English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
1
Librairie
Musicale
2
Matériel
de Musique
177
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1724
PIANO & CLAVIERS
Piano seul
2284
Piano Facile
1149
Piano, Voix
555
Piano, Voix et Guitare
214
1 Piano, 4 mains
174
Accompagnement Piano
146
Piano Trio: piano, violon, violoncelle
118
2 Pianos, 4 mains
50
Piano (partie séparée)
49
Instruments en Do
30
Piano Quatuor: piano, violon, alto, violoncelle
22
Clavier
6
Orgue, Piano (duo)
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue
5
Accordéon
4
1 Piano, 6 mains
3
Clavecin
2
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
1
Piano grosses notes
1
Instrumentations suivantes
Retracter
GUITARES
Ukulele
35
Guitare
20
Piano, Guitare (duo)
16
Guitare notes et tablatures
16
Guitare (partie séparée)
7
2 Guitares (duo)
7
Ligne De Mélodie, (Paroles) et Accords
5
Dulcimer
4
Basse electrique
4
Banjo
2
Mandoline
1
4 Guitares (Quatuor)
1
Paroles et Accords
1
3 Guitares (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
87
Chorale 3 parties
27
Chorale 2 parties
20
Chorale TTBB
10
Voix Soprano, Piano
10
Chorale Unison
9
Voix haute
6
Voix duo, Piano
5
Voix Baryton, Piano
4
Voix basse, Piano
4
Voix duo
4
Voix Tenor, Piano
3
Voix Alto, Piano
3
Male Voice
2
Chorale
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
408
Clarinette et Piano
365
Hautbois, Piano (duo)
308
Saxophone Alto et Piano
229
Saxophone Tenor et Piano
158
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
110
Saxophone Soprano et Piano
95
Flûte irlandaise
80
Saxophone Baryton, Piano
72
Flûte, Hautbois, Clarinette, Basson
65
2 Saxophones (duo)
56
2 Flûtes traversières (duo)
46
Flûte, Violon, Piano
42
Quatuor de Saxophones: 4 saxophones
41
Clarinette
40
Quintette de Saxophone: 5 saxophones
35
Flûte traversière
35
Cor anglais, Piano
34
2 Clarinettes (duo)
32
Quatuor de Clarinettes: 4 clarinettes
31
Saxophone (partie séparée)
29
Flûte à bec Soprano
22
Clarinette Basse, Piano
20
3 Clarinettes (trio)
20
Hautbois (partie séparée)
18
3 Saxophones (trio)
18
Saxophone, Clarinette (duo)
17
Trio de Flûtes: 3 flûtes
15
Saxophone Alto
15
Flûte, Clarinette, Piano (trio)
15
Quatuor de Flûtes : 4 flûtes
15
Flûte, Clarinette (duo)
13
Flûte à bec Alto
13
2 Hautbois (duo)
12
Flûte, Basson et Piano
11
Clarinette, Trompette (duo)
11
Flûte, Alto et Piano
11
Flûte à Bec
11
Flûte à bec Tenor
11
Flûte, Violoncelle, Piano (trio)
10
Clarinette, Violon (duo)
10
Flûte à bec Soprano, Piano
10
Clarinette, Violoncelle, Piano (trio)
10
Clarinette, Basson, Piano (trio)
9
Flûte à bec Alto, Piano
9
2 Flûte à bec (duo)
9
Clarinette, Alto et Piano (trio)
8
Saxophone Tenor
8
Hautbois, Clarinette (duo)
8
Flûte, Saxophone (duo)
8
Flûte, Hautbois, Clarinette (trio)
7
Hautbois, Basson (duo)
7
Quatuor de Flûtes à bec
7
3 Flûtes à bec (trio)
7
Flûte, Violon
7
Ensemble de Flûtes
6
Hautbois, Violoncelle et Piano
6
Ensemble de Clarinettes
5
Quintette de Clarinettes: 5 clarinettes
5
Clarinette et Alto
5
Hautbois, Flûte
5
Flûte, Trompette (duo)
5
Clarinette (partie séparée)
4
Hautbois, Basson et Piano
4
Flûte, Alto (duo)
4
Flûte et Guitare
4
Flute (partie séparée)
4
Flûte, Clarinette et Basson
4
Hautbois, Clarinette et Piano (Trio)
4
Hautbois, Violon, Piano
4
2 Saxophones, Piano
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Ocarina
3
2 Clarinettes, Piano
3
Hautbois
3
Flûte, Hautbois, Basson
2
Piccolo, Piano
2
2 Flûtes à bec, Piano
2
Piccolo
2
Clarinette, Basson (duo)
2
Quintette de Flûte : 5 flûtes
2
Saxophone et Orgue
2
Flûte, Violon, Violoncelle et Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Violoncelle
1
Clarinette, Orgue
1
2 Flûtes traversières, Piano
1
Clarinette, Guitare (duo)
1
Saxophone Soprano
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Guitare (duo)
1
Flûte traversière, Orgue (duo)
1
Saxophone
1
Ensemble de saxophones
1
Flûte, Hautbois (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette, Piano
265
Trombone et Piano
222
Cor et Piano
208
Tuba et Piano
117
Euphonium, Piano (duo)
52
Trompette
51
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
51
Quatuor de Cuivres
35
Cor anglais, Piano
34
Trombone (partie séparée)
21
2 Trombones (duo)
16
Trompette (partie séparée)
16
2 Trompettes (duo)
16
Trombone
14
2 Cors (duo)
11
Tuba
11
Tuba et Orgue
11
Cor
10
Trompette, Saxophone (duo)
10
Trompette, Trombone, Piano
9
3 Trompettes (trio)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trio de Cuivres
6
Cor (partie séparée)
6
Trompette, Trombone (duo)
6
3 Trombones (trio)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Tuba (partie séparée)
4
Euphonium
4
Quatuor de cuivres: 4 cors
2
Trombone, Tuba (duo)
2
Trombone, Orgue
1
Ensemble de Trombones
1
2 Tubas (duo)
1
2 Cors, Piano
1
Quatuor de cuivres: 4 trombones
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone basse et Piano
1
2 Cors Anglais Et Pianoforte
1
4 Tubas
1
Trompette, Euphonium (duo)
1
Ensemble de Trompettes
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
586
Alto, Piano
347
Violoncelle, Piano
326
Quatuor à cordes: 2 violons, alto, violoncelle
152
Contrebasse, Piano (duo)
131
Quintette à cordes: 2 violons, alto, violoncelle, basse
57
Violon
55
2 Violons (duo)
38
Piano Trio: Violon, Alto, Piano
28
Violon, Alto (duo)
28
Violoncelle
27
Alto seul
25
Trio à Cordes: violon, alto, violoncelle
21
2 Altos (duo)
18
2 Violoncelles (duo)
16
Contre Basse
14
Violon, Violoncelle (duo)
14
Violon, Clarinette, Piano (trio)
13
Trio à cordes: 3 violins
11
Violon (partie séparée)
9
Contrebasse (partie séparée)
9
Harpe
8
Trio à Cordes: 2 violons, violoncelle
7
Quatuor à cordes: 4 violons
6
2 Violons, Piano
5
Alto (partie séparée)
5
4 Contrebasses
5
4 Violoncelles
4
Violoncelle (partie séparée)
4
2 Contrebasses (duo)
4
Violoncelle, Contrebasse (duo)
3
2 Harpes (duo)
2
Trio à Cordes: 2 violons, alto
2
Quatuor à cordes : 4 altos
2
Alto, Violoncelle (duo)
2
2 Violoncelles, Piano
1
Trio à Cordes: 3 violoncelles
1
Alto et Harpe
1
Alto, Orgue
1
Violoncelle, Orgue
1
Ensemble de Violoncelles
1
Trio à cordes: 3 altos
1
Violoncelle , Guitare (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
153
Orchestre d'harmonie
131
Ensemble Jazz
123
Orchestre
117
Orchestre de chambre
54
Cloches
45
Jazz combo
40
Ensemble de cuivres
35
Vibraphone, Piano
27
Xylophone, Piano
23
Ensemble de Percussions
18
Marimba
9
Ensemble d'École
8
Percussion (partie séparée)
4
Batterie (partie séparée)
4
Xylophone
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Mariachi
4
2 Xylophones
2
Fanfare
2
2 Marimbas
1
Batterie
1
Vibraphone
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Piano Player
2 Marimbas
Partitions à imprimer
1 partition trouvée
Trois Mouvements Perpetuels
2 Marimbas
Marimba duet - Digital Download Composed by Francis Poulenc (1899-1963). Arranged by …
(+)
Marimba duet - Digital Download Composed by Francis Poulenc (1899-1963). Arranged by Jeff Gorbski. Score and Parts. 20 pages. Imagine Music Publishing #PES185. Published by Imagine Music Publishing
Francis Poulenc (1899-1963) was born to a wealthy industrialist family in Paris on January 7, 1899. His mother was an amateur pianist and piano teacher, and as such musical soirees at the home were a regular occurrence. She gave Poulenc his first piano lessons, which led him to become a capable pianist himself.<br> <br> Poulenc quickly became caught up in the intellectual currents of early twentieth century Paris, and eventually became part of a group of fellow Parisian composers known as Les Six. The name originated in response to (or in competition with) the 'Russian Five' (which included Rimsky-Korsakov), and the lightness and playfulness of the music of Les Six was a marked contrast to the large scale, and sometimes bombastic, Russian orchestrations. However, even though Les Six was dedicated to turning music away from the syrupy and amorphous world of Impressionism, the members of the group insisted they were simply friends with no communal musical aims.<br> <br> Without any formal lessons in composition initially, Poulenc nonetheless gained success and notoriety as a composer by the time he was 18 years old, with no less than Stravinsky himself promoting his works. In 1918, while serving in the military, he composed perhaps his most popular piano piece, Trois Mouvements Perpetuels.<br> <br> As will be obvious while listening to this two marimba arrangement, Poulenc's music is direct and tuneful, considered by many to be his major strength. His music combines wit and irony juxtaposed with the sentimental and melancholy. Using conventional harmonies in unique and clever ways, he produced fresh and appealing melodies consisting of bright colors and clear rhythm.<br> <br> In Mouvements 1, we hear an ostinato in the lower marimba, while the upper marimba plays a sprightly, albeit quirky, melody. Mouvements 2 is a more moody construction, perhaps even introspective. Yet, in the first two Mouvements, there are no real performance difficulties associated with the music.<br> Practice time on these two pieces would be well spent on nuancing balance and phrasing. Mouvements 3, however, requires agile 4-mallet technique from both players. The opening bars in the Marimba 1 part, the rhythmic coordination in measures 8-11, 16-19, and 24-27, as well as maintaining the driving and spirited melodic lines are all areas of concern for the performers in this movement.<br> <br> This piece is dedicated to John Monday and Yu-Yun Chiang, two of the most talented marimbists with whom I have had the pleasure of working.Francis Poulenc (1899-1963) was born to a wealthy industrialist family in Paris on January 7, 1899. His mother was an amateur pianist and piano teacher, and as such musical soirees at the home were a regular occurrence. She gave Poulenc his first piano lessons, which led him to become a capable pianist himself.<br> <br> Poulenc quickly became caught up in the intellectual currents of early twentieth century Paris, and eventually became part of a group of fellow Parisian composers known as Les Six. The name originated in response to (or in competition with) the 'Russian Five' (which included Rimsky-Korsakov), and the lightness and playfulness of the music of Les Six was a marked contrast to the large scale, and sometimes bombastic, Russian orchestrations. However, even though Les Six was dedicated to turning music away from the syrupy and amorphous world of Impressionism, the members of the group insisted they were simply friends with no communal musical aims.<br> <br> Without any formal lessons in composition initially, Poulenc nonetheless gained success and notoriety as a composer by the time he was 18 years old, with no less than Stravinsky himself promoting his works. In 1918, while serving in the military, he composed perhaps his most popular piano piece, Trois Mouvements Perpetuels.<br> <br> As will be obvious while listening to this two marimba arrangement, Poulenc's music is direct and tuneful, considered by many to be his major strength. His music combines wit and irony juxtaposed with the sentimental and melancholy. Using conventional harmonies in unique and clever ways, he produced fresh and appealing melodies consisting of bright colors and clear rhythm.<br> <br> In Mouvements 1, we hear an ostinato in the lower marimba, while the upper marimba plays a sprightly, albeit quirky, melody. Mouvements 2 is a more moody construction, perhaps even introspective. Yet, in the first two Mouvements, there are no real performance difficulties associated with the music.<br> Practice time on these two pieces would be well spent on nuancing balance and phrasing. Mouvements 3, however, requires agile 4-mallet technique from both players. The opening bars in the Marimba 1 part, the rhythmic coordination in measures 8-11, 16-19, and 24-27, as well as maintaining the driving and spirited melodic lines are all areas of concern for the performers in this movement.<br> <br> This piece is dedicated to John Monday and Yu-Yun Chiang, two of the most talented marimbists with whom I have had the pleasure of working.
$16.00
14.64 €
#
2 Marimbas
#
Francis Poulenc (1899-1963)
#
Jeff Gorbski
#
Trois Mouvements Perpetuels
#
SheetMusicPlus
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale