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Non classifié
1286
PIANO & CLAVIERS
Piano seul
639
Piano, Voix
231
Piano Facile
120
Piano, Voix et Guitare
111
Orgue
66
Instruments en Do
48
Accompagnement Piano
23
1 Piano, 4 mains
16
Piano Trio: piano, violon, violoncelle
12
2 Pianos, 4 mains
9
Piano Quatuor: piano, violon, alto, violoncelle
5
Accordéon
3
Piano (partie séparée)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano grosses notes
3
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
Clavecin
1
1 Piano, 6 mains
1
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrumentations suivantes
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GUITARES
Guitare
63
Guitare notes et tablatures
45
Ligne De Mélodie, (Paroles) et Accords
10
Ukulele
6
Basse electrique
6
Mandoline
5
Guitare (partie séparée)
4
2 Guitares (duo)
4
2 Mandolines (duo)
2
Dulcimer
2
Guitare, Orchestre
1
Piano, Guitare (duo)
1
Banjo
1
2 Ukuleles
1
Instrumentations suivantes
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VOIX
Chorale SATB
293
Chorale 3 parties
81
Chorale TTBB
49
Chorale SSAA
33
Chorale Unison
28
Chorale 2 parties
25
Voix Soprano, Piano
12
Voix Alto, Piano
8
Voix duo
8
Voix haute
5
Voix seule
4
Voix Tenor, Piano
4
Voix Soprano
3
Voix duo, Piano
3
Chorale SSATTB
3
Chorale SSAATTBB
3
Voix Baryton, Piano
2
Soli, choeur mixte et accompagnement
2
Voix moyenne, Piano
1
Chorale SSAB a cappella
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATB
1
Voix Tenor
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
141
Flûte traversière et Piano
89
Quatuor de Saxophones: 4 saxophones
82
Quintette de Saxophone: 5 saxophones
79
2 Saxophones (duo)
78
Clarinette et Piano
74
Hautbois, Piano (duo)
63
Saxophone Alto et Piano
61
Quatuor de Clarinettes: 4 clarinettes
51
2 Clarinettes (duo)
47
Flûte, Hautbois, Clarinette, Basson
46
Saxophone Soprano et Piano
43
Clarinette
40
Quatuor de Flûtes : 4 flûtes
36
2 Flûtes traversières (duo)
35
Flûte traversière
31
Saxophone, Clarinette (duo)
31
Saxophone Tenor et Piano
28
Flûte, Clarinette (duo)
22
Saxophone Baryton, Piano
21
Clarinette, Violon (duo)
20
Ensemble de Flûtes
20
2 Hautbois (duo)
19
Saxophone (partie séparée)
19
Ensemble de saxophones
18
Cor anglais, Piano
17
3 Saxophones (trio)
17
Hautbois
16
Ensemble de Clarinettes
16
Clarinette Basse, Piano
13
Clarinette, Trompette (duo)
13
Hautbois, Clarinette (duo)
12
Quintette de Clarinettes: 5 clarinettes
12
Flûte, Saxophone (duo)
11
Quintette de Flûte : 5 flûtes
11
Saxophone Alto
11
3 Clarinettes (trio)
11
Flûte, Violon
11
Hautbois, Flûte
10
Hautbois, Basson (duo)
10
Harmonica
10
2 Flûte à bec (duo)
10
Clarinette et Alto
9
Flûte, Trompette (duo)
8
Trio de Flûtes: 3 flûtes
7
Flûte, Alto (duo)
7
Clarinette, Guitare (duo)
7
Hautbois (partie séparée)
6
Flûte, Alto et Piano
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte et Guitare
5
Quatuor de Flûtes à bec
5
Ocarina
4
Flute (partie séparée)
4
Flûte à Bec
4
Saxophone Tenor
4
Flûte à bec Alto
3
Flûte à bec Soprano
3
Clarinette, Basson (duo)
3
Flûte, Clarinette et Basson
3
Saxophone Soprano
2
Flûte, Violon, Piano
2
Flûte à bec Soprano, Piano
2
Saxophone Baryton
2
Clarinette (partie séparée)
2
Cor anglais, Guitare (duo)
2
Saxophone et Guitare
2
5 Flûtes à bec
2
Flûte, Violoncelle
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
3 Flûtes à bec (trio)
2
Flûte, Violon et Violoncelle
2
Flûte irlandaise
1
Clarinette, Violoncelle (duo)
1
Clarinette Basse
1
Piccolo, Piano
1
Clarinette, Harpe (duo)
1
Saxophone
1
Flûte traversière, Basse continue
1
Hautbois, Basson et Piano
1
Ensemble De Flûte à bec
1
Ensemble de Hautbois
1
Flûte à bec Alto, Piano
1
Hautbois, Guitare (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
2 Saxophones, Piano
1
Hautbois, Harpe
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
157
Quatuor de Cuivres : 2 trompettes, trombone, tuba
77
Trompette
49
Trombone et Piano
47
Cor et Piano
47
Trompette, Piano
45
Ensemble de Trompettes
39
Tuba et Piano
29
Cor
27
Quatuor de Cuivres
26
Euphonium, Piano (duo)
22
Trompette, Saxophone (duo)
20
Trombone
20
2 Trombones (duo)
19
2 Trompettes (duo)
18
Trompette (partie séparée)
18
Tuba
18
Cor anglais, Piano
17
Ensemble de Trombones
15
Trombone (partie séparée)
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Trompette, Trombone (duo)
12
Cor (partie séparée)
8
Tuba (partie séparée)
6
Quatuor de cuivres: 4 trombones
6
2 Cors (duo)
5
Quatuor de cuivres: 4 trompettes
4
4 Tubas
3
3 Trompettes (trio)
3
Quatuor de cuivres: 4 cors
3
Ensemble de Cors
2
Cor anglais, Guitare (duo)
2
3 Trombones (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Euphonium, Tuba (duo)
1
2 Tubas (duo)
1
Trombone basse
1
2 Euphoniums et 2 Tubas
1
Cor, Violoncelle (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
191
Violon et Piano
122
Alto, Piano
83
Violoncelle, Piano
67
Harpe
51
Violoncelle
44
Violon
43
Violon, Violoncelle (duo)
33
2 Violons (duo)
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
Alto seul
28
2 Violoncelles (duo)
27
Contrebasse, Piano (duo)
25
Violon, Alto (duo)
23
2 Altos (duo)
20
Trio à Cordes: violon, alto, violoncelle
19
Contre Basse
17
Trio à Cordes: 2 violons, violoncelle
16
Violon (partie séparée)
8
Contrebasse (partie séparée)
7
Ensemble d'Altos
5
Ensemble de Violons
5
4 Violoncelles
4
Violon, Guitare (duo)
4
Alto (partie séparée)
4
Harpe, Voix
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 violins
3
Trio à cordes: 3 altos
3
Harpe, Violon (duo)
2
Alto, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
2
2 Contrebasses (duo)
2
Violon, Clarinette, Piano (trio)
2
Quatuor à cordes: 4 violons
2
2 Altos, Piano
1
Violon, Basse continue
1
Violoncelle , Guitare (duo)
1
4 Contrebasses
1
Harpe, Flûte (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
583
Orchestre
125
Orchestre à Cordes
80
Ensemble Jazz
67
Ensemble de cuivres
60
Orchestre de chambre
38
Fanfare
34
Cloches
28
Batterie
13
Marimba
7
Ensemble de Percussions
6
Vibraphone
5
Jazz combo
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Percussion (partie séparée)
3
Batterie (partie séparée)
3
2 Xylophones
2
Orchestre, Violon
2
Piano et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
After All This
Mandoline
Partitions à imprimer
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1
Love Me Tender
Mandoline
Mandolin - Level 1 - Digital Download SKU: A0.1301318 By Elvis Presley. By Elvis Pr…
(+)
Mandolin - Level 1 - Digital Download SKU: A0.1301318 By Elvis Presley. By Elvis Presley and Vera Matson. Arranged by FERNANDO LUIZ NEVES. 20th Century,Film/TV,Folk,Historic,Pop. Score. 4 pages. Fernando Neves #890956. Published by Fernando Neves (A0.1301318). Love Me Tender is a song composed by Elvis Presley and Vera Matson, based on the melody of an older song called Aura Lee composed during the American Civil War which was popular among the soldiers on both sides of the war, who sang it around campfires or wrote letters to their sweethearts using the lyrics. The song also reflected the sadness and uncertainty of the war, as many lovers were separated or lost their lives in the conflict. Elvis recorded his version named Love Me Tender which was recorded in 1956 and released as a single, along with the movie of the same name. The movie was a musical Western, starring Presley as Clint Reno, a young man who falls in love with his brother’s fiancée after the brother is presumed dead in the Civil War. The song was a huge hit, selling over a million copies before the movie was released. The song has a simple and gentle melody, with a romantic and sentimental lyric. This arrangement for mandolin and acoustic guitar keeps the sentimental mood with mandolin playing the medoly and acoustic guitar on the accompaniment. 4 pages PDF contains complete score with tablature for both mandolin and guitar. Separated parts are also available for mandolin (melody score plus tablature in one page) and Guitar (accompaniment score with tablature, score and fingering).
$14.97
13.63 €
#
Mandoline
#
Elvis Presley
#
FERNANDO LUIZ NEVES
#
Love Me Tender
#
Fernando Neves
#
SheetMusicPlus
Hymn to Joy for Mandolin and Guitar
Mandoline
Mandolin - Level 1 - Digital Download SKU: A0.1298110 Composed by Ludwig van Beetho…
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Mandolin - Level 1 - Digital Download SKU: A0.1298110 Composed by Ludwig van Beethoven. Arranged by FERNANDO LUIZ NEVES. Classical,Praise & Worship,Religious,Sacred,Traditional. Score. 6 pages. Fernando Neves #888095. Published by Fernando Neves (A0.1298110). The Hymn of Joy (often called Joyful, Joyful We Adore Thee after the first line) is a poem written by Henry van Dyke in 1907 with the intention of musically setting it to the famous Ode to Joy melody of the final movement of Ludwig van Beethoven's final symphony, Symphony No. 9.[2] The original poem Ode to Joy (German: An die Freude) is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller and published the following year. This arrangtement for mandolin and guitar starts in the key of G and then modulates to the key of A. PDF file has 6 pages and includes 3 pages for the complete arrangement with tablature for both mandolin and guitar and also guitar chords. Individual parts are also available: 1 page for mandolin part with score and tablature and 2 pages for Guitar part with score, tablature and chords.
$17.99
16.38 €
#
Mandoline
#
Ludwig van Beethoven
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FERNANDO LUIZ NEVES
#
Hymn to Joy for Mandolin and Guitar
#
Fernando Neves
#
SheetMusicPlus
Mandolin Chord Melody System
Mandoline
Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Pub…
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Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30502EB). - Ebook - Jazz, Improvising - Mel Bay Publications - Digital Sheet Music
ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.
$14.99
13.65 €
#
Mandoline
#
Aaron Weinstein
#
Mandolin Chord Melody System
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
The Celtic Mandola Music Book
Mandoline
By Brent C Robitaille. By Brent Robitaille. Arranged by Brent C Robitaille. Celtic, …
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By Brent C Robitaille. By Brent Robitaille. Arranged by Brent C Robitaille. Celtic, Instructional, Irish, Multicultural, Traditional, World. Score. 186 pages. Brent C Robitaille #647712. Published by Brent C Robitaille
Is the Mandola the perfect Celtic instrument?Tuned a fifth lower (CGDA) and about 2 inches longer than a mandolin, the mandola is excellent for Celtic music as a solo or band instrument. The Celtic Mandola Music Book is packed with great tunes, chords, exercises, and technique tips, adding to a limited selection of books. This book was written specifically for the mandola and will help you get the most from the alto voice range. The mandola is akin to the viola in the string orchestra but can also be an excellent solo instrument. Blends well with guitars, violins and other string instruments. There are two editions for sale of this book, one written in treble clef and the other in alto clef. Choose which edition best suits your reading skill. Notation, tablature, chords, fingerings and slurring are included in the over 40 pieces. Highly recommended for all mandola players from best-selling author Brent Robitaille. There is a selection of audio and video tracks on the author\'s website. See details inside the book. List of tunes:After the Battle of Aughrim ~ April Snow Reel ~ Black Velvet Band ~ Blind Mary ~ Cape Breton Jig ~ Carolan\'s Concerto ~ Connaughtman\'s Rambles ~ Danny Boy ~ Drowsy Maggy ~ Eleanor Plunkett ~ Fisher’s Hornpipe Flowers of Edinburgh ~ Haste to the Wedding ~ Hector the Hero ~ Hewlett ~ High Road to Linton ~ I\'ll Tell Me Ma ~ Irish Washerwoman ~ John Ryan\'s Polka ~ Kesh Jig ~ Lark in the Clear Air ~ Loch Lomond ~ Merrily Kiss the Quaker ~ Molly Malone ~ Morrison\'s Jig ~ Neil Gow\'s Lament ~ O\'Carolan\'s Draught ~ O\'Dowd’s No. 9 ~ The Parting Glass ~ Planxty George Brabazon ~ Raccoon in the Attic ~ Rakes of Kildare ~ Red Haired Boy ~ Rights of Man ~ Sailor’s Hornpipe ~ Si Bheag Si Mhor ~ Sonny\'s Mazurka ~ Strong Bow ~ Swallow Tail Jig ~ Whiskey in the Jar ~ White Cockade ~ Wind That Shakes the Barley ~.Is the Mandola the perfect Celtic instrument?Tuned a fifth lower (CGDA) and about 2 inches longer than a mandolin, the mandola is excellent for Celtic music as a solo or band instrument. The Celtic Mandola Music Book is packed with great tunes, chords, exercises, and technique tips, adding to a limited selection of books. This book was written specifically for the mandola and will help you get the most from the alto voice range. The mandola is akin to the viola in the string orchestra but can also be an excellent solo instrument. Blends well with guitars, violins and other string instruments. There are two editions for sale of this book, one written in treble clef and the other in alto clef. Choose which edition best suits your reading skill. Notation, tablature, chords, fingerings and slurring are included in the over 40 pieces. Highly recommended for all mandola players from best-selling author Brent Robitaille. There is a selection of audio and video tracks on the author\'s website. See details inside the book. List of tunes:After the Battle of Aughrim ~ April Snow Reel ~ Black Velvet Band ~ Blind Mary ~ Cape Breton Jig ~ Carolan\'s Concerto ~ Connaughtman\'s Rambles ~ Danny Boy ~ Drowsy Maggy ~ Eleanor Plunkett ~ Fisher’s Hornpipe Flowers of Edinburgh ~ Haste to the Wedding ~ Hector the Hero ~ Hewlett ~ High Road to Linton ~ I\'ll Tell Me Ma ~ Irish Washerwoman ~ John Ryan\'s Polka ~ Kesh Jig ~ Lark in the Clear Air ~ Loch Lomond ~ Merrily Kiss the Quaker ~ Molly Malone ~ Morrison\'s Jig ~ Neil Gow\'s Lament ~ O\'Carolan\'s Draught ~ O\'Dowd’s No. 9 ~ The Parting Glass ~ Planxty George Brabazon ~ Raccoon in the Attic ~ Rakes of Kildare ~ Red Haired Boy ~ Rights of Man ~ Sailor’s Hornpipe ~ Si Bheag Si Mhor ~ Sonny\'s Mazurka ~ Strong Bow ~ Swallow Tail Jig ~ Whiskey in the Jar ~ White Cockade ~ Wind That Shakes the Barley ~.
$19.99
18.2 €
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Mandoline
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Brent C Robitaille
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Brent C Robitaille
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The Celtic Mandola Music Book
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Brent C Robitaille
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SheetMusicPlus
Airs for the Seasons by James Oswald
Mandoline
Arranged for Solo Mandolin. Composed by John Goodin. Solos and Duets. Style. E-book. M…
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Arranged for Solo Mandolin. Composed by John Goodin. Solos and Duets. Style. E-book. Mel Bay Publications - Digital Sheet Music #30743EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118416.<br> <br> Between 1755 and 1761 James Oswald composed and published two sets of 48 Airs for the Seasons, 96 pieces in all. Each air included from two to four separate movements in different time signatures and tempos, almost always in the same key. Each was printed on a single page with the melody on one staff and a bass line (with figures) on a second staff. Additionally, each piece was named after a plant and organized into groups of twelve for each season. This book contains a selection of 24 Oswald airs, 6 for each season, in standard notation and arranged for solo mandolin. Originally intended for the flute or violin, in most cases the original key has been changed to better accommodate the modern mandolin. Oswaldas Scottish heritage is evident in the number of movements that are actually slow airs, jigs, reels or menuets. Altogether, this is a delightful collection of 18th century melodies suitable for solo performance, teaching or private enjoyment.ISBN 9781619118416.<br> <br> Between 1755 and 1761 James Oswald composed and published two sets of 48 Airs for the Seasons, 96 pieces in all. Each air included from two to four separate movements in different time signatures and tempos, almost always in the same key. Each was printed on a single page with the melody on one staff and a bass line (with figures) on a second staff. Additionally, each piece was named after a plant and organized into groups of twelve for each season. This book contains a selection of 24 Oswald airs, 6 for each season, in standard notation and arranged for solo mandolin. Originally intended for the flute or violin, in most cases the original key has been changed to better accommodate the modern mandolin. Oswaldas Scottish heritage is evident in the number of movements that are actually slow airs, jigs, reels or menuets. Altogether, this is a delightful collection of 18th century melodies suitable for solo performance, teaching or private enjoyment.
$12.99
11.83 €
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Mandoline
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John Goodin
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Airs for the Seasons by James Oswald
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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