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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
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DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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TUBA
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903
Piano & claviers
Piano seul
961
Instruments en Do
841
Piano, Voix
116
Orgue
61
Piano, Voix et Guitare
57
1 Piano, 4 mains
19
Accordéon
13
2 Pianos, 4 mains
10
Piano Trio: piano, violon, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Piano (duo)
3
Accompagnement Piano
3
Piano Facile
3
Fake Book
2
2 Accordéons
1
Clavecin
1
2 Pianos, 8 mains
1
Orgue, Trompette (duo)
1
+ 13 instrumentations
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Guitare
235
Ligne De Mélodie, (Paroles) et Accords
161
Guitare notes et tablatures
92
Ukulele
45
Piano, Guitare (duo)
39
Basse electrique
25
2 Guitares (duo)
18
Mandoline
16
4 Guitares (Quatuor)
6
Dulcimer
6
Banjo
2
2 Ukuleles
1
Ensemble de guitares
1
Ukulele Baryton
1
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168
Chorale TTBB
53
Chorale SSAA
43
Voix seule
37
Chorale
16
Voix Soprano, Piano
11
Voix Baryton, Piano
8
Chorale 3 parties
7
Voix haute
7
Voix duo, Piano
6
Voix Tenor, Piano
5
Chorale 2 parties
4
Voix duo
3
Voix moyenne, Piano
3
Chorale Unison
2
Voix Soprano
2
Voix Tenor
2
Voix Alto, Piano
2
Chorale SSAATTBB
1
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Flûte traversière et Piano
105
Clarinette et Piano
93
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
82
Saxophone Alto et Piano
76
Hautbois, Piano (duo)
74
Ensemble de saxophones
73
Quintette de Saxophone: 5 saxophones
69
Saxophone Tenor et Piano
63
2 Saxophones (duo)
53
Quatuor de Saxophones: 4 saxophones
42
Flûte traversière
32
Ensemble de Clarinettes
31
2 Flûtes traversières, Piano
28
Clarinette
25
Flûte, Hautbois, Clarinette, Basson
25
Quatuor de Clarinettes: 4 clarinettes
23
Quatuor de Flûtes : 4 flûtes
22
2 Clarinettes (duo)
19
Saxophone
18
Ensemble de Flûtes
18
Saxophone Soprano et Piano
18
Quintette de Flûte : 5 flûtes
16
2 Flûtes traversières (duo)
16
Quintette de Clarinettes: 5 clarinettes
11
Saxophone Alto
10
Saxophone, Clarinette (duo)
10
3 Clarinettes (trio)
9
Flûte, Clarinette (duo)
9
Trio de Flûtes: 3 flûtes
8
Hautbois (partie séparée)
8
Clarinette, Violon (duo)
7
3 Saxophones (trio)
6
Saxophone Tenor
6
Hautbois, Basson (duo)
5
2 Hautbois (duo)
5
Cor anglais, Piano
5
Hautbois, Flûte
4
Flûte, Alto (duo)
4
Flûte, Saxophone (duo)
4
Clarinette, Trompette (duo)
4
Flûte, Violon
4
Clarinette et Alto
4
Quatuor de Flûtes à bec
3
Hautbois, Clarinette (duo)
3
Flûte, Trompette (duo)
3
Flûte, Clarinette et Basson
3
Saxophone (partie séparée)
3
Clarinette, Basson (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte et Guitare
3
Saxophone et Guitare
2
Hautbois
2
Clarinette, Guitare (duo)
2
Hautbois, Guitare (duo)
1
Clarinette Basse, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone Baryton, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ensemble de Hautbois
1
Harmonica
1
Flûte, Hautbois, Basson
1
Flûte et Quatuor à Cordes
1
Hautbois, Violoncelle
1
Clarinette, Violoncelle (duo)
1
5 Flûtes à bec
1
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Trompette
68
Quatuor de Cuivres : 2 trompettes, trombone, tuba
65
Trombone et Piano
60
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
60
Trompette, Piano
39
Trombone
35
Quatuor de cuivres: 4 trombones
33
Ensemble de Trompettes
30
Ensemble de Trombones
24
Quatuor de Cuivres
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
2 Trombones (duo)
10
Trompette, Saxophone (duo)
8
2 Cors (duo)
8
Trompette, Trombone (duo)
7
Cor et Piano
7
Tuba et Piano
6
2 Trompettes (duo)
6
Trio de Cuivres
5
Trompette (partie séparée)
5
Ensemble de Cors
5
Cor anglais, Piano
5
Tuba
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de cuivres: 4 cors
2
Euphonium
2
Trombone, Tuba (duo)
1
2 Tubas (duo)
1
Euphonium, Piano (duo)
1
3 Trombones (trio)
1
Cor
1
Bass Clef Instruments
1
+ 27 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
265
Violon et Piano
127
Alto, Piano
80
Violoncelle, Piano
67
Harpe
60
Violon, Violoncelle (duo)
49
Violon
44
Trio à Cordes: violon, alto, violoncelle
44
2 Violons (duo)
25
Violoncelle
24
Trio à Cordes: 2 violons, violoncelle
14
2 Violoncelles (duo)
14
Violon, Alto (duo)
14
Ensemble de Violons
14
Alto seul
13
Ensemble d'Altos
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Trio à Cordes: 2 violons, alto
10
2 Altos (duo)
8
4 Violoncelles
6
Alto (partie séparée)
6
Alto, Violoncelle (duo)
6
Trio à cordes: 3 violins
6
Quatuor à cordes : 4 altos
4
Trio à Cordes: 3 violoncelles
4
Contre Basse
4
Violon (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle , Guitare (duo)
3
Violoncelle (partie séparée)
2
Violoncelle, Orgue
2
2 Contrebasses (duo)
2
Quatuor à cordes: 4 violons
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Alto, Orgue
2
Alto, Guitare (duo)
2
Ensemble de Violoncelles
2
Trio à cordes: 3 altos
2
Autoharp
1
Piano Trio: Violon, Alto, Piano
1
Contrebasse, Piano (duo)
1
2 Harpes (duo)
1
Violoncelle, Contrebasse (duo)
1
Violon, Guitare (duo)
1
Harpe, Voix
1
+ 40 instrumentations
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Orchestre & Percussions
Ensemble Jazz
87
Ensemble de cuivres
71
Orchestre d'harmonie
65
Orchestre à Cordes
61
Orchestre
57
Orchestre de chambre
36
Jazz combo
23
Cloches
9
Batterie
8
Marimba
5
Ensemble de Percussions
4
Vibraphone
1
Fanfare
1
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Théorie de la musique
1
Formation musicale - Solfège
1
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The Clarke Variations-bass clef edition
Bass Clef Instruments
Trombone, Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric…
(+)
Trombone, Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, General Instructional, Technique Training. 55 pages. Published by Faded Duck Music
Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. Click our free sample below to read the introduction and try some easy sample exercises. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.<br> <br> There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as “the trumpet player’s bible”. If that is the case, then the Clarke should be “the new testament”. I consider Herbert L. Clarke to be the “George Washington” of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.<br> <br> The impetus for this set of variations is based on the idea of an “Expanding Scale” or “Expanding Range”. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are “holding one note” and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.<br> <br> This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. Click our free sample below to read the introduction and try some easy sample exercises. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.<br> <br> There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as “the trumpet player’s bible”. If that is the case, then the Clarke should be “the new testament”. I consider Herbert L. Clarke to be the “George Washington” of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.<br> <br> The impetus for this set of variations is based on the idea of an “Expanding Scale” or “Expanding Range”. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are “holding one note” and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.<br> <br> This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.
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The Clarke Variations-bass clef edition
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