ISBN 9781610655842. Believed to be the first banjo book of its kind, consisting entirely of Renaissance music, Renaissance and Early Music for Banjo provides the banjo player with "growing material"- the opportunity to play in a number of different keys besides G major, thus expanding their horizon by using unusual chords. The player will utilize different tempos that banjoists are not usually familiar with. Provides material for "Classical Banjo" enthusiasts who want to expand their playing, it also allows the player to deal with what was perhaps the earliest type of music theory known, that of the modal scales. It will teach the student the different types of form structures, and to get away from relying on the 5th string too much. This type of music would be extremely difficult to learn by ear, and so a book of tablatures would prove to be invaluable. Every piece is presented first in a vertical chordal arrangement, which was the way it was originally intended, and then arranged in a more linear horizontal style, using perpetual motion which is much more familiar with toda's player. Thus they are great for finger limbering exercises. Every tune is provided with analytical commentaries and the book has a glossary of terms. In tablature only. Includes access to online audio.

ISBN 9781609744649. Learn from the best. Grandpa Jones was a country music legend and a member of the Country Music Hall of Fame. He was very well known and respected for his own style of clawhammer banjo. The instructions are helpful for the beginner, with tips on caring for your banjo to keep it sounding its best. The text covers tunings, chord diagrams, and the right hand rhythm patterns that made Grandpa Jones famous with the 5-string banjo. For the intermediate musician, there are alternate tunings, drop thumb rhythm, and exercises for practicing your new skills. Included are several favorite songs, along with lyrics and chords for your accompanist. The preface of the book, written by Grandpa Jones, along with the collection of personal photographs, makes this an excellent keepsake as well.This is simply a must for your music library.

ISBN 9781610652445.

The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds.This book approaches the five-string banjo as a musical instrument freed from the prison of specific musical genres. Old-time music, clawhammer, bluegrass and many eclectic adaptations of the banjo are utilized to demonstrate a variety of musical styles. A number of the selections are in different tunings. All examples are written out in traditional and tablature notation.

ISBN 9781609743789. Harry Reser was one of the greatest tenor banjo virtuosos of all time. This book features over twenty tunes from Harry's career, many of them Reser originals. The tunes are notated in standard notation and tablature. Each song has a set of performance notes that offer background on the tune and helpful playing tips.

ISBN 9781619118478.

Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckleyas Banjo Guide of 1868. This modern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, more refined plucking technique. James Buckley (1803 a 1872), sometimes referred to as the aFather of the Classical Banjo,a was one of the most prolific transcribers of early banjo music. His compositions and arrangements were performed on the minstrel stage, and his scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for the concert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even todayaall in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo in a lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio.

ISBN 9781619118898.

If youave ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you!Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was aa virtuoso instrument capable of enriching any musical genre.aIn the authoras words, aI chose the classical pieces in this book on the basis of how they might advance right and left-hand banjo technique and even refine the playeras musical sensibilitya\| Some pieces, like Flight of the Bumblebee will challenge your ability to play rapidly, while others like Beethovenas Moonlight Sonata, are much slower, but will test your musical abilities in other ways.a The other pieces in the book are: Prelude No. 2 in C minor and Inventions No. 4 and No. 6 by J. S. Bach, Flight of the Bumblebee by Korsakov, Perpetual Motion and Carnival of Venice by Paganini, and Toccata for Piano or Harpsichord by Paradisi. Classical Masterpieces for Banjo is written in tablature only in standard G tuning [gDGBD] using three-finger banjo technique in the traditional, melodic and single-string style. Each selection is guaranteed to further your technique and delight your audience, or simply expand your vision of what is possible on the 5-string banjo.

ISBN 9781513455723. 8.75 x 11.75 inches.

This book contains the 50 late 19th century tunes in Albert Baurs 1883 anthology, The Banjoists Budget. The collection has roots in four main sources: minstrel songs, Irish popular and folk traditions, clog dancing tunes, and Gilbert and Sullivan favorites- all expertly played by Rob MacKillop on the accompanying online audio recording. The music is clearly typeset in standard notation and tablature for the 5-string banjo in Baurs original eAEG#B tuning; observing the tablature, however, this music can be played in modern-day concert C tuning, gCGBD. While Baur provided no technique instructions, the music can be played in the old minstrel stroke technique, the modern melodic clawhammer style, or fingerstyle. By contrast, MacKillop provides ample performance notes and a few tips within the notation. These melodies constitute an authentic audio window to a past century, when the five-string banjo was a classical instrument studied and played by serious students and expert musicians who read standard notation rather than tablature. In any case, here they are in notation and modern banjo tablature, together with a delightful online recording. Includes access to online audio.