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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PERCUSSION
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SAXOPHONE
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Non classifié
1239
PIANO & CLAVIERS
Piano seul
1575
Piano, Voix
256
Piano, Voix et Guitare
198
Orgue
183
Piano Facile
155
Instruments en Do
84
Accordéon
56
1 Piano, 4 mains
29
Piano Trio: piano, violon, violoncelle
16
2 Pianos, 4 mains
12
Clavecin
8
Orgue, Piano (duo)
8
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano (partie séparée)
5
Orgue, Trompette (duo)
4
Clavier
3
Piano grosses notes
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accompagnement Piano
2
1 Piano, 6 mains
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
282
Guitare
156
Ligne De Mélodie, (Paroles) et Accords
46
Ukulele
34
Basse electrique
23
Ukulele Baryton
13
Banjo
10
Piano, Guitare (duo)
8
Dulcimer
7
Mandoline
6
Guitare (partie séparée)
5
Paroles et Accords
4
2 Guitares (duo)
4
Ensemble de guitares
3
Guitare, Quatuor à cordes
3
4 Guitares (Quatuor)
2
3 Guitares (trio)
2
Guitare, Violon, Violoncelle (trio)
1
Guitare Pedal Steel
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
275
Chorale 3 parties
73
Chorale 2 parties
64
Chorale TTBB
29
Chorale Unison
24
Chorale SSAA
20
Voix duo, Piano
19
Voix Soprano, Piano
10
Chorale SSAATTBB
8
Voix duo
7
Voix moyenne, Piano
7
Voix Tenor, Piano
6
Voix seule
4
Voix Alto, Piano
4
Voix Mezzo-Soprano, Piano
3
Voix Baryton, Piano
3
Voix Soprano
2
Voix Tenor
2
Voix basse, Piano
1
Voix, Guitare
1
Chorale
1
Chorale SATBB
1
Chorale SSATTB
1
Voix haute
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
98
Flûte traversière et Piano
91
2 Saxophones (duo)
88
Quatuor de Saxophones: 4 saxophones
67
Clarinette et Piano
65
Hautbois, Piano (duo)
62
Flûte traversière
60
Saxophone Alto et Piano
60
Saxophone Soprano et Piano
53
Clarinette
50
Flûte, Hautbois, Clarinette, Basson
49
Quintette de Saxophone: 5 saxophones
47
Saxophone Tenor et Piano
47
Saxophone
45
2 Flûtes traversières (duo)
38
2 Clarinettes (duo)
35
Flûte, Violon, Piano
32
Saxophone Baryton, Piano
25
Saxophone (partie séparée)
24
Quatuor de Clarinettes: 4 clarinettes
23
Saxophone, Clarinette (duo)
18
3 Saxophones (trio)
18
Quatuor de Flûtes : 4 flûtes
16
Ensemble de saxophones
15
Clarinette Basse, Piano
15
Cor anglais, Piano
14
Ensemble de Clarinettes
14
Flûte, Hautbois, Clarinette (trio)
14
Saxophone Tenor
13
Clarinette, Violon (duo)
12
Hautbois (partie séparée)
12
Quintette de Clarinettes: 5 clarinettes
12
Ensemble de Flûtes
11
3 Clarinettes (trio)
11
Saxophone Alto
11
Clarinette, Trompette (duo)
11
Hautbois, Clarinette, Basson (trio d'anches)
11
2 Hautbois (duo)
10
Trio de Flûtes: 3 flûtes
10
Flûte et Guitare
9
2 Flûte à bec (duo)
9
Flûte, Violon
8
Quintette de Flûte : 5 flûtes
8
Hautbois, Clarinette (duo)
7
Flûte, Clarinette (duo)
7
Clarinette, Guitare (duo)
7
Flûte, Trompette (duo)
6
Flûte, Saxophone (duo)
6
Clarinette et Alto
6
Flûte à bec Soprano
6
Flûte à bec Alto
6
Hautbois, Flûte
6
Hautbois
5
2 Flûtes traversières, Piano
5
Saxophone Soprano
5
Flûte à bec Soprano, Piano
5
Hautbois, Basson (duo)
5
Clarinette (partie séparée)
4
Quatuor de Flûtes à bec
4
Flûte à bec Alto, Piano
4
Flute (partie séparée)
4
Flûte, Alto (duo)
3
Saxophone et Orgue
3
Saxophone Baryton
3
Flûte à Bec
3
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Hautbois, Basson
2
Piccolo, Piano
2
Flûte, Violoncelle
2
5 Flûtes à bec
2
Flûte, Clarinette et Basson
2
Flûte à bec Tenor
2
Saxophone et Piano
1
Ocarina
1
Hautbois, Guitare (duo)
1
Cor Anglais
1
Flûte, Violoncelle, Piano (trio)
1
Flûte et Quatuor à Cordes
1
2 Cors Anglais Et Pianoforte
1
Ensemble à vent
1
Flûte irlandaise
1
Clarinette Basse
1
3 Flûtes à bec (trio)
1
Flûte, Violon et Violoncelle
1
Flûte, Violoncelle, Guitare
1
Flûte, Hautbois (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
95
Trombone et Piano
58
Trompette
50
Quatuor de Cuivres : 2 trompettes, trombone, tuba
44
Trompette, Piano
41
Cor et Piano
31
Euphonium, Piano (duo)
30
Trombone (partie séparée)
29
Trombone
22
2 Trompettes (duo)
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trompette (partie séparée)
15
Cor
15
Cor anglais, Piano
14
2 Trombones (duo)
14
Trompette, Saxophone (duo)
12
Tuba
11
Ensemble de Trompettes
10
Quatuor de cuivres: 4 cors
10
Tuba et Piano
10
Trompette, Trombone (duo)
9
Quatuor de Cuivres
7
Quatuor de cuivres: 4 trombones
6
Ensemble de Trombones
6
2 Euphoniums et 2 Tubas
6
Trio de Cuivres
6
Cor (partie séparée)
5
2 Cors (duo)
5
Tuba (partie séparée)
4
2 Tubas (duo)
3
3 Trompettes (trio)
3
Ensemble de Cors
3
2 Trompettes, Clavier (piano ou orgue)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Euphoniums (duo)
2
Trombone basse
1
Trompette, Orchestre
1
Cor Anglais
1
Quatuor de cuivres: 4 trompettes
1
2 Cors Anglais Et Pianoforte
1
Trombone, Tuba (duo)
1
Trombone, Orgue
1
Ensemble de Tubas
1
Bass Clef Instruments
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
196
Violoncelle, Piano
76
Violon et Piano
74
Violoncelle
50
Violon
42
Alto, Piano
39
Harpe
27
Violon (partie séparée)
25
Violon, Violoncelle (duo)
22
Trio à Cordes: violon, alto, violoncelle
22
Alto seul
21
2 Violons (duo)
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
2 Violoncelles (duo)
16
Contre Basse
15
Contrebasse, Piano (duo)
13
Violon, Alto (duo)
11
Alto (partie séparée)
9
2 Altos (duo)
9
Contrebasse (partie séparée)
8
Trio à cordes: 3 violins
7
Violon, Guitare (duo)
7
Piano Trio: Violon, Alto, Piano
6
Ensemble de Violons
5
Violoncelle (partie séparée)
5
2 Contrebasses (duo)
4
Alto, Guitare (duo)
4
4 Violoncelles
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Ensemble de Violoncelles
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Trio à Cordes: 2 violons, violoncelle
2
Violoncelle , Guitare (duo)
2
Ensemble d'Altos
2
Quatuor à cordes : 4 altos
2
Harpe, Flûte (duo)
2
Violoncelle, Orchestre
1
2 Violons, Piano
1
Alto, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Harpe, Voix
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
459
Orchestre à Cordes
113
Orchestre
104
Ensemble Jazz
77
Orchestre de chambre
56
Ensemble de cuivres
49
Jazz combo
33
Fanfare
30
Marimba
17
Batterie
11
Cloches
10
Batterie (partie séparée)
5
Quintette à Vent
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Instrumentation Flexible
2
Caisse Claire
2
Percussion (partie séparée)
2
Percussion
2
Ensemble de Percussions
2
Conga
2
Vibraphone et Marimba
1
Quatuor à Vent : 4 instruments à vents
1
Timbales
1
2 Percussions
1
Piano et Orchestre
1
Xylophone
1
Cajon
1
Vibraphone
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
3
Théorie de la musique
1
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Theory and Improvisation for the Modern Mandolinist, Volume 1
Mandoline
Mandolin - Intermediate - Digital Download Building a Foundation. Composed by Tommy N…
(+)
Mandolin - Intermediate - Digital Download Building a Foundation. Composed by Tommy Norris. Jazz. E-book and online audio. 80 pages. Mel Bay Publications - Digital Sheet Music #30617MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117785.<br> <br> Theory and Improvisation for the Modern Mandolinist is a two book series that teaches improvisation in many musical styles along with theory concepts and how they apply to the mandolin. Each book provides access to different backing tracks and solo examples to help you learn. Every chapter includes scales presented in a variety of common formats: standard notation, tablature and fretboard charts.A Volume 1, Building a Foundation, only requires that the reader can play notes and simple chords. It presents basic skills necessary for improvising over chord progressions found in all types of music. Sample solos and progressions are included at the end of each chapter to practice. Whether you play bluegrass, rock, pop or jazz, this book will take your solos to the next level.A Includes access to online audio.ISBN 9781619117785.<br> <br> Theory and Improvisation for the Modern Mandolinist is a two book series that teaches improvisation in many musical styles along with theory concepts and how they apply to the mandolin. Each book provides access to different backing tracks and solo examples to help you learn. Every chapter includes scales presented in a variety of common formats: standard notation, tablature and fretboard charts.A Volume 1, Building a Foundation, only requires that the reader can play notes and simple chords. It presents basic skills necessary for improvising over chord progressions found in all types of music. Sample solos and progressions are included at the end of each chapter to practice. Whether you play bluegrass, rock, pop or jazz, this book will take your solos to the next level.A Includes access to online audio.
$17.99
16.42 €
#
Mandoline
#
Tommy Norris
#
Theory and Improvisation for the Modern Mandolinist, Volume 1
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Theory and Improvisation for the Modern Mandolinist, Volume 2
Mandoline
Jazz and Beyond. Composed by Tommy Norris. Technique, Theory and Reference. Style. E…
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Jazz and Beyond. Composed by Tommy Norris. Technique, Theory and Reference. Style. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30618MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118430.<br> <br> Theory and Improvisation for the Modern Mandolinist is a two book series that teaches improvisation in many musical styles along with theory concepts and how they apply to the mandolin. Each book provides access to different backing tracks and solo examples to help you learn. Every chapter includes scales presented in a variety of common formats: standard notation, tablature and fretboard charts. Volume 2, Jazz and Beyond will expand your knowledge of theory by teaching you advanced chords, scales, and progressions. Sample solos and progressions are included at the end of each chapter to practice with the recordings. When finished with this book, you should feel confident improvising over any chord progression, and have a great understanding of jazz theory and how it applies to the mandolin. Includes access to online audio.ISBN 9781619118430.<br> <br> Theory and Improvisation for the Modern Mandolinist is a two book series that teaches improvisation in many musical styles along with theory concepts and how they apply to the mandolin. Each book provides access to different backing tracks and solo examples to help you learn. Every chapter includes scales presented in a variety of common formats: standard notation, tablature and fretboard charts. Volume 2, Jazz and Beyond will expand your knowledge of theory by teaching you advanced chords, scales, and progressions. Sample solos and progressions are included at the end of each chapter to practice with the recordings. When finished with this book, you should feel confident improvising over any chord progression, and have a great understanding of jazz theory and how it applies to the mandolin. Includes access to online audio.
$22.99
20.98 €
#
Mandoline
#
Tommy Norris
#
Theory and Improvisation for the Modern Mandolinist, Volume 2
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Modern Mandolin Method Grade 1
Mandoline
Mandolin - Beginning - Digital Download Composed by Joe Carr. Country. Modern Method.…
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Mandolin - Beginning - Digital Download Composed by Joe Carr. Country. Modern Method. Bluegrass. E-book and online audio. 64 pages. Mel Bay Publications - Digital Sheet Music #21497BCDEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610659864.<br> <br> The mandolin is used in nearly every type of music today so it is a great choice of instrument whether you like jazz, folk, classical, country, bluegrass, rock, blues, Irish or many kinds of world music. Much of this music is available only in standard notation so that is where this book starts; TAB comes later. By learning the basic information presented in this volume, you will be prepared to approach any style. This book introduces the student to the instrument, explaining basics such as tuning and how to hold the instrument. The student is introduced to notes on each string and various left- and right-hand techniques. Chords, scales and arpeggios are introduced and students begin applying their new skills to real world repertoire in a variety of keys. 64 pages with access to online audio.ISBN 9781610659864.<br> <br> The mandolin is used in nearly every type of music today so it is a great choice of instrument whether you like jazz, folk, classical, country, bluegrass, rock, blues, Irish or many kinds of world music. Much of this music is available only in standard notation so that is where this book starts; TAB comes later. By learning the basic information presented in this volume, you will be prepared to approach any style. This book introduces the student to the instrument, explaining basics such as tuning and how to hold the instrument. The student is introduced to notes on each string and various left- and right-hand techniques. Chords, scales and arpeggios are introduced and students begin applying their new skills to real world repertoire in a variety of keys. 64 pages with access to online audio.
$12.99
11.86 €
#
Mandoline
#
Joe Carr
#
Modern Mandolin Method Grade 1
#
SheetMusicPlus
Mandolin Picking Tunes - Celtic Gems
Mandoline
Tunebooks. Celtic / Irish. Ebook and online audio. 53 pages. Mel Bay Publications - …
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Tunebooks. Celtic / Irish. Ebook and online audio. 53 pages. Mel Bay Publications - Digital Sheet Music #30920MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459400. 8.75x11.75 inches.<br> <br> This book contains 30 traditional to modern Celtic tunes arranged in either simple melodic lines with suggested accompaniment chords, or stand-alone melody/chord solos. From rollicking reels and jigs to tender ballads, these Celtic Gems will appeal to the intermediate to advanced mandolinist and their audiences. With a little imagination, the up-tempo melodic tunes could be effectively rendered with drums and electric bass a la Pentangle or Fairport Convention; conversely, three or four of the solo arrangements would provide a tasteful set within a mandolin recital. Take your pick! Presented in standard notation and tablature in mandolin and guitar-friendly keys, these settings provide a masterclass in 4-course instrumental arranging. The authors online recording of each piece is included with this stellar collection. Includes access to online audio.ISBN 9781513459400. 8.75x11.75 inches.<br> <br> This book contains 30 traditional to modern Celtic tunes arranged in either simple melodic lines with suggested accompaniment chords, or stand-alone melody/chord solos. From rollicking reels and jigs to tender ballads, these Celtic Gems will appeal to the intermediate to advanced mandolinist and their audiences. With a little imagination, the up-tempo melodic tunes could be effectively rendered with drums and electric bass a la Pentangle or Fairport Convention; conversely, three or four of the solo arrangements would provide a tasteful set within a mandolin recital. Take your pick! Presented in standard notation and tablature in mandolin and guitar-friendly keys, these settings provide a masterclass in 4-course instrumental arranging. The authors online recording of each piece is included with this stellar collection. Includes access to online audio.
$14.99
13.68 €
#
Mandoline
#
Mandolin Picking Tunes - Celtic Gems
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Airs for the Seasons by James Oswald
Mandoline
Arranged for Solo Mandolin. Composed by John Goodin. Solos and Duets. Style. E-book. M…
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Arranged for Solo Mandolin. Composed by John Goodin. Solos and Duets. Style. E-book. Mel Bay Publications - Digital Sheet Music #30743EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118416.<br> <br> Between 1755 and 1761 James Oswald composed and published two sets of 48 Airs for the Seasons, 96 pieces in all. Each air included from two to four separate movements in different time signatures and tempos, almost always in the same key. Each was printed on a single page with the melody on one staff and a bass line (with figures) on a second staff. Additionally, each piece was named after a plant and organized into groups of twelve for each season. This book contains a selection of 24 Oswald airs, 6 for each season, in standard notation and arranged for solo mandolin. Originally intended for the flute or violin, in most cases the original key has been changed to better accommodate the modern mandolin. Oswaldas Scottish heritage is evident in the number of movements that are actually slow airs, jigs, reels or menuets. Altogether, this is a delightful collection of 18th century melodies suitable for solo performance, teaching or private enjoyment.ISBN 9781619118416.<br> <br> Between 1755 and 1761 James Oswald composed and published two sets of 48 Airs for the Seasons, 96 pieces in all. Each air included from two to four separate movements in different time signatures and tempos, almost always in the same key. Each was printed on a single page with the melody on one staff and a bass line (with figures) on a second staff. Additionally, each piece was named after a plant and organized into groups of twelve for each season. This book contains a selection of 24 Oswald airs, 6 for each season, in standard notation and arranged for solo mandolin. Originally intended for the flute or violin, in most cases the original key has been changed to better accommodate the modern mandolin. Oswaldas Scottish heritage is evident in the number of movements that are actually slow airs, jigs, reels or menuets. Altogether, this is a delightful collection of 18th century melodies suitable for solo performance, teaching or private enjoyment.
$12.99
11.86 €
#
Mandoline
#
John Goodin
#
Airs for the Seasons by James Oswald
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Mandolin Chord Melody System
Mandoline
Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Pub…
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Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30502EB). - Ebook - Jazz, Improvising - Mel Bay Publications - Digital Sheet Music
ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.
$14.99
13.68 €
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Mandoline
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Aaron Weinstein
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Mandolin Chord Melody System
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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