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Harpe
Partitions à imprimer
5 partitions trouvées
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1
Don't Stop Believin' (Journey) for Double-strung Harp
Harpe
By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Publis…
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By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson
Your audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin
$6.99
6.42 €
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Harpe
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Journey
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Karen Peterson
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Don't Stop Believin'
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SheetMusicPlus
Always On My Mind
Harpe
Lever Harp - Level 3 - Digital Download SKU: A0.1408929 By Willie Nelson. By Johnny…
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Lever Harp - Level 3 - Digital Download SKU: A0.1408929 By Willie Nelson. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Laurie Peterson. 20th Century,Country,Pop. Score. 5 pages. Laurie Peterson #991533. Published by Laurie Peterson (A0.1408929). This touching song is based on the recording by Willie Nelson (1982). It is for intermediate-level harp and can be played by lever or pedal harpists. It is in the key of G and has one lever change (C to C-sharp and back again) that is clearly marked the two times it appears. It can be played on a 34+ string lever harp or any pedal harp.It is to be played tenderly at a moderate tempo and is a beautiful song for your repertoire.
$5.99
5.5 €
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Harpe
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Willie Nelson
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Laurie Peterson
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Always On My Mind
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Laurie Peterson
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SheetMusicPlus
Away in a Manger extended version
Harpe
Harp - Digital Download SKU: A0.771430 Composed by Traditional. Arranged by Cynthia…
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Harp - Digital Download SKU: A0.771430 Composed by Traditional. Arranged by Cynthia A. Boener. Christian,Christmas,Sacred,Standards. Score. 4 pages. Cynthia Boener #6135967. Published by Cynthia Boener (A0.771430). This sweet arrangement of the very popular Away in a Manger incorporates two common melodies. This hymn has long been claimed to be the work of Martin Luther, but researchers now believe that it may be completely American in origin. The two tunes employed are by William J. Kirkpatrick and James Ramsey Murray. Americans typically use the melody by Kirkpatrick (sometimes known as Mueller), while the common melody in England is the one by Murray (also known as Cradle Song).
$5.95
5.46 €
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Harpe
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Traditional
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Cynthia A
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Away in a Manger extended version
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Cynthia Boener
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SheetMusicPlus
Alla Turca Jazz
Harpe
Harp - Digital Download Fantasia on the Rondo from the Piano Sonata in A major K. 331 by…
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Harp - Digital Download Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: single sheet. Eingangsmelodie, Handy- Klingelton, Mozart. Downloadable. Op. 5b. Duration 4 minutes. Schott Music - Digital #Q46259. Published by Schott Music - Digital
The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say\'s arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work\'s improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart\'s interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. The very popular piece was now arranged for harp by Ekaterina Afanasieva.
$6.99
6.42 €
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Harpe
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Fazil Say
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Ekaterina Afanasieva
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Alla Turca Jazz
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Schott Music - Digital
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SheetMusicPlus
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