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703
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18
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209
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41
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32
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21
2 Violons, Piano
15
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10
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9
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7
Violon, Alto (duo)
5
2 Violoncelles (duo)
3
2 Violons (duo)
3
Contrebasse, Piano (duo)
2
2 Altos (duo)
1
Alto (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
Alto, Violoncelle (duo)
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Violon (partie séparée)
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Trio à cordes: 3 altos
1
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Batterie
5929
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1173
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144
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109
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25
Fanfare
14
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11
Cloches
10
Orchestre de chambre
9
Ensemble de Percussions
9
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Jazz combo
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AUTRES
Formation musicale - Solfège
131
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Debussy : 6 épigraphes antiques, L. 131 - II. Pour un tombeau sans nom (Duo Flûte-Harpe)
Harpe
Téléchargez la partition Harpe 6 épigraphes antiques, L. 131 - II. Pour un tombeau sans…
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Téléchargez la partition Harpe 6 épigraphes antiques, L. 131 - II. Pour un tombeau sans nom (Duo Flûte-Harpe) de Debussy. Partition pour Duo (Harpe-Flûte) -- Classique
5.99 €
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Harpe
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Debussy
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6 épigraphes antiques, L. 131
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Tomplay
La Vie En Rose (elena Urioste And Tom Poster Version)
Harpe
Harp - Level 3 - Digital Download SKU: A0.836296 By Elena Urioste And Tom Poster. B…
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Harp - Level 3 - Digital Download SKU: A0.836296 By Elena Urioste And Tom Poster. By Luis Guglielmo Guglielmi. Arranged by Rena Ng. Pop,Wedding. Score. 3 pages. Rena Ng #6794409. Published by Rena Ng (A0.836296). A harp solo arrangement of the classic French song La Vie En Rose by Edith Piaf. Recommended for intermediate to advanced intermediate level players on both lever (tuned in Eb major) and pedal harps. Lever change markings are indicated.
$5.99
5.45 €
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Harpe
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Elena Urioste And Tom Poster
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Rena Ng
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La Vie En Rose
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Rena Ng
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SheetMusicPlus
A Big Cat Hug
Harpe
Harp, Pedal Harp - Digital Download Composed by Stephanie Bennett. 20th Century, Im…
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Harp, Pedal Harp - Digital Download Composed by Stephanie Bennett. 20th Century, Impressionistic, Neo- Classical, Recital. 8 pages. Published by Harpworld Music Co.
A lyrical and beautiful pedal harp solo, advanced-intermediate level. As heard on Stephanie Bennett's CD "Stories Seldom Told", available on iTunes, CDBaby.com and harpworld.com. The style moves from a peaceful folk-music feel to flowing impressionism and back again The composer says "I composed this piece one afternoon while watching my beloved cat sleeping. At the end of the recording, I had the engineer add the sound of a cat purring; so I recommend that for full effect, you purr at the conclusion of the piece. Or ask your audience to purr, as I usually do." Fingerings are included, and notations are explained in footnotes at the bottom of each page. If you print it out on paper, make sure the ODD numbered pages are on the RIGHT and the EVEN numbered pages are on the LEFT, which makes the page-turns doable (you turn the page after the right, ODD numbered pages).A lyrical and beautiful pedal harp solo, advanced-intermediate level. As heard on Stephanie Bennett's CD "Stories Seldom Told", available on iTunes, CDBaby.com and harpworld.com. The style moves from a peaceful folk-music feel to flowing impressionism and back again The composer says "I composed this piece one afternoon while watching my beloved cat sleeping. At the end of the recording, I had the engineer add the sound of a cat purring; so I recommend that for full effect, you purr at the conclusion of the piece. Or ask your audience to purr, as I usually do." Fingerings are included, and notations are explained in footnotes at the bottom of each page. If you print it out on paper, make sure the ODD numbered pages are on the RIGHT and the EVEN numbered pages are on the LEFT, which makes the page-turns doable (you turn the page after the right, ODD numbered pages).
$7.00
6.37 €
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Harpe
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Stephanie Bennett
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A Big Cat Hug
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Harpworld Music Co.
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SheetMusicPlus
Modal Moods
Harpe
Lever Harp - Level 3 - Digital Download SKU: A0.1287455 Composed by Darhon Rees-Roh…
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Lever Harp - Level 3 - Digital Download SKU: A0.1287455 Composed by Darhon Rees-Rohrbacher. 20th Century,21st Century,Celtic,Early Music,Irish,Multicultural,World. Score. 22 pages. Afghan Press Music for the Harp #878476. Published by Afghan Press Music for the Harp (A0.1287455). Seven Original Compositions In Varied Styles Based On Seven Modal Scales For All Harps (Lever or Pedal) With Guitar ChordsTable of Contents1. Ionian Intonation 12. Dorian Delight 33. Phrygian Phrolic 54. Lydian Lilt 75. Mixolydian Mirth 96. Aeolian Aire 117. Locrian Lament 13These tunes may be played on lever harps with an Eb, Bb, F, or C tuning or on any pedal harp. All tunes were typeset to fit exactly on two facing pages to eliminate any page turns within a piece. If desired, the length of each piece can be lengthened by repeating some sections; section divisions are indicated by light double bar lines. Many people are unaccustomed to hearing tunes based on modes other than the Ionian or Aeolian. Therefore, you may find some of the melodic contours or harmonies to be unusual, unexpected, or even uncomfortable. There are only three lever changes in this entire book – and they all occur on the last note of the piece. Guitar chords are included so that the melody may be played by any C instrument, accompanied by chords on harp, lute, guitar, or keyboard. Also, the transcribed harp part can be played on any keyboard instrument with only minoradjustments.Dynamics, fingering, and metronome markings are provided throughout as an aid to performance. However, the harper should use whatever dynamics, fingerings, and tempos suit them, no matter what this book indicates! The maximum range needed for each piece is only 26 strings (3.5 octaves) from low C to high G. Therefore, it can be played on a small harp encompassing that range. Simply treat the C two octaves below middle C as the lowest C on your harp and adjust the octaves accordingly. Ignore any 8va indications and shorten glissandos as needed.
$10.00
9.11 €
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Harpe
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Darhon Rees-Rohrbacher
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Modal Moods
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Afghan Press Music for the Harp
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SheetMusicPlus
The Volcano`s Lake
Harpe
Harp - Level 2 - Digital Download SKU: A0.889438 Composed by Luis Anjos Teixeira. C…
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Harp - Level 2 - Digital Download SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665. Published by Luis Anjos Teixeira (A0.889438). The piece is thou very simple and easy to perform. It is appropriate for the harp and it sounds great on any kind of harp. When using a little lap harp, one can easily transpose the bass voice an octave higher. It is a flexible piece, you can play it slower or a little faster and even the arpeggio in the end that becomes quite easy after some practice could be replaced by a simple glissando. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Your Soul. It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira „Now comes the Little Story The Volcano`s Lake was composed on a volcano called Pico that stands out about 2000 meters above see level right in the middle of the Atlantic ocean. From the bottom of the ocean to its pick it is higher than mount Everest. I like to know that there are an enormous amount of different species of whales that live in this area and many others that go there strictly for romance. I went there to perform with the harp but was at the same time deeply morning the death of my Dear Cat Mary Jane that tragically passed away the day before the flight. In this isle I was having at night strange dreams of epic battles and fights between flying Angels and Demons. In one of these dreams „Time and Matter were a byproduct of „Music itself. The wind was blowing, the volcano was dancing and the water on the lake was whispering enchanting melodies. As soon as I woke up I wrote some notes before they vanished away, just a fragment of an idea of what I was listening in the dream. I named it „The Volcano`s Lake, because the „Lake was comforting me with its melodies, I realized that my tears were also becoming the lake itself and in this lake I was becoming one with Mary Jane and all the rest of the Universe. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Mary Jane, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score.
$6.79
6.18 €
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Harpe
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Luis Anjos Teixeira
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The Volcano`s Lake
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Luis Anjos Teixeira
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SheetMusicPlus
Silent Night--cello/cello/harp trio
Harpe
Small Ensemble,Strings Cello,Harp - Level 4 - Digital Download SKU: A0.786749 Compo…
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Small Ensemble,Strings Cello,Harp - Level 4 - Digital Download SKU: A0.786749 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and parts. 8 pages. Beka Wilson #6431043. Published by Beka Wilson (A0.786749). A gorgeous, thoughtful rendition of a Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutes--8 pages (includes score and parts)Level: intermediate for most instruments, advanced intermediate for violin/viola/cello due to pizzicato and/or double stops. Versions with the harp part have no sudden lever changes and a 6-measure rest for the harp near the key change. This arrangement is available as a trio for:flute/flute/harpviolin/violin/harpviola/viola/harpcello/cello/harp;As a duet (with piano accompaniment) for: two flutes/oboestwo B flat instruments (clarinet, trumpet, tenor sax, etc)two alto saxestwo F hornstwo bass clef C instruments (bassoon, trombone, etc)two violinstwo violastwo cellos.Want this arrangement in a different key or for a different combination of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$9.99
9.1 €
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Harpe
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Joseph Mohr, Franz Gruber
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Beka Wilson
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Silent Night--cello/cello/harp trio
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Beka Wilson
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SheetMusicPlus
Crazy
Harpe
Harp - Level 3 - Digital Download SKU: A0.928332 By Patsy Cline. By Willie Nelson. …
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Harp - Level 3 - Digital Download SKU: A0.928332 By Patsy Cline. By Willie Nelson. Arranged by Karen Peterson. Country. Score. 3 pages. Karen Peterson #5993773. Published by Karen Peterson (A0.928332). WATCH THE Bb VERSION: You are viewing the arrangement for lap harp, which is in the key of F. To hear the Bb version played on a larger harp, go to https://www.youtube.com/watch?v=s8WfrwixqGkOverview: This Countrypolitan song made famous by Patsy Cline was written by a not-yet-famous Willie Nelson. The attitude of the protagonist has been described as variously bemused, bittersweet, and cathartic. What is it to you, and how can you bring that emotion into your playing?My double-strung arrangement sets accidentals in the LH prior to playing, allowing the song to proceed without lever flips. The optional lever flip at the very end can be easily eliminated, making this song a great opportunity to practice flipping on the right with an easy recovery if you can’t get it in time.Key and range: F major (one flat). 21x2 strings. G below middle C through F. Preset F#, G#, B natural, and C#. (LARGER HARPS: For harps with C below middle C or lower, get the Bb version here: www.sheetmusicplus.com/title/crazy-patsy-cline-for-double-strung-harp-digital-sheet-music/21815694)Lever changes: One optional lever change on the right. Set four accidentals on the left before playing.Good for: Parties, performance.Double-strung effects: Preset accidentals on the left allow for jazzy chords without lever flips. If you’ve been hesitant about moving your LH into the melody area, this is your chance to learn. You can gently move out of your comfort zone by only switching hands for these accidentals, or you can take it a step further with optional echoed notes and an optional RH lever flip.Characteristics: The LH and RH usually play together, but with several held notes and a melody that doesn’t always strike on the downbeat, the hands play separately at least 25% of the time. There are a few instances that call for wider than an octave spread. Most chords are LH 1-5-8, 1-5-7, or 1-3-5-8. The RH has almost no chords. There are very few sixteenth notes. The most complicated placements are in the introduction with one slide and one cross-over.Finger placement: Finger number suggestions are provided for key phrases with bolded L/R for levered accidentals. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff).Notation: Chord symbols are provided; lyrics are included separately. Treble clef used in both staves.Length: 2 pages. 40 measures. 2:30 minutes.Page turns: None if you print.
$5.99
5.45 €
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Harpe
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Patsy Cline
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Karen Peterson
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Crazy
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Karen Peterson
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SheetMusicPlus
Old French Song
Harpe
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
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Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br> The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.54 €
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Harpe
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Pyotr Ilich Tchaikovsky
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Luis Anjos Teixeira
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Old French Song
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Luis Anjos Teixeira
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SheetMusicPlus
Yiruma : River Flows in You
Harpe
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Harpe
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Yiruma
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River Flows in You
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Tomplay
Yann Tiersen : Comptine d'un autre été : l'après-midi (niveau intermédiaire, harpe solo)
Harpe
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Harpe
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Yann Tiersen
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Comptine d'un autre été
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Tomplay
Glinka : Nocturne en mi bémol majeur
Harpe
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Harpe
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Glinka
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Nocturne en mi bémol majeur
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Tomplay
Horner (James) : Titanic - My Heart Will Go On (niveau intermédiaire, harpe solo)
Harpe
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Harpe
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Horner (James)
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Titanic
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Tomplay
Hans Zimmer : Pirates des Caraïbes - Davy Jones (niveau facile, harpe solo)
Harpe
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Harpe
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Hans Zimmer
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Pirates des Caraïbes
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Tomplay
Traditionnel : Marche de Brian Boru (harpe d'accompagnement en la mineur)
Harpe
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Harpe
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Traditionnel
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Marche de Brian Boru
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Tomplay
Tiersen,Zimmer (Hans),Garland,Djawadi,Narciso Yepes : Les plus belles musiques de film pour harpe, Intermédiaire, Vol. 1
Harpe
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Harpe
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Tiersen,Zimmer (Hans),Garland,
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Les plus belles musiques de fi
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Tomplay
Yann Tiersen : Comptine d'un autre été : l'après-midi (niveau facile/intermédiaire, harpe solo)
Harpe
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Harpe
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Yann Tiersen
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Comptine d'un autre été
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Tomplay
Mozart : Concerto pour flûte et harpe, K.299 - II. Andantino
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Harpe
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Mozart
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Concerto pour flûte et harpe,
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Tomplay
Narciso Yepes : Jeux interdits - Romance espagnole
Harpe
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Harpe
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Narciso Yepes
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Jeux interdits
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Tomplay
Ramin Djawadi : Game of Thrones - Thème (niveau facile/intermédiaire)
Harpe
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Harpe
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Ramin Djawadi
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Game of Thrones
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Tomplay
Yann Tiersen : Comptine d'un autre été : l'après-midi (niveau intermédiaire, avec orchestre)
Harpe
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Harpe
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Yann Tiersen
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Comptine d'un autre été
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Tomplay
Yann Tiersen : Comptine d'un autre été : l'après-midi (niveau débutant, avec orchestre)
Harpe
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Harpe
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Yann Tiersen
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Comptine d'un autre été
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Tomplay
Hans Zimmer : Pirates des Caraïbes - Davy Jones (niveau facile, avec orchestre)
Harpe
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Harpe
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Hans Zimmer
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Pirates des Caraïbes
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Tomplay
Traditionnel : Marche de Brian Boru (harpe d'accompagnement en do mineur)
Harpe
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Harpe
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Traditionnel
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Marche de Brian Boru
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Tomplay
Hans Zimmer : Pirates des Caraïbes - He’s a Pirate (niveau intermédiaire, avec orchestre)
Harpe
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Harpe
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Hans Zimmer
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Pirates des Caraïbes
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Tomplay
Hans Zimmer : Pirates des Caraïbes - He’s a Pirate (niveau intermédiaire, harpe solo)
Harpe
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Harpe
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Hans Zimmer
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Pirates des Caraïbes
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Tomplay
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