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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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AMERICANA
ASIE
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
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JEUX VIDEOS
KLEZMER - JUIVE
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LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Non classifié
1329
PIANO & CLAVIERS
Piano seul
1229
Piano Facile
514
Piano, Voix
299
Piano, Voix et Guitare
238
Instruments en Do
202
Orgue
69
Accompagnement Piano
65
Piano grosses notes
17
Piano Trio: piano, violon, violoncelle
12
1 Piano, 4 mains
11
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
4
Orgue, Trompette (duo)
1
Accordéon
1
Orgue, Piano (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
58
Guitare
47
Ligne De Mélodie, (Paroles) et Accords
42
Ukulele
15
Piano, Guitare (duo)
9
Paroles et Accords
7
Mandoline
4
Basse electrique
3
Dulcimer
2
Ensemble de guitares
1
Mandoline, Piano (duo)
1
Guitare, Violon, Violoncelle (trio)
1
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Instrumentations suivantes
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VOIX
Chorale SATB
724
Chorale 3 parties
174
Chorale 2 parties
112
Chorale Unison
103
Chorale TTBB
77
Voix duo, Piano
39
Chorale SSAA
32
Voix Tenor, Piano
21
Voix Alto, Piano
16
Voix Soprano, Piano
15
Voix duo
12
Voix seule
9
Chorale
9
Voix Baryton, Piano
6
Voix haute
5
Voix Tenor
5
Voix basse, Piano
4
Chorale SSAATTBB
3
Voix moyenne, Piano
3
Chorale SSATTB
2
Pack Instrumental pour Chorale
1
Chorale SSAB, Piano
1
Voix Soprano
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
86
Clarinette
81
Saxophone Alto
79
Flûte traversière
79
Hautbois, Piano (duo)
76
Saxophone Tenor
76
Flûte traversière et Piano
76
Clarinette et Piano
66
Saxophone Alto et Piano
62
Quatuor de Saxophones: 4 saxophones
57
Saxophone Tenor et Piano
53
Flûte, Hautbois, Clarinette, Basson
52
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
51
Hautbois (partie séparée)
48
2 Saxophones (duo)
37
Quatuor de Clarinettes: 4 clarinettes
35
2 Flûtes traversières (duo)
32
Saxophone Baryton, Piano
31
Quintette de Saxophone: 5 saxophones
29
Saxophone Soprano et Piano
29
Ensemble De Flûte à bec
24
Quatuor de Flûtes : 4 flûtes
18
Cor Anglais
16
Cor anglais, Piano
14
Saxophone, Clarinette (duo)
13
Hautbois
12
Ensemble de Clarinettes
12
Saxophone Soprano
12
3 Saxophones (trio)
11
2 Clarinettes (duo)
11
Clarinette, Violon (duo)
10
2 Hautbois (duo)
8
Clarinette, Trompette (duo)
8
Quintette de Clarinettes: 5 clarinettes
8
Clarinette Basse, Piano
7
Ensemble de Flûtes
6
Saxophone Baryton
6
Hautbois, Clarinette (duo)
6
Flûte, Clarinette, Piano (trio)
6
Hautbois, Basson (duo)
5
Flûte à bec Soprano
5
Flûte, Trompette (duo)
5
Flûte, Clarinette (duo)
5
Hautbois, Flûte
5
Flûte à bec Tenor
4
Flûte, Hautbois, Clarinette (trio)
4
Quintette de Flûte : 5 flûtes
4
Clarinette, Violoncelle, Piano (trio)
4
Clarinette et Alto
4
Flûte, Saxophone (duo)
4
Flûte à bec Alto
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte à Bec
4
Flûte, Violon
4
Clarinette, Basson (duo)
4
Clarinette (partie séparée)
3
Ensemble de saxophones
3
Flûte, Violon et Violoncelle
3
Clarinette, Harpe (duo)
3
Trio de Flûtes: 3 flûtes
3
Flûte, Alto (duo)
3
Flute (partie séparée)
3
Hautbois, Harpe
2
Flûte, Violon, Piano
2
Flûte et Guitare
2
3 Clarinettes (trio)
2
Clarinette, trompette et piano
2
Flûte, Basson et Piano
2
Flûte, Clarinette et Basson
2
Flûte, Hautbois, Piano (trio)
2
Flûte à bec Soprano, Piano
1
Piccolo
1
Saxophone, Tuba (duo)
1
Hautbois, Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Trombone (duo)
1
2 Clarinettes, Piano
1
Quatuor de Flûtes à bec
1
Flûte, Alto et Piano
1
Hautbois, Guitare (duo)
1
Flute, harpe et violon
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone et Harpe
1
Clarinette, Guitare (duo)
1
Flûte et Trio à cordes
1
Flûte à bec Alto, Piano
1
Harmonica
1
Flûte, trombone et piano
1
Piccolo, Piano
1
5 Flûtes à bec
1
Flûte, Hautbois, Basson
1
2 Flûte à bec (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
79
Trombone
70
Cor
68
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
65
Trombone et Piano
59
Tuba
53
Trompette, Piano
46
Cor et Piano
36
Tuba et Piano
27
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Euphonium, Piano (duo)
16
Cor Anglais
16
Trompette (partie séparée)
15
Cor anglais, Piano
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Quatuor de Cuivres
10
Trompette, Saxophone (duo)
9
2 Trombones (duo)
8
Quatuor de cuivres: 4 trombones
7
Trombone (partie séparée)
7
2 Trompettes (duo)
6
Trio de Cuivres
5
Quatuor de cuivres: 4 cors
5
Ensemble de Trombones
4
Trompette, Trombone (duo)
4
2 Cors (duo)
4
Ensemble de Trompettes
3
Cor (partie séparée)
2
Euphonium
2
3 Trompettes (trio)
2
Tuba (partie séparée)
2
Quatuor de cuivres: 4 trompettes
2
Cor et Harpe
1
Trompette, Violoncelle et Piano
1
Trompette, Cor (duo)
1
4 Tubas
1
Trompette, Harpe
1
Ensemble de Cors
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
257
Violon
103
Violon et Piano
96
Violoncelle
90
Trio à Cordes: violon, alto, violoncelle
82
Violoncelle, Piano
71
Alto, Piano
71
Alto seul
64
Contre Basse
38
Violon, Violoncelle (duo)
35
Harpe
31
Trio à Cordes: 2 violons, violoncelle
25
Contrebasse, Piano (duo)
25
Alto (partie séparée)
20
2 Violons (duo)
20
2 Violoncelles (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Violon, Alto (duo)
7
2 Harpes (duo)
7
4 Violoncelles
7
Violon, Guitare (duo)
5
Trio à Cordes: 2 violons, alto
5
Harpe, Voix
5
Violon (partie séparée)
4
2 Altos (duo)
4
Harpe, Flûte (duo)
4
Harpe, Violon (duo)
4
Contrebasse (partie séparée)
4
Violoncelle , Guitare (duo)
3
Trio à Cordes: 3 violoncelles
3
Piano Trio: Violon, Alto, Piano
3
Trio à cordes
2
Ensemble de Violons
2
Quatuor à cordes : 4 altos
2
Ensemble d'Altos
2
Alto et Harpe
2
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 violins
1
Harpe, Violon, Violoncelle
1
Violoncelle, Contrebasse (duo)
1
2 Violons, Piano
1
Violoncelle (partie séparée)
1
Alto, Violoncelle (duo)
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
401
Orchestre
111
Orchestre à Cordes
82
Cloches
47
Ensemble Jazz
41
Ensemble de cuivres
34
Orchestre de chambre
24
Jazz combo
18
Ensemble de Percussions
11
Batterie
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Fanfare
4
Marimba
2
Percussion (partie séparée)
2
Percussion
1
Piano et Orchestre
1
Xylophone
1
Timbales
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
All For Us
Mandoline
Partitions à imprimer
4 partitions trouvées
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1
Playford for Mandolin
Mandoline
121 Tunes from the Playford Dancing Masters. Composed by John Goodin. British. Style. …
(+)
121 Tunes from the Playford Dancing Masters. Composed by John Goodin. British. Style. E-book. Mel Bay Publications - Digital Sheet Music #30538EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117334.<br> <br> From 1651 to 1728 John Playford, his son Henry, and John Young published multiple editions of the Dancing Master-collections of dance instructions and musical accompaniment. Over 500 distinct tunes were printed in these volumes and they give us one of the best pictures of English popular dance music in the 17th and early 18th centuries. This book presents 121 of these tunes adapted for the mandolin-all are written in standard notation and tablature, with chord symbols. Several pieces have been transposed into more mandolin-friendly keys. Suitable for use in teaching and performance, many of these tunes are still played by musicians today both for pleasure and dance accompaniment.ISBN 9781619117334.<br> <br> From 1651 to 1728 John Playford, his son Henry, and John Young published multiple editions of the Dancing Master-collections of dance instructions and musical accompaniment. Over 500 distinct tunes were printed in these volumes and they give us one of the best pictures of English popular dance music in the 17th and early 18th centuries. This book presents 121 of these tunes adapted for the mandolin-all are written in standard notation and tablature, with chord symbols. Several pieces have been transposed into more mandolin-friendly keys. Suitable for use in teaching and performance, many of these tunes are still played by musicians today both for pleasure and dance accompaniment.
$19.99
18.2 €
#
Mandoline
#
John Goodin
#
Playford for Mandolin
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Steve Kaufman's Favorite 50 Celtic Jigs and Waltzes for Mandolin
Mandoline
By Steve Kaufman. For Mandolin. Celtic/Irish. 96 pages. Published by Mel Bay Publications …
(+)
By Steve Kaufman. For Mandolin. Celtic/Irish. 96 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610652209. Steve Kaufman, Three Time National Flatpicking Champion, does it again. This installment of a four part series brings us Steve's favorite Celtic Jigs and Waltzes transcribed for the mandolin (and fiddle too). This is a large collection of reels will build your repertoire as well as help you develop more ideas, licks and runs for arranging your own melodies. All the songs in the book are played note for note on the accompanying online audio download at about - speed. Your goal is to learn the song, memorize it and then race with the Champ. Includes access to online audio.ISBN 9781610652209. Steve Kaufman, Three Time National Flatpicking Champion, does it again. This installment of a four part series brings us Steve's favorite Celtic Jigs and Waltzes transcribed for the mandolin (and fiddle too). This is a large collection of reels will build your repertoire as well as help you develop more ideas, licks and runs for arranging your own melodies. All the songs in the book are played note for note on the accompanying online audio download at about - speed. Your goal is to learn the song, memorize it and then race with the Champ. Includes access to online audio.
$17.99
16.38 €
#
Mandoline
#
Steve Kaufman
#
Steve Kaufman's Favorite 50 Celtic Jigs and Waltzes for Mandolin
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Steve Kaufman's Favorite Celtic Hornpipes for Mandolin
Mandoline
By Steve Kaufman. For Mandolin. Celtic/Irish. 100 pages. Published by Mel Bay Publications…
(+)
By Steve Kaufman. For Mandolin. Celtic/Irish. 100 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619110434. Steve Kaufman, three-time National Flatpicking Champion, does it again. This installmentof a four-part series brings us Steve's favorite Celtic hornpipes transcribed for the mandolin (and fiddle too). This is a large collection of hornpipes that will build your repertoire as well as help you develop more ideas, licks and runs for arranging your own melodies. Includes access to online audio.ISBN 9781619110434. Steve Kaufman, three-time National Flatpicking Champion, does it again. This installmentof a four-part series brings us Steve's favorite Celtic hornpipes transcribed for the mandolin (and fiddle too). This is a large collection of hornpipes that will build your repertoire as well as help you develop more ideas, licks and runs for arranging your own melodies. Includes access to online audio.
$19.99
18.2 €
#
Mandoline
#
Steve Kaufman
#
Steve Kaufman's Favorite Celtic Hornpipes for Mandolin
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Mandolin Chord Melody System
Mandoline
Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Pub…
(+)
Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30502EB). - Ebook - Jazz, Improvising - Mel Bay Publications - Digital Sheet Music
ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.
$14.99
13.65 €
#
Mandoline
#
Aaron Weinstein
#
Mandolin Chord Melody System
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
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