Written and recorded by the Everly Brothers in 1960 and covered by Linda Ronstadt in 1975, this arrangement is for solo mountain dulcimer in 1-5-8 or DAD tuning. It is suitable for the intermediate level player with a working knowledge of chord-melody style and a 1+ fret.

Four pages. Tablature, standard musical notation, lyrics and guitar accompaniment chords are included.

While you're here, take time to check out additional mountain dulcimer arrangement by Larry Conger.

Buddy Holly's posthumous hit from 1960 and Micky Gilley's #1 country hit from 1980 is arranged for chromatic dulcimer in 1-5-8 or DAD tuning. Your dulcimer will need a 0 fret and a 1 fret to play this arrangement.

Intended for the upper intermediate level dulcimer player with a solid knowledge of three finger chords, chord melody style of playing and a chromatic fretboard.

Three pages. Tablature, standard musical notation, lyrics and guitar accompaniment chords are included.

Jackie DeShannon's 1969 pop hit is arranged for solo mountain dulcimer in 1-5-8 or DAD tuning. It is suitable for the early intermediate level player with a knowledge of chord-melody style of playing.

Two pages. Tablature, standard musical notation, lyrics and guitar accompaniment chords are included.

ISBN 9781619119864.

This collection of dances and songs comes from Peggy Carteras repertoire of hammered dulcimer arrangements, drawing from years of playing live string-band music for contra dancing, Irish dancing and Royal Scottish country dancing. If you like to dance and sing, youall LOVE this book. Dances and Songs to Play and Sing for Hammered Dulcimer includes pieces from many parts of the world, arranged for solo performance or dance accompaniment. It includes songs for voice and dulcimer, which can also be played as solo arrangements. In addition, youall find marches, jigs, reels, polkas, strathspeys, waltzes and slow dances. The truth is, when playing for dance, a hammered dulcimer is all youall need!

ISBN 9781619114104. This classic collection provides fretted dulcimer players with an authentic Irish repertoire. The 31 selections include jigs, slides, hornpipes, polkas, reels, slow airs, harp tunes, and songs. Accompaniment chords and musical notation are provided for other instruments. The modal music of Ireland fits well to the modal techniques and nuances of the dulcimer. It can drone like the uillean pipes, be rhythmic as a bodhran, and melodic like a fiddle. Lois gives the dulcimer player an important introduction to the techniques of applying Irish music to the dulcimer. Consider this the beginning of a new approach to an old music, and a point of departure for your own interpretations of tunes you love.