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Tri et filtres :
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Non classifié
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Piano seul
341
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Piano, Voix
76
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66
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11
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6
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Guitare notes et tablatures
23
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13
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2
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1
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1
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VOIX
Chorale SATB
136
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65
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53
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53
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51
Chorale 2 parties
51
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29
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20
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19
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11
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5
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5
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4
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3
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2
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2
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1
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1
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63
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58
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49
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36
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35
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31
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28
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27
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26
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26
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24
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22
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21
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21
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21
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20
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20
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17
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16
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10
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9
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9
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8
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8
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7
Saxophone (partie séparée)
7
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6
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5
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5
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4
3 Clarinettes (trio)
4
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3
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3
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Quintette de Clarinettes: 5 clarinettes
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Hautbois
3
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2
Trio de Flûtes: 3 flûtes
2
2 Saxophones, Piano
2
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2 Clarinettes, Piano
2
Flûte à bec Alto, Piano
2
Clarinette Basse, Piano
2
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1
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1
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1
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Ocarina
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1
Quatuor de Flûtes à bec
1
Flûte, Hautbois (duo)
1
Piccolo
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Flûte et Guitare
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CUIVRES
Trompette, Saxophone (duo)
58
Trompette, Trombone (duo)
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
35
2 Trombones (duo)
31
Trombone et Piano
29
Trompette, Piano
25
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
2 Trompettes (duo)
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Trompette
15
Cor et Piano
14
Trombone
9
Euphonium, Piano (duo)
7
Tuba et Piano
7
Ensemble de Trombones
7
Quatuor de cuivres: 4 trombones
7
Cor anglais, Piano
5
Trompette (partie séparée)
5
Trompette, Cor (duo)
4
Cor Anglais
4
Cor
4
Quatuor de Cuivres
4
Ensemble de Trompettes
3
2 Cors (duo)
3
2 Tubas (duo)
3
Quatuor de cuivres: 4 cors
3
Trompette, Trombone, Piano
3
Euphonium
2
3 Trompettes (trio)
2
Tuba
2
4 Tubas
2
Quatuor de cuivres: 4 trompettes
1
Trombone (partie séparée)
1
2 Trompettes, Clavier (piano ou orgue)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violon et Piano
45
Violon, Alto (duo)
39
Violon, Violoncelle (duo)
38
2 Violons (duo)
32
2 Altos (duo)
30
Violon
28
Alto, Piano
28
2 Violoncelles (duo)
27
Violoncelle, Piano
27
Harpe
11
Violoncelle
11
Alto seul
10
Trio à Cordes: violon, alto, violoncelle
9
Piano Trio: Violon, Alto, Piano
5
4 Violoncelles
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Alto (partie séparée)
4
Violon (partie séparée)
4
Ensemble de Violons
4
Ensemble d'Altos
4
Trio à Cordes: 2 violons, violoncelle
4
Harpe, Voix
3
Contre Basse
3
Trio à cordes
3
Quatuor à cordes : 4 altos
3
Trio à Cordes: 3 violoncelles
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
2 Harpes (duo)
2
Contrebasse, Piano (duo)
2
Quatuor à cordes: 4 violons
2
Violoncelle (partie séparée)
2
Harpe, Flûte (duo)
2
Violoncelle, Orgue
1
Harpe, Violon (duo)
1
Alto et Harpe
1
2 Violons, Piano
1
Violon, Basson (duo)
1
4 Contrebasses
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
78
Orchestre
36
Orchestre à Cordes
26
Cloches
24
Ensemble de cuivres
22
Orchestre de chambre
16
Ensemble Jazz
11
Ensemble de Percussions
6
Jazz combo
4
Orchestre, Violon
1
Fanfare
1
Quintette de Cuivres: autres combinaisons
1
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AUTRES
Vous avez sélectionné:
Were You There
Harpe
Partitions à imprimer
11 partitions trouvées
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1
Were You There?
Harpe
Harp - Level 2 - Digital Download SKU: A0.898125 Composed by African-American Spiri…
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Harp - Level 2 - Digital Download SKU: A0.898125 Composed by African-American Spiritual. Arranged by Barbara Fischer. Sacred,Spiritual. Score. 3 pages. Fischarper, LLC #5336779. Published by Fischarper, LLC (A0.898125). This harp arrangement of an African-American Spiritual, based on harmonization by Charles Winfred Douglas, is great for the intermediate harpist to play at church or chapel services. It includes three variations.
$2.99
2.74 €
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Harpe
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African-American Spiritual
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Barbara Fischer
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Were You There?
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Fischarper, LLC
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SheetMusicPlus
Were You There for harp
Harpe
Composed by African American Spiritual. Arranged by John Gaspar. Christian, Concert, …
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Composed by African American Spiritual. Arranged by John Gaspar. Christian, Concert, Easter, Spiritual. Score. 4 pages. John A Gaspar #6012043. Published by John A Gaspar
$5.99
5.49 €
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Harpe
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African American Spiritual
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John Gaspar
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Were You There for harp
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John A Gaspar
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SheetMusicPlus
Were You There
Harpe
Composed by Spiritual. Arranged by Cynthia A. Boener. Christian, Spiritual, Sacred, …
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Composed by Spiritual. Arranged by Cynthia A. Boener. Christian, Spiritual, Sacred, Lent, Recital. Score. 3 pages. Published by Cynthia Boener
$5.95
5.45 €
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Harpe
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Spiritual
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Cynthia A
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Were You There
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Cynthia Boener
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SheetMusicPlus
Modal Moods
Harpe
Lever Harp - Level 3 - Digital Download SKU: A0.1287455 Composed by Darhon Rees-Roh…
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Lever Harp - Level 3 - Digital Download SKU: A0.1287455 Composed by Darhon Rees-Rohrbacher. 20th Century,21st Century,Celtic,Early Music,Irish,Multicultural,World. Score. 22 pages. Afghan Press Music for the Harp #878476. Published by Afghan Press Music for the Harp (A0.1287455). Seven Original Compositions In Varied Styles Based On Seven Modal Scales For All Harps (Lever or Pedal) With Guitar ChordsTable of Contents1. Ionian Intonation 12. Dorian Delight 33. Phrygian Phrolic 54. Lydian Lilt 75. Mixolydian Mirth 96. Aeolian Aire 117. Locrian Lament 13These tunes may be played on lever harps with an Eb, Bb, F, or C tuning or on any pedal harp. All tunes were typeset to fit exactly on two facing pages to eliminate any page turns within a piece. If desired, the length of each piece can be lengthened by repeating some sections; section divisions are indicated by light double bar lines. Many people are unaccustomed to hearing tunes based on modes other than the Ionian or Aeolian. Therefore, you may find some of the melodic contours or harmonies to be unusual, unexpected, or even uncomfortable. There are only three lever changes in this entire book – and they all occur on the last note of the piece. Guitar chords are included so that the melody may be played by any C instrument, accompanied by chords on harp, lute, guitar, or keyboard. Also, the transcribed harp part can be played on any keyboard instrument with only minoradjustments.Dynamics, fingering, and metronome markings are provided throughout as an aid to performance. However, the harper should use whatever dynamics, fingerings, and tempos suit them, no matter what this book indicates! The maximum range needed for each piece is only 26 strings (3.5 octaves) from low C to high G. Therefore, it can be played on a small harp encompassing that range. Simply treat the C two octaves below middle C as the lowest C on your harp and adjust the octaves accordingly. Ignore any 8va indications and shorten glissandos as needed.
$10.00
9.16 €
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Harpe
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Darhon Rees-Rohrbacher
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Modal Moods
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Afghan Press Music for the Harp
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SheetMusicPlus
The Volcano`s Lake
Harpe
Harp - Level 2 - Digital Download SKU: A0.889438 Composed by Luis Anjos Teixeira. C…
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Harp - Level 2 - Digital Download SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665. Published by Luis Anjos Teixeira (A0.889438). The piece is thou very simple and easy to perform. It is appropriate for the harp and it sounds great on any kind of harp. When using a little lap harp, one can easily transpose the bass voice an octave higher. It is a flexible piece, you can play it slower or a little faster and even the arpeggio in the end that becomes quite easy after some practice could be replaced by a simple glissando. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Your Soul. It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira „Now comes the Little Story The Volcano`s Lake was composed on a volcano called Pico that stands out about 2000 meters above see level right in the middle of the Atlantic ocean. From the bottom of the ocean to its pick it is higher than mount Everest. I like to know that there are an enormous amount of different species of whales that live in this area and many others that go there strictly for romance. I went there to perform with the harp but was at the same time deeply morning the death of my Dear Cat Mary Jane that tragically passed away the day before the flight. In this isle I was having at night strange dreams of epic battles and fights between flying Angels and Demons. In one of these dreams „Time and Matter were a byproduct of „Music itself. The wind was blowing, the volcano was dancing and the water on the lake was whispering enchanting melodies. As soon as I woke up I wrote some notes before they vanished away, just a fragment of an idea of what I was listening in the dream. I named it „The Volcano`s Lake, because the „Lake was comforting me with its melodies, I realized that my tears were also becoming the lake itself and in this lake I was becoming one with Mary Jane and all the rest of the Universe. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Mary Jane, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score.
$6.79
6.22 €
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Harpe
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Luis Anjos Teixeira
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The Volcano`s Lake
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Luis Anjos Teixeira
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SheetMusicPlus
WinterScape (16 seasonal arrangements for Double-Strung Harp)
Harpe
Lever Harp - Level 3 - Digital Download SKU: A0.1283440 Composed by Various. Arrang…
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Lever Harp - Level 3 - Digital Download SKU: A0.1283440 Composed by Various. Arranged by Cindy Blevins. Christmas. Score. 44 pages. Cindy Blevins #874625. Published by Cindy Blevins (A0.1283440). WinterScape is a lovely seasonal book for you and your double-strung harp. There is no levering or pedaling within the pieces. The book contains 41 pages of music. The music varies from early intermediate to advanced intermediate, with most of the pieces falling somewhere in between. Unless otherwise indicated, the pieces are each two pages. The book includes The Twelve Days of Christmas (five pages), Away In A Manger, Carol Of The Bells, The Son of Mary, Good King Wenceslas, Hark! The Herald Angels Sing, Here We Come A-Wassailing, In Dulci Jubilo, I Saw Three Ships, Joy To the World, Lo, How a Rose E'er Blooming, O Little Town of Bethlehem, Pat-a-pan, Sussex Carol, We Wish You a Merry Christmas, and WinterScape. WinterScape is an eight-page medley of seasonal tunes which were not included as full solos in the book, interspersed with snippets of original music.The audio sample is an excerpt from The Son Of Mary..
$24.95
22.86 €
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Harpe
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Various
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Cindy Blevins
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WinterScape
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Cindy Blevins
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SheetMusicPlus
Ringing in Christmas
Harpe
Small Ensemble Flute,Handbell,Harp - Level 3 - Digital Download SKU: A0.963933 Arra…
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Small Ensemble Flute,Handbell,Harp - Level 3 - Digital Download SKU: A0.963933 Arranged by Reba Lunsford. Christian,Christmas,Sacred. Score and parts. 45 pages. Reba Lunsford #4844803. Published by Reba Lunsford (A0.963933). Need a Christmas concert with little time to prepare? Here is a collection of harp, flute or other concert C instrument, and handbells that work up quickly! These were tried and successful at a performance booked last minute at the Houston Museum of Fine Arts and a couple of churches with two weeks to rehearse. There’s diversity enough to please varied audience members, child and adult alike. Five songs are scored for treble handbell quartet, the other four accommodate three to four octave groups. These could also be played on piano or harp for a different ensemble grouping. Easy harp solos are also included. Contains: Cherry Tree Carol/Holly and the Ivy, Greensleeves, Joy to the World, Silent Night, Still, Still, Still, Jolly Old St. Nicholas, Toyland, Up on the Housetop, We Wish You A Merry Christmas.
$15.00
13.74 €
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Harpe
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Reba Lunsford
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Ringing in Christmas
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Reba Lunsford
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SheetMusicPlus
The Horse of Beckmann's Mill for solo harp - no levers required
Harpe
Composed by Kim Kirkman. Arranged by Kim Kirkman. 21st Century, World, Folk, Recital. …
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Composed by Kim Kirkman. Arranged by Kim Kirkman. 21st Century, World, Folk, Recital. Score. 3 pages. Published by Kim Kirkman
An original composition<br> In dorian mode. Very much in folk song style<br> Inspired by animal welfare<br> Lovely arrangement. Quite easy.<br> Has impovised section in middle<br> The original lyrics are:<br> <br> The Horse of Beckmann’s Mill<br> <br> <br> <br> Pray, have you seen that chestnut foal o'er there uponthe hill?<br> <br> The finest foal you've ever seen was born at Beckmann'sMill.<br> <br> They let her play within her yard, tie ribbons in hermane,<br> <br> They train her to the grinding stone that crushes up thegrain.<br> <br> Now many times I've thought about that foal at Beckmann'sMill,<br> <br> And many times I've wondered how that man can do so ill.<br> <br> They use you up, they throw you out and turn their backsin scorn.<br> <br> All because by chance it came to be the place where youwere born.<br> <br> <br> <br> <br> <br> Pray, have you seen that chestnut filly o'er there besidethe hill?<br> <br> The finest filly you're ever seen was worked at Beckmann'sMill.<br> <br> They drive her from the morning sun until it's very late,<br> <br> They thrash her hard to pull the wheel that's bonded toher fate.<br> <br> Now many times I've passed her by and oft I've turned myface.<br> <br> Yet many times I've wondered what if I were in her place.<br> <br> They take advantage of the young and those without avoice.<br> <br> And it seems to me that nowhere did she really have achoice.<br> <br> <br> <br> <br> <br> Pray, have you seen that chestnut mare o'er there underthe hill?<br> <br> The finest mare you've ever seen has died at Beckmann'sMill.<br> <br> One day she fell upon her kness, the man he brought hisknife.<br> <br> The tread mill won the battle, and the miller took herlife.<br> <br> Now many times I've thought about the mare at Beckman'sMill,<br> <br> And many times I've wondered how that man can do so ill.<br> <br> They use you up, they throw you out and train anotherfoal,<br> <br> Yet every death they cause will leave a stain upon theirsoul.An original composition<br> In dorian mode. Very much in folk song style<br> Inspired by animal welfare<br> Lovely arrangement. Quite easy.<br> Has impovised section in middle<br> The original lyrics are:<br> <br> The Horse of Beckmann’s Mill<br> <br> <br> <br> Pray, have you seen that chestnut foal o'er there uponthe hill?<br> <br> The finest foal you've ever seen was born at Beckmann'sMill.<br> <br> They let her play within her yard, tie ribbons in hermane,<br> <br> They train her to the grinding stone that crushes up thegrain.<br> <br> Now many times I've thought about that foal at Beckmann'sMill,<br> <br> And many times I've wondered how that man can do so ill.<br> <br> They use you up, they throw you out and turn their backsin scorn.<br> <br> All because by chance it came to be the place where youwere born.<br> <br> <br> <br> <br> <br> Pray, have you seen that chestnut filly o'er there besidethe hill?<br> <br> The finest filly you're ever seen was worked at Beckmann'sMill.<br> <br> They drive her from the morning sun until it's very late,<br> <br> They thrash her hard to pull the wheel that's bonded toher fate.<br> <br> Now many times I've passed her by and oft I've turned myface.<br> <br> Yet many times I've wondered what if I were in her place.<br> <br> They take advantage of the young and those without avoice.<br> <br> And it seems to me that nowhere did she really have achoice.<br> <br> <br> <br> <br> <br> Pray, have you seen that chestnut mare o'er there underthe hill?<br> <br> The finest mare you've ever seen has died at Beckmann'sMill.<br> <br> One day she fell upon her kness, the man he brought hisknife.<br> <br> The tread mill won the battle, and the miller took herlife.<br> <br> Now many times I've thought about the mare at Beckman'sMill,<br> <br> And many times I've wondered how that man can do so ill.<br> <br> They use you up, they throw you out and train anotherfoal,<br> <br> Yet every death they cause will leave a stain upon theirsoul.
$1.99
1.82 €
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Harpe
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Kim Kirkman
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Kim Kirkman
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The Horse of Beckmann's Mill for solo harp - no levers required
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Kim Kirkman
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SheetMusicPlus
Old French Song
Harpe
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
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Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br> The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.57 €
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Harpe
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Pyotr Ilich Tchaikovsky
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Luis Anjos Teixeira
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Old French Song
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Luis Anjos Teixeira
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SheetMusicPlus
Romanza from Eine Kleine Nachtmusik (LEVER harp version)
Harpe
Harp, Lever Harp Solo - Advanced Intermediate - Digital Download Composed by Wolfgang…
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Harp, Lever Harp Solo - Advanced Intermediate - Digital Download Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Stephanie Bennett. Classical Period, Valentine's Day, Anniversary, Wedding, Recital. 6 pages. Published by Harpworld Music Co.
Eine Kleine Nachtmusik (Serenade No. 13 for strings in G major) is one of Mozart’s most beloved works. Written in 1787, it was scored for two violins, viola, and cello with optional double bass. The German title means “a little serenade,” though it is often translated more literally as “a little night music.”<br> <br> In this arrangement of the second movement (“Romanza,” meaning “Romance”), I have omitted two sections that were too chromatic to work well on lever harp. What is left is uniformly gracious, calm and romantic - lovely for concerts, for background music or for wedding processionals.<br> <br> Meticulously notated with fingerings and muffles. Lever changes are indicated by diamond-shaped notes.<br> <br> There are 3 pages of music, plus a page explaining all the notations.<br> <br> For an easier version, you could play just the first section (the first page of music), in which there are NO lever changes. For advanced lever harpers wishing to play the entire arrangement, there are 21 lever changes (not counting the repeats). Full levers needed (there are Bb’s, F#s, C#’s and D#’s.) <br> <br> Range of harp needed: at least down to the G at the bottom of the bass clef.Eine Kleine Nachtmusik (Serenade No. 13 for strings in G major) is one of Mozart’s most beloved works. Written in 1787, it was scored for two violins, viola, and cello with optional double bass. The German title means “a little serenade,” though it is often translated more literally as “a little night music.”<br> <br> In this arrangement of the second movement (“Romanza,” meaning “Romance”), I have omitted two sections that were too chromatic to work well on lever harp. What is left is uniformly gracious, calm and romantic - lovely for concerts, for background music or for wedding processionals.<br> <br> Meticulously notated with fingerings and muffles. Lever changes are indicated by diamond-shaped notes.<br> <br> There are 3 pages of music, plus a page explaining all the notations.<br> <br> For an easier version, you could play just the first section (the first page of music), in which there are NO lever changes. For advanced lever harpers wishing to play the entire arrangement, there are 21 lever changes (not counting the repeats). Full levers needed (there are Bb’s, F#s, C#’s and D#’s.) <br> <br> Range of harp needed: at least down to the G at the bottom of the bass clef.
$8.00
7.33 €
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Harpe
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Wolfgang Amadeus Mozart
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Romanza from Eine Kleine Nachtmusik
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SheetMusicPlus
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