Jazzy scales & patterns in all 12 keys - jazz etudes

Have you ever found yourself struggling to play in certain 'tricky keys'? Why are these keys so tricky? Simply because we've not played them as much as the easy ones! That's it, no other reason. By practicing enough in ALL keys we can really take our playing and improvising to the next level, always executing what ever ideas we hear or come up with, perfectly.

Jazzy scales & patterns in all 12 keys is aimed at intermediate players to develop their jazz technique in all 12 keys. The scales and patterns are written in such a way, that you could use parts of them within your solos. By developing your playing in the key centers and in a jazzy way, we can develop our technique along with our listening skills. The book culminates with a section on playing II-V-I's in the key centre. An etude of the famous standard 'Cherokee' has also been added as a bonus to show how you can use many of the exercises in the book in real life playing situations!



Check out the testimonials -

?TheReally Big Student Songbook? is published for C,Bb, Eb, F, tuba and bassclef

instruments, andwith its unbelievable selection of 174 songs,offers the young band student a fun

and challengingalternative to the drudgery of ?just another? bandmethod.

All editions contain the same songs andare fully compatible.

Includes Classics, Christmas, Patriotic,Folk, International, Jazz and Pop favorites.

Exercises for Developing Jazz Improvisation

This method book covers some improvisation techniques to help the developing jazz player expand their jazz skills. It can be broken down into 3 sections:

Introducing Bebop Scales

This section introduces you to the 3 main bebop scales relating to major, minor and dominant 7th chords. It relates each scale to chord tones, moves melodic shapes through each scale type as well as giving you a few sample ?licks? to get started. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos.

Pentatonic Scales

This section explores 5 pentatonic scale types - major, b6, b3, minor and b4. There are 4 basic patterns which are then adapted for each scale type along with a list of suggested scale/chord applications. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos. .

Approach Notes and Enclosure

This section covers 2 note, 3 note and 4 note approach notes and enclosures. Each note grouping is written in all 12 keys ready to practice around the circle of 5ths. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos.

Although originally created for sax students, the book has now been adapted for all instruments and is available for C, Bb, Eb and Bass Clef instruments.

Exercises for Developing Jazz Improvisation Volume II

This method book covers a further 2 techniques to help the developing jazz player expand their jazz skills. These can also be purchased individually:

Examining Diminished Scales

This section looks at Whole/Half and Half/Whole step diminished scales. It includes ascending/descending broken chord exercises plus scale patterns for both Whole/Half and Half/Whole step diminished scales. There are also 2 written sample solos with audio demonstration and backing tracks to accompany the exercises.

Triad Pairs and Hexatonic Scales

This section focuses on 4 common triad pairs and their related hexatonic scales - 2 major triads a whole step apart, 2 major triads a tritone apart, major/augmented triads a whole step apart and 2 minor triads a whole step apart. There are exercises and patterns for each triad pair/hexatonic scale plus suggested chord applications for each. There are also 2 written sample solos with audio demonstration and backing tracks to accompany the practice exercises and sample solos.

Although originally created for sax students, all books have now been adapted for C, Bb, Eb and Bass Clef instruments.