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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Classical Tradition
Non classifié
339
Piano & claviers
Piano seul
58
Piano Trio: piano, violon, violoncelle
19
Piano Facile
12
Piano, Voix et Guitare
8
Orgue
7
Instruments en Do
7
Piano, Voix
4
2 Pianos, 4 mains
3
Clavecin
2
Accordéon
2
Accompagnement Piano
1
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 6 mains
1
+ 8 instrumentations
Retracter
Guitares
Guitare
55
Guitare notes et tablatures
10
Mandoline, Guitare (duo)
4
Mandoline
3
Ukulele
2
2 Guitares (duo)
2
4 Guitares (Quatuor)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
32
Voix Soprano, Orchestre
5
Chorale 3 parties
4
Chorale SSAA
1
Chorale 2 parties
1
Chorale Unison
1
Voix haute
1
Chorale SSAATTBB
1
+ 3 instrumentations
Retracter
Vents
Clarinette et Piano
16
Quatuor de Saxophones: 4 saxophones
9
3 Saxophones (trio)
8
Flûte traversière et Piano
7
Hautbois, Piano (duo)
7
2 Flûtes traversières (duo)
7
2 Saxophones (duo)
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Alto et Piano
6
2 Clarinettes (duo)
6
3 Clarinettes (trio)
5
Saxophone Soprano et Piano
5
Quatuor de Flûtes : 4 flûtes
4
Cor anglais, Piano
4
Trio de Flûtes: 3 flûtes
4
Quintette de Saxophone: 5 saxophones
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Clarinette
3
Flûte, Hautbois, Clarinette, Basson
3
2 Flûte à bec (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Saxophone Tenor et Piano
3
Flûte, Hautbois, Basson
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Clarinette et Basson
2
Saxophone Baryton, Piano
2
Clarinette, Guitare (duo)
2
Flûte, Clarinette (duo)
2
Flûte, Violoncelle, Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Basson (duo)
1
Flûte traversière, Orchestre
1
5 Flûtes à bec
1
Ensemble de Flûtes
1
Flûte à bec, Guitare (duo)
1
Quatuor de Flûtes à bec
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette (duo)
1
Ensemble de saxophones
1
Hautbois, Basson (duo)
1
Clarinette Basse
1
Clarinette Basse, Piano
1
Flûte à Bec
1
Clarinette, Orchestre
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à bec Soprano
1
Flûte et Guitare
1
Ensemble de Clarinettes
1
Flûte irlandaise
1
Flûte, Violon, Violoncelle et Piano
1
Quintette de Flûte : 5 flûtes
1
+ 46 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trompette, Piano
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Cor, Orchestre
5
Cor et Piano
5
Cor anglais, Piano
4
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres
3
Trombone et Piano
3
Tuba et Piano
2
3 Trombones (trio)
2
4 Tubas
1
2 Trombones (duo)
1
Ensemble de Trompettes
1
Tuba et Orgue
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette
1
2 Trompettes (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Trombones
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
102
Violon et Piano
15
Violoncelle, Orchestre
11
Violoncelle, Piano
10
Alto, Piano
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Harpe
5
Trio à cordes: 3 violins
4
Trio à Cordes: violon, alto, violoncelle
4
Violon
4
Trio à Cordes: 2 violons, violoncelle
4
Contrebasse, Piano (duo)
3
Quatuor à cordes: 4 violons
3
4 Violoncelles
3
2 Violoncelles (duo)
3
Trio à Cordes: 3 violoncelles
3
Violon, Alto (duo)
3
Violon, Violoncelle (duo)
3
Violon, Guitare (duo)
2
Trio à Cordes: 2 violons, alto
2
Violoncelle
2
Violoncelle, Contrebasse (duo)
2
2 Violons (duo)
2
Alto, Guitare (duo)
1
Trio à cordes: 3 altos
1
2 Altos (duo)
1
Violon (partie séparée)
1
Violoncelle, Basse continue
1
Violon, Clarinette, Piano (trio)
1
Alto, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre
246
Piano et Orchestre
33
Orchestre à Cordes
24
Orchestre, Violon
18
Orchestre de chambre
9
Orchestre d'harmonie
7
Vibraphone
1
Voix et Orchestre
1
+ 3 instrumentations
Retracter
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CLARINETTE
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COR ANGLAIS
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FLUTE A BEC
FLUTE A DIX…
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORGUE
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Vous avez sélectionné:
The Classical Tradition
Harpe
Partitions à imprimer
5 partitions trouvées
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1
The Ring of Harps
Harpe
Harp - Level 3 - Digital Download SKU: A0.797336 Arranged by Nancy Hurrell. Celtic,…
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Harp - Level 3 - Digital Download SKU: A0.797336 Arranged by Nancy Hurrell. Celtic,Classical,Concert,Holiday. Score. 106 pages. Afghan Press Music for the Harp #4807901. Published by Afghan Press Music for the Harp (A0.797336). Playing in a harp ensemble is bliss! Continuing in the tradition of Nancy Hurrell’s other ensemble books, these arrangements for mixed level groups are fun for everyone. The tunes are from Scotland and Ireland, and include a duet, and three-part and four-part ensembles. There are also seven great solos. In addition to the usual toe-tapping Scottish reels, the arrangements use melodic patterns to suggest ripples in the sea (Aran Boat Song), fluttering wings (The Butterfly), and jingling coins (Little Donald of the Sweets). There’s a wonderful range of styles from ancient harmonies to traditional Carolan to jazzy reels. These arrangements have multi-level parts so everyone can join in and play together. Solos are Loch Gamhna, Cliffs of Moher,The Birken Tree, Captain Campbell, Eilean Beag Donn a’Chuain, Little Brown Island in the Ocean (D. Morrison), The High Reel, George Brabazon, Second Air (Turlough O’Carolan). Duet Arrangements are Latha a’ Siubhal Slèibhe Dhomh, One Day as I was Travelling the Mountains.Three Part Ensembles are Domhnall Beag an t-Siucair, Little Donald of the Sweets, Cha Bhi Mi ’Gad Thà ladh, I Will Not Rock You to Sleep, The Butterfly, Miss Murphy (Turlough O’Carolan), The Aran Boat Song. Four Part Ensemble is Flowers of Edinburgh.
$25.00
23.01 €
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Harpe
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Nancy Hurrell
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The Ring of Harps
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Afghan Press Music for the Harp
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SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)- Full Ensemble performance
Harpe
Celtic Harp,Folk Harp,Pedal Harp - Level 4 - Digital Download SKU: A0.1264873 By La…
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Celtic Harp,Folk Harp,Pedal Harp - Level 4 - Digital Download SKU: A0.1264873 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full Performance. Duration 277. Blue Steer Studios #857711. Published by Blue Steer Studios (A0.1264873). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
1.83 €
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Harpe
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn for Harp Ensemble
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Blue Steer Studios
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SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)- Full Ensemble performance
Harpe
Harp - Level 4 - Digital Download SKU: A0.1267054 By Laura Olson. By Laura Olson. A…
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Harp - Level 4 - Digital Download SKU: A0.1267054 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full Performance. Duration 279. Blue Steer Studios #859689. Published by Blue Steer Studios (A0.1267054). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
1.83 €
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Harpe
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn for Harp Ensemble
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Blue Steer Studios
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SheetMusicPlus
Alla Turca Jazz
Harpe
Harp - Digital Download Fantasia on the Rondo from the Piano Sonata in A major K. 331 by…
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Harp - Digital Download Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: single sheet. Eingangsmelodie, Handy- Klingelton, Mozart. Downloadable. Op. 5b. Duration 4 minutes. Schott Music - Digital #Q46259. Published by Schott Music - Digital
The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say\'s arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work\'s improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart\'s interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. The very popular piece was now arranged for harp by Ekaterina Afanasieva.The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone.
Fazil Say\'s arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work\'s improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra.
It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart\'s interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation.
The very popular piece was now arranged for harp by Ekaterina Afanasieva.
$6.99
6.43 €
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Harpe
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Fazil Say
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Ekaterina Afanasieva
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Alla Turca Jazz
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Schott Music - Digital
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SheetMusicPlus
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