ISBN 9781619117747.

The definitive text on playing harmonics (chimes) on the 5-string banjo in G tuning! In addition to traditional chiming methods, the authoras new T3N technique for creating banjo harmonics will add new dimensions to your playing. While particularly useful in the three-finger style, T3N can be used in other banjo styles and on other stringed instruments. Most banjo players are familiar with playing open-string harmonics on the 5-string banjo over the 12th, 7th and 5th frets, or perhaps the 4th and 9th frets, so that in typical G-tuning, the open G-chord, D-chord, octave G-chord, and B-chord notes are chimed. With the T3N technique presented in this book, entire scales can be chimed, with other harmonic effects including choking and sliding possibilities! The first part of this book provides a review of traditional banjo harmonic chiming techniques, while the second part explores the exciting new T3Napproach. Written in tablature only, for 5-string banjo in GDGBD tuning.

ISBN 9781610658089. First Lessons on Banjo is an ultra-easy instruction manual for beginning five-string banjo played in the three fingerstyle in G tuning. It can be used by those with no previous experience with the banjo or music of any sort. It is so basic it can be used even by small children. The book features very detailed descriptions of even the most basic aspects such as wearing the picks properly, the correct picking motion, and noting the strings properly. These are aspects that are so basic most manuals skip over them. There are many detailed photos, several from the player's point of view, not from in front of the banjo. First Lessons on Banjo covers the most basic rolls, the Alternating Thumb Roll and two Forward Rolls, plus the three basic chords plus the relative minor chord. All musical examples are presented in tablature, with the melody notes in boldface type so the student knows which notes to emphasize. All arrangements include lyrics, which is very important to the novice who is trying to train the ear to hear the melody among the fill notes. Several tips and suggestions about the proper mental approach are included that will lead to playing by ear and arranging at an earlier stage in the student's development. There are also suggestions about developing the proper mental approach and about speed reading of tablature. These suggestions are not found in any other banjo instruction book. The 'finale' arrangement is Cripple Creek, a popular banjo standard that when mastered, should give the novice a great sense of accomplishment. The accompanying recording includes all tabbed examples, with the rhythm instruments and lead banjo in separate channels. The songs are played at three tempos, the first tempo VERY slow, then a medium tempo version, and finally at performing speed with guitar, mandolin and bass accompaniment. The up- tempo accompanied versions are all together at the end of the recording so it the final tracks be used as a listening recording. This also allows the student to play along with all the more interesting arrangements in sequence without skipping around the recording. Includes access to online audio.

ISBN 9781610655842. Believed to be the first banjo book of its kind, consisting entirely of Renaissance music, Renaissance and Early Music for Banjo provides the banjo player with "growing material"- the opportunity to play in a number of different keys besides G major, thus expanding their horizon by using unusual chords. The player will utilize different tempos that banjoists are not usually familiar with. Provides material for "Classical Banjo" enthusiasts who want to expand their playing, it also allows the player to deal with what was perhaps the earliest type of music theory known, that of the modal scales. It will teach the student the different types of form structures, and to get away from relying on the 5th string too much. This type of music would be extremely difficult to learn by ear, and so a book of tablatures would prove to be invaluable. Every piece is presented first in a vertical chordal arrangement, which was the way it was originally intended, and then arranged in a more linear horizontal style, using perpetual motion which is much more familiar with toda's player. Thus they are great for finger limbering exercises. Every tune is provided with analytical commentaries and the book has a glossary of terms. In tablature only. Includes access to online audio.

ISBN 9781610655569. An important anthology of Irish and Celtic solos for the 5-string banjo featuring a comprehensive, scholarly treatise on the history, techniques, and etiquette of playing the banjo in the Celtic tradition. Includes segments on tuning, pick preferences, and tablature reading followed by 101 jigs, slides, polkas, slip jigs, reels, hornpipes, strathspeys, O'Carolan tunes, plus a special section of North American Celtic tunes. A generous collection of photos of Irish folk musicians, street scenes, and archaeological sites further enhances this fabulous book. All of the solos included here are written in 5-string banjo tablature only with a few tunes set in unusual banjo tunings. The appendices provide a sizable glossary and a wealth of information regarding soloists and groups playing Celtic music, Irish festivals, music publications, on-line computer resources, cultural organizations, and more. If you are serious about playing Celtic music on the 5-string banjo, or if you don't play the banjo but simply want to expand your knowledge of the Celtic music tradition-you owe yourself this book. The first-ever audio collection of Irish and Celtic music for 5-string banjo provides 68 lovely melodies and demonstrates revolutionary techniques for playing highly ornamented tunes and rolling back-up. Recorded in stereo with virtuosos Gabriel Donohue (steel- and nylon-string guitar and piano) and Robbie Walsh (bodhran- frame drum played with a stick), the five-string banjo is "out front" and plays through each melody in real-life tempo with authentic Celtic chordal and rhythmic backing. The recording features the music of all Six Celtic Nations and includes jigs, reels, hornpipes, slides, polkas, marches, country dances, larides, andros, slipjigs, strathspeys, airs and O'Carolan tunes. 35 songs in the book are not on the audio recording. Includes access to online audio.

ISBN 9781619113220. First Lessons Clawhammer Banjo is an ideal book for beginners and banjo players interested in learning the clawhammer style. The book explains the basics of reading tablature, right hand technique, and other elements unique to clawhammer banjo. Included are classic songs such as Little Brown Jug, Cripple Creek, Old Joe Clark, Policeman, and much more. Includes access to online audio.

ISBN 9781609749064. This is the ideal beginner's book, presenting the basics of the 5-string banjo in a way that is both fun and easy. Janet Davis takes you on an extensive tour of this instrument's fundamental techniques, as well as some intermediate possibilities including rolls, chords, bluegrass banjo techniques, playing up the neck, licks, endings, and other basics needed to play bluegrass and melodic-style banjo. Thorough performance notes are provided from beginning to end, revealing the secrets of this versatile instrument. The companion stereo play-along audio features Janet Davis' teaching and lively banjo performance. On the online video, Janet explains the first 22 lessons from the book and demonstrates examples at both slow and regular speed. Access to online audio and video included.

ISBN 9781610652865. First Lessons Tenor Banjo, The great sound of tenor banjo is a cornerstone of Dixieland and traditional jazz. Using classic favorites, Joe Carr teaches the basics of accompaniment, basic melody and the popular chord melody style. Chords and melody are combined to produce professional sounding solo arrangements. This book with downloadable online audio and video combo includes play-along practice tracks that speed up the learning process. It doesn't get any easier! Online video Duration 47 min.

ISBN 9781619112988. Fiddle Tunes for Banjo Made Easy is a collection of must-know, easy-to-learn bluegrass instrumental standards. Ross records each song at three speeds and also includes a rhythm backup track. The slow speed is ideal for hearing the notes clearly and being able to play along in rhythm; the medium speed is a perfect goal for the beginning and intermediate student while the faster speed demonstrates what the song can sound like with a hard, driving push. The tablature is large for ease of reading and includes accent marks for melody notes where needed. Ross also provides tips and suggestions for each song to save you valuable practice time. These are tips on the more challenging spots that Ross has learned firsthand from teaching these privately for many years. In addition, there is a whole page of instruction on learning the chords to the song, how to play the song using only the chords, chord charts written out for each song and tips for memorizing and playing without tab. Fiddle Tunes for Banjo Made Easy is not just another tab book; it covers all the bases and gives you a realistic balanced approach for learning the songs the EASY way. Access to online audio.

ISBN 9781619118478.

Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckleyas Banjo Guide of 1868. This modern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, more refined plucking technique. James Buckley (1803 a 1872), sometimes referred to as the aFather of the Classical Banjo,a was one of the most prolific transcribers of early banjo music. His compositions and arrangements were performed on the minstrel stage, and his scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for the concert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even todayaall in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo in a lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio.