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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Composer\\\\\\\'s Song
Non classifié
759
Piano & claviers
Piano seul
502
Piano, Voix
328
Piano Facile
135
Piano, Voix et Guitare
85
Accompagnement Piano
57
Instruments en Do
34
Orgue
34
1 Piano, 4 mains
23
Piano Quatuor: piano, violon, alto, violoncelle
7
Accordéon
6
Piano Trio: piano, violon, violoncelle
6
2 Pianos, 4 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare
35
Ukulele
24
Guitare notes et tablatures
22
Ligne De Mélodie, (Paroles) et Accords
21
Piano, Guitare (duo)
6
Mandoline
4
2 Guitares (duo)
4
Guitare (partie séparée)
2
+ 3 instrumentations
Retracter
Voix
Chorale SATB
273
Chorale 3 parties
80
Voix Soprano, Piano
51
Voix Tenor, Piano
50
Chorale 2 parties
50
Voix Alto, Piano
45
Voix Baryton, Piano
34
Chorale Unison
31
Chorale SSAA
24
Voix haute
19
Chorale TTBB
17
Voix moyenne, Piano
16
Voix duo
12
Voix Tenor
8
Voix Mezzo-Soprano, Piano
8
Chorale SSAATTBB
4
Voix basse, Piano
4
Voix seule
4
Voix duo, Piano
4
Voix basse
3
Chorale SSATTB
2
Chorale
1
Voix Soprano
1
Chorale SSAB a cappella
1
Chorale SSAB, Piano
1
Voix Baryton
1
Chorale SATBB
1
+ 22 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
105
Quintette de Saxophone: 5 saxophones
88
Flûte traversière et Piano
78
Saxophone Alto et Piano
62
Clarinette et Piano
61
Quatuor de Saxophones: 4 saxophones
48
Hautbois, Piano (duo)
46
Saxophone Alto
32
Clarinette
32
Saxophone Tenor et Piano
30
Quatuor de Clarinettes: 4 clarinettes
30
Saxophone Soprano et Piano
30
Ensemble de saxophones
29
Flûte traversière
27
Flûte, Hautbois, Clarinette, Basson
25
Saxophone Tenor
22
2 Saxophones (duo)
21
2 Flûtes traversières (duo)
21
Saxophone Baryton, Piano
20
Ensemble De Flûte à bec
19
Cor anglais, Piano
18
Ensemble de Clarinettes
18
Saxophone (partie séparée)
18
Hautbois (partie séparée)
17
2 Clarinettes (duo)
14
Flûte, Violon, Piano
13
Clarinette Basse, Piano
12
Ensemble de Flûtes
12
Quatuor de Flûtes : 4 flûtes
11
3 Saxophones (trio)
10
Quintette de Flûte : 5 flûtes
10
Quintette de Clarinettes: 5 clarinettes
9
3 Clarinettes (trio)
7
Quatuor de Flûtes à bec
7
Flûte, Violon
4
Ocarina
4
5 Flûtes à bec
4
Flûte et Guitare
4
Clarinette, Guitare (duo)
4
Flute (partie séparée)
3
Flûte, Violoncelle
3
Flûte à bec Soprano, Piano
3
2 Flûtes traversières, Piano
3
Trio de Flûtes: 3 flûtes
3
2 Flûte à bec (duo)
3
Harmonica
3
Flûte à bec Alto
3
Flûte à bec Soprano
3
Clarinette, Violoncelle (duo)
2
Piccolo, Piano
2
Hautbois
2
Saxophone Soprano
2
2 Flûtes traversières, Harpe
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Tenor
1
Hautbois, Violoncelle
1
Cor anglais, Guitare (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Clarinettes, Piano
1
Flûte, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Clarinette, Trompette (duo)
1
Hautbois, Violoncelle et Piano
1
Saxophone et Guitare
1
Ensemble de Hautbois
1
Hautbois, Basson (duo)
1
2 Clarinettes, Basson
1
+ 63 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
144
Quatuor de Cuivres : 2 trompettes, trombone, tuba
71
Trombone et Piano
46
Cor et Piano
41
Trompette
31
Trompette, Piano
27
Trombone
24
Euphonium, Piano (duo)
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Tuba et Piano
20
Cor anglais, Piano
18
Trompette (partie séparée)
12
Quatuor de Cuivres
12
Ensemble de Trombones
11
Ensemble de Trompettes
10
2 Trompettes (duo)
7
Cor
6
Quatuor de cuivres: 4 cors
4
2 Trombones (duo)
4
Trombone (partie séparée)
4
2 Cors (duo)
4
Quatuor de cuivres: 4 trompettes
3
Quatuor de cuivres: 4 trombones
3
Trio de Cuivres
2
Cor (partie séparée)
2
Tuba (partie séparée)
2
Tuba
2
2 Euphoniums (duo)
1
3 Trombones (trio)
1
Cor anglais et Harpe (duo)
1
Cor anglais, Guitare (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Tubas (duo)
1
4 Tubas
1
Clarinette, Cor (duo)
1
3 Trompettes (trio)
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
134
Violon et Piano
94
Violoncelle, Piano
71
Alto, Piano
61
Violon
31
Violoncelle
22
Trio à Cordes: violon, alto, violoncelle
14
Alto seul
13
2 Violoncelles (duo)
13
2 Violons (duo)
12
Violon, Violoncelle (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Alto (partie séparée)
9
Harpe
9
2 Altos (duo)
9
Trio à Cordes: 2 violons, violoncelle
8
Ensemble de Violons
8
Harpe, Flûte (duo)
7
Ensemble d'Altos
6
4 Violoncelles
5
Contrebasse, Piano (duo)
4
Violon (partie séparée)
4
Harpe, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
3
Harpe, Violon (duo)
2
Alto et Harpe
2
Violon, Guitare (duo)
2
Contre Basse
2
Quatuor à cordes : 4 altos
1
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
Violoncelle, Orgue
1
Violoncelle , Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Alto, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
Violon, Alto (duo)
1
Ensemble de Violoncelles
1
2 Violons, Piano
1
Violon, Basson (duo)
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
76
Orchestre à Cordes
60
Orchestre
57
Orchestre de chambre
33
Ensemble de cuivres
29
Ensemble Jazz
17
Cloches
11
Jazz combo
4
Marimba
2
Ensemble de Percussions
2
Fanfare
1
Xylophone
1
Batterie (partie séparée)
1
Batterie
1
+ 9 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
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COMEDIES MUSICALES -…
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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Vous avez sélectionné:
The Composer\\\\\\\'s Song
Harpe
Partitions à imprimer
9 partitions trouvées
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1
The King's Bard
Harpe
Harp - Level 3 - Digital Download SKU: A0.797294 Arranged by Darhon Rees-Rohrbacher…
(+)
Harp - Level 3 - Digital Download SKU: A0.797294 Arranged by Darhon Rees-Rohrbacher. Celtic,Classical,Folk. Score. 35 pages. Afghan Press Music for the Harp #4800674. Published by Afghan Press Music for the Harp (A0.797294). Welsh airs used in this publication were collected by Edward Jones (1751-1824), harper to King George IV. Jones was born in North Wales and in about 1775 moved to London where he enjoyed a nearly 50-year career as composer, arranger, performer and teacher.This delightful collection of arrangements is a real treat and something a little bit different for your repertoire. As usual, Darhon's arrangements are wonderfully playable with enough complexity to be interesting. Each of the melodies stands alone but, as she has done with other collections, Darhon has arranged them in a progressive key order so that they can be played together en-suite. Several of the tunes would make wonderful wedding processionals and others are perfect for a prelude.Table of Contents: Hob y Deri Danno (Away to the Oaken Grove), Cwynfan Brydain (The Lamentation of Britain), Ysgin Aur (The Golden Robe), Dewis Meinwen (The Fair One’s Choice), Triban Gwŷr Morganwg (War Song of the Men of Glamorgan), Ruban Morfydd (Morvydd’s Ribband), Pen Rhaw (The Spade’s Head), Serch Hudol (The Allurement of Love), Castell Tywyn (Towyn Castle), Toriad y Dydd (The Dawn of Day), Croeso’r Wenynen (Welcome the Bee), Galon Drom (The Heavy Heart), Gil y Fwyalch (The Blackbird’s Retreat), Mwynen Môn (The Melody of Mona), Mantell Siani (Jenny’s Mantle)
$18.00
16.59 €
#
Harpe
#
Darhon Rees-Rohrbacher
#
The King's Bard
#
Afghan Press Music for the Harp
#
SheetMusicPlus
The Sound Of Silence
Harpe
Harp - Level 2 - Digital Download By Simon And Garfunkel. By Paul Simon. Arranged by Ch…
(+)
Harp - Level 2 - Digital Download By Simon And Garfunkel. By Paul Simon. Arranged by Christy-Lyn Dosé. 20th Century, Contemporary, Rock. Score. 4 pages. Learning the Harp #647095. Published by Learning the Harp
Early-intermediate for big and small harps. The song was written by Simon and Garfunkel in 1964, but it's become a meme in recent years, so it?s still very relevant today! Christy-Lyn?s intermediate arrangement is reminiscent of the finger-picking guitar in the original version of the song, with broken chords and some harmonies in the left hand and a right hand melody that's been adapted to sound best on the harp. If you learn this piece from the Video Course, you?ll get essential practice tips on how to make the piece flow and sound musical, much faster than learning on your own!..........DIFFICULTY LEVEL and SKILLS REQUIRED: Early-intermediate. This piece has a simple melody in the right hand, with a left hand accompaniment that is a step up in complexity and variation from late-beginner pieces. There are parts of the piece where the two hands play the same notes straight after each other, which can be a challenge for placing without buzzing. There is quite a lot of syncopation ? a rhythmic challenge! The left hand jumps around a fair bit, and the right hand has to place some tricky 4 finger chords. ..........TYPE OF HARP: Big and small harps, including 22 string (C to C) and bigger. ..........RANGE: Lowest note is C an octave below middle C, highest note is B almost 2 octaves above middle C...........LEVERS/PEDALS: It is in the key of G major, with no lever changes. Harps without levers can tune their F strings to F sharps. ..........WHAT'S INCLUDED: PDF download of 4 pages. Fingering and bracketing are included. This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.Early-intermediate for big and small harps. The song was written by Simon and Garfunkel in 1964, but it's become a meme in recent years, so it?s still very relevant today! Christy-Lyn?s intermediate arrangement is reminiscent of the finger-picking guitar in the original version of the song, with broken chords and some harmonies in the left hand and a right hand melody that's been adapted to sound best on the harp. If you learn this piece from the Video Course, you?ll get essential practice tips on how to make the piece flow and sound musical, much faster than learning on your own!..........DIFFICULTY LEVEL and SKILLS REQUIRED: Early-intermediate. This piece has a simple melody in the right hand, with a left hand accompaniment that is a step up in complexity and variation from late-beginner pieces. There are parts of the piece where the two hands play the same notes straight after each other, which can be a challenge for placing without buzzing. There is quite a lot of syncopation ? a rhythmic challenge! The left hand jumps around a fair bit, and the right hand has to place some tricky 4 finger chords. ..........TYPE OF HARP: Big and small harps, including 22 string (C to C) and bigger. ..........RANGE: Lowest note is C an octave below middle C, highest note is B almost 2 octaves above middle C...........LEVERS/PEDALS: It is in the key of G major, with no lever changes. Harps without levers can tune their F strings to F sharps. ..........WHAT'S INCLUDED: PDF download of 4 pages. Fingering and bracketing are included.
This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$5.00
4.61 €
#
Harpe
#
Simon And Garfunkel
#
Christy-Lyn Dosé
#
The Sound Of Silence
#
Learning the Harp
#
SheetMusicPlus
Old French Song
Harpe
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
(+)
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br> The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.6 €
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Harpe
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Pyotr Ilich Tchaikovsky
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Luis Anjos Teixeira
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Old French Song
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Luis Anjos Teixeira
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SheetMusicPlus
The Renaissance Solo-Duo Book
Harpe
Harp - Intermediate - Digital Download Arranged by Darhon Rees- Rohrbacher. Renaissanc…
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Harp - Intermediate - Digital Download Arranged by Darhon Rees- Rohrbacher. Renaissance. 37 pages. Published by Afghan Press Music for the Harp
Fifteen elegant, stately melodies from the Renaissance and early Baroque periods adapted from popular dance tunes, keyboard works and lute songs of the 16th and early 17th centuries. Freely harmonized, they capture the flavor of the period. The "primo" harp part can stand alone as a solo arrangement, while the "secondo" harp part is designed to enhance and fill out the first part. Composers are Gervaise, Dowland, Praetorius, Morley, Arbeau, Caroubel, and the ever popular "Anonymous".<br> <br> Contents: Bransle de Bourgogne, Galliarde for Queen Elizabeth I, Siciliano, Captain Piper's Gailliarde, Pavane d'Angleterre, Spagnoletta, Bransle de Champagne, Nancie, Pavane: Belle Qui Tiens Ma Vie, L'Espagnoletta, Ladie Laiton's Alman, Pavane: Le Force d'Hercole, Sleep Wayward Thoughts, Bransle de la TorcheFifteen elegant, stately melodies from the Renaissance and early Baroque periods adapted from popular dance tunes, keyboard works and lute songs of the 16th and early 17th centuries. Freely harmonized, they capture the flavor of the period. The "primo" harp part can stand alone as a solo arrangement, while the "secondo" harp part is designed to enhance and fill out the first part. Composers are Gervaise, Dowland, Praetorius, Morley, Arbeau, Caroubel, and the ever popular "Anonymous".<br> <br> Contents: Bransle de Bourgogne, Galliarde for Queen Elizabeth I, Siciliano, Captain Piper's Gailliarde, Pavane d'Angleterre, Spagnoletta, Bransle de Champagne, Nancie, Pavane: Belle Qui Tiens Ma Vie, L'Espagnoletta, Ladie Laiton's Alman, Pavane: Le Force d'Hercole, Sleep Wayward Thoughts, Bransle de la Torche
$15.00
13.83 €
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Harpe
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Darhon Rees- Rohrbacher
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The Renaissance Solo-Duo Book
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Afghan Press Music for the Harp
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SheetMusicPlus
Carolan's Receipt for Drinking
Harpe
Harp - Level 3 - Digital Download SKU: A0.948776 Composed by Turlough O'carolan. Ar…
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Harp - Level 3 - Digital Download SKU: A0.948776 Composed by Turlough O'carolan. Arranged by Darren Raleigh. Baroque,Celtic,Folk,Standards. Score. 2 pages. Darren Raleigh #4346199. Published by Darren Raleigh (A0.948776). This is the second-to-last song composed in 1738 by the greatest composer of music for the Celtic harp: Turlough O'Carolan. The story goes that when Turlough was quite old he went to his doctor, who told him that if he didn't give up the whiskey he couldn't be assured of seeing another year. So Turlough did what any sane man would do: he got a second opinion. He consulted Dr. John Stafford who wrote him a prescription (in those days it was called a receipt) for whiskey, and it return O'Carolan wrote this. .
$5.00
4.61 €
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Harpe
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Turlough O'carolan
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Darren Raleigh
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Carolan's Receipt for Drinking
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Darren Raleigh
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SheetMusicPlus
PEACE (Harp)
Harpe
Harp - Level 3 - Digital Download SKU: A0.934933 Composed by Carla Rose Kelly. Arra…
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Harp - Level 3 - Digital Download SKU: A0.934933 Composed by Carla Rose Kelly. Arranged by Yumiko Nakajima. Children,Musical/Show,New Age,Sacred,Spiritual. Score. 4 pages. Carla Rose Kelly #4802185. Published by Carla Rose Kelly (A0.934933). Peace is a Global Music Award winning song 2019 for category Healing/Meditation Music. The notes were created as an answer to this composer's prayer for peace in her mind. When she felt the power of this song to clear the mind of clutter, and offer peace, she knew it could help so many others as well: It was Music as Medicine.
$5.55
5.12 €
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Harpe
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Carla Rose Kelly
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Yumiko Nakajima
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PEACE
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Carla Rose Kelly
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SheetMusicPlus
Harp Moments Christmas and Holiday Music
Harpe
Composed by Anna Dunwoodie. Arranged by Anna Dunwoodie. Celtic, Christmas, Contempor…
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Composed by Anna Dunwoodie. Arranged by Anna Dunwoodie. Celtic, Christmas, Contemporary, Holiday, Irish. Score. 42 pages. Anna Dunwoodie #646609. Published by Anna Dunwoodie
Fifteen arrangements and three original compositions for lever harp. This collection includes music from all over the world, including a special arrangement of a hymn from New Zealand, by Maori composer Richard Puanaki. The music includes a few lever pre-sets, and some lever changes, plus some harmonic effects. This music ranges from early to late intermediate and is all playable on a lever harp.Contents:Baloo Lammy (Scotland)Ma\'oz Tzur (Jewish)Twinkling Lights (original)Jul, Jul Stralande Jul (G Nordqvist)Ka Waiata Ki a Maria (R Puanaki)O, Little Town of Bethlehem (English version)I Heard the Bells on Christmas Day (American)The Seven Joys of Mary (Irish)Seashells, Christmas Bells (original)Christ Child\'s Lullaby (Hebridean)Let\'s Celebrate (original)Oh Come, Oh Come Emmanuel (12th Century)Zion\'s Daughter (G.F Handel)Watts\' Cradle Song (Isaac Watts)In The Bleak Midwinter (Rossetti/Holst)Mitt Hjerte Alltid Vanker (Brorson/Danish)The Cherry Tree Carol (English)See Amid the Winter\'s Snow (Caswell/Goss).Fifteen arrangements and three original compositions for lever harp. This collection includes music from all over the world, including a special arrangement of a hymn from New Zealand, by Maori composer Richard Puanaki. The music includes a few lever pre-sets, and some lever changes, plus some harmonic effects. This music ranges from early to late intermediate and is all playable on a lever harp.Contents:Baloo Lammy (Scotland)Ma\'oz Tzur (Jewish)Twinkling Lights (original)Jul, Jul Stralande Jul (G Nordqvist)Ka Waiata Ki a Maria (R Puanaki)O, Little Town of Bethlehem (English version)I Heard the Bells on Christmas Day (American)The Seven Joys of Mary (Irish)Seashells, Christmas Bells (original)Christ Child\'s Lullaby (Hebridean)Let\'s Celebrate (original)Oh Come, Oh Come Emmanuel (12th Century)Zion\'s Daughter (G.F Handel)Watts\' Cradle Song (Isaac Watts)In The Bleak Midwinter (Rossetti/Holst)Mitt Hjerte Alltid Vanker (Brorson/Danish)The Cherry Tree Carol (English)See Amid the Winter\'s Snow (Caswell/Goss).
$20.00
18.44 €
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Harpe
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Anna Dunwoodie
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Anna Dunwoodie
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Harp Moments Christmas and Holiday Music
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SheetMusicPlus
Sussex Carol (On Christmas Night) for PEDAL harp
Harpe
Harp, Pedal Harp - Advanced Intermediate - Digital Download Composed by Traditional …
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Harp, Pedal Harp - Advanced Intermediate - Digital Download Composed by Traditional English. Arranged by Stephanie Bennett. Christian, Praise & Worship, Christmas, Recital. 8 pages. Published by Harpworld Music Co.
Item Number: S0.940053<br> <br> On Christmas night all Christians sing to hear the news the angels bring.<br> On Christmas night all Christians sing to hear the news the angels bring. <br> News of great joy, news of great mirth, <br> News of our merciful King's birth!<br> <br> This joyous Christmas song was first published by Luke Wadding, an Irish bishop, in a 17th century collection called Small Garland of Godly and Pious Songs. It became known as “Sussex Carol” in the early 20th century upon being collected by British composer Ralph Vaughan Williams, who heard it being sung by a folk singer in Sussex, England. He later included it in his choral settings, Eight Traditional English Carols and Fantasia on Christmas Carols.<br> <br> This pedal harp arrangement is in the key of G flat (with a short section in D flat mixolydian for variety, from measures 56 to 65). There are no pedal changes. <br> <br> The right hand has the melody most of the time, with the left hand accompanying; but the left hand gets to take center stage from measures 33 through 47; again from measures 86 through 89; and again at the end, from measures 100 through 106. <br> <br> I’ve also made a lever harp arrangement of this song, which is similar except that it’s in the key of G. If you ever wanted to play this arrangement in G instead of G flat, you could do so just by setting the pedals to the key of G at the beginning (and ignoring the key signature). <br> <br> Perfect for all Christmas events: from church services, to concerts, to parties. <br> <br> For more harp arrangements by Stephanie Bennett, subscribe to HarpworldMusicCo on YouTube, and visit www.harpworld.com/sheetmusic.html. <br> <br> I hope you enjoy sharing this cheerful song with your listeners, during many happy holidays! — Stephanie BennettItem Number: S0.940053<br> <br> On Christmas night all Christians sing to hear the news the angels bring.<br> On Christmas night all Christians sing to hear the news the angels bring. <br> News of great joy, news of great mirth, <br> News of our merciful King's birth!<br> <br> This joyous Christmas song was first published by Luke Wadding, an Irish bishop, in a 17th century collection called Small Garland of Godly and Pious Songs. It became known as “Sussex Carol” in the early 20th century upon being collected by British composer Ralph Vaughan Williams, who heard it being sung by a folk singer in Sussex, England. He later included it in his choral settings, Eight Traditional English Carols and Fantasia on Christmas Carols.<br> <br> This pedal harp arrangement is in the key of G flat (with a short section in D flat mixolydian for variety, from measures 56 to 65). There are no pedal changes. <br> <br> The right hand has the melody most of the time, with the left hand accompanying; but the left hand gets to take center stage from measures 33 through 47; again from measures 86 through 89; and again at the end, from measures 100 through 106. <br> <br> I’ve also made a lever harp arrangement of this song, which is similar except that it’s in the key of G. If you ever wanted to play this arrangement in G instead of G flat, you could do so just by setting the pedals to the key of G at the beginning (and ignoring the key signature). <br> <br> Perfect for all Christmas events: from church services, to concerts, to parties. <br> <br> For more harp arrangements by Stephanie Bennett, subscribe to HarpworldMusicCo on YouTube, and visit www.harpworld.com/sheetmusic.html. <br> <br> I hope you enjoy sharing this cheerful song with your listeners, during many happy holidays! — Stephanie Bennett
$8.00
7.38 €
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Harpe
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Traditional English
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Stephanie Bennett
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Worship, Christmas, Recital
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Sussex Carol
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SheetMusicPlus
Sussex Carol (On Christmas Night) for LEVER harp
Harpe
Harp, Lever Harp - Advanced Intermediate - Digital Download Composed by Traditional …
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Harp, Lever Harp - Advanced Intermediate - Digital Download Composed by Traditional English. Arranged by Stephanie Bennett. Christian, Praise & Worship, Christmas, Recital. 8 pages. Published by Harpworld Music Co.
On Christmas night all Christians sing to hear the news the angels bring.<br> On Christmas night all Christians sing to hear the news the angels bring. <br> News of great joy, news of great mirth, <br> News of our merciful King's birth!<br> <br> This joyous Christmas song was first published by Luke Wadding, an Irish bishop, in a 17th century collection called Small Garland of Godly and Pious Songs. It became known as “Sussex Carol” in the early 20th century upon being collected by British composer Ralph Vaughan Williams, who heard it being sung by a folk singer in Sussex, England. He later included it in his choral settings, Eight Traditional English Carols and Fantasia on Christmas Carols.<br> <br> This lever harp arrangement is in the key of G (with a short section in D mixolydian for variety, from measures 56 to 65). There are no lever changes. It is suited for harps with at least 34 strings.<br> <br> The right hand has the melody most of the time, with the left hand accompanying; but the left hand gets to take center stage from measures 33 through 47; again from measures 86 through 89; and again at the end, from measures 100 through 106.<br> <br> This arrangement is great for all Christmas events, from church services to concerts to parties. <br> The YouTube video shows the pedal harp arrangement, which is exactly the same as the lever harp arrangement except that it is in the key of G flat instead of G; and it has ONE extra very low note at the very end.<br> <br> For more harp arrangements by Stephanie Bennett, please subscribe to HarpworldMusicCo on Youtube, and visit www.harpworld.com/sheetmusic.html. <br> I hope you enjoy sharing this cheerful song with your listeners, during many happy holidays! - Stephanie BennettOn Christmas night all Christians sing to hear the news the angels bring.<br> On Christmas night all Christians sing to hear the news the angels bring. <br> News of great joy, news of great mirth, <br> News of our merciful King's birth!<br> <br> This joyous Christmas song was first published by Luke Wadding, an Irish bishop, in a 17th century collection called Small Garland of Godly and Pious Songs. It became known as “Sussex Carol” in the early 20th century upon being collected by British composer Ralph Vaughan Williams, who heard it being sung by a folk singer in Sussex, England. He later included it in his choral settings, Eight Traditional English Carols and Fantasia on Christmas Carols.<br> <br> This lever harp arrangement is in the key of G (with a short section in D mixolydian for variety, from measures 56 to 65). There are no lever changes. It is suited for harps with at least 34 strings.<br> <br> The right hand has the melody most of the time, with the left hand accompanying; but the left hand gets to take center stage from measures 33 through 47; again from measures 86 through 89; and again at the end, from measures 100 through 106.<br> <br> This arrangement is great for all Christmas events, from church services to concerts to parties. <br> The YouTube video shows the pedal harp arrangement, which is exactly the same as the lever harp arrangement except that it is in the key of G flat instead of G; and it has ONE extra very low note at the very end.<br> <br> For more harp arrangements by Stephanie Bennett, please subscribe to HarpworldMusicCo on Youtube, and visit www.harpworld.com/sheetmusic.html. <br> I hope you enjoy sharing this cheerful song with your listeners, during many happy holidays! - Stephanie Bennett
$8.00
7.38 €
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Harpe
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Traditional English
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Stephanie Bennett
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Worship, Christmas, Recital
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Sussex Carol
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SheetMusicPlus
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