Partitions Numériques de Follow On pour Mandoline

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TRI ET FILTRES

Tri et filtres :

avec audio

avec vidéo

avec play-along

Non classifié 2643

PIANO & CLAVIERS

Piano seul 1453 Piano Facile 424 Piano, Voix et Guitare 266 Piano, Voix 215 Orgue 109

Instruments en Do 88 Piano Trio: piano, violon, violoncelle 59 1 Piano, 4 mains 29 Accompagnement Piano 28 2 Pianos, 4 mains 17 Piano Quatuor: piano, violon, alto, violoncelle 14 Accordéon 5 Piano (partie séparée) 5 Piano grosses notes 5 Piano Quatuor: piano, 2 violons, violoncelle 4 Piano Quintette: piano, 2 violons, alto, violoncelle 3 2 Pianos, 8 mains 1 Clavecin 1

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GUITARES

Guitare notes et tablatures 119 Guitare 100 Ukulele 32 Ligne De Mélodie, (Paroles) et Accords 19 Piano, Guitare (duo) 12 Dulcimer 8 Ensemble de guitares 8 Basse electrique 8 Guitare (partie séparée) 7 2 Guitares (duo) 4 Mandoline 4

Paroles et Accords 3 4 Guitares (Quatuor) 2 Banjo 2 3 Guitares (trio) 1 Dobro 1

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VOIX

Chorale SATB 446 Chorale 3 parties 98 Chorale 2 parties 74 Chorale TTBB 47 Chorale Unison 36

Chorale SSAA 30 Voix duo, Piano 23 Voix duo 11 Voix Alto, Piano 8 Voix Soprano, Piano 8 Voix haute 7 Voix Baryton, Piano 7 Voix moyenne, Piano 6 Chorale SSAATTBB 3 Chorale SSATTB 3 Voix seule 2 Voix Tenor, Piano 2 Voix Tenor 2 Chorale 2 Chorale SSATB 1 Chorale SSAB, Piano 1

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VENTS

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 172 Flûte traversière et Piano 157 2 Saxophones (duo) 147 Quatuor de Clarinettes: 4 clarinettes 136 Saxophone Alto et Piano 124

Clarinette et Piano 124 Quatuor de Saxophones: 4 saxophones 124 Hautbois, Piano (duo) 103 2 Clarinettes (duo) 88 2 Flûtes traversières (duo) 77 Flûte traversière 75 Quatuor de Flûtes : 4 flûtes 72 Saxophone, Clarinette (duo) 71 Saxophone Alto 57 Flûte, Hautbois, Clarinette, Basson 53 Clarinette 52 2 Hautbois (duo) 52 Saxophone Soprano et Piano 51 Clarinette, Violon (duo) 49 Quintette de Saxophone: 5 saxophones 47 Saxophone Tenor 41 Saxophone Tenor et Piano 39 Clarinette, Trompette (duo) 38 Quintette de Flûte : 5 flûtes 38 Cor anglais, Piano 37 Quintette de Clarinettes: 5 clarinettes 36 Flûte, Clarinette (duo) 35 Saxophone (partie séparée) 34 3 Clarinettes (trio) 30 2 Flûtes traversières, Piano 29 Flûte et Guitare 29 Ensemble de Clarinettes 28 3 Saxophones (trio) 26 Flûte, Violon 25 Hautbois, Clarinette, Basson (trio d'anches) 24 Flûte à bec Soprano 23 Clarinette et Alto 22 Hautbois, Clarinette (duo) 21 Flûte, Saxophone (duo) 21 Ensemble de saxophones 19 Hautbois 18 Hautbois (partie séparée) 18 Hautbois, Basson (duo) 18 Hautbois, Flûte 17 Flûte, Trompette (duo) 17 Saxophone Baryton, Piano 17 Ensemble de Flûtes 16 Flûte, Violon, Piano 16 Saxophone Soprano 13 Flûte, Alto (duo) 13 Flûte, Clarinette et Basson 9 Flûte à Bec 9 Flûte, Hautbois, Clarinette (trio) 9 Clarinette Basse, Piano 9 Flûte à bec Alto 8 2 Flûte à bec (duo) 7 Quatuor de Flûtes à bec 7 Saxophone Baryton 6 Flûte à bec Soprano, Piano 5 Clarinette, Guitare (duo) 5 Trio de Flûtes: 3 flûtes 5 5 Flûtes à bec 3 Flute (partie séparée) 3 Clarinette Basse 3 Cor Anglais 3 Ocarina 2 2 Cors Anglais Et Pianoforte 2 Flûte, Hautbois (duo) 2 Harmonica 2 2 Clarinettes, Piano 2 Flûte à bec Alto, Piano 2 2 Saxophones, Piano 2 Flûte irlandaise 2 Clarinette, Basson (duo) 2 Quintette de Clarinette: Clarinette, Quatuor à Cordes 2 Clarinette, Violoncelle, Piano (trio) 2 Flûte à bec Tenor 1 3 Flûtes à bec (trio) 1 Hautbois, violon (duo) 1 Flute, harpe et violon 1 Hautbois, Violin, Alto et Violoncelle (Quatuor) 1 Hautbois, Guitare (duo) 1 Flûte, Basson et Piano 1 Flûte, Hautbois, Basson 1 Saxophone et Orgue 1 Clarinette (partie séparée) 1 Clarinette, Harpe (duo) 1 Clarinette, Violoncelle (duo) 1 Flûte, Violon et Violoncelle 1 Ensemble De Flûte à bec 1 Hautbois, Basson et Piano 1 Instruments en Mib 1 Clarinette, Trombone (duo) 1 Cor anglais, Guitare (duo) 1

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CUIVRES

Quatuor de Cuivres : 2 trompettes, trombone, tuba 124 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 120 Trompette 62 Trombone et Piano 62 Trompette, Piano 59

Trompette, Saxophone (duo) 46 Trombone 45 Cor anglais, Piano 37 Cor et Piano 37 Cor 33 Trompette, Trombone (duo) 29 2 Trombones (duo) 29 2 Trompettes (duo) 27 Tuba 23 Quatuor de Cuivres 22 Trombone (partie séparée) 20 Quatuor de Cuivres: 2 trompettes, Cor, trombone 19 Tuba et Piano 17 Trompette (partie séparée) 15 Quatuor de cuivres: 4 trombones 14 2 Cors (duo) 14 Ensemble de Trombones 13 Euphonium, Piano (duo) 8 Ensemble de Trompettes 7 Cor (partie séparée) 4 Quatuor de cuivres: 4 cors 4 Tuba (partie séparée) 4 4 Tubas 3 Quintette de Cuivres: 2 trompettes, Cor, 2 trombones 3 Cor Anglais 3 2 Cors Anglais Et Pianoforte 2 Euphonium, Tuba (duo) 2 Trio de Cuivres 2 Quatuor de cuivres: 4 trompettes 2 2 Tubas (duo) 2 Trompette, Basson (duo) 2 3 Trombones (trio) 2 Bass Clef Instruments 1 Ensemble de Cors 1 Ensemble de Tubas 1 Trompette, Violoncelle (duo) 1 Trompette, Tuba (duo) 1 Instruments en Fa 1 Trombone basse 1 Trompette, Orchestre 1 3 Euphoniums 1 Cor et Orgue 1 2 Euphoniums et 2 Tubas 1 Trombone, Violon (duo) 1 Instruments en Sib 1 2 Trompettes, Clavier (piano ou orgue) 1 Euphonium 1 Cor anglais, Guitare (duo) 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 272 Violon et Piano 183 Violon 172 Violoncelle, Piano 117 Alto, Piano 104

Violoncelle 75 Violon, Violoncelle (duo) 70 Violon, Alto (duo) 50 Alto seul 49 Trio à Cordes: violon, alto, violoncelle 45 2 Violons (duo) 45 2 Violoncelles (duo) 43 Harpe 30 2 Altos (duo) 29 Contre Basse 22 Contrebasse, Piano (duo) 21 Quintette à cordes: 2 violons, alto, violoncelle, basse 15 Alto (partie séparée) 13 Violon (partie séparée) 12 Trio à Cordes: 2 violons, violoncelle 7 Contrebasse (partie séparée) 6 Violon, Guitare (duo) 6 4 Violoncelles 5 Quatuor à cordes: 4 violons 4 Trio à cordes: 3 violins 4 Alto, Guitare (duo) 4 Ensemble de Violons 4 Violoncelle (partie séparée) 3 Trio à Cordes: 2 violons, alto 2 Alto, Violoncelle (duo) 2 Violoncelle , Guitare (duo) 2 2 Violons, Piano 2 4 Contrebasses 2 Ensemble d'Altos 2 Trio à cordes: 3 altos 2 3 Harpes 1 Quintette à cordes: 2 violons, 2 altos, violoncelle 1 Trio à Cordes: 3 violoncelles 1 2 Violoncelles, Piano 1 Quatuor à cordes : 4 altos 1 Violon, Basson (duo) 1 Violoncelle, Orgue 1 Violon, Clarinette, Piano (trio) 1 Harpe, Flûte (duo) 1 Violoncelle, Contrebasse (duo) 1 Harpe, Violon, Violoncelle 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 476 Ensemble Jazz 210 Orchestre 124 Ensemble de cuivres 122 Orchestre à Cordes 106

Orchestre de chambre 76 Cloches 35 Jazz combo 34 Batterie 21 Ensemble de Percussions 14 Fanfare 8 Ensemble d'École 5 Percussion (partie séparée) 4 Batterie (partie séparée) 4 Vibraphone 3 Marimba 3 Big band 2 Bodhran 1 Xylophone 1 Piano et Orchestre 1 Quintette de Cuivres: autres combinaisons 1 Orchestre, Violon 1

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AUTRES

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Follow On

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Modes on Mandolin: Improve Your Improvisation

Mandoline

Mandolin - Advanced - Digital Download SKU: M0.30119EB Composed by Todd Collins. Ja…(+)

Mandolin - Advanced - Digital Download SKU: M0.30119EB Composed by Todd Collins. Jazz. E-book. Mel Bay Publications - Digital Sheet Music #30119EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30119EB). ISBN 9781619114067. 8.75x11.75 inches.Modes on the Mandolin: Improve Your Improvisation is a collection of exercises for the mandolin student to work through to better understand the fretboard and expand their musicality. The collection includes scales, modes, arpeggios, patterns, intervalic and rhythmic exercises, and progressions. It will serve as a valuable resource and a supplement to, but not a substitute for, a good teacher. You do not need to follow the chapters in order, as all of them will help you play and improvise over progressions. The exercises are tools to help you build muscle memory and musical ideas anywhere on the fretboard. Connect the physical with the theoretical. There are examples of common tune chord progressions with ideas applied to them. By creating your own musical ideas over the same progressions, you will find that the practical information given (exercises) turns into functional use (playing and improvising). Once you gain a better understanding of the fretboard, you will notice more fluidity and creativity in your playing.

$22.99 21.06 € #Mandoline #creating your own musical ideas over the same progressions, you will find that the practical information given #Todd Collins #Modes on Mandolin: Improve Your Improvisation #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus

Mandolin Blues Book - 101 Blues Riffs and Solos for Mandolin

Mandoline

Composed by Brent Robitaille. Blues. Score. 158 pages. Brent C Robitaille #6384045. …(+)

Composed by Brent Robitaille. Blues. Score. 158 pages. Brent C Robitaille #6384045. Published by Brent C Robitaille
Take your blues playing to the next level with the MandolinBlues Book. A collection of 101blues riffs and solos ideal for all mandolinists looking to get a good grasp ofjamming the blues. The book covers all the essential tools needed to playblues mandolin. Start by learning the 40stylistic riffs, then the 25 one and two bar blues riffs in multiple keys, andmove on to the longer 12 bar blues rhythm riffs and extended solos. Most of the longer rhythm riffs and solos follow thestandard 12 bar blues form, so they are readily applicable to many genres,including country, rock, jazz, folk and bluegrass, to name a few. To further deepen your mandolin skills, study themajor, minor, blues scales and arpeggios, as well as the library of mandolin chordsand blues chord progressions in all 12 keys. No book covers everything, but with some practice, youwill be ready to take your mandolin, jam the blues with confidence, and showoff your new skills. For free mandolin lessons, audio tracks and videos, pleasevisit my website: http://www.brentrobitaille.com or Mandolin BluesBook - Kalymi Music (brentrobitaille.com)Take your blues playing to the next level with the MandolinBlues Book. A collection of 101blues riffs and solos ideal for all mandolinists looking to get a good grasp ofjamming the blues. The book covers all the essential tools needed to playblues mandolin. Start by learning the 40stylistic riffs, then the 25 one and two bar blues riffs in multiple keys, andmove on to the longer 12 bar blues rhythm riffs and extended solos. Most of the longer rhythm riffs and solos follow thestandard 12 bar blues form, so they are readily applicable to many genres,including country, rock, jazz, folk and bluegrass, to name a few. To further deepen your mandolin skills, study themajor, minor, blues scales and arpeggios, as well as the library of mandolin chordsand blues chord progressions in all 12 keys. No book covers everything, but with some practice, youwill be ready to take your mandolin, jam the blues with confidence, and showoff your new skills. For free mandolin lessons, audio tracks and videos, pleasevisit my website: http://www.brentrobitaille.com or Mandolin BluesBook - Kalymi Music (brentrobitaille.com)

$18.99 17.4 € #Mandoline #Brent Robitaille #Mandolin Blues Book - 101 Blues Riffs and Solos for Mandolin #Brent C Robitaille #SheetMusicPlus

Mandolin Chord Melody System

Mandoline

Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Pub…(+)

Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30502EB). - Ebook - Jazz, Improvising - Mel Bay Publications - Digital Sheet Music
ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.

$14.99 13.73 € #Mandoline #Aaron Weinstein #Mandolin Chord Melody System #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus