ISBN 9781610652421.

The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds. The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in many musical styles, including;* Blues* Country* American folk * Latin-American* World music including South American, Eastern European and Asian * Odd meters (playing in a variety of time signatures)* New Age* Classical * Folk-RockIn short, the books are an encyclopedia of virtually every musical style, excluding jazz. Includes access to online audio.

ISBN 9781610659864.

The mandolin is used in nearly every type of music today so it is a great choice of instrument whether you like jazz, folk, classical, country, bluegrass, rock, blues, Irish or many kinds of world music. Much of this music is available only in standard notation so that is where this book starts; TAB comes later. By learning the basic information presented in this volume, you will be prepared to approach any style. This book introduces the student to the instrument, explaining basics such as tuning and how to hold the instrument. The student is introduced to notes on each string and various left- and right-hand techniques. Chords, scales and arpeggios are introduced and students begin applying their new skills to real world repertoire in a variety of keys. 64 pages with access to online audio.

ISBN 9781619118164.

Many great Scottish traditional tunes such as Flowres Of The Forrest can be traced back to the 17th centuryaa period when writing down tunes in manuscript collections for the lute was of high interest. Rob MacKillop has created very playable arrangements for the mandolin featuring 25 popular tunes from the Skene, Balcarres, Panmure and Straloch manuscripts. This is a wonderful collection of dance tunes and airs, most of which have not been available for the mandolin until now. The notation is in treble clef with tablature for GDAE tuning. Includes access to online audio featuring Rob Mackillopas performance of each piece. Get ready to explore a wonderful new take on old repertoire!

ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.

Caprice No. 4 for Mandolin (mandolin solo) MO158

Mandolin Solo

Music by Mark O?Connor

5 pages - 3:00 minutes in length



From the Thirty-Year Retrospective album notes; ?I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my childhood... ?Pickin? in the Wind,? the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn?t be in better hands.?

ISBN 9781610653800. This new manual, intended for beginners, contains all you need to begin playing authentic Irish jigs, reels, hornpipes and more on the mandolin. Starting with simple polkas and slides, 26 common session tunes are included. The tunes are all favorites allowing you to rapidly join the fun of session playing. A special section explains pick direction for authentic jig picking. Included are instructions on basic Irish ornamentation for reels and jigs. The accompanying online audio can be used for traditional by ear learning. Presented in mandolin tablature and standard musical notation. - Contains all you need to begin playing authentic Irish jigs, reels, hornpipes and more on the mandolin - Tunes are all favorites allowing you to rapidly join the fun of session playing - Special section explains pick direction for authentic jig picking - Includes instruction on basic Irish ornamentation.

ISBN 9781619114418. Mandolinists who wish to expand their improvisational vocabulary and spice up their rhythm accompaniment are invited to try some Jazz Mandolin Appetizers. This book and accompanying audio, prepared by chef Don Stiernberg, include a batch of etudes that address the challenges every improvising mandolinist faces. These include common issues such as selecting notes that sound good with chord progressions and finding them on the fretboard. In the first section, new melodies are presented for chord progressions that are often played at swing and jazz jam sessions. These tunes will benefit players of any style. Concepts are discussed at the beginning of each tune such as harmonic analysis and the effects of certain intervals (useful groups of tones). The tablature suggestsfingerings for the melodies. The chordal section shows how chords and progressions can be made more interesting by adding color, tension and movement. Chord substitution is also demonstrated. Working through this section will prepare the player with commonly played progressions and will expand their chord voicing vocabulary up and down the neck. Lastly, a study of chord-melody style playing is presented. Playing the melody and harmony at the same time yields full sounding solo arrangements. Don Stiernberg is a leading proponent of the jazz mandolin style. He has eight available recordings, performs coast to coast and abroad, writes a column for Mandolin Magazine and teaches at several mandolin events.

ISBN 9781609742669. This collection contains notation and tablature to 13 bluegrass mandolin tunes as recorded by Butch Baldassari on the SoundArt Recodings label (SAR-1252). Tunes are at intermediate to advanced level.

Take your blues playing to the next level with the MandolinBlues Book. A collection of 101blues riffs and solos ideal for all mandolinists looking to get a good grasp ofjamming the blues.

The book covers all the essential tools needed to playblues mandolin. Start by learning the 40stylistic riffs, then the 25 one and two bar blues riffs in multiple keys, andmove on to the longer 12 bar blues rhythm riffs and extended solos.

Most of the longer rhythm riffs and solos follow thestandard 12 bar blues form, so they are readily applicable to many genres,including country, rock, jazz, folk and bluegrass, to name a few.

To further deepen your mandolin skills, study themajor, minor, blues scales and arpeggios, as well as the library of mandolin chordsand blues chord progressions in all 12 keys.

No book covers everything, but with some practice, youwill be ready to take your mandolin, jam the blues with confidence, and showoff your new skills.

For free mandolin lessons, audio tracks and videos, pleasevisit my website:

http://www.brentrobitaille.com

or

Mandolin BluesBook - Kalymi Music (brentrobitaille.com)

ISBN 9781619114005. The American Mandolin Method is the new standard for mandolin instruction. Master teachers and performers of the mandolin, Brian Wicklund and Ben Winship have crafted Volume 2 of their series to be used both as a follow up to Volume 1 and for intermediate players who are already experienced with the mandolin. Using clear illustrations and lucid explanations, the authors review skills such as efficiently holding the mandolin, fretting, picking technique and creating good tone. Students learn techniques such as slides, hammer-ons, pull-offs, bar chords, chop chords and 7th chords while progressing step-by-step through over two dozen universally played jam tunes. The very listenable, high quality, extended length online audio recording available with the book allows students to play along with the tunes to simulate jamming. Also included are folded scale exercises, and common sense tips from the authors' long experience teaching and performing. Includes access to online audio.