0.1041183). This is an instrumental arrangement for harp accompaniment. Sing while you are playing :) Worship / Spiritual music to play. Feeling peaceful and calm.
$7.99
7.33 €
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Harpe
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Stream of Praise
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Yeelam (Elam) LAI
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Let Me Stay | With All My Love
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Harp of Worship
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SheetMusicPlus
Dance of the Lambs
Harpe
Harp - Advanced Intermediate - Digital Download Composed by Kim Robertson. TV, World,…
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Harp - Advanced Intermediate - Digital Download Composed by Kim Robertson. TV, World, Recital, New Age. 7 pages. Published by Afghan Press Music for the Harp
This original composition was made famous when Kim played it on an episode of TV's Beverly Hills 90210. It's a beautiful, lilting lever harp solo with a memorable melody that really stays with you. The quick tempo, grace notes, and syncopation make this piece suitable for advanced harpists. This solo has been recorded by Kim on Wood, Fire, and Gold.This original composition was made famous when Kim played it on an episode of TV's Beverly Hills 90210. It's a beautiful, lilting lever harp solo with a memorable melody that really stays with you. The quick tempo, grace notes, and syncopation make this piece suitable for advanced harpists. This solo has been recorded by Kim on Wood, Fire, and Gold.
$6.00
5.5 €
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Harpe
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Kim Robertson
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Dance of the Lambs
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Afghan Press Music for the Harp
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SheetMusicPlus
Jesu, Joy Of Man's Desiring - Early-Intermediate for Harp
Harpe
Lever Harp - Level 2 - Digital Download SKU: A0.1412425 Composed by Johann Sebastia…
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Lever Harp - Level 2 - Digital Download SKU: A0.1412425 Composed by Johann Sebastian Bach. Arranged by Carrie Tollett and Christy-Lyn Dosé. Classical. Score. 3 pages. Learning the Harp #994509. Published by Learning the Harp (A0.1412425). If you want to challenge yourself and add one of the most well-known classical pieces to your repertoire, this song is for you! It creates such an elegant atmosphere, and people will be so impressed hearing it on the harp. The fingering has been carefully chosen to make it feel as comfortable as possible to play while staying as true as possible to the original. You'll find that a conscious effort is required to keep the right hand relaxed as you play with a long series of overlapping brackets.Difficulty Level and Skills Required: Early-intermediate. The right hand plays the melody with a series of long overlapping brackets. The left hand is simpler often playing 2-3 notes per measure with occasional rolled chords. There are a few lever changes throughout.Type of Harp: For big and small harps, 22 strings (C-C) and larger.Range: The lowest note is D, almost one octave below middle C. The highest note is G, one and a half octaves above middle C.Levers/Pedals: In the key of G major (F levers set to F sharp). A few F lever changes throughout.
$5.00
4.59 €
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Harpe
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Johann Sebastian Bach
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Jesu, Joy Of Man's Desiring - Early-Intermediate for Harp
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Learning the Harp
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SheetMusicPlus
Jesu, Joy Of Man's Desiring - Late-Intermediate for Harp
Harpe
Lever Harp - Level 4 - Digital Download SKU: A0.1412428 Composed by Johann Sebastia…
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Lever Harp - Level 4 - Digital Download SKU: A0.1412428 Composed by Johann Sebastian Bach. Arranged by Carrie Tollett and Christy-Lyn Dosé. Classical. Score. 9 pages. Learning the Harp #994512. Published by Learning the Harp (A0.1412428). It's a perfect opportunity to challenge yourself and add one of the most well-known classical pieces to your repertoire! It creates such a graceful, contemplative atmosphere, perfect for performing in churches, weddings, or simply for your enjoyment. The fingering and lever changes have been carefully chosen and timed to make the piece as comfortable as possible to play. However, you'll find that the right hand is quite taxing and requires concentration to play accurately while staying relaxed!Difficulty Level and Skills Required: Late-intermediate. The right hand plays the melody with a series of long overlapping brackets, scales, and rolled chords. The left hand is less busy, playing many octaves, 10th interval rolled chords, and lever changes.Type of Harp: The big harp version is for 33 strings and larger, but the small harp version works for 26 strings and larger.Range: For big harps: The lowest note is C, two octaves below middle C. The highest note is A, one and a half octaves above middle C. For small harps: The lowest note is C. below middle C. The highest note is G, two and a half octaves above middle C.Levers/Pedals: In the key of G major (F levers set to F sharp). Several F, B, G, and C lever changes throughout. If your harp is tuned in C major, you'll need to tune the B above middle C to B flat for the lever change. Start the piece with the lever set to B natural.
$5.00
4.59 €
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Harpe
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Johann Sebastian Bach
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Jesu, Joy Of Man's Desiring - Late-Intermediate for Harp
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Learning the Harp
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SheetMusicPlus
The Dusty String
Harpe
Harp - Level 3 - Digital Download SKU: A0.797421 Composed by John Peekstock. Concer…
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Harp - Level 3 - Digital Download SKU: A0.797421 Composed by John Peekstock. Concert,Standards. Score. 36 pages. Afghan Press Music for the Harp #4838061. Published by Afghan Press Music for the Harp (A0.797421). Nineteen delightful original tunes. These compositions, written in different styles, reflect Mr. Peekstock's musical experiences as a percussionist and keyboardist. Levers needed for the tunes in this book are F, C, B, E and A. Each piece is unique and enjoyable to play. Some of the tunes can be used for healing-type music, all for background music, and some you will want to add to your concert repertoire! All tunes can be played on a 26-string harp with C below middle C as the lowest note.Table of Contents:The Atrium, Buckles and Britches, The Cathedral Window, The Dusty String, The End of Summer, Gabriel, The Horse by the Door, House on the Hill, John Peekstok's Lament on Returning from Vacation, Mathom, The Memory of Love, Minuet, Portage Lake, Processional, Return to Sand Point, Saltarello, Staying Home, Watson, and When You're Away.
$14.00
12.84 €
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Harpe
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John Peekstock
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The Dusty String
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Afghan Press Music for the Harp
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SheetMusicPlus
Go The Distance
Harpe
Pedal Harp - Level 3 - Digital Download SKU: A0.1495043 By Michael Bolton. By Alan …
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Pedal Harp - Level 3 - Digital Download SKU: A0.1495043 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Olga Benito. Film/TV,Pop. Score. 5 pages. Olga Benito #1071606. Published by Olga Benito (A0.1495043). Discover the magic of Disney’s Hercules with this enchanting harp solo arrangement of Go the Distance crafted specifically for intermediate-level harpists.This arrangement is designed for harpists who want to connect with their audience on an emotional level while showcasing their skills with a beautifully structured piece.This arrangement stays true to the spirit of the original song, while being thoughtfully adapted for the harp to create a truly immersive experience. Whether you're preparing for a recital, seeking a piece that will resonate with audiences, or simply looking for a heartfelt addition to your collection, this arrangement offers a perfect balance of challenge and playability.
$5.99
5.49 €
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Harpe
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Michael Bolton
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Olga Benito
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Go The Distance
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Olga Benito
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SheetMusicPlus
Watermark
Harpe
Lever Harp - Level 2 - Digital Download SKU: A0.1476141 By Enya. By Enya and Roma R…
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Lever Harp - Level 2 - Digital Download SKU: A0.1476141 By Enya. By Enya and Roma Ryan. Arranged by Anne Crosby Gaudet. Celtic,Irish,New Age,Pop,Wedding. Score. 4 pages. Music Discoveries #1053666. Published by Music Discoveries (A0.1476141). Watermark is from the 1988 album by Irish singer and songwriter Enya. Her unique sound features multi-layered vocals and keyboards in a Celtic, ambient New Age style. This Anne Crosby Gaudet arrangement is for early intermediate lever harp. Transposed from the original F Major to G Major, the lever changes are manageable and clearly notated in the score. A slight change in the left hand accompaniment ensures that the music fits beautifully under the hands while staying true to the essence of the original song.Level: Early IntermediateThe left hand accompaniment requires good fluency with larger patterns (1-5-9-8-10) and (1-5-10-8-12). The right hand features a simple, yet expressive melodic line. There are several lever changes, which have been carefully planned and notated.Type of Harp: Best suited for lever harps with 34+ stringsLever requirements: This arrangement is in G Major with F sharps required. You will also need to pre-set a low E flat and will need a treble E flat lever change during performance.This PDF download is 3 page solo.
$5.00
4.59 €
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Harpe
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Enya
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Anne Crosby Gaudet
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Watermark
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Music Discoveries
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SheetMusicPlus
Old French Song
Harpe
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
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Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br> The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
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Harpe
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Pyotr Ilich Tchaikovsky
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Luis Anjos Teixeira
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Old French Song
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Luis Anjos Teixeira
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