Caprice No. 4 for Mandolin (mandolin solo) MO158

Mandolin Solo

Music by Mark O?Connor

5 pages - 3:00 minutes in length



From the Thirty-Year Retrospective album notes; ?I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my childhood... ?Pickin? in the Wind,? the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn?t be in better hands.?

ISBN 9781513455464. 8.75 x 11.75 inches.

A wealth of beautiful and joyous music has been written for the Christmas season. Some of the most enchanting melodies can be found in this solo mandolin edition of the Early American holiday repertoire. For this collection, Tommy Norris has selected eighteen lesser and better-known carols and songs from the folk, shape-note, sacred, Native American, African American spiritual, and European hymnody traditions, and arranged them for solo mandolin. Each intermediate to moderately advanced arrangement is shown in standard notation and mandolin tablature. As a learning aid, a downloadable recording of the author's performance of each piece is available online. We hope these arrangements bring the joy of the Christmas spirit to your holiday season.

ISBN 9781619113435. This book is designed for mandolinists seeking to develop their left and right-hand technique. The exercises included help reinforce fundamental actions of playing, and challenge the player to master the various permutations and combinations of these fundamentals. Each hand is given primary focus, working across all four strings or up and down the fretboard before both hands are challenged simultaneously. Through these exercises, a player can improve their functioning abilities and facilitate better control over the instrument. Practicing these workouts can help with the mechanics of playing as well, helping a player improve accuracy, speed, and agility in both hands.

ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.

ISBN 9781619118416.

Between 1755 and 1761 James Oswald composed and published two sets of 48 Airs for the Seasons, 96 pieces in all. Each air included from two to four separate movements in different time signatures and tempos, almost always in the same key. Each was printed on a single page with the melody on one staff and a bass line (with figures) on a second staff. Additionally, each piece was named after a plant and organized into groups of twelve for each season. This book contains a selection of 24 Oswald airs, 6 for each season, in standard notation and arranged for solo mandolin. Originally intended for the flute or violin, in most cases the original key has been changed to better accommodate the modern mandolin. Oswaldas Scottish heritage is evident in the number of movements that are actually slow airs, jigs, reels or menuets. Altogether, this is a delightful collection of 18th century melodies suitable for solo performance, teaching or private enjoyment.

ISBN 9781619113916. Fretboard Studies for the Improvising Mandolinist presents a collection of tools to help improve one's knowledge of the fretboard. Scales, arpeggios, patterns, intervallic exercises and progressions are included. Exercises help the player build muscle memory and musical ideas anywhere on the fretboard. A collection of tunes is also included. Connect the physical with the theoretical and become a better improviser!